All posts by Portia Leigh

Cinematographer Olesia Saveleva Strikes a Balance Between Art and Science

Olesia Saveleva
Cinematographer Olesia Saveleva tests the light on set of “Steady Eddie”

From the strategically selected cameras, lenses and lights to the composition, angles and the pacing of each shot, cinematography is both a science and an art. A great cinematographer knows how to weave the emotional elements of a story into a film’s visual language in a way that makes the audience feel something without even needing to hear the actors’ dialogue. One powerful woman who has made a name for herself as an extraordinarily talented cinematographer is Olesia Saveleva.

“I love the balance between art and science in being a cinematographer. I love working with cameras, I know I can be precise with settings. I just love the engineering part of it,” explains Saveleva. “The artistic part of it makes cinematography addictive. I love collaborating with a director to find different ways to convey emotions to the audience…. And when the audience reacts emotionally to what you’ve done, that is a pure satisfaction.”

With her increasingly impressive body of work Saveleva, who’s originally from Yekaterinburg, Russia, has carved out an impressive reputation for herself as a diversely skilled cinematographer in the U.S. and abroad. Some of the films she’s become known for recently include IFS Award nominee Jorge S. Pallas’ drama “In Girum Imus Nocte,” which won the Award of Recognition from the 2016 IndieFEST Film Awards, as well as the Diamond and Silver Awards from the LA Shorts Awards, the 2015 crime film “Brothers” with James McVan from the series “Britannia,” the dramatic film “Steady Eddie” starring Robert Daniel Sloan from the horror film “Sinister 2,” and more.

Prior to moving into filmmaking Saveleva, who attended the prestigious American Film Institute Conservatory where she received her M.F.A in cinematography, received her bachelor’s in economics and went into real estate, but the draw of the cinema was too strong to ignore.

Saveleva says, “When I started to make movies my life changed. I had an infinite interest in filmmaking. And cinematography was the main part of it… To be able to share people’s personal stories… to capture the right emotion with the right light through the right framing is fascinating.”

Immigrant Brothers
Poster for “Immigrant Brothers”

Earlier this year Saveleva was the cinematographer on the multi-award winning film “Immigrant Brothers,” which had its world premiere at the Atlantic City Cinefest earlier this month where Marlon Samuda, one of the film’s lead actors, earned a Best Actor Award. Directed by Nicholas Joseph Cunha, who won the LABRFF Award for the film “Red Souls,” “Immigrant Brothers” is heart-wrenching drama starring Samuda (“RomCom,” Above Suspicion”), Sean Babapulle from the comedy series “The Millionaires” and Orlando Pineda from the award-winning film “Summer with Alicia.”

The film follows three immigrants, all from different countries, who form a brotherly bond as they struggle to survive on the streets of Los Angeles. As each one chooses a different method to make money– with one of them begging for change on the corner and another stealing from people, the intensity of the film’s story is heightened by third boy’s decision to try prostitution. However, on the eve of his first night turning tricks his ‘brothers’ intervene and beat up his first customer, which enrages the pimp and ultimately leads one of them to be killed.

As the film’s cinematographer Saveleva created a powerful visual language with her use of the camera. Choosing to shoot the film in a 2.40:1 aspect ratio (widescreen), which drives the feeling of emptiness when one of the brothers is alone in the frame compared to when all three brothers are in the frame, which makes the shot feel complete, Saveleva’s strategic decisions in terms of the film’s composition were key to driving the emotional aspects of the story.

The other important thing to us was the angles we used. The characters situation worsens with the progression of the film and the camera angles become more dramatic,” Saveleva explains. “From eye level we go to extreme low angle and to extreme high angle. We either look down on them or we sit low with them and look up trying to make the audience feel in their shoes.”

Saveleva’s seasoned skill in the field definitely shines through in the touching story that “Immigrant Brothers” brings to the screen, something that is proven by the fact that the film took home the award for Best Drama Film from the European Cinematography Awards, in addition to being chosen as a Finalist at the Eurasia International Monthly Film Festival and an Official Selection of the  Sanctuary Cove International Film Festival.

For those in the UK, the film “The Perfect Dinner,” another one of Saveleva’s recent works as a cinematographer, is slated to premiere at St James’s Sussex Gardens on December 16 at 7:30 p.m. accompanied by the Notting Hill Film Orchestra. “The Perfect Dinner,” starring Casara Clark from the series “Thirtysomething” and “Trauma,” and Robert Rice from the series “Moms Anonymous,” is yet another one of Saveleva’s collaborations with director Jorge S. Pallas.

I am a director, but I worked as a cinematographer myself. So I have a strong visual style… Collaborating with Olesia we find new ways to tell my story better, she is like my second pair of eyes, she sees things differently and helps me see them too,” explains Pallas. “She is very creative. She knows without saying if I don’t like something and she comes up with a new solution right away.”

 

Actress Madalein Jackson May Look Like an Angel, but She Plays a Convincing Villain

Madalein Jackson
Australian actress Madalein Jackson

Actress Madalein Jackson began her career back home on the stages of Australia where she quickly became known for her ability to breathe life into diverse characters. Through her roles in high-profile theatre productions such as “Charlie and the Chocolate Factory,” “Oliver!,” Willy Russell’s “Our Day Out” and the Footlice Theatre Company’s popular “Grubble” series, where she took on multiple roles, Jackson carved out a reputation for herself as one leading actress who effortlessly commands the attention of her audience.

“I am quite versatile, and as a result I’m lucky to have not been typecast,” says Jackson. “I also think I have a pretty keen insight into human behaviour, which helps in effectively conveying emotions and reactions.”

Playing everything from the shy underdog Gertrude McFuzz in the hit production of “Seussical” to the psychotic Clytemnestra in Andrew Coates’ staging of “The Golden Masque of Agamemnon,” Jackson’s versatility has been a driving force in her career, and it’s one that has kept her working non-stop.

While she looks innocent, once she gets into character Madalein Jackson transforms completely, and that’s exactly what she did when she took on the cunning role of Caroline Bingley in YPT’s period drama “Pride & Prejudice.”

Jackson says, “Caroline Bingley is such a great, complex character. Playing the villain is always more interesting than playing the hero, and Caroline is no exception to that. Her motivation is her snobbery and greed, however I always imagined that she must have been damaged in some way in order for her to have such a deep reservoir of pain and hatred.”

In this classic Jane Austen novel adapted for the stage, the Bennet family works to marry off their two daughters Jane (played by Kelsie Allan) and Elizabeth (played by Katy Price) in order to ensure their continued wealth and societal status. While the wealthy Mr. Bingley (played by John Shearman) swoons over Jane, she does not reciprocate his feelings, but that doesn’t stop his sister Caroline (played by Jackson) from inviting Jane over in hopes of creating a bond and furthering her brother’s chances. However, when Caroline realizes the potential match between Elizabeth and Mr. Darcy, who she wants for herself, her attitude swiftly switches gears. Keeping her exterior composed, Caroline turns into a cunning villainous woman, planting seeds about Elizabeth’s shortcomings in order to boost her chances with Darcy, and Jackson played the part perfectly.

“Caroline mostly keeps her thoughts to herself in polite society, making everyone aware of her opinions purely through knowing looks, however when she is in private with her family she lets fly with contempt and vitriol! Playing someone so manipulative and antagonistic is hard work, but always wonderfully rewarding,” says Jackson.

Madalein has undoubtedly made name for herself in the theatre, but she’s no stranger to the big screen. In 2013 she took on a critical role in the family dramedy film “Wiener Dog Nationals,” which won the Audience Award and the Honors Award at the Newport Beach Film Festival in addition to being nominated for four Young Artist Awards.

Wiener Dog Nationals
Poster for Wiener Dog Nationals

Directed by Kevan Peterson (“Wiener Dog Internationals,” “The Super Holidays”), “Wiener Dog Nationals” follows a family who adopts a dachshund from a shelter and enters her into the nation’s most prestigious wiener dog race, Wienerschnitzel’s “Wiener Dog Nationals.” New to the world of wiener dog races, the family is met with a series of challenges caused by the leading wiener dog champion’s owner Ms. Merryweather and her assistant (played by Jackson), who take unscrupulous measures in order to ensure their dachshund remains the champion. Embodying her character’s cold nature and looking ever-fierce on screen, Madalein Jackson nails the mark as Ms. Merryweather’s assistant in the film.

Jackson says, “I loved the challenge of playing a villainous character in a family film; there had to be a balance between meanness and humour. The character was torn between supporting Ms. Merryweather and helping with her evil schemes, and struggling with working for such a cruel, mean employer. She knows what they are doing is wrong but feels she has to support her boss or face the consequences.”

Acting alongside award-winning actors Jason London (“Trafficked,” “All Roads Lead Home,” “The Rage: Carrie 2”), Alicia Witt (“Urban Legend,” “Dune,” “Cybill”) and Morgan Fairchild (“Days of Our Lives,” “Freaked,” “Flamingo Road”) Jackson definitely holds her own in the film.

Up next for this diversely talented actress is the film “All Our Yesterdays” from writer and director Emily Price. In the film Madalein Jackson will take on the starring role of Dianna, a successful young woman whose death is ruled a suicide, but she knows she was murdered and she’s out to prove it, even if she has to do it from the other side.   

 

AWARD-WINNING CINEMATOGRAPHER DEPICTS A WAR TORN FAMILY IN “LAST CALL”

Cinematographer Ruixi Gao can’t help herself sometimes, she is overwhelmed with ideas. This is the blessing and the curse of possessing a creative personality. It’s incredibly difficult to make a film so when you do, you want someone talented and driven like Ruixi to be among those enabling you to manifest your vision. This was the mindset of Zhipeng Xing, director of “Last Call” when he approached Gao to be the DP for this film. After receiving the script from Xing, Ruixi recalls, “I sat down and read it immediately. I think it is instinctual for many cinematographers, it most certainly is for me. I could see the scenes inside my mind as I read. The whole picture played out for me. I understood the lighting & the perspective of the camera in relation to the action. It’s exciting when you read a script for the first time and the film is playing in your head; I wish the audience could see it so quickly. That’s part of what motivates me as a DP; I see this wonderful movie and the desire is to bring that to life for others to witness.” Besides her obvious passion, Ruixi brings years of experience and talent to every production she is on. An emotional film like “Last Call” requires every bit of her sensitivity and expertise.

The relationship between Director and DP is commonly accepted as one of the closest working relationships in film. Each director has their own process and the cinematographer must be flexible to this to help said director achieve their vision for the story being told. “Last Call” director Zhipeng Xing prefers to focus on the actors instead of fixating on the framing of the scene in the lens. Rather than a shirking of responsibility, this was a result of Xing’s trust in Gao’s abilities and talent. This allowed Ruixi to communicate extensively with her team. Working with her Gaffer and Key Grip to establish the lighting plan, and framing with the PD, the effort was highly collaborative. Her plan used soft filters for imaging effects and a low-key style with warm and cool tones to control different emotions between war and home.

This story depicts war and its effect on family. The father and son are separated from the mother (& wife) who is still in war torn Iraq. They communicate via letters and a weekly Facetime. After one of the weekly family Facetime talks, the father is speaking with the mother after their son has gone to bed. Disturbing noises are heard and the signal is lost. A week goes by with no word from the family’s beloved wife/mother and they fear the worst. Unable to sleep from worry, on the morning of the son’s birthday, the husband hears a knock at the door. It could be the mother or a government official to announce her unfortunate death. The filmmakers do not reveal the answer, leaving it up to the viewer to decide what they think happened. The purpose of telling this tale is not to resolve it either way but rather for the viewer to contemplate the effect of war on real people with families. In the last scene, prior to the knock, the father receives a letter from his wife in which she states that she won’t make it to see them for their son’s birthday.  When the father reads this letter it’s impossible to not feel the pain of being separated by these circumstances. War is cruel, it makes people ache; it’s also what makes this film work and have such impact.

Ruixi was awarded two best cinematography award for this film: Best Cinematography Platinum Award WINNER at the LA Shorts Awards & Best Cinematography Gold Award WINNER at the NYC Indie Film Awards (the film also received multiple other awards at these festivals). Gao’s passionate disdain for war and its malevolent effect on people in many parts of the world moved her to dig deep in her abilities for “Last Call.” Edwin Beckenbach worked with Ruixi on the film and professes, “Ruixi brings with her the experience of an international woman to a domestic industry that has traditionally been dominated by men and is not known for inclusivity or diversity. Film as art is a powerful generator and amplifier of cultural values and perspectives and as such the addition of underrepresented voices, especially those as promising as Ruixi’s, can entertain as well contribute to the benefit of society overall. In an industry where many people place their image before their abilities and ‘fake it until they make it’, Ruixi is authentic to a fault and is singularly focused on the artistic and technical challenges of the job at hand. Her dedication to her craft and clarity of vision is a unifying motivator for the camera and lighting crew to perform to the best of its ability.”

For many viewers of the film the most heart-wrenching aspect of the story is the young boy’s difficulty in being separated from his mother. With the understanding that this character would have be both a catalyst and proxy for the audience, Gao took extra preparations including reading psychology books on working with young professionals and preparing props with stickers and colored tape to make them more enjoyable. Far from being the task of a normal DP, this type of approach in working with a young actor is indicative of Ruixi’s overall pattern of professionalism. By creating a positive and friendly atmosphere in a variety of ways she is able to get the best performance from everyone and thereby get the best shots with the camera, to say nothing of coming in ahead of schedule. While some prefer to stay in their “own world” Ruixi Gao feels that the images she wants to create allow us to see through the eyes and emotions of others, which is what “Last Call” is all about.

LastCall03

Following a Dream: Indian Photographer Akshay Kandi

As adults many of us, at least on occasion, put our passions and dreams on the back burner when it comes to pursuing our professional careers and opt for jobs that appear the most beneficial for our bank account. Luckily though, just because we chose a career at one point in our life it doesn’t mean we have to stick it out forever if it doesn’t make us happy. For many people this change can be an intimidating decision, but many have done it and most will tell you that while it took a leap of faith, the reward was worth it. One courageous individual who chose to leave his former career behind and pursue a path fueled by his passion is Indian photographer Akshay Kandi.

“I have a bachelors in computer science,” explained Akshay. “But later when my brother brought me a camera I started clicking. It was a hobby, but it became serious in my life and I take it seriously as my profession.”

Once Akshay made the definitive choice six years ago to divert his path away from computer science and devote himself fully to his work as a photographer, doors began to open and international success quickly followed. In the early stages of his career Akshay apprenticed for well-known Indian photographers such as Badri Narayan and Bharat Bhirangi, which helped him hone his craft, and later served as the lead photographer for Kamal Kiran Photography.

As Akshay’s personal body of work as a photographer grew audiences and magazines quickly began taking note and in 2012 one of his stunning images was included in Better Photography Magazine, which is not only one of the leading photography magazines in all of South Asia, but it is the No. 1 photography magazine in India. A huge accomplishment for Akshay at the time, having one of his images featured in the industry’s leading magazine definitely helped showcase his talent to future clients and the public at large.

Akshay Kandi
Photo by Akshay Kandi featured in Better Photography Magazine

From shooting collections for renowned Indian fashion designer Archana Rao, who is frequently featured in Vogue and won the prestigious Vogue India Fashion Fund Award, to product shots for Cleanse High, one of India’s leading juice detox programs, Akshay has since been tapped by an impressive range of high profile clientele to capture the images that sell their products.

“It feels exciting and I’m so happy,” said Akshay. “I don’t want to say that I’m lucky but I will say one thing that this has shown me is hard work pays off.”

Considering that a quick glance at an image holds the power to generate interest in a brand to a potential customer, the competition between the photographers a brand chooses to shoot their product is high; and the fact that so many have selected Akshay to capture their products says a lot about his talent and the aesthetic appeal of the images he creates.

Photographer Akshay Kandi
Frau Frau Clothing by Archana Rao shot by Akshay Kandi

In 2015 Akshay shot a series of images for Archana Rao’s label Frou Frou, which were used to market the label to the public, meaning Akshay’s shots made it into several magazines, in addition to being featured on the brand’s social media outlets. Akshay’s shots brilliantly captured the modern, upscale personality of the brand while drawing attention to the feminine essence of the collection in a way that appealed to the taste of Frau Frau shoppers. His expertise in lighting was an integral asset for this shoot in particular, especially when it came to capturing the clean, white glow of the clothing, such as the blouse featured above.  

His unique way of setting the stage in order to make the products he shoots stand out to viewers has been a huge draw for many of the companies that have continued to hire him over the years– something that can easily be seen in the images he created for Cleanse High, which were featured in WOW! Hyderabad Magazine.

Photographer Akshay Kandi
Cleanse High juice shit by Akshay Kandi

Photographer Akshay Kandi
Some of the other major clients Akshay has shot for over the years include luxury leather shoe brand VAPH, Vellanki Foods, an Indian food company that has stores across the U.S. and India, and most recently A.K.A designs, which designs helmets for the U.S. Navy, and many more.

Aside from his exceptional creativity behind the lens and seasoned skill when it comes to setting up each shot in a way that accentuates the subject, one of Akshay’s unique strengths is his versatility. His ability to tune into the vibe of the client, whether it be a clothing brand or food manufacturer, and represent that in his images have made him a strong force in the industry. This was incredibly important for his shoot for the U.S. Navy helmets designed by A.K.A Designs, for which Akshay travelled out of the studio and into the elements in order to find the perfect location to showcase the product.

Photographer Akshay Kandi
Images for A.K.A Designs shot by Akshay Kandi

“I wanted to show a rugged look in the pictures, because these products will be used by Navy officers. We needed to have a realistic look in the pictures, so we went uphill where there were rocks and the ground was full of sand,” explained Akshay. “And after the hard work we got some amazing pictures.”

In addition to being sought after to photograph products for brands across the globe, Akshay has also tapped into the world of on-set photography, making a name for himself with his work shooting promotional and BTS photos on the set of films such as Manikandan Mathivanan dramatic film “Fated” and Alessandra Romano’s “HER- Levels of Love.”

As with any creative career, since he first began Akshay Kandi’s photography has evolved in a myriad of ways, especially in terms of inspiration and the subjects he chooses to focus on.

“Now a days I’m concentrating on portraits and fashion, I’m trying to come out of my comfort zone and take up new challenges,” said Akshay. “I keep traveling to different places and looking at different people and trying to feel the emotions on their face. It gets more interesting clicking their portraits and trying to create some kind of story. Sometimes I feel very shy to go and click their portraits but I push myself to get that one amazing portrait, because once you lose it it never comes back.”

Photographer Akshay Kandi
“Allegory” by Akshay Kandi

 

Multi-talented Actor Swell Soubra Knows How to Make a Film Shine

Swell Soubra
Actor Swell Soubra at the 2017 Cannes Film Festival with the film “Alone”

The creativity and vulnerability of the actors in a film are tantamount to bringing a story to life on screen and drawing us in as an audience. Transforming words and creating a life to a character by incarnating them truthfully isn’t given to just any talent. The artistry of Swell Soubra as an actor is one of those rare talents that any director would just wish to cast in his film.  

Originally from Geneva, Switzerland Swell Soubra has become known for his performances in a vast array of films such as Frank Lopez’s (“Last Train Out”) “Three Kings Down,” Sam Macaroni’s (“Knight Rider 2016”) “Hunting Games,” Tekin Girgin’s (“Wash Away My Sin”) “The Incision,” Matt Hewes’ (“Grace Everlasting”) “I Am Tommy Talbot” and more. Soubra also turned heads recently with his critical performance in the premiere of season 4 of TNT’s hit series “The Last Ship,” which also stars Image Award nominee Charles Parnell from the film “Transformers: Age of Extinction.”

Last year Swell left a memorable mark on audiences with his starring performance as Gabriel in the poignant dramatic film “Alone.” Directed by Angelo Perrino (“Dirty Spaghetti,” “The Effect,” Lost Samurai”) “Alone” follows Swell’s character Gabriel and his girlfriend Ella, who’s played by Daniela Junko from the 2016 thriller film “Rough Mix,” a young couple trying to deal with the debilitating effects of chronic depression. When Ella is no longer able to get out of bed and the whole world seems as if it’s falling apart, Gabriel goes to great lengths to try and understand her condition and give her the support she needs– even it means ignoring his own demons.

Swell Soubra
Actor Swell Soubra at the Madrid International Film Festival with the film “Alone”

“Emphasizing the truth about depression was very important to me, because many people tend to push away individuals who are depressed and marginalize them as being lazy or always tired,” Swell explains. “My aim was to unfold the truth of that condition and ease its acceptance in society.”

And that is exactly what he did as the lead actor in the film.

“Alone” director Angelo Perrino says, “‘Discipline,’ I think that’s what describes Swell best. He will get you where you planned and bad surprises will be out of your way. Moreover, him being a former banker, he has a lot of contacts to invest in projects he believes in. And that is such a valuable asset to have on your side especially in the film industry.”

“Alone” did astonishingly well on the film festival circuit, being chosen as an Official Selection of the Madrid International Film Festival, IFS Beverly Hills Film Festival and screening at the prestigious Cannes Film Festival. The film won an award at the Madrid International Film Festival.

While Swell gives an emotionally raw and heart felt performance in the recently released film “Alone,” his role as Pierre in the 2014 dramatic crime film “The Incision” is the polar opposite– but it is one that provides incredible insight into his diverse talent as an actor. Bringing to the screen the chilling story of Pierre, a high profile entrepreneur who will stop at nothing in order to expand his organ trafficking business to the international level, “The Incision” is the kind of film that will make you question whether you really know the motives of the people around you, and much of that realization comes from the way Swell portrays his character.

Starring alongside John Asadi from the Golden Globe nominated series “Scandal,” Swell gave a knockout performance that sheds light on the inner workings of some of society’s most atrocious individuals.

The brilliant representation of his talent on screen, attracted a lot of interest from industry buyers, such as Direct TV and Netflix.

“The Incision” director Tekin Girgin says, “At an early stage Swell got involved in our film as a an actor. He was eager to rehearse as much as possible before the first shooting day. He would provide us with his best performance on every single take. It was amazing to see his creativity and improvisation skills in action. He allowed us to shoot within our time frame and promote our film internationally. His vision of how his character should be portrayed was very refreshing and a huge success.”

 

From Beauty Queen to Leading Lady On Screen

Actress Jane Kapriss
Actress Jane Kapriss shot by Bjoern Kommerell

 

It’s no secret that the media, and the general public for that matter, have a thing for beauty. We are mesmerized by beautiful things, places and of course, beautiful people. Ukrainian beauty Jane Kapriss seemed destined for the spotlight since a young age, and while she definitely achieved impressive success as a beauty queen, it’s her talent as an actress coupled with her stunning aesthete that has kept her in the public eye.

Over the years Jane has won countless beauty pageant titles such as the Miss Fashion Award at the Miss Teen International competition, Miss Pearl of the Ukraine from the Ukraine National Beauty Pageant, as well as being chosen as a top ten finalist at the Miss Teen World competition where she also took home the Brand Ambassador Award. But anyone who’s seen Jane’s performances as an actress, on both the screen and the stage, knows that she is much more than a pretty face.

Jane let us in on a funny story from her childhood, and it’s one that makes quite a bit of sense now, considering the career path she’s chosen. She recalls, “My parents still argue about my first word. In Russian the words ‘building crane’ and ‘movie screen’ are very similar. The difference is just the first letter. For some reason my first word was not mom or dad. My dad heard it as ‘building crane’ and he said it was a sign that I was gonna be an engineer. But my mom heard it as ‘movie screen’ and said that it was a sign that I was gonna be an actress. Now our friends who know the story say: well, we all know now what word she meant.”

Prior to moving the U.S. where her success has continued at record pace, Jane made a huge mark for herself Back home in Kiev, Ukraine with her lead role as Anastasiya in the 2008 comedy crime feature “Hand for Luck” aka “Ruka na Schaste.”

Since then Jane has become known for her stand-out performances in a plethora of films such as “Love Changes,” which was chosen as an Official Selection of the Odessa International Film Festival, Manhattan Film Festival and the Toronto Independent Film Festival, WIND International Film Festival Award winner Antonio Chavez Trejo’s (“Bloody Luck”) comedy crime film “Killer Tango,” as well as the film “Mac Daddy and the Lovers,” and the sequel “Mac Daddy’s Vegas Adventure,” which was released earlier this year.

Directed by Mac Jay, who plays the lead character Mac Giani, “Mac Daddy and the Lovers” follows the notorious Mac Daddy, a suave ladies man who seduces rich women and then robs them with the help of his two accomplices. While Mac Daddy doesn’t believe in love, his best friend Franco (played by Mario Novell) does; but unfortunately for Franco, his girlfriend Tina, played by Jane, is a ruthless gold digger who’s only with him for his money.

Jane says, “It was interesting. I personally disagree with her logic on so many levels so it was challenging and interesting to dive into her life to understand her and to be able to play her.”

Right before Franco is about to propose Tina dumps him for a wealthier man. Giving a knockout performance, Jane flawlessly breathes life into her conniving character making Tina an easy character to hate, one who also represents the reason Mac Daddy turned away from love in the first place.

After the successful release of “Mac Daddy and the Lovers,” which earned the Golden Reel Award from the Nevada International Film Festival in 2015, Jane was tapped once again to star in the sequel “Mac Daddy’s Vegas Adventure” where she acts alongside Madeleine Wade (“The Wolf of Wall Street,” “Sons of Anarchy”), Jacqui Holland (“My Best Friend’s Girl”) and C. Young Artist Award winner Thomas Howell (“The Outsiders,” “Girlfriends’ Guide to Divorce,” “Animal Kingdom”). This time Jane was cast in the critical role of Megan, and like the true chameleonic actress she is, she brings Megan to life in a way that it is so different from her character in the previous film that few could tell these characters are played by the same actress.

After finding love in the first film Mac Daddy takes himself out of the game, but when his accomplices continue his former racket without him in “Mac Daddy’s Vegas Adventure” Mac Daddy is forced to come to their rescue. After targeting the wrong woman and pissing off Vegas’ feared Italian mafia boss Alfieri (C. Thomas Howell), Mac Daddy’s accomplices find themselves in hot water. Realizing that his woman was susceptible to the con artists seduction tactics, Alfieri works out a deal with Mac Daddy to teach him his womanizing expertise in order to get a woman to really fall in love with him in exchange for sparing the life of his friend.

Jane’s character Megan comes onto the scene as the unassuming woman who Alfieri seduces into falling in love with him. “She shows that even the mafia lord can truly fall in love and second, that karma will find you no matter what,” says Jane about her character in the film.

While Jane Kapriss has made a name for herself on the big screen on an international scale, she is no stranger to the theatre. Over the years she’s performed starring roles in a number of productions across continents including “Dark Side of the Moon” at The Next Stage theatre in Los Angeles, “Something Outrageous” at the Michael Chekhov Theatre Company in New York, as well as “A Servant of Two Masters” and “Jonathan Livingston Seagull” in Ukraine.

It’s clear from Jane Kapriss’ impressive body of work over the past decade that her first word was without a doubt ‘movie screen’ and that’s exactly where she belongs.