Jackson Williams has already had an extraordinary career. He has toured the world doing what he loves, performed on national television, and worked with those that inspire him. He truly is one of the best dancers in the United Kingdom.
After performing on Simon Cowell’s The X Factor television show, Williams went on tour with the artists around the UK. He journeyed around Europe dancing for Whitney Houston, and went around the Eastern Hemisphere with Kylie Minogue and her Aphrodite Tour. Last year, he travelled all around, performing alongside Ellie Goulding’s Delirium World Tour. But what he says may be the most fun he ever has had on tour was for the celebrated boy band’s Take That 3 Tour.
“They were my favorite boy band growing up. I had posters. I had cassettes. I was young, and I would watch TV and they were in a boxing ring doing break dancing. I remember Take That. They hit the world by storm. They were like The Beatles 2.0. They still pack out stadiums for eight nights,” said Williams. “It was one of the most successful tours that have ever come into the UK. You are on stage with the best, and you can’t complain.”
The stadium tour was entirely indoors, and very theatrical. It allowed Williams to not just be a dancer, but a true performer as well. He went from a sea urchin, to a ninja, and then a barber. They incorporated a variety of styles when dancing, including contemporary, break dancing, puppetry, and even judo.
“There is so much to do when you do a show like this. The stage moves in a circle, the B stage goes up and down, it has ramps, the screens are some of the biggest screens you can get. The manpower is like 250 techies. It is the most creative virtual experience. It doesn’t matter if you are a kid or an adult, it is pleasing to the eye. My dad hates stuff like this, but he went and watched the Take That tour and said that was one of the best things he’d ever seen,” said Williams.
The 3 Tour was Williams’ third time touring with the band. The experience for him is particularly enjoyable because it is always the same people touring. Some of the people on the tour have been with the band for over fifteen years. The creative director and choreographer of the tour, Kim Gavin, has worked with Take That for the last 20 years and Williams says he has learned more from Gavin than he has with any other choreographer he has worked with.
“Some of the things Kim asks you to do you think is impossible and he wants it to happen, and it does, you adapt. He always pushes you to the limit. He is just a genius. When he tells you stuff, you think it will never happen, and then it comes alive and you are like how did that happen?” said Williams.
Gavin likes pushing Williams to his limits, and describes him as one of the most renowned dancers in the U.K., always in high demand, and says Williams was a critical factor of the success of the tour.
“Jackson backed the group up with extraordinarily skilled and distinct dance moves and incredibly energetic flow that gave the shows explosive energy. He completely stood out among the rest of the dancers as a leader in every routine, and helped the group captivate the masses with an unforgettable concert experience,” said Gavin. “Jackson was always able to pick up on choreography very quickly and was even able to recreate every dancer’s routine in the shows, and would consequentially step in as the replacement of any dancers who were absent and would perfectly execute these routines due to his diverse vocabulary of styles and ability to handle high pressure. He has an incredible audience connection and has shown a unique ability of bringing his own personality to the stage, and this has made Jackson invaluable to the reputation of the shows that keeps fans coming back for more.”
The audience connection is one of Williams’ favorite parts of touring with Take That. The screaming fans that have loved the band for decades create a high when dancing on stage that is contagious, and dancing alongside the same people that he has been for years is like being with a second family.
“I was dancing for the biggest boy band in the country that everyone loves and knows. If there is any tour I would want to do again, it would be with Take That. It is like putting the Piri Piri sauce on. It’s exciting. There is something about it. You never have a dull day. It always feels different,” said Williams. “Sometimes I wish I wasn’t in it; I wish I was out there watching it.”
One of the most unique and exhilarating nights of the tour involved doing a world exclusive in the cinema. There was a night doing a show at the O2 that streamed a live feed to cinemas all over the world.
“You aren’t just doing it for the people in theatre. You are doing it for 30 million people watching at the theatre,” said Williams. “There are cameras everywhere and people running around. You think about the safety of yourself and the band. We have birds flying around the sky with puppets, and we are dodging cables but the audience doesn’t see that, they see these beautiful birds. It was mental. It was hard work, but it was the best.”
Working side by side with his idols since childhood was a surreal experience for Williams. He was part of the choreography, and the band members would ask his opinion on how things should be in the show. Not many get to have their idols turn to them for advice.
“I know all their songs. I couldn’t help but sing along when I was dancing,” he said.
Williams has conquered the dance field in the United Kingdom. There is not much more he can do in his country that he has not already done, which is why he is heading to Vegas to dance in Channing Tatum’s Magic Mike Live after turning down the opportunity to tour once again with Take That’s tour this year. In his words, he is “ticking off the boxes” to a career of perfection.