Tag Archives: Music

Dancer Ivan Prokhiro talks dancing with Cher at the BBMAs

View More: http://wanderlustcreatives.pass.us/ivan-prokhiro2017
Ivan Prokhiro, photo by WanderlustCreatives

When Ivan Prokhiro was just five years old, he saw something that changed the course of his life forever. It was Michael Jackson’s hit music video for Smooth Criminal. At the time, watching the screen, captivated by Jackson’s ability to dance, Prokhiro made the decision that would determine his future. He wanted to be able to do what he saw on screen. He wanted to be a dancer, and he wanted to be on stage. That was his first inspiration, and since that moment, that is exactly what Prokhiro has done: dance.

Now, Prokhiro is an internationally renowned professional dancer, with an outstanding career. He danced on the summer and Halloween shows for Knotts Berry Farm, worked on E-Plus Productions New Year’s Eve shows two years in a row, was Erica Jayne’s back-up dancer in the Fort Lauderdale Pride Parade, and just this year he danced alongside pop-sensation Katy Perry at the Grammy’s one of the world’s largest stages. His talent is evident from the moment he steps on stage.

“I first met Ivan on a project I was assisting on. He was a dancer for a choreographer’s So You Think You Can Dance submission. Since then, I have had the pleasure of hiring Ivan for four productions including: two Hallowe’en spook-tacular’s for Thee Mistress of the Dark herself, Elvira. Elvira’s Asylum & Elvira’s Danse Macabre both at Knott’s Scary Farm were very well reviewed & received shows. In addition to theses, Ivan has performed in the summer circus show that has now run for two seasons at Knott’s Berry Farm, the Circus of Wonders,” said Melena Rounis. “It is such a pleasure to work with an artist like Ivan. He is so professional and hardworking, always willing to go the extra mile which is a choreographer’s dream! He is uninhibited and passionate about his craft and his work. Ivan takes great pride in everything he does and it shows in rehearsals transcending to the stage when he is in front of an audience. He has given so much to the many audience members in the multitude of shows he has performed in and had the opportunity to touch. I look forward to creating on and with him every time I have the opportunity. Ivan’s work ethic, focus and knowledge of various dance styles truly sets him apart from the masses. He is a quality artist and I am fortunate enough to have had the pleasure of working with him on so many diverse projects over the past couple years.”

photo1
Ivan Prokhiro, photo by Oleg Leshonok

Earlier this year, Prokhiro dazzled the world once again when he danced at the Billboard Music Awards with none other than Cher. The choreographer, Denise Faye, had previously met Prokhiro at an audition for a different show in Las Vegas. She remembered Prokhiro from that audition and asked him to be a part of the BBMA performance, knowing Cher needed to be accompanied by the best dancers possible.

“It was amazing to get so huge of a project without any auditions,” Prokhiro described. “It’s one of the biggest awards show. Also, it’s the greatest place to perform, the T-mobile Arena in Las Vegas. And, of course, to dance as a backup dancer for Cher is huge honor.”

The Billboard Music Awards premiere on May 21, 2017, and was watched by millions in America on ABC, and different stations around the world. The cast for Cher’s performance was seven boys and seven girls, but only two dancers were selected that were outside of Cher’s residency Vegas show. Prokhiro was one of them.

“It was a big responsibility to perform in front of this audience, which were mostly celebrities. A lot of cameras around made me excited and a little bit nervous. Working with Cher inspired me a lot. I saw her during rehearsals, she is a great example how humble and hardworking an artist should be. She is an icon of pop-industry, I learned a lot from our week of rehearsals,” said Prokhiro. “All my friends were so jealous.”

Prokhiro and the rest of the dancers accompanied Cher on her hit single “Believe” and were considered to be one of the best performances in the show. Prokhiro’s dancing was a large part of the success. He spent time studying Cher’s performances before the show, and went to her residency show in Las Vegas three times, saying once was not enough. Each time, he learned something new about how she worked.

“I was feeling a huge responsibility because I knew it was a live stream on TV. You do not have a chance to make any mistakes. You know that all eyes stare at you, and you need to be a star as Cher as an equal. I got a lot of feedbacks about this project. My friends and family watched this performance, some of them even didn’t know about it, and saw it randomly on television, which made it more exciting for them,” he said.

The performance was show stopping, and Prokhiro’s commitment and talent were evident to all who watched, as they are with every performance he does. There is no doubt why he has conquered the dancing industry in Russia, and is on his way to conquering the world.

Peter Lam’s musical genius wins Best Score Award for film ‘Lovebites’

When Peter Lam was a child, he, like most other children, loved movies. He would sneak into his parents’ movie collection, eager at any opportunity to experience a new film. However, unlike most children, who would be enthralled by what they saw on the screen, Lam was captivated by what he heard through the speakers.

Now, Lam is an internationally sought-after film composer. He has worked on countless successful projects, including the award-winning films The Ballerina, The Shoemaker, & His Apprentice, and (le) Rebound. He recently worked on the score for the TV movie Menendez: Blood Brothers, which premiered on Lifetime earlier this month, with over a million people tuning in to hear what he is capable of. However, what is perhaps the most celebrated film of his career is Lovebites, a 2015 animated film that catapulted Lam to the top of his field, being recognized as one of the best film composers to come out of Hong Kong in recent memory.

“I am always excited to work on animations. It’s a very imaginative genre and music often plays a big part in shaping the ‘sound world’ of the animated world. A composer often doesn’t come on board on a live-action film until the film has been shot. But in animation, I often start composing while the animation is still being developed or rendered alongside. The whole creative process feels very organic, hence it’s always fun to work on animations,” Lam described.

Lovebites is about the praying mantis Cecil, and tells the story of his first date. Lam’s music is vital for Lovebites, as the story is essentially told through music. It is an animated film with no dialogue and minimal sound effects, and the score runs continuously through the film from start to finish. Lam’s ability to capture the emotions of the two mantises is what makes the film so engaging.

“We bounced back and forth about musical ideas and the storyline, and when I started working on the project, I was presented with the initial character sketches and concept art. I scored the entire film based on the animatics (pre-rendered animation). In a way, the material I was working with then was not as detailed or delicate as the final product, but on the other hand, it offered me a bit more freedom for imagination, and encouraged me to be creative,” he described.

Stuck Truck Studios, the production company of Lovebites, had total trust in Lam’s creative decisions. Knowing they needed the best for a film that relies so heavily on the score, the team quickly invited Lam to be a part of the project after hearing samples of his work. Lam decided to create a score that only featured percussion and plucked instruments to create the quirky world of insects.

“Stuck Truck Studio encouraged me to think outside the box in order to create a colorful and quirky palette for this cute animation. It’s always fun to break away from conventions and experiment with new sounds,” said Lam. “I think the approach I used for the music gave the film a unique character, and I had a lot of fun experimenting with wild percussion sounds that, if not for this film, I would never have thought of using.”

This musical approach proved fruitful. After its premiere at the Original Narrative Festival in Dubai in February 2015, the film went on to see enormous success at film festivals around the world. That same year, it was an Official Selection at BFI Future Film Festival, Chile Monos International Animation Festival 2015, Athens Animfest, Tiltshift Festvial, 9th River Film Festival, Original Narrative Dubai, Reel Teal Film Festival, MICE Valencia, and the Vancouver International Film Festival. It went on to win the Audience Choice Award at the Melbourne International Animation Festival, and the Character Animation Award at the ANIMEX International Festival of Animation and Computer Games. Lam was personally recognized at the Short Sharp Film Festival Australia that year, winning the award for Best Score.

“Given that this was one of my first experiences in working with animations, I was very delighted to know that the film did so well in so many film festivals. Lovebites has been screened around the world and has set foot on almost every continent. I guess winning the Audience Choice Award at the Melbourne International Animation Festival and Best Score in Short Sharp Film Festival in Australia shows how effective my music can be,” said Lam.

After its success at so many film festivals, the film was later featured in the acclaimed animation website and channel CG Bros. It has amassed more than 4.2 million views (on YouTube since that time), making it a viral animation. None of this success would have been possible without Lam’s creative ear for the score, knowing its importance in telling the story. Agaki Bautista, the Art Director for Lovebites, believes Lam is one of the best film composers he has ever worked with.

Peter was always punctual in responding and we always felt comfortable having a dialogue with him. Communication was clear across all fronts. Peter is super receptive towards creative collaboration. We started off by sharing references and bouncing off ideas with each other and he was open throughout the process. It is rare to have the level of creative cooperation that we had with Peter,” said Bautista.

Lam’s talent is evident in everything he does. His work on Lovebites shows the world that his creative instincts are spot on, and he is exceptionally versatile. Be sure to check out his work in the upcoming animation film Slippages – Grace in IMAX later this year.

In the meantime, watch Lovebites here and let your eyes, and ears, capture the essence of the story with Lam’s work.

Bassist Yasutaka Nomura talks Smokey Lenses’ new highly-anticipated album

Yastuaka Nomura is lucky enough to love what he does. There is no “back to work grind” that so many face on a Sunday night for him, or dull days filled with no real feeling of accomplishment. His job gives him joy, a sense of purpose, and adrenaline rushes. That is the life of a professional musician.

Having worked with several bands, such as Mammoth, Squanky Kong, and Voodoo Kungfu, Nomura has worked on a wide variety of genres for a professional musician. He enjoys this, not wanting to pigeon-hole himself into one specific type of music. The guitarist and bassist is recognized for his undeniable versatility and talent, which is why when the Indie Rock/Alternative band Smokey Lenses was looking for a bassist, he knew he had to be a part of it.

“I wanted to work with Smokey Lenses because I liked the songs, but also because the music they play is something I usually don’t get to play, even though I always liked listening to that kind of music and I always wanted to play it with a band with original material. I was very excited when they asked me to play in the band,” said Nomura. “I usually don’t get to play the kind of music that Smokes Lenses plays so I was inspired to do a completely different musical approach than I usually do in my other projects. I was definitely a new challenge for me.”

Initially, Nomura had heard the band was looking for a new bass player for their album recording through his friend Aliyar Kinik, the drummer of Nomura’s band Mammoth. The band’s drummer needed a substitute and Kinik was filling in. He mentioned to the band that he new a good bassist, and after hearing Nomura, they knew they had to have him.

“Recording the album was great. We recorded total of 12 songs and I’m happy with all of them. The songs were already great before arranging but I think the work of the band is making the songs sound even better. I can’t wait for the album to be released and to listen to it,” said Nomura.

When recording the album, they did all the basic tracks live at once, with everyone in the same room. This is not a common way of recording. Because of using this style, the tracks have a lot of energy and organic feeling, according to Nomura. Recording like this allows there to be more energy, with better dynamics and conversation between each band member, just like a live show.

“It was awesome. I barely knew the band members at first but we got along very quickly. Everyone in the band was very easy to work with and fun people. We always had a great time at the recording sessions. I cannot wait to work with them again,” said Nomura.

The album is expected to be released later this summer, which is highly-anticipated due to the release of the first single Candle Glow, which was released May of last year. The single received positive reviews and was featured by popular music blogs like Speak Into My Good Eye, That New Jam, and Revolution Tunes.

Candle Glow is definitely one of my favorite songs from this album. It has a nice catchy melody and lyrics. I’m really happy with the recording too,” said Nomura. “The success it has seen since being released is great. We started off the album recording with this song. It was the first time I could even play with the band since our schedule didn’t match before the first recording session, but I think we were already locked in at the first session.”

As a guitarist and bassist, Nomura typically plays progressive rock, metal, funk, R&B, jazz, and fusion. He says progressive rock and metal require a lot of technique, with the sense of odd meters and solid timing. Funk and R&B require a nice 16th note time feel and a good sense of call. Jazz and Fusion require great skill with improvisation, nice swing, 16th note feel, pocket and of course sophisticated technique. The music that Smokey Lenses plays is far different from these genres. It doesn’t require either an amazing technique or the skill of improvisation but a good time feel/pocket on mostly 8th note beat, importantly the skill to stay on the groove and not overplay, technically speaking. Many musicians so familiar with other genres would have found themselves overplaying and not staying on the groove, which would interfere with the vocal melody. This was not the case for Nomura. He even tried to sing on everything he played on bass. His adaptability was appreciated by the band, who may not have been able to make the album or see the success that they say with Candle Glow without Nomura.

“Yasutaka is very professional and easy to work with. The work process went smoothly and he produced exceptional results. Yasutaka is a professional musician, so he understands the importance of being excellent at his craft and has a dense knowledge of music theory. He is respectful, focused, observant and learns extremely quickly,” said Singer and Guitarist Adam Oberst.

With talent like this, there is no doubt Nomura will continue to come through our speakers for years to come. Listen to Nomura’s work and Smokey Lenses’ song Candle Glow here.

Check out Nomura’s YouTube, Instagram, and Soundcloud to hear more.

Brazilian Event Producer Makes a Name for Himself in the U.S.

Today producer Sylvio Fagundes is known as the mastermind behind a long list of events. He’s not shy about his ambitions, admitting, “You have to take chances and risks in life if you want to make it to a place where you really want to be.”

A motto to live by that has clearly served him well, the Brazilian native has strategically used each and every one of the various roles that he’s taken on over the years in the event and media industries to build a dynamic foundation for his career as an event producer.

Fagundes began his journey as a journalist and photographer, covering events for the popular radio station Jovem Pan FM. Jovem Pan was something of a launch pad for him as it was there that he discovered his passion for music, but the call of event life was too great to ignore so when he was asked to go on tour with singer-songwriter Alex Band, best known for his work as lead singer of The Calling, Fagundes jumped on board.

The nine-city tour across Brazil was an unforgettable experience, and only further solidified Fagundes’s fascination with producing large-scale musical events.

“It motivated me to pursue a career as an event producer in the music industry”, he recalls.

After the tour, Fagundes was hired by Yahoo! as a staff photographer where he had the opportunity to photograph an extensive list of high profile concerts including Aerosmith, Bon Jovi, Gloria Gaynor, Diana Krall, Chris Brown, The Prodigy and Moby.

As his reputation as a sought after photographer in the industry grew, Fagundes continually found himself in the right place at the right time, allowing him to develop connections with prominent figures in the live event and public relations industries. Thanks to these connections, as well as his background in communications, media and journalism helped him build a strong foundation as an event producer, and in relatively no time at all Fagundes was working on monumental events like the 2011 Miss Universe beauty pageant, which was held in Sao Paulo, Brazil, and commemorated the event’s 60th anniversary.

Since then Sylvio Fagundes has also amassed an astonishing collection of producing credits for music festivals including Brazil’s first Lollapalooza edition, the 2012 Sao Paulo Live Music Rocks Festival featuring Maroon 5 and Keane, and the 2012 Pop Music Festival featuring Kelly Clarkson and Jennifer Lopez. He even had the opportunity to work on the production of rock and roll legend Sir Paul McCartney’s 2010 Up and Coming World tour.

After producing some of the largest and most notable events in Brazil, Fagundes moved to the U.S. to further his education in the music business at UCLA; but naturally, his proven track record of success caught the attention of those in the event industry in LA, which led him to assist in securing the talent the 2013 Los Angeles American Trend Vision Awards on behalf of leading cosmetics company Wella. The event, which featured music icon Blondie, was a rather synchronic development for the young event producer who by that time had barely been in the U.S. for a year.

A diehard concert lover even when he’s not at work, the first show he attended stateside as an audience member was Blondie.

“It felt like a full circle. I would have never imagined that the first concert I would help assist in the USA would also feature this artist,” admitted Fagundes.

In addition to music-based events, Fagundes’s skillset as an event producer has come to include producing film festivals and award shows like the 2013 Hollywood Brazilian Film Fest in Los Angeles and the Sao Paulo International Film Festival. But his list of production credits does not end there; in fact, it doesn’t seem like they end at all.

In addition to concerts, massive music festivals, film festivals and award shows Sylvio Fagundes has also produced street fairs, motorcycle rides and parades.

Fagundes currently works for Nuell Entertainment, where some of his recent production accomplishments include securing music from The Allman Brothers, ZZ Top, and The Wallflowers for GEICO national television campaigns as well as a nationwide celebrity image licensing campaign with Sebastian Professional and pop superstar Kesha to serve as the face of the “Rock Your Shaper” advertising campaign.

With his expertise in photography, journalism and public relations all blending together to give him an edge that sets him apart from other event producers, Fagundes’s diverse resume demonstrates that when a person is passionate about their work there is literally nothing they can’t accomplish.

(Pictured from left to right at MILK Studios : Sebastien Professional Prestige Brand Manager Becky Godlove (Sebastian/Wella/Nioxin Brands), Sebastian Professional Brand Manager Bailey Dyer, Education Director for Sebastian Professional Christina McCarver, singer-songwriter Kesha, P&G Salon Professional Education Director Carole Protat, Nuell Entertainment VP Global Partnerships Fred Sherman, Nuell Entertainment President Gary Nuell, Sylvio Fagundes.
(Pictured from left to right at MILK Studios : Sebastien Professional Prestige Brand Manager Becky Godlove (Sebastian/Wella/Nioxin Brands), Sebastian Professional Brand Manager Bailey Dyer, Education Director for Sebastian Professional Christina McCarver, singer-songwriter Kesha, P&G Salon Professional Education Director Carole Protat, Nuell Entertainment VP Global Partnerships Fred Sherman, Nuell Entertainment President Gary Nuell, Sylvio Fagundes.

DJ Kiraz, Bringing Female DJs into the Spotlight

Despite electronic dance music’s quantum leap in popularity in recent years, success for female DJs in the male-dominated industry has been scarce. But Swedish-born DJ Elin Ekdahl, known to most of the world as DJ Kiraz, has successfully carved a niche for herself in the EDM “boys club.”

EDM DJ
DJ Kiraz shot by Andy Thien

DJ Kiraz has played some of the biggest venues in the world such as ageHa in Tokyo and Exchange LA in Los Angeles. Though she’s established herself in the business, the well-travelled DJ is not content with her male counterparts dominating the dance music scene.

“I love seeing other female DJs killing it on stage,” Kiraz said. “I think we need to stick together and support each other more. We need to show that we can, and that we want to, be a part of it, too.”

Music has been a part of DJ Kiraz’ life for as long as she can remember. EDM became her favorite style of music when she was 13-years-old; but it wasn’t until she saw a female DJ take the stage at Club Atom in Tokyo that she wanted to learn the craft and become a DJ as well.

“I was so excited, as it was the first female DJ I had seen there,” Kiraz said. “However, her music selection was completely different from the club format, and she seemed to have a guy helping her out in the DJ booth.”

The experience filled her with determination. She recalled, “That’s when I knew I wanted to prove that girls are equally capable of being great DJs.”

Kiraz went back to Europe to learn the art of the club DJ. She studied under some of the most successful European DJs such as Swedish DJs Mikey Mic and Havin Zagross, and U.K. DJs John Taylor and Graeme Lloyd. Two years later she was on stage at the biggest clubs in Japan including Warehouse702, Club Asia and ageHa.

The gig at ageHa, Japan’s largest nightclub, took Kiraz’ career to new heights. The club’s 2,500-people main stage had been previously played by world-renowned DJs such as Armin van Buuren and Paul van Dyk. DJ Kiraz stood in their footsteps and shined.

“It was nerve wracking, but so much fun,” Kiraz said.

Kiraz has played all kinds of EDM from deep house to hardstyle. But trance has been her true passion.

“Trance makes me happy,” Kiraz said. “It makes sad. It gives me goosebumps. It makes me feel something.”

The loyalty to her joy has clearly served Kiraz well since her move to the U.S. She’s played alongside internationally renowned DJs Simon Patterson, Sean Tyas and Headhunterz at Exchange LA in the heart of Downtown L.A.’s thriving club scene.

The similarities between L.A. and Tokyo took DJ Kiraz by surprise.

“I was told that it would be so different and that I would need to change my style of DJing,” Kiraz said. “But honestly, if we are talking electronic music crowds, I don’t think that they are all that different. They all dance, they all rage and they all have a true passion for the music.”

Kiraz’ ability to heat up the dance floor all over the world has earned her a loyal fan base, too.

“There aren’t enough female DJs out there that can play the way that Elin can,” fan Kelly Sandgren said. “She really knows how to bring great energy to a set and I haven’t seen many other DJs, male or female, who can do it as well as she can.”

But DJ Kiraz’ gender has been just a small part of her story. Her time in the genre as both a fan and DJ, and her love of and loyalty to trance has earned her spots at major league clubs on both sides of the Pacific.

“My style of music is unique, especially for a female DJ,” Kiraz said. “I have a lot of experience in the industry, and I have been able to closely observe the evolution of electronic music from three completely opposite sides of the world for the last decade.”

Outside the club, DJ Kiraz has hosted her bi-monthly podcast on SoundCloud since October, 2013 at www.soundcloud.com/kiraz-1.

Sofar so good: Estefania Sequeira on the best-kept secret music movement

Ever wonder what it’s like to be one of the behind-the-scenes people in one of the most behind-the-scenes movements happening today?

Estefania Sequeira happens to be one of those very cool people. For the past few years now, Sequeira, an editor for film and music videos, has helped shape Sofar Sounds, an underground music event that’s spreading at the speed of, well, sound.

Sofar Sounds
      Estefania Sequeira capture the magic of a Sofar Sounds’ event

The movement’s formula is basic, but brilliant. Sofar Sounds brings together a group of people in a small space, for example someone’s backyard, living room or even a desolate barn out in the sticks, where attendees share the similar desire to listen to really, really good live music.

Whether it’s the result of social media and its lack of human contact, the quick and cheap downloadable tracks of our time that leave people craving real raw sound, or all those packed festivals that went on for days and days and days— for music lovers, Sofar Sounds is a grassroots breath of fresh air that offers the close-knit community experience that has been so hard to find in the modern age.

For those who have missed the global phenomenon to date, this isn’t your catchy Groupon gimmick. The story of how Sofar Sounds started is repeated just about every time the name is mentioned. This lends even more to its lore, which goes like this:

Sofar Sounds began in London in 2009, when three friends—Rafe Offer, Rocky Start and Dave Alexander—went to a pub to hear Friendly Fires, a band whose debut album the year before had cast them into success. But when these three music-loving friends got the chance to hear the amazing band—it was in front of an awful crowd.

Recalling that night, Sofar Sounds founder Rafe Offer, who is actually a Chicago native, tells the Wall Street Journal, “Rocky, Dave and I all could not believe that this superb band was playing their hearts out and yet half the room was busy talking about other things, fondling phones or clanging drinks.”

Of the guys, Dave Alexander was, himself, a musician, who invited a few friends over to his London flat to try out some of his new songs. The atmosphere at that event was so markedly different, and better, than the night at the pub that these guys decided to host another one just like it.

It didn’t take long for their idea to take off—and land overseas. One of the first major cities to latch on was San Francisco, where film editor Estefania Sequeira, a life-long music lover who earned her BFA in Motion Pictures and Television, helped firmly implement Sofar Sounds in the US.

Already making music videos, Estefania’s editing skills and knowledge of the area’s music culture made her the perfect person to translate the founders’ idea—which, remember, is meant to introduce good music beautifully.

In a way Estefania Sequeira jumpstarted Sofar Sounds SF using her background in editing to shoot and cut videos of the group’s events, among other things. “I’ve worn many different hats, as I’ve been very involved from the beginning stages,” Sequeira explains. “I was there in San Francisco when it was first starting out. I was the video production supervisor, as well as a videographer and editor. In Vancouver I took more of a leading role and managed the whole event while also being very involved in the video production.”

In addition to the San Francisco and Vancouver, Canada branches, she has also participated in some events in Costa Rica. Definitely a labor of love, Sofar Sounds requires a lot of amazing people to make these secret music events happen. Money has never been a big issue as the events are financed by attendee donations, which pay the production staff, including great talents like Estefania Sequeira, and also covers the cost of the beer, wine, and refreshments served.

Using cell phones and other recording devices is usually discouraged during the gigs, so having someone like Sequeira, a trained videographer and editor, there to record the acts and putting out excellent quality videos of Sofar concerts is incredible. Those videos will be the only chance most people ever get to see these gigs, since the number invited to attend is so low.

However, even though Sofar Sounds’ attendees are hand picked, it’s worth the effort and so much fun to try and gain acceptance. First go onto the Sofar Sounds website and sign up for the newsletter. Pick a city (again, with the popularity there’s bound to be one nearby) and fill out a brief survey. Yes, survey—to determine if you’ll be selected to attend.

The locations are kept secret until hours before. Even the performers’ names are not usually disclosed. For those invited to attend, they arrive and are guaranteed an unforgettable music experience. For those performing, it’s a chance to gain new fans as well as make contacts with other musicians. Sofar is about really cool people, like Estefania Sequeira, who love good music and want to hear it, rather than watch a mass of phone screens float in the darkness of a crowded club.

Sofar Sounds
                                       One of Sofar Sounds’ events in San Francisco shot by Estefania Sequeira

Half-Korean and half-Costa Rican, Estefania describes how the movement is universal at its core. She says, “I think people love how global it is. How you can experience the same event in different parts of the world. Also, both the musicians and the guests relate to the respect for music that Sofar Sounds represents.”

So what once was known as “Songs from a Room” has morphed into Sofar Sounds. And what once was a room in a London flat has grown into a worldwide movement.

Sequeira, who continues to also work full-time on her documentary films and music video projects as well as with the movement, says Sofar should never lose its essence, the closeness to the music and to others.

“People love Sofar Sounds because of how intimate it is and because of the music you’re able to discover through it,” she says. “It will always hold a special place in my heart. It’s a truly special community to be a part of.”

Saxophonist Gianni Vancini’s New Album Helps Audiences Get Their Groove On!

Gianni Vancini
Saxophonist Gianni Vancini

World-class saxophonist and touring musician Gianni Vancini has touched the hearts of audiences around the globe with his sweet and soulful sound.

Earlier this year Gianni Vancini released his sophomore solo album entitled Get Your Groove On, which garnered a huge response in both the U.S. and Italy. Pre-releasing the first single from the album, also entitled “Get Your Groove On”, Vancini knew the album would be a surefire success after the single was rated on The Smooth Jazz Network’s top 20 charts for the week of September 28, 2013.

With track listings like “Didn’t You Promise” featuring Selina Albright, and “Thinking About You” featuring American jazz musician Terry Wollman whose recent single “Mandela” spent five months on Billboard’s Top 20 reaching No. 1 on the Smooth Jazz Top 20 and No. 4 on the Billboard charts, Get Your Groove On gives audiences that mix of smooth jazz and R&B that Vancini is known for.

Accompanying Gianni Vancini’s masterful abilities on the saxophone, the album includes a long list of collaborations from internationally renowned artists like bassist Alex Al who spent the last decade as Michael Jackson’s bassist and keyboardist, guitarist Sheldon Reynolds of The Commodores and Earth, Wind, and Fire, keyboardist Greg Manning who is a three-time certified platinum producer for Universal Music Switzerland, and drummer Ricky Lawson who passed away last year and was known for his work with Whitney Houston, Michael Jackson and Eric Clapton.

Get Your Groove On serves as a testament to Gianni Vancini’s versatility as a musician with the overall album commingling elements of funk and pop alongside his classic jazz and R&B sound.

Over the course of his career, Vancini has developed a dedicated international fan following with audiences all over the world regularly turning to his music for an infusion of spark n’ step that helps them get their groove on.

While some of his most notable international performances include famous venues such as Sanremo, Italy’s Ariston Theater and Rome’s Il Gran Teatro, Gianni Vancini notes the Olympia in Paris, and the Casino Rama in Toronto, as his favorites.

“I love the Olympia for what it represents, and because it means that I am in Paris, a city I can help but love, and the Casino Rama because it has the most amazing acoustics,” explained Vancini.

The Olympia is known for showcasing the word’s top musicians, including Edith Piaf, Judy Garland, Tina Turner, Madonna, Janet Jackson, Björk, The Jackson 5, and many more household names.