Category Archives: Canada

IS PHIL LUZI THE SUPERHERO GENRE’S FRENEMY OR BFF?

There’s no being lukewarm when it comes to superhero movies. It’s either love them or mock them. If you’re not standing in line to see the newest Marvel or DC Batman vs. Superman vs. King Kong vs the Crab Legged Prestidigitator film, then you’re likely mocking those standing in line. Wrong; in fact, wrong bigtime! A group of very funny and very talented comedy actors/singers showed their affinity for these films while also pointing out some of their shortcomings in the appropriately titled Man of Steel Song. If you recall the Dean Martin Roasts (the present incarnation of which is the Comedy Central Roast), then you understand that the purpose is to show love and also keep someone aware of their fallibility. The combination of superheroes, comedy, and singing was the triple crown for Canada’s Phil Luzi. Luzi is an instantly recognizable name in Canada’s improv scene as well as on comedy series (such as CBC’s “Terrific Women”) and feature films (The Devil’s Tail), and is vigilant in his search for different ways to display his talent and sensibilities. Truth be told, Phil was beyond being a pushover when Melissa D’Agostino (Writer and Star of Man of Steel Song) asked him to join the cast. Luzi confesses, “I was so excited when I was invited to play Green Lantern in the super hero parody Man of Steel Song, which went on to be a huge success. Not only did I get to perform as Green Lantern, but I was also the lead male voice on the soundtrack! That’s something that’s been on my bucket list forever. I love playing and singing with Melissa, not to mention with other cast members who are absolute dynamos. We were given the opportunity by our director, Matthew Campagna, to improvise and play, and I believe that’s what makes the short so, so good!”

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Man of Steel Song became an internet sensation, and went on to be featured and recognized in many film festivals. It satirizes the disposability of franchise film-making that is rampant in the superhero genre, namely between DC and Marvel. In the short film, superheroes gather in a church to mourn any shot they may have had at a big screen feature. Luzi plays The Green Lantern, made famous by Ryan Reynolds. While D’Agostino’s Wonder Woman has reason to feel upbeat these days, Phil’s character comes to terms with the likelihood that his shot at anything more might be over too since it was a box office flop; all thanks to the overexposure of the golden children of the comic world, Batman and Superman. The superfluous drama in which the actual superheroes are immersed exacerbates the implied and stated comedy of Man of Steel Song. Perhaps the only thing funnier than someone who isn’t in on the joke is an individual who simply doesn’t have a comedic thought or expression. Phil states, “I think any grown person wearing a cape in tights and makeup is hilarious. Also, I love wearing a cape in tights and makeup. Green Lantern, specifically is hilarious to me because, if anything, I’m a Superman fan. The Green Lantern is MAYBE in my top 5 and even then, I don’t really know if that would be the case if his lantern was another color. Truthfully, I don’t really follow superhero movies as an adult like I did as a child. As with the tooth fairy and Santa, there just came a time when I stopped believing. I lost interest somewhere along the way when the novelty of it wore off and superhero movies became a dime a dozen.”

The ironic thing about Phil’s involvement in this production is that it reminded him of his real life superpower as well as realizing a dream of his own. While a blemish faced teenage Peter Parker became bitten by that radioactive spider or an adolescent Bruce Wayne began his training to become the world’s greatest detective, it was his natural inclination to easily elicit laughter that set a young Phil Luzi apart from his classmates and peers. He recalls, “Being comedic is the first talent that made itself apparent to me while I was growing up. Friends would say ‘you’re so funny!’ or ask me to say something funny! For a while, I took it offensively like I was a clown or something. Like they were laughing AT me and I didn’t know why; like the Joe Pesci scene in Goodfellas when he freaks out on Ray Liotta. But now I love the idea of making someone laugh. It’s the best sound in the world. It means someone is watching, that I have an audience. I guess I prefer comedy more because I love laughing so much myself. The sound of it means I’m doing something good…that something I’m doing is making someone’s day better or more memorable.”

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In the short film, Melissa D’Agostino rewrote the lyrics to the famous Crash Test Dummies hit “Superman’s Song.” Luzi sings the male part in this duet and delivers it with impressive facility and presence. One almost wonders if he lip synced to a professional vocalist performance but he is adamant that the male singing was all him. “Singing on the soundtrack was without question my favorite part! It has always been a goal of mine to be on the soundtrack of a film, whether it was an animation or a musical. Man of Steel Song gave me that first opportunity. I love singing, and it’s actually been a while since I’ve done a musical. After I started Second City, that part of my life sort of dwindled. The only time I get into a sound booth now is for commercial or animation voice gigs, so this was a real treat. This was my chance to bring that part of my performance abilities back to the surface, and now I want to do it more!” comments Luzi.

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As Phil did in his younger days, the makers of these superhero franchises might misconstrue the intention of Man of Steel Song if they hear of it secondhand or don’t truly pay attention when viewing it. They would make a serious mistake if they took it as ill-natured mocking. It is the most affectionate type of comedy; that which says you are loved and we feel close enough to you that we can say it is funny when you stumble on a pebble in the road. Luzi is an ideal messenger for this. His leading man looks, his comic timing, and his singing ability just might place him in contention for an actual superhero role and, more than anyone, Phil Luzi finds that incredibly amusing.

Akira Uchida: Born to Dance

Professional dancer Akira Uchida
Dancer Akira Uchida shot by Taylor James Photography

Since the time when our ancestors danced around fires performing ceremonial rituals and entertaining their tribe, the transformational power of dance and movement in general has been around for thousands of years. Most of us have felt it– the way stress or emotional pain seems to fade away the second the music hits us and we begin moving our bodies. While many of us love to dance, there’s a huge difference between just ‘loving’ to dance and turning this magical art form into a career.

A career as a dancer is a massive undertaking that requires intense training, dedication and an insane amount of talent, something that Canadian dancer Akira Uchida has in spades. Uchida first began dancing at the age of 3 and he hasn’t stopped since.

He says, “Dance was always freeing to me, it felt natural and right. I only ever recall the feeling of pure joy stepping on to the stage and taking a dance class. I was extremely passionate and driven from the very beginning and loved devoting myself to learning. I can’t pinpoint a particular moment when I decided to pursue it professionally… I simply could never have imagined it apart from my career.”

In 2010, Uchida leaped into his professional career as a dancer with relentless fervor, and what he’s accomplished since is nothing short of amazing. Last year Uchida was selected as one of 22 finalists out of 200 to present his work and perform at the Capezio A.C.E Awards, a choreography competition that is held in New York and judged by some of the most recognizable dancers in the industry internationally, such as Emmy Award winner Mia Michaels, Primetime Emmy nominee Warren Carlyle and the Editor in Chief of Dance Magazine, Jennifer Stahl.

The previous year Uchida was tapped to perform in the emerging choreographer’s showcase Fresh Blood. For the competition he created a mesmerizing routine he calls “Interconnectivity,” which he says, “explores the fundamental concept that everything happens for a reason; every action happens at a specific time and place to provoke another set of actions – a snowball effect of pre-determined fate. In a physical sense, the dancers embodied atoms breaking and forming chemical bonds, constantly in flux.” The performance definitely turned heads and in the end Uchida earned Fresh Blood’s coveted Audience Choice Award.

While Uchida grew up fully immersed in the world of competitive dance where he earned quite a bit of success, he is one of the rare dancers who has actually managed to transcend the competition world and turn his work as a dancer into a full-time career. One area where he’s made an indelible mark as an exuberantly talented professional dancer has come through his work in television.

In 2012 he landed a key role as a featured dancer on the hit series Canada’s Got Talent, which followed two-time Primetime Emmy Award winner Martin Short (Saturday Night Live), Meahsa Brueggergosman (Project Runway Canada) and Oscar Award nominee Stephen Moccio (Pitch Perfect 2), three judges who travel across Canada to find the country’s best talent. The popular series brought chosen competitors, which included dancers to comedians, into the spotlight and give them a chance to win a $100,000 cash prize plus several other awards.

As with all performance driven reality competitions, having an entertaining production take place as the competitors take the stage is paramount to keeping viewers engaged and getting the audience excited about the show, and that is exactly what Uchida did for the series as one of the lead dancers. Uchida’s expert skill as a dancer, the mesmerizing way he moves his body and his ability to quickly learn a routine is what ultimately helped to land him a role on the show so early on in his career.

“We would learn a routine to go along with certain acts in each episode, and add energy and excitement to the performances,” recalls Uchida. “Being on ‘Canada’s Got Talent’ was an invigorating experience at the time because it was the first season for the Canadian edition of the ‘Got Talent’ series. The American rendition of ‘Got Talent’ was so successful and revered by all, which made being a part of the Canadian version a fresh experience. It made those of us involved feel like we were embarking on a project that was full of potential.”

After his success on the series Canada’s Got Talent Uchida was tapped to take on a starring role as a lead dance on the series Over the Rainbow. Another one of Canada’s performance driven reality series, Over the Rainbow followed Andrew Lloyd Webber as he searched across Canada for the girl to play Dorothy in Mirvish’s production of “The Wizard of Oz.” The performances on the series varied greatly week after week meaning that Uchida had to easily adapt and quickly learn the new routines without much time to practice. But for a dynamically talented dancer such as Uchida, immersing himself in a new routine each week was nothing new– for him the challenge was actually playing characters during dance performances on the series, something that both pushed him as an artist and proved his capacity to tap into unique roles on screen.

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Jordan Clark winner of “So You Think You Can Dance Canada” season 4 (left) and Akira Uchida (right) on set of “Over the Rainbow”

“I loved the excitement of learning new routines every week. Every week we performed with different contestants, a new pairing of dancers, and an original theme and song. It kept the rehearsal process fresh,” says Uchida. “In one of the dances, the contestant played Cinderella. I was her Prince at the ball! In another, myself and dancer Jordan Clark played a celebrity couple at a movie premiere… Playing characters was challenging but very fun!”

A phenomenally talented dancer with a powerful stage presence, Uchida’s performances on the small screen have continued to attract the attention of audiences around the world. In 2013 and 2014 he was cast as a lead dancer on several episodes of the incredibly popular four-time Primetime Emmy Award nominated series Degrassi: The Next Generation. In the episode “Hypnotize,” which guest starred Niamh Wilson (Maps to the Stars, Hemlock Grove), Uchida was one of two featured dancers who performed in a full-length contemporary dance piece that was integral to the storyline in the show. During one of the main scenes Uchida and Wilson’s character Jack Jones, the love interest of one of the main characters, performed a complex dance routine, which was a major highlight of the episode and required immense skill.

“Niamh Wilson, the guest star, was a trained dancer and we were able to engage in relatively advanced choreography for the piece,” explains Uchida.  “This was also distinctive because the piece was featured and shown in its entirety. Definitely a rare sight in TV and among my favourite moments of my career…To be able to step on the set of an iconic show for Canadian youth was a very cool experience.”

His dance performances on a plethora of hit television shows over the years have definitely helped Akira Uchida establish a flawless reputation as a sought after dancer who is able to seamlessly take on any routine with style. Aside from his lead roles on television, Uchida has also had definitive success as a lead dancer in several popular music videos. In 2015 he starred in the Much Music promo video for Sam Smith’s “That Much Closer.” Considering that Sam Smith has earned an Academy Award, a Golden Globe Award, as well as several Billboard Music Awards and Grammy Awards, being chosen to be the main performer in the video for “That Much Closer” is a tell-tale sign of the caliber of work Uchida has become known for.

Caroline Torti, who choreographed the routine in the video along with dancer Bree Wasylenko, explains, “Akira is a chameleon and is able to replicate any style given to him by a choreographer. He is able to expertly take direction and create meaningful moments on whatever job he works on. Beyond that he is an artist in his own right and his unique movement quality makes him a very special member of any team.”

 

In 2015 Uchida choreographed the music video for solo artist Lights’ hit song “Same Sea,” one of the single’s off the album “Little Machine,” which earned the prestigious Juno Award for “Pop Album of the Year” (Canada’s equivalent of a Grammy Award in the U.S.) and debuted at No. 5 on the Canadian Album Charts.

The music video for the song “Same Sea,” which has garnered over 800,000 views on YouTube since its release, starts off in the year 5057 with Lights first appearing as a voyeuristic cyborg  observing the previous versions of herself over the centuries.

As the choreographer and one of the featured dancers in the music video Uchida, who handpicked the other dancers in the video as well, did a marvelous job of creating a routine that is fun and full of life. The video cuts back to the year 2011 where Lights, Uchida and the other dancers are fully involved in a dance class. Uchida infuses the routine with a lively energy that creates a stunning dichotomy between the futuristic version of Lights, who surrounded by robotic machinery and devoid of other humans, and that of her previous self.

“I sought to make the work powerful and uplifting, and chose to utilize high energy movements that would build moments of euphoria. I focused on creating strong visuals to highlight Lights and played with imagery based on the lyrics,” explains Uchida. “The song repeatedly talks about ‘the arms of the same sea,’ and inspired me to incorporate fluid wave-like movements in the piece. I wanted to involve elements of the sea and have her ‘swim’ amongst her dancers.”

Not only did Uchida choreograph a lyrically relevant routine that made the video for “Same Sea” entertaining to watch, but he was also tasked with teaching Lights the dance routine.

“Lights had little to no experience in dance before shooting this video, so I was responsible for coaching her on how to execute the movements properly and to help her feel as comfortable as possible,” recalls Uchida.

While he is still quite young, Akira Uchida has accomplished more over the past seven years than most professional dancers will in a lifetime; and we can’t wait to see what he does next!

Master Videographer Rosanna Peng Keeps Viewers Engaged

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Videographer Rosanna Peng shot by Noah Kendal

 

Living in an age of information overload brands need visual content creators who are able to create images and videos that strike a viewer on an emotional level and quickly tell a story. Videographer Rosanna Peng is one innovative visual storyteller who’s managed to leave a lasting impression on audiences with the stunning projects she’s created for brands such as J.Crew, New Balance, Canon Canada, Etsy, MTV FORA, The Creator Class and many more.

Originally from Vancouver, Canada, Peng’s artistic approach to visual storytelling draws viewers in and elicits an emotional reaction within them. Last year she was hired to shoot and edit the J.Crew on Film: J.Crew X New Balance® 997 Butterscotch video that launched the collaborative J.Crew x New Balance 997 sneaker. Featured on popular online platforms such as High Snobiety and Hype Beast, the video Peng created takes viewers inside the New Balance factory and reveals the making of the new shoe in a way that humanizes the brand and gives personality to the shoe. Through her ingenious videography and editing, Peng managed to make the inside of a shoe factory look visually stunning, something not many people are capable of achieving.

“I was trying to take the viewer through the journey of seeing the shoe being made by real people then worn in an editorial environment. I wanted to show the craftsmanship of the shoemakers,” explains Peng. “I colored the video tones to compliment the shoe’s tones and textures. The pace of the video was intended to build up the excitement for the viewers to when the shoe is revealed in the final setting.”
 


Her methodical approach and visual artistry definitely nailed the mark; and considering the viral success of the video for the New Balance 997 Butterscotch shoe, it’s not surprising that Peng was tapped by the companies once again to direct and edit the video for their collaborative J.Crew X New Balance 997 Cortado, which was released shortly after the Butterscotch. With the term ‘cortado’ referring to a coffee drink made of equal parts espresso and warm milk, Peng connected the process of the making of the drink with the new shoe.

She says, “I wanted to convey the art of coffee-making and parallel the creation of a cortado to the beauty of the Cortado shoe. I did this by capturing every step of the cortado-making in a creative and beautiful way, then editing in footage of the shoe to emphasize the textures and tones to the shoe. The pacing and jazz track for the video is a modern spin to the art of espresso.”


From the rattle of the beans being poured into the grinder all the way up to the desirable and creamy finished drink, the precise shots, angles and cuts she used create a feeling of anticipation, a brilliant strategy that effectively connected the anticipatory feeling elicited within the viewer over the coffee to the upcoming release of the Cortado 997.

Capturing the personality of the brand while making the videos relevant and visually appealing to viewers, Rosanna Peng’s work for the J.Crew/ New Balance collaboration is the perfect example of how a master videographer can make the difference between a brand’s message actually breaking through the saturated digital market and making an impression, or being passed over by consumers without a second thought. Clearly Peng’s work lands on the side of the former.

Aside from being exceptionally skilled when it comes to shooting and editing videos, Peng’s international success as a videographer is due in part to the versatile nature of her creativity combined with her keen knowledge of current trends and the understanding of what will pique the interest of specific audiences.

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Rosanna Peng shot by Jennifer Cheng


As a lead videographer for MTV FORA, a hip daily blog from MTV Canada and Clean and Clear that covers fashion, beauty, lifestyle and the best of MTV, Peng created a diverse range of videos focusing on everything from fashion and beauty tips to giving viewers a behind the scenes look at photo shoots.

“I enjoyed the freedom the FORA team gave me. They really trusted my creative vision and gave me the opportunity to expand their potential on their youtube channel,” says Peng.

Thanks to her ability to create edgy visual stories that appealed to MTV FORA’s predominantly female millennial audience, the quirky and upbeat videos garnered thousands of views on the popular blog, as well as their YouTube channel. Accompanied by short blog posts, the videos she created, such as Becoming FKA Liz 101, #WCW: Phoebe Dykstra and Audrey Kitching and Natural Beauty DIY: Pumpkin Facial, add a fun and youthful flare to the FORA site that effortlessly keeps viewers engaged while telling interesting stories.


Peng says, “During shooting and editing, I would capture funny and offbeat moments that would make the video more unique. I was able to draw from my graphic design background and edit each video to pair with the accompanying article’s look and feel. The unique combination of design with videography is the merge of my previous experiences as a graphic design student and a videographer.”

For the 30 Shades Of Lips with Liz Trinnear video Peng shot model Liz Trinnear in 30 different shades of lipstick from makeup brand Obsessive Compulsive Cosmetics. While the idea of watching someone try on 30 shades of lipstick might not sound all that interesting, Peng’s shots of Trinnear doing silly poses in each shade combined with her edits and the music she chose made the video incredibly fun and engaging.


She explains, “I laid out the video timeline for every shade and paced the video so the pacing would go from, in regards to Liz’s poses. This spaces out the video and makes it engaging to watch as it has a pulse to it as well.”

One of the aspects of Peng’s talent that makes her such a rare and impactful videographer is her tremendous editing skill. From the New Balance videos to those for MTV FORA, it’s easy to see the way her edits affect the mood and style of the visual story being told. While her cuts on the New Balance videos are virtually invisible and the shot transitions flow seamlessly creating an almost visceral romanticized feeling, those for MTV FORA are the polar opposite. Her inclusion of bold and brightly colored graphics and the often abrupt and in your face nature of the cuts creates an energizing feeling that perfectly supports the cutting edge style of the MTV FORA brand.

“Video editing is more than just telling a story, it’s using certain footage to make a viewer feel a certain way,” explains Peng. “Anyone can point a camera and start capturing footage, but being able to communicate an idea through video editing is a certain skill not many people possess.”  

In a world where people are bombarded by so much content day in and day out, it takes a videographer with more than just technical skill to cut through the fat and actually touch viewers. It requires someone who is able to tap in and drive home an emotion that resonates with audiences, and Rosanna Peng is definitely ahead of the pack on all fronts.

Production Designer Andrea Leigh essential to award-winning video for Thugli’s “Sic Em”

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Production Designer Andrea Leigh

Andrea Leigh is not just a production designer. She is an artist. She is a creator. She produces a specific world, completely designed with the goal of portraying a message, or developing a character, or evoking a feeling in an audience member that no human being on the screen saying their lines could. Being able to do that through her work gives meaning to every job she works on, and she is outstanding at it.

Working on several award-winning and celebrated projects, such as the film Friends Like Us and the web series Whatever Linda, audiences and critics at the world’s most prestigious film festivals have appreciated Leigh’s work. She also has worked on many celebrated commercials, including the award-winning Prickly for Scotts Weed B Gone, the viral E.L.F. Play Beautifully advertisement, and the insanely popular 2015 Teleflora Mother’s Day campaign that received international media attention and 11 million YouTube hits. However, Leigh’s success does not end there. She has also worked on some captivating music videos, including Downtown for the Juno award-winning rock band The Sheepdogs, as well at the Thugli music video Sic Em.

“The guys of Thugli were great. They loved the director Amos LeBlanc’s vision and loved how we brought all their ideas to life,” said Leigh.

Amos LeBlanc has directed a controversial video that was widely successful, and he had won “Best Video of the Year” the previous Much Music Video Awards (MMVA). The tone of the Sic Em video was dark and thoughtful, and this made Leigh want to work on it.

“It was great working with the director Amos Leblanc, he had a very clear aesthetic image that he wanted to portray, clean, modern, dramatic skyline, lots of smoke and special effects. He was always interested in hearing what kind of changes I thought we could make art direction wise. It’s nice to have your creative vision valued when shooting something so specific and thoughtful,” said Leigh.

Music videos are usually long days packed with many shots and not enough time, but this was a two-day shoot that Leigh used to her full advantage, and had the time to do exactly what she wanted. That also meant they had that magic hour lighting two days in a row, something she describes as quite spectacular.

“That’s one of my favorite shots in the video, where the guys are all standing in single file formation with the magic hour sky behind them,” Leigh described. “The cast was a blast to work with. It was a night shoot so naturally things can get a little silly when everyone’s trying their best to stay awake. Lots of jokes, lots of laughs. It always helps on a long shoot when the cast and crew hit it off.”

With the help of Leigh’s eye for production design, the video went on to win the Much Music Video Award for “Best Dance Video.” The music video also earned over 75,000 views on YouTube, sparking widespread popularity among fans and critics. Leigh says she feels like they really accomplished something with the video, and the producer Geoff MacLean says it wouldn’t have been possible without her help. MacLean is a very respected and accomplished Executive Producer. Vision productions is an iconic production company that has produced work for several internationally renowned artists, such as Prince, Rihanna, Drake, The Weeknd, Calvin Harris and countless more.

“The music video is, thanks to Andrea, a fascinating visual production which instantly captures the attention of the viewer. She coordinated closely with the director, the choreographer, and other experienced creatives on set to determine the placement of the props, and the organization of the set. While the entire production is a visual achievement thanks to Andrea, specifically her work arranging the set for the dancers, as well as the props and décor for that segment gave the music video its down to earth and ‘back to the basics’ feel, which was the goal of the client. I credit a great deal of the video’s success to Andrea’s leading role, and attribute her with much of the music video’s all around commercial success and critical acclaim,” said Geoff MacLean.

“Andrea’s achievements throughout her career are reflective of top performing production designers and art directors in her field. The success of her productions is indicative of this fact, to be sure,” MacLean added.

Watch the Thugli Sic Em music video here.

Actress Shauna Bonaduce takes audiences back in time in “Embrasse-moi comme tu m’aimes”

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Canadian actress Shauna Bonaduce, photo by Andréanne Gauthier.

Acting has always been a part of Shauna Bonaduce’s life. As a child growing up around Montreal, performing was a favorite past time, and the stage was a second home. As a teen, she was shy and thought maybe she should consider a different field, but acting kept coming back to her, as true loves do, and audiences both in Canada and around the world are thankful, as she is a truly unique actress.

Bonaduce’s versatility in her craft is evident with every role she takes. Whether it be comedic in the hit teen show Comment devenir une legende, or serious in the popular Quebec series 30 vies, Bonaduce knows how to captivate audiences. Her work last year in the period drama Embrasse-moi comme tu m’aimes did just that.

“Era movies are great. I love getting to explore an era that I would otherwise never have the chance to get acquainted with. I love researching and having the chance to travel back in time, and getting to explore how the women of these different periods lived.  And love the dresses and hairstyles of these periods. What a chance to be able to play dress up and be paid for it,” Bonaduce joked. “Also, the cast and crews of that movie as well as the director himself were just perfect. I consider this project as one of my most memorable ones.”

The story follows twenty-two year old Pierre Sauvageau , in the year 1940. Pierre wants to join the army, but he must take care of his twin sister Berthe who is paraplegic from birth. This closeness awakens Berthe’s sensuality, who then tries to seduce her brother. Pierre rejects her advances, but when he falls in love, he is haunted by the fantasy of his sister. He would like to get rid of it, but the fantasy of Berthe is very persistent.

“The movie takes place in the 1940’s, Second World War, so research on that time was mandatory for the process. In my creative processes though, mostly when the rest has settled down (learning the lines, researches, reading the script, etc.), the costume also has some importance in helping find the character. It really helps me become the person I’m portraying. How she walks, moves, talks, holds herself, her hair, it’s very stimulating. Is she the ‘good girl’ type or more frivolous? Trendy or conservative? Feminine or more one of the boys? The costume chosen by the production always influences my performances and I’m always exited when it’s fitting day to discover what they will bring along,” said Bonaduce.

Bonaduce plays Madeleine, a pivotal character to the story, as she is Pierre’s first serious date in a long time. He takes her out to dance that night at Café Bleu. When he gets in the car with her to drive her back home, the attraction is palpable and they start kissing. But as always, his sister is there to haunt him and, confused, he decides to pretend Madeleine has bad breath and that he will just take her back home.

“Shauna truly brought the role to life, with simplicity and genuineness while still keeping it firmly rooted in the period in which the film took place. This is a valuable feat, and not one that I have seen many actors attempt successfully. Shauna’s authentic portrayal brought us back to that time. She was engaging yet had the more reserved, prim decorum that women of that time so often had. She kept enough of her personal, modern flair to remain relatable to contemporary audiences, while still offering them a genuine, organic glimpse into their nation’s past. Without a doubt, we were delighted to have Shauna amongst our actors and she definitely contributed to the success of the film, which was greatly appreciated by the audience and rewarded by two awards at the Montreal International Film Festival last September. I would work with her again anytime,” said the director Andre Forcier.

In fact, he was so impressed with Bonaduce’s portrayal of Madeleine that another collaboration between the two is already being worked on for his next feature film, though the project remains secret at this time and can’t be elaborated on. He thinks Bonaduce was able to bring the perfect balance that Madeleine needed, the poetic and theatrical yet realistic and authentic approach that characterises most of the director’s work. Bonaduce is very eager to collaborate with Forcier again.

“Andre is a great director and quite unique too. There’s only one like him and I had the chance to work on what lots of us consider like one of his bests movies. I feel extremely privileged” said Bonaduce.

Going back in time and portraying characters from other eras is one of Bonaduce’s favorite things to do as an actress. In the film La passion d’Augustine, she had to play a trendy young woman in Catholic Quebec during the 1960s.

“I definitely did some research about that era and how things where done in that time; the role of women, the convent, the importance of religion in people’s lives at that time, etc,” said Bonaduce.

In the film, Mother Augustine provides a musical education to young women no matter their socio-economic background in a small convent school in rural Quebec. She helps Alice, a young music prodigy; realize her aspirations. However, with the looming changes brought by Vatican II and Quebec’s Quiet Revolution, the school’s future is at peril. Bonaduce plays Françoise, a trendy young woman who believes in modernity and evolution. She finds this convent completely passé and is quite happy that it is under serious threat of being shot down. When leaving the Church where a meeting was organized by the nuns in a desperate attempt to save the convent, she is requested by two students of the convent to sign their petition to save it. Françoise refuses immediately, since she is very much against that idea. 

“Historical movies are my favorites and I had the chance to take part in this great movie, with a very talented director. There are too little female directors in our industry. Lea Pool in one of our great ones and she truly inspires me. She is bold, outspoken and determined. There were also lots of great Quebec actresses on the cast, from whom I admire the work a lot, Celine Bonnier is one of them, and just felt blessed to be able to see them work and learn from them. It was just such a great experience,” she concluded.

DAHOV AND JEREMIH BRING MUSIC FANS TOGETHER

 

The Arts are often the key to a universal experience and language among all people of the planet. While the accent of different paintings, cinema, and music may reveal their point of origin, the ability of these mediums to convey emotion and a connection with others is often beyond the words and language they might contain. It has often been said that the work of an artist is that of bringing all peoples together by conveying the emotions we all share, regardless of our background. As technology brings the world closer, the assimilation of different cultures and their artistic contributions is clearly evident and results in a decrease of noticing the differences and an increase in the appreciation of what these differences offer to the collective global experience. The Canadian percussionist/drummer/entertainer knowns simply as Dahov performed at a concert with American artist Jeremih (Jeremih Felton) exciting the crowd at the Olympia Theatre in Montreal. Jeremih is a Chicago native whose multiple high charting hits like “Birthday Sex” and “All About You” broke into the top five on the Billboard charts. His legions of fans are based in the R&B/Hip Hop world while Dahov is a solo artist known for House, EDM, and various other musical forms with which he infuses Latin and Middle Eastern rhythmic ideas. While both artists share a love of percussion from their early teens, each of them has cultivated and evolved into their own style and brand of musical entertainment. Their performance together at the Olympia Theater shows how these artists brought their fan bases together for a night of thrilling entertainment, proving that we can appreciate the differences we have while recognizing a common thread.

For his appearance in Montreal, Jeremih and his management were seeking out a Canadian artist who would both be familiar to the crowd as well as be exciting enough to create a feverish tone for the concert. Patrick Farah (owner of Sky Entertainz) was consulted and he immediately suggested Dahov. Patrick and Dahov have worked together on numerous large scale entertainment events in Canada. Farah declares, “Dahov’s unique style and looks are definitely a selling point. With such passion in what he does, he sets the bar at a complete different level from others in this business! He is also such a wonderful person and he reflects his personality in his work ethic. He is the type of musician and entertainer who creates a special bond with his audience. Rather than setting himself above the audience, Dahov has an amazing ability to pull everyone in and making them feel as if they are in an intimate party, relaxed and able to have fun.”

STUDIO11 taken by ARA SASSOUNIAN (well known artistphotographer)

(Photo courtesy of Ara Sassounian)

This event featuring Jeremih and Dahov is a template for how different artists can create an experience for an audience that is eclectic and yet relative. While Jeremih is a singer/rapper, Dahov is a percussionist who does not sing. Both artists perform with DJ’s and/or tracks and, at least in this situation, both had dancers joining them onstage. Very similar production styles but very different content. Perhaps the most amazing aspect of Dahov’s ability is that he is able to entertain the audience by playing a hand percussion instrument know as a Darbuka. This middle eastern “goblet drum” is the core and essence of his one-man band (supplemented by tracks). It is truly amazing to see how this talented artist can drive a crowd (in this case, the 700-member audience that packed out the Olympia) to a literal feverish pitch. His technique and musicality is mesmerizing while his ability to hold the crowd in the palm of his hand and create the excitement equal to any outdoor EDM festival is…well, jaw dropping. The synergy between the artists’ performance was a great success but was not necessarily intuitive. At a meeting prior to the performance that night, Jeremih and Dahov discussed how to approach the differences in their musical styles in order to insure a cohesive quality for the crowd. While much of Jermih’s music is more relaxed in tempo (sometimes even romantic), Dahov is known for his upbeat party vibe style. Dahov explains his approach to manifesting the appropriate vibe for the evening, “We wanted to do something different than the usual upbeat show, so I used Arabic oriental techniques. This style usually calls for you to play for belly dancers and, even though there are faster beats, we performed the slower beats using the derbake percussion because it allows for very intricate and interesting rhythmic ideas. It was a perfect match to afterwards fade with Jeremih’s first song.” Dahov readily admits that, just as the crowd was exposed to different musical influences at this performance, the percussionist/entertainer himself also gained an even greater appreciation for his fellow entertainer. He notes, “Jeremih is truly an amazing talent. It’s always educational for me to see how another artist relates to the crowd, how they design the rhythm of their show, and how the crowd reacts to what they do. Anyone who has seen Jeremih perform has seen the evidence first hand of how great he is. I knew his music but seeing him live gives me a deeper understanding of his talent. I like Hip Hop and Rap but I am more into a club house, EDM, Latin kind of music. I love the feel of the beat, the melodies, especially when I perform to these kinds of music it feels like I am actually inside the music…producing it! I like Bachata, in particular Romeo Santos. Bachata is such a relaxing type of music. I enjoy listening to it whenever and wherever. It makes me feel like I’m somewhere down south sitting on the beach and watching the ocean! Another type of Latin music that I like is reggaetón. Reggaetón is all about the party; the positive mood and tropical paradise! EDM and house artists like Calvin Harris and Tiesto are my favorites. I have seen them both perform in Las Vegas and their music is on another level! Their collaborations with other artists are perfect! The melodies and sound samples they integrate enter your ears and gets your emotions jumping. I’m hoping to come to the US and pursue my own version of the path that these artists have forged. I have proven to myself and the people of Canada that a drummer can perform by himself and command the attention of sold out crowds. Performing and communicating with American artists like Jeremih has only made my desire to become a part of the great American music and entertainment industry even more attractive…and seem more possible.”

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COMEDY GODS APPEASED, JORDAN ROTH MOVES FORWARD

Sometimes rules aren’t fair. For example, in the world of music it is commonly accepted that songwriters actively pursue performing but in comedy it is the presumption that writers never (or rarely) participate in live comedy. The truth is that most writers take part in performing in some manner. It’s virtually impossible in comedy to write successfully without having been on the front lines and getting that immediate feedback of what plays well with a crowd and what does not. Canadian writer Jordan Roth has long been a live performer who has channeled his experiences into his writing. In addition to performances on Jimmy Kimmel Live and The Late Late Show with Craig Ferguson, Jordan has been a highly recognizable part of the Chicago comedy community. Experience at theatres like iO (formerly the Improv Olympic), The Playground Theater, and The Annoyance, where he wrote and directed his show Live From a Studio Apartment It’s the Pathetic Loser Show, gave him the opportunity to develop his personal comedy perspective through performance, writing, and directing. While he has spent time in New York and LA, the romance of Chicago with its history of Second City and SNL alumni was the environment that allowed for Jordan’s discovery of his comic self without the omnipresence of the TV and movie industry. These days, major networks call on Roth for his talent. Taking his writing to new places, Roth has also become involved in the documentary film community with his own C-Rock as well as the documentary film anthology True New York. At heart, Jordan is a storyteller, whether it’s in front of the camera displaying his own ideas, writing them for others, or filming real life characters. Regardless of the method, he has a lot to say.

Anyone involved in comedy will tell you that it is a difficult road. The pull was undeniable for Roth. While the premise of “The Producers” might have been complex for most ten-year-olds, Jordan took to it immediately when his grandfather introduced him to it. Later it would be Conan O’Brien’s version of Late Night, Letterman, Seinfeld, Larry David, Woody Allen, and Mel Brooks who would inspire him. All of these unique voices carry a common thread of intelligence and humor tinged with absurdity, a trait also found in Roth’s style. The Chicago improv comedy scene enabled Jordan to channel his ideas into quick expression. Understanding what works and doing so quickly is a major asset to any writer and performer.

Comedy writer and actor Thomas Whittington experienced Roth’s talent up close and next to him onstage. Thomas comments, “Jordan is an ideal comedy writing partner because he can find the funny in pretty much anything. Many times I’ve watched him take a half-baked, ‘nothing’ premise and turn it into a sharp, surprising scene that makes me laugh hysterically. His sense of humor is a weird mix of cynicism and sweetness. He’s just a very gifted, very original voice. His ability to weave mistakes into the fabric of a show is amazing. So many times in improv, something unintentional happens; an actor misspeaks, or forgets something that had been established previously. If those things aren’t acknowledged by the performers, the audience starts to check out. Jordan not only acknowledges the mistakes, but he justifies them brilliantly, making his teammates look like they actually had this great idea all along. Performing with him, you feel taken care of in a way that’s rare.”

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After Chicago, Jordan spent a great deal of his time in Los Angeles and New York City. These hubs of the comedy scene gave him numerous opportunities to exhibit his talent and gain notoriety as both a performer and a writer. Shows like ABC’s Jimmy Kimmel Live and CBS’s Late Late Show with Craig Ferguson provided Roth with face time but may have appeared more glamorous to the viewer than to performer. Jordan recalls, “On Ferguson, I performed in a number of sketches in front of the audience. For some reason, Craig often had myself and Bridger (Winegar), who’s now a writer on Unbreakable Kimmy Schmidt, do bits where we were scantily clad. One time we were bees. We wore black speedos and the makeup people painted our torsos and arms in black and yellow stripes. After the show the body paint wouldn’t come off…It was bad. We were in the showers at CBS very late, long after the taping, trying to remove the paint from our bodies. I think eventually we just gave up and went home, still striped.” These late night talk show appearances gave Jordan the opportunity to be on camera as well as put his well-honed improv chops to good use. He explains, “There was a lot of movement to play around. At Kimmel, there wasn’t much time to prepare for a pre-taped bit. You’d find out about your casting in these kind of bits the day before or even the day of. It’s a mix of your own instincts and the director’s. Generally, a director will let you go and then they’ll give you direction and guidance from there.” Jen Spyra, who came up with Jordan in Chicago’s comedy scene and has written for The New Yorker, McSweeney’s, and The Wall Street Journal, declares, “As writer on The Late Show with Stephen Colbert, I’m lucky enough to work with some of the sharpest minds in comedy. I can confidently say that Jordan Roth still stands out as one of the most talented writers that I know. Jordan is that rare breed of writer; he’s as brilliantly funny as he is hardworking. Jordan’s original voice and dedication have separated him from the pack in every iteration of his career: from when we were starting out together doing improv and sketch in Chicago, to when we were graduate students in screenwriting at Northwestern and then working as post grads in LA. Jordan has always done exceptional work and everyone who gets to work with him turns into a superfan. I’ve always looked to his discipline with his writing as something to emulate. He’s the whole package.”

As with so many of his heroes, Jordan Roth is the somewhat cerebral, non pandering type of comedy writer and performer; somewhat self-conscious, emotional in his own way, and always in search of a unique perspective. Canada has given the world countless purveyors of comedy: writers, performers, producers. All of these creative types prove that there is something special that comes from our neighbors to the North. We are the recipients of the minds like Roth, the ones who can’t help but find a way to guide us into a laugh reveals as much about them as it does about us.

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