Tag Archives: Music

Sijia Huang shows the importance of music in animation

When Sijia Huang animates a film, she sees herself almost like a choreographer. She aims to make every movement as seamless and fluid as possible, almost like an infinite tide. This is her priority with every project she takes on. She always ensures she has the perfect balance between tension and looseness, generating the ideal rhythm for all of her films. She does not limit herself to one type of animation, and as long as the audience is moved by her work, she is happy. It is this mantra that makes her one of China’s best animators, and why she is taking the industry by storm.

Huang’s style is evident in every one of her films and is perhaps best displayed in her award-winning film Hear No Evil, Speak No Evil, See No Evil, a film conveying the struggles of humanity. Since then, Huang has seen continued success. Quitting Brave Victory, a film about warrior who begins a journey to find his strongest opponent, has over 2.6 million views online. BoxHome, is a story of a couple who live in a box, went on to win several awards. Breakfast, a fun film about a child’s imagination, made its way to several prestigious international film festivals.

“As an animator, I work for a variety of fields including film, television and commercials. I animate characters based on designs and stories. I would like to say animators are like magicians who bring things to life,” she said.

Huang’s flair for animated choreography is exemplified in the collaborative film for the event Measures & Frames. A partnership between a group of filmmakers and a group of composers, Measures & Frames featured the internationally renowned Pendrecki String Quartet performing five pieces of contemporary classical music paired with original visuals projected against a three-screen display for an unforgettable pairing of image and sound.

Measures & Frames aimed to create a conversation between the pictures and the music. They made something more like a painting: a world that embodies a story-like idea or emotion. It’s an audio-visual experience that gives the audience a new entryway into the music. Suddenly, audiences see structure and form that we couldn’t see before. What seemed impenetrable and unfamiliar can suddenly become inviting and enjoyable, especially with a very conceptual, sophisticated piece like Arcadiana, the film that Huang worked on for the event, which was a main part of the entire production. Music is a large part of Huang’s life, and this project gave her the opportunity to showcase this passion. It was also her first opportunity to animate to the music of a strong quartet.

“I was so happy that I could be the animator for this project. It made me want to make more music related projects. If an opportunity comes up to work on a music video in the future, I will jump all over it,” she said.

When the Director of the project, Michael Patterson, was looking for an animator to bring such a unique film to fruition, he thought of Huang’s work on her film Hear No Evil, Speak No Evil, See No Evil and knew she was just who he needed, knowing she was capable of choreography, which was very important to Arcadiana. He invited her to take part, and she immediately said yes. Patterson is famous his work on the animation for the famous A-ha music video “Take on Me” as well as creating the characters Stray Mob and MC Skat Kat, who appeared in Paula Abdul’s music video “Opposites Attract”.

“Music is abstract and invites the audience in—the visuals have to do this too,” said Patterson when speaking of why Huang’s animation was vital to the project. “The multi-sensory experience invites the audience to understand the form of the music in an expanded way. If you’re depicting the music too literally, you’re limiting the freedom to personally engage.”

Huang designed the main character that was used in the film and did the stop-motion animation. At the beginning of the production, she wanted to shoot the animation using the down shooter with paper cut puppets. When she showed the director her work, he asked me if she could also try to animate another 2D version using After Effect. In order to create a more defined looking for the skeleton puppets, she used the latest character pin and created the dance for two skeletons. With each revision, Huang got closer and closer to their vision, until finally she achieved perfection.

“I had the opportunity to collaborate with Sijia on a project titled Measures & Frames Sijia created the portion of the show that featured two skeletons dancing with one another. This part of the production was crucial to Measures & Frames, and Sijia was the only animator capable of combing choreography and animation to make our vision a reality. Her mastery of a variety of animation techniques made her indispensable to the project. Specifically, her utilization of Adobe After Effects, a digital visual effects, motion graphics, and compositing post-production application, was key to finishing the animation on the project. Sijia’s high skill level in using the latest animation techniques, as well as her remarkable versatility and distinct style, vastly elevated the visual portion of Measures & Frames,” said Michael Patterson, Grammy Award-winning filmmaker and Director, specializing in TV spots and music videos.

Huang stands by famous composer Veronika Krausas, who once said, “For some audiences not familiar with new music and it’s their first time hearing not one but five new works, it’s tough. I think that the added dimension of the video helps smooth that out a bit. This is a way for audiences to actually experience the music more and become more familiar with it. The video helps acclimatize people to the sounds, and then they’re more able to appreciate them.”

Those who attended Measures & Frames on March 28th, 2015, were wildly impressed with both Huang’s animation and the event as a whole. Experiencing music in a visual way was captivating, and Huang thinks it is of great importance.

“If the diverse crowd that delivered a standing ovation at the evening’s conclusion is any indication, this type of visual music experience has opened the doors of classical composition to a newer, younger crowd than the form has seen in quite some time,” Huang concluded.

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Canadian Music Week casts artists in new light with help of influencer Ashley Bruzas

When Digital Writer and Content Producer, Ashley Bruzas, looks back on her life, she cannot ever remember a time where writing was not a main component of her deepest inner passions. As a child, she recalls her mother and father encouraging her to send hand written letters to her family members, praising her for her adept ability to articulate and for the way in which she used her extensive vocabulary to express herself in an interesting way. From then on, she made a personal point of ensuring that she made full use of the resources within her reach to be able to establish well-rounded, educated points of view. For Bruzas, it was always important to embrace the historical, cultural, and personal differences of the world around her and to celebrate these variations through the stories she tells.

“I have always had a passion for writing and I have been able to use my writing and journalism background to assist me with a number of different positions that have required my skills as a writer and digital content producer. Of course, digital writing involves writing content such as news stories, editorials, opinion pieces, blogs, etc., that are published in a digital environment and that can be accessed through digital devices and online platforms that require the internet to be searched, shared, commented on, and more. It is essentially the same as a content producer; however, you are working alongside others to bring life to new ideas and create unique content that is ultimately shared across different mediums,” stated Bruzas.

One of the most essential qualities that Bruzas has developed thus far in her career is her ability to maximize her versatility at all times, be that through her skill set, her range of job opportunities, her collaboration with influential brands, and more. In fact, her versatility is undoubtably the reason that she has successfully branched out into various inherently different, yet interrelated fields. For instance, throughout her career, Bruzas has utilized her journalism skills and techniques to work for the Toronto Observer in both a print and digital fashion. In addition, she uses her online presence to obtain viewership on her prosperous lifestyle blog, WhoIsVeronika.com, as well as to earn a substantial following on other various social media platforms such as Instagram and Snapchat. When Bruzas sets her mind on something, she stops just short of nothing to not only achieve it, but to do so while exceeding all expectations of those around her. This is why, earlier on in 2017, she managed to earn herself a position working at CIUT 89.5FM, writing on air announcements, station advertisements, organizing shows, and running the control board, as well as organizing large-scale initiatives such as Canadian Music Week 2017.

For Bruzas, working at CIUT 89.5FM meant so much more than expanding upon her skill set in the field of radio journalism. It was an opportunity to explore one of the oldest forms of journalism, whilst excelling in her area of expertise: connecting with niche audiences and sharing information on a digital platform that requires elements of content production. Her in-depth understanding of how to interact through the use of social media allowed her to help CIUT 89.5FM reach audiences in ways they hadn’t ever imagined before she came on board. This, paired with her dexterity as a journalist lead to her leaving a lasting mark on the station and its counterparts. They were fortunate to have such an accomplished member on board and shared in the sentiments that she has received from previous co-workers throughout her professional career in terms of applauding her versatility and commending her unprecedented work ethic. Imad Elsheikh, for instance, who has worked with Bruzas on a number of occasions through creative agency, PIQUE, and highly esteemed brand, MooseKnuckles, celebrates her versatility and similar to those who worked with Bruzas at CIUT 89.5FM, found her to be instrumental to the success of the initiatives she shared her expertise on.

“The best word to describe Ashley would be versatile. She is able to integrate many skills, like pitching ideas, writing, interviewing, working with people, understanding target demographics and creating a final product that combines all of the elements that are needed to create original content that can be shared. She has appeared both in front of and behind the camera and delivers on her work promptly, working around the clock and with others to make sure there is a common objective for everyone on board. I have yet to work with Ashley on a project that was not well received and imitated by others in the realm of social media and content/writing,” noted Elsheikh.

Working at CIUT 98.5FM meant writing content for a terrestrial range of more than 8 million people. Bruzas, with a personal following of over 85,000 people, was the ideal candidate for the job due to her understanding of interacting with and appealing to a large audience. She went above and beyond the call of duty in order to introduce new artists, segments, stories, and news happening in Toronto that would be relevant to the station’s target audience, and demographic that she had a strong foundational understanding about from her previous work history. She is a natural-born connector and has a profound ability to inspire others to join in her efforts to celebrate the undiscovered talents and skill sets of individuals all over the globe. When she worked on the Canadian Music Week 2017 project, in particular, she took great pride in increasing awareness of the station and bringing together artists and listeners who would find value in experiencing the programs she created. In the process, she was thrilled to be able to brush up upon her skills as an interviewer, communicator, writer, radio host, editor, and content producer.

In all, working for CIUT 98.5FM and coordinating top projects like their Canadian Music Week 2017 helped reinforce the fact that Bruzas is equipped with a rare skill set and one which she maximizes the use of on a continual basis. She takes great pride in knowing that she helps to inform and inspire through the content that she generates and she hopes to be able to continue to do so for the remainder of her career. In the long term, she endeavors to use her platform as a journalist and a digital writer to give a voice to the voiceless in our society and raise awareness about uncovered issues across the globe. In the meantime, she continues to build her online presence and tell compelling stories to all that will listen. Check out her blog for a better idea: WhoIsVeronika.com.

 

Photo by Pat Moore

Calvin Khurniawan perfectly captures loneliness in heartbreak in Andrew Belle’s “Down”

Calvin Khurniawan believes a cinematographer’s job is much like that of a comic book artist. Both roles involve how a story is seen; they don’t write the story, but they take on the visual stimulation for audiences and readers. They add to what is originally written, and decide exactly the best way to show the story they are given. Such a unique way of looking at his job is how Khurniawan sets himself apart from other cinematographers; he can look through the lens of a camera and find the perfect and most distinctive way to capture a scene. It is what makes him so sought-after, and why he is currently one of the best Indonesian cinematographers.

 “A lot like acting, cinematographers react to actors’ inner unconsciousness by utilizing camera elements such as composition and lighting. Similar to editing, we choreograph how a scene unfolds by dictating where the audience’s eyes should look,” he said.

Earlier this year, Khurniawan worked on the viral music video “Down” by Andrew Belle. The video premiered on “Paper Magazine” in June. From there, it went on to be a “Nowness Staff Pick” and a “Vimeo Staff Pick”, amassing over one hundred thousand views on YouTube alone. The cinematography was key to such success, as it connected to aspects of the video in an artistic and meaningful way.

“It’s been delightful to hear how much people like the video. I think the biggest compliment came from the people who responded emotionally to the choreography because the cinematography is built around it,” said Khurniawan.

The choreography is what tells the story and emotions in the video, and therefore required talented dancers that Khurniawan could work with to do just that. Eventually, they found Dassy Lee from So You Think You Can Dance 2017. Together, the cinematographer and the dancers perfectly portray the loneliness in heartbreak.

The cinematographer’s input was valued for every step of the production process. Before the concept was finalized, he would create storyboards for his shots and present them to the Director, Joshua Kang, giving an expert’s opinion as to how each shot could be framed. He would then sit down with the director and the dancers to converse about what he thought would work for the video, as he knows good ideas mean nothing if they can’t be executed properly. He knew there was more to the video than dancers against a pretty background. He wanted to do more with the camera and reacted to the choreography, asking the dancers how they were feeling emotionally and designing the frames based on that. Such a unique and dedicated take was vastly appreciated by Kang.

Andrew Belle Down. Joshua Kang and Calvin Khurniawan. Photo by Kiu Kayee
Joshua Kang and Calvin Khurniawan filming “Down”, photo by Kiu Kayee

“I love working with Calvin because he is always prepared for every project. When I show him a treatment for a project in pre-production, he brings in various different ideas on how the look for the project could be, and what he thinks would be the best within the given circumstances. Having visual discussions with Calvin before the shoot always makes the job of the day easier for everyone on set. He is someone I want on set. Not only is he kind and respectful to everyone on set, he has great set skills. Working with Calvin, I trust him and his camera crew to have everything prepared and ready to shoot on time. He’s helpful in post-production. Calvin keeps in mind how the visuals will look like in post when he shoots. When we’re sitting in a color session, he gives inputs on how the color can be corrected in the best possible way. Having a director of photography like Calvin that cares about the project until it is completely finished makes him professional and reliable,” said Kang.

Initially, Kang approached Khurniawan to work on the video. The director had seen his work and was immensely impressed. Khurniawan was interested in the project before knowing that it was for Andrew Belle, and upon hearing the artist he was immediately on board, as he was already a fan.

“Imagine getting a call to work on a music video with one of your favorites artist. It was the quickest decision I’ve ever made for a job,” Khurniawan said.

While working on the video, the ideas changed frequently, as everyone wanted to ensure it was the best it could possibly be. From a cinematography standpoint, this can create challenges, but Khurniawan never let that faze him. He was happy to work diligently to make everything effortless for those that worked alongside him. The dancers, Dassy and Jordan, were immensely appreciative of Khurniawan’s dedication to the project. He perfectly showcased their vast talent while still creating a telling and poetic video.

“This is by far my favorite collaboration for a project. Joshua, the director, liked keeping a small crew and resulted a more intimate crew. We communicated easily between one another compared to having a big crew. Dassy and Jordan presented their choreography early to us then we design everything based off the choreography. Our approach is based on the choreography really, because we wanted it to be the center of the attention. My job as the cinematographer is to fully reflect on how they’re telling the story and emotion through the movements. I thought it was an interesting approach to music video,” Khurniawan concluded.

You can watch the “Down” music video here and see just how talented of a cinematographer Khurniawan is.

 

Top photo – Joshua Kang and Calvin Khurniawan, photo by Kiu Kayee

Music Producer Lhast is genius behind hit song “Do You No Wrong”

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Rafael “Lhast” Alves

Rafael Alves has always known music was his passion. Even when he was just a child, the beat of a song was more captivating to him than a fairy tale. At a young age, he began playing piano, knowing that he was destined to create music in his future. Now, that is exactly what he is doing. Known as Lhast in his home country of Portugal and around the world, he is one of his country’s most in demand music producers.

Throughout his esteemed career, Lhast has worked on several chart-topping songs. His work on Diogo Picarra’s hit song “Historia” received a gold record for its sales, and the song itself has over seven million views on YouTube alone. A similar pattern followed on the songs “Tarzan” by Regula and “As Coisas” by Valas, who was actually nominated for Best New Artist at the New Era Awards because of the success of the song. Many thanks Lhast’s producing skills on their success. The artist Dillaz, who worked with Lhast on the popular song “Arena” believes that the producer is one of a kind.

“Besides the great knowledge and technical ability Rafael has, working with him is a very freeing process, where creativity is encouraged to the max. I feel he brings out the best in me and encourages me to try some things that wouldn’t be a part of my normal process. Besides that, the communication is always very open and I feel we can address any issue very easily with no major complication,” said Dillaz. “I think he’s knowledgeable about the whole song making process, and has a sense of simplicity and open mindedness in the song making process that make him a few steps ahead of the rest. Also, he seems to find the compositions that fit not only me, but many artists. I think he can tune his vibe to the artist he’s working with, and that makes him very versatile.”

Despite all of the aforementioned success, the highlight of Lhast’s formidable career was working on the song “Do You No Wrong” by Richie Campbell. Initially, he just wanted to work on the song as an opportunity to work with Richie Campbell, but he did not expect the vast success that would come from the collaboration.

Since its release on May 4 of last year, “Do You No Wrong” received a Platinum Record Award for over 15,000. It was nominated for a Portuguese Golden Globe and was performed at the award ceremony earlier this year. It still plays on the radio frequently in Portugal, and Lhast never gets tired of hearing it.

“I felt great the first time I heard it on the radio. It was amazing to hear it there. I’ve had songs play there before but this one played was different. It felt really good that a lot of people were enjoying hearing my music,” said Lhast.

The song was an idea of Lhast, who had already created the instrumental for the track with Campbell in mind. The two have known each other for many years but had never collaborated. Lhast is known for his work in hip hop and R&B, whereas Campbell is more of a reggae singer. Initially, working together with such different styles never occurred to them. However, when Lhast created the music for what he wanted to be a love song, he thought of Campbell. Campbell immediately became captivated by Lhast’s work, and wrote all of the lyrics in a short time. Once this was done, the two started to work together on the arrangement and technical aspects, wanting to make the best possible track. They even discussed how the song would be released and how they would make the video.

After finally having the opportunity to work with his friends after many years, everyone made the most of it. The success of the song was just the cherry on top to a great experience for Lhast. They were all able to work together seamlessly. The understood each other’s experience and valued their input. Working on the song was a relaxing project and a good time. Overall, for the music producer, the song meant a lot more than just a simple project. It changed all of their lives, especially his.

“This song was really an amazing moment. Everyone seems to love the song; kids love it, my mother loves it, all my family enjoyed the song and that was a really good moment for me. I have always done music that people in my age group related to, but to have a song touch so many people in different spectrum was really just amazing,” he said.

Needless to say, without Lhast’s producing talents “Do You No Wrong” could never have achieved what it did. The track was his idea, with his instrumental being the basic concept. Without him, there would be no song at all.

Now, the producer is working on many more tracks that will appeal to all ages. Listeners not just in Portugal have the opportunity to listen to his sound, and it is highly encouraged. He is truly one of the best, and any looking to follow in his footsteps should know that it is not only talent, but hard work that makes him extraordinary.

“You have to enjoy the process. Work every day, and have people around you that are in the same mindset, and if possible, in the same area. Understand everything takes time, but you should learn to cherish the small victories, they will keep you going. I think a lot of producers feel they need to work towards a big break, but I think you’re always working for small breaks and that’s what keeps you moving. Once you get to that one ‘big break’ it won’t look so big because you know the work you have put to it, so it’s just another reward for your consistency,” he concluded.

Min He communicates through her extraordinary compositions

William Shakespeare once said, “when words fail, music speaks.” It is a universal language with the power to change lives, to evoke emotion, and to allow human beings to connect with each other on the deepest level. For renowned composer, Min He, it is a language she speaks fluently. She is one with her music and her compositions are profound. When audiences listen to He’s work, they hear far more than an arrangement of notes and chords. They hear her passion, her expertise, and her extraordinary ability to connect the world through her music.

“I love composing because I like being creative. I have so many things to say to this world, whether it’s my feelings, my thoughts, or my imaginations. For me, being a composer is an opportunity to capture my emotions, to write them down, and then to share them with my audiences. It is a bridge that connects me with the world and it is the most wonderful form of communication that I can think of,” tells He.

Through He’s unwavering desire to compose, she has built a career unlike most. The award-winning composer has acquired experience from a variety of different projects and she is well versed in studying a script and determining how best to bring it to life with her music. Whether she’s scoring or orchestrating, she has an unprecedented affinity for creating unique sound arrangements and she is an invaluable member of any team she works with. She has a vast amount of experience, composing for films like Princess Eun Hwa, Sanjiang Dream, and Jin Zhi Xi Yan (No Smoking).

 One of the many things that sets He above her competition is her diverse understanding of the art of music and her willingness to experiment composing for different genres and mediums wherever possible. For instance, in 2014, He was approached by game designer Zi Li about composing for the video game, Dissonance, and due to her love for video games and her passion to expand her knowledge in the arts and entertainment industry, He eagerly accepted. The success she earned from Dissonance, however, was the reason she was later approached by designer Jack Cai about lending her talents to his game Pursuit of Light 2 in 2015. Cai had heard of He’s reputation, sampled her work in Dissonance, and knew that he needed He to take his game to the next level.

When He composes for a video game, she begins by speaking with the game designer about the type of feel that he or she hopes to communicate in the game. She then requests a cue sheet with the designer’s vision for each piece. This is where He’s magic begins. She carefully and considerately reads through the designer’s ideas and determines how best to translate these ideas into scored scenes. Once she has developed her composition, she vigorously edits through it to ensure that presents the designer with nothing but the highest quality composition. She then allows the designer to review and make any changes necessary.

Due to the fact that He has such a vast understanding of her profession and an unparalleled creative edge, she is often trusted with taking full creative authority over the process. In rare cases, where designers are skeptical about stepping outside of their comfort zones, He uses her professionalism and work ethic to communicate their options and to make sure that they are getting the best result for their project. For instance, when He worked with Li on Dissonance, she was asked to write dark and depressing music to keep with the mood of the game’s storyline. He, knowing Li’s vision for the game, was certain that there was some leeway to dive deeper into the player’s emotions and create a more dynamic score. When she suggested adding elements of hope and brightness to the composition, Li was hesitant. He proactively decided to craft two separate pieces, one keeping with Li’s vision and one demonstrating He’s ideas. Upon reviewing the two compositions, Li realized that He was right and loved the result.

“Working with Min was a wonderful journey. She has phenomenal ideas when it comes to making music and more importantly, her sound is unique and she is innovative beyond measure. On top of that, she is so gifted and hard working. Her love for video games also helps to make her music fit with the game. She just knows what will work best for the project at hand and I am glad I was able to work with her,” states Li.

He becomes instrumental to any project she works on and is often showered with praise and recognition for her efforts. She has received a number of awards for her work. Dissonance, for instance, won the Indie Prize for Best Innovative Game 2015 and The Experimental Game Showcase at the Out of Index Festival. Pursuit of Light 2, on the other hand, won the CGWR SINA Award for Best Indie Mobile Game of the Year. For He, receiving recognition for her work is fulfilling, but the true joy of her job comes when she hears what her audience or the players of her video games have to say about her work.

“One of the greatest joys about my career lies in the way that people receive my music. They truly love it and they actively look to hear more. After Pursuit of Light 2 was released, I saw reviews from players left on the Apple Store and they were all talking about my music, saying how beautiful and enjoyable it was. In that moment, when I was reading those reviews from absolute strangers, I felt truly loved and it was the highlight of my career,” He recalls.

In future, He hopes to continue creating beautiful compositions to share with the world. Professionally, she aims to work with more talented and prestigious movie and television directors, as well as game designers. Personally, she is bursting at the seams with inspiration to compose even greater works than she has already created. For He, composing is more than a job. It is her creative outlet and she is always ready to try something new.

Kurt Szul blows away City of Los Angeles for Italian Heritage Day

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Kurt Szul

Kurt Szul is a firm believer that in this life, “you get back what you put in.” Working in a field as cutthroat and unpredictable as the music industry, he understands the reality of this motto better than most. Not only does he know the level of dedication and hard work required to stay on top of his competition, he makes it look effortless. His success is largely based on his unprecedented drive; however, it is perhaps his versatility that has earned him a profound reputation amongst some of the best artists in the world.

Szul’s background in jazz music allowed him to master other genres with ease; however, his talents extend far beyond his natural affinity for composing and playing music. He is also a seasoned businessman with a wide range of experience managing and promoting bands. He has an aptitude for preparing music, organizing musicians, rehearsing bands, creating concepts for projects, and ensuring that any band he manages are well prepared to exceed their goals. Beyond managing bands, Szul can be credited with inventing, pioneering, and co-building one of the first and only Nine String Guitars at the young age of 18.

In 2015, Szul shared his talents with Los Angeles’ Italian community when he performed at Los Angeles City Hall Chambers Ceremony for their Italian Heritage Day. The city’s primary contact when looking for an artist, Janet DeMay, was tasked with securing a band to play at the event. Given her prominence in the Italian community, she was determined to acquire a seasoned professional to ensure that Italian Heritage Day was equipped with the highest quality performance possible. DeMay was already aware of Szul’s reputation in the industry and knew that he would be the perfect addition to the event. When she approached him about the possibility of having him perform for the city of Los Angeles, Szul couldn’t resist saying yes.

Szul, who has ample experience performing for high calibre events, knew of the hard work that would need to go into preparing Italian Heritage Day and took careful consideration to guarantee that the session would be a hit. For Szul, opportunities like performing at the Los Angeles City Hall Chambers Ceremony are what motivated him to become an artist and a band manager in the first place. He was both honored and humbled by the experience and eager to make sure that the city would be left speechless when the band were finished.

“Before the performance, I felt excited that I was bringing session musicians that I handpicked, prepared, and organized for such a prestigious event. I felt confident that the band would flawlessly perform the music that I had prepared and that it would be appreciated for this special day. I helped the band prepare in such a way that when we talked over the music and set up, we were able to play exactly as planned and it was very satisfying seeing the crowd enjoy it as much as they did. People loved it and kept moving closer to watch us play. After we finished playing, people kept approaching us to express what our music meant to them and to offer us future work,” said Szul.

Szul’s successes at Italian Heritage Day continued to grow even after the band’s performance. In addition to the verbal feedback that the band received, DeMay went on to receive a Certificate of Recognition honouring the band’s contribution to the event. The entire Los Angeles City Council, including the Honorable Mayor Eric Garcetti and councilman Joe Buscaino of the 15th district, who were also impressed by the quality of the performance. Naturally, DeMay was ecstatic by the event’s reception and knows that its success is a reflection of Szul’s artistry.

“I hand-picked Kurt to perform at the Los Angeles City Hall Chambers Ceremony kicking off Italian Heritage Month because of his ability to perform authentic Italian Jazz music from Native Italian Composers, an ability that is not found among musicians in the Los Angeles area. Because of his early classical piano training and his years of experience playing a variety of Jazz music, he is able to meld two disciplines and traditions into one seamlessly. He has a unique ability that suited our needs perfectly and he is a valuable member of the extended Italian community,” told DeMay.

Szul prides himself on the feedback he receives from any project he completes and continues to labor his efforts toward creating new opportunities to do what he loves wherever and whenever he can. When his competition is fierce, he stays grounded by the knowledge that he is willing to persevere where many other artists would give up. Quitting isn’t an option for Szul and his vast amount of experience has allowed him to find stability in what he does. He puts one hundred per cent of himself behind every project that he works on and in return, he receives one hundred per cent satisfaction from his achievements.

Drummer Ivan Copelli remains humble in his rise to fame

When hard rock musician, Ivan Copelli, began drumming as a young child, he had no idea of the impact it would have on the rest of his life. For the Brazilian-native, it was all about tending to the passion inside him and exploring himself through his music. The now wildly successful artist is used to other aspiring professional musicians asking him for the secrets to his success, but for Copelli, it is simple. He understands that regardless of whether or not you can be classed as a “good” musician or a “bad” one, you owe it to yourself to just keep playing.

As he earned success in his career, after playing with the hit Brazilian band Motores, he learned the true value of remaining true to yourself and to your original sound. He has mastered the ability to market himself effectively and ensure that he doesn’t allow major companies or record labels to take advantage of his purity as an artist. His art is his business and he works tirelessly to grow it wherever possible. He also recognizes that today, with the power of the internet, it is easier than ever before to educate yourself and keep yourself busy. There is no excuse to give up on what you love to do most.

After achieving a series of accomplishments with Motores, including winning MTV Rally’s fierce competition in 2007, Copelli was approached by another up-and-coming Brazilian band, Kiara Rocks. He was familiar with the band’s sound and had attended their shows on several occasions. The band’s lead singer, Cadu Pelegrini, was eager to work with Copelli when he heard that he had left Motores. He wanted a drummer that would attract the attention of a larger audience and to boost the band’s visibility in the industry. Fortunately, Copelli’s work with Motores positioned him well above other drummers of his kind and Pelegrini knew that his contributions to Kiara Rocks would be invaluable. Copelli jumped at the opportunity to lend his talents to the band and it was the beginning of something new and exciting for his already esteemed career.

What Copelli ended up enjoying most about playing with Kiara Rocks, however, was touring around the world and being able to share the band’s music to new audiences in new areas on a daily basis. “For the three years that I played with them, we spent most of our weekends on tour, playing in different cities and states, making new friends, and growing our fan base. We were very close as a band. We didn’t even need to look at each other when we were on stage to know what everyone was doing. We were so connected,” said Copelli.

Copelli’s ability to not only adapt himself to the style of the band he is playing with, but to enhance their sound is what makes him such a highly sought after addition to every project he is asked to work on. After Kiara Rocks appeared on the successful Brazilian web series, Showlivre.com, producer Clemente Nascimento realized just how intangible Copelli’s skills are.

“Across his time with the group, he provided expertise as a top tier drummer. He also appeared in a number of the band’s virally popular music videos. Specifically, in his role as the drummer for the band, he kept the rhythm solid and consistent and while his work does not overshadow the tones of his fellow musicians, anyone who listens to their music notices the harmonious coordination between his drumming and the bass to create a tight rhythm section. He is absolutely vital to any band he collaborates with, more so than most drummers in his field. His contributions Kiara Rocks highlight both his prowess as a drummer, as well as the impact his music had on the band’s incomparable success,” recalled Nascimento.

With Copelli’s rising success, came unexplored territory. When his first single with Kiara Rocks received over 300,000 views on YouTube, he started to see the impact that his music had on the band’s presence in a new light. He could see the difference they were making in the field of rock music on an unfamiliar scale and he was humbled by the recognition they were receiving. All of a sudden, he found himself encountering excited fans in the street, screaming at him and honking their horns. He still gets shivers down his spine when he thinks about it and he credits this success as being the to motivator driving him to create new sounds and bring even more high-quality music to the shelves for his followers.

In fact, it was during his time playing with Kiara Rocks that Copelli experienced one of the major highlights of his career. Being a die-hard rock music fan, Copelli had the distinct pleasure of working with Guns n’ Roses’ drummer, Matt Sorum. Sorum produced what Copelli considers to be one of the most important albums for the Brazilian rock music scene in years. Copelli played his heart out and to little surprise, the band’s fans were immediately addicted. Seeing his work come to life for his fans is just one of the many reasons he continues to play and produce music for a living.

So what does Copelli have in store for hard rock music fans around the world? He has a few projects in the works. Ultimately, however, he hopes to re-connect with some of the artists he has worked with in the past, as well as with new artists, in order to create unique new sounds and albums that his fans will thank him for.