Category Archives: Television

Actress Michelle Howarth to share important world issues in TV show ‘Hummingbird’

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Michelle Howarth

Growing up in South Africa, Michelle Howarth started acting as a way to express herself. The country has eleven official languages, and communication barriers often arise. Being on stage, she found she was able to transcend this obstacle and connect with her audience no matter what language they spoke. The arts, she found, can relate to any person. Film and television are enjoyed around the world, in every culture. This reality got her hooked, and her natural talent and creative instincts are what allowed her to rise to the top of her field, making her one of the best actresses to recently come out of South Africa.

“I wanted to be a professional actor because I knew I was obsessed with the craft and wanted to mold it into my career. I wanted to specialize and fine tune my acting and creativity to the point that I am able to create films and performances that resonate globally. I was big into physical theatre growing up, and that medium especially is able to communicate across transnational borders and cultures. I wanted to be able to do this on a global scale through film and television and tell stories that would otherwise go unheard. I wanted to be a professional actor to be a part of an artistic process that initiates conversation, understanding, empathy and insight across the globe,” said Howarth.

The twenty-five-year-old actress has done just that. Through her work in several successful projects, she has captivated audiences around the globe. She has had a leading role in films and television series such as Just Animals, Parenthood, Talk Stew, Shameless, King Krule, and Jackson and Randall, as well as stage roles in Angel Academy, Chicago, Ivy, and Hanamichi. Howarth consistently impresses not only audiences, but her colleagues as well. Sonja Smit, the director of the touring play Villian in which Howarth was the star, says the actress’ performance greatly contributed to the success of the play.

“Michelle has the rare ability to truly inhabit a character, always merging naturally into the character’s personality without losing any of her inherent “star power”, an ability that was on full display in her extraordinary lead performance in Villain. It is this exceptional quality that has allowed her to become one of the most exciting new faces in theatre and independent cinema over the past several years, and there is no doubt in my mind that her career will only go from strength to strength,” said Smit.

Despite such success, the highlight of Howarth’s career comes from her work in the highly-anticipated new television series Hummingbird. The series tells the story of a group of American teenagers that go missing in the United States. Detectives look into the disappearance of these teenagers and see that, although they disappeared independently of one another, there are similarities between the cases. After further investigation, one detective in particular notices a thread between each case. Each one seemed to be very active online and in each case met a member of an extremist group in Syria, and went over to Syria to do their Jihad and join ISIS. The show reveals the psyche of each individual and the process of their decision to now be a part of ISIS.

The story is incredibly timely, given the war against ISIS and terrorism that is taking place around the world, with such divisiveness on how to handle people that make these decisions. Not only is the show based on true events, it will be shot in a realistic way, and each actor knows the responsibility they carry with their portrayal of their characters. Howarth wanted to do her part to enlighten audiences on such an important issue.

“It is an important story that needs to be told, and I am proud to be a part of a show that is didactic as well as entertaining. I believe the show will shed light on socio-religious and economic issues and help initiate conversation and critical thinking around said issues,” she said. “I believe it can create a basis for conversation and debate around the subject matter on a global platform. I also believe it will give insight to a world far removed from most people and hopefully offer understanding of that culture and religious practice.”

In Hummingbird, Howarth plays the pivotal role of Cassandra, one of the American teenage girls who goes missing. It is later discovered that she met an older man online and after falling in love with him, was flown over to Syria to do her Jihad and join an extremist group. She is one of the girls who they are able to find. However, unlike the other girls, Cassandra refuses to come back to her family and the United States. Cassandra is strong willed and happy in her decision to convert to this new religion and live this extremist life.

Howarth’s portrayal of Cassandra will allow the audience to witness such a journey and possibly understand the reasoning behind it. Cassandra reveals the extremities and consequences of social media and online interactions. She shows the journey through the psyche of a young teenage girl who goes to extreme lengths for the man she loves. Through her portrayal of Cassandra, Howarth will allow viewers to witness the practices of the Jihad and life in Syria, as well as what it would be like for a female member of an extremist group such as ISIS. The role of Cassandra is vital to helping reveal why these girls made the decisions they did and how their lives ended up.

The show is expected to be an instant hit, and Howarth’s portrayal of Cassandra is a large part of that. The story is something viewers around the world want to know more about, and Howarth will help audiences gain insight into such troubled mindsets.

“In today’s world, there is much turmoil regarding this subject matter, and this series dives into these issues. The story is important because it may help one experience and understand a world we are removed from and its practices and realms,” she concluded.

Audiences have a lot to look forward to from the South African native. Beyond Hummingbird, be sure to check out Howarth in the upcoming film Madness Descending, which will be released next year.

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Editor Peter Hein digs into the emotion of ‘Britain’s Got Talent’

As an editor, Peter Hein does not begin his work until later in the process. He doesn’t figure out how it is shot, who will play what part, or what costumes they will where. He doesn’t stand behind the camera, looking for the right angles to frame a face. His role is much more nuanced. He does not write the story; he finds its heart and soul. During editing, he sees the emotion in each scene, and tweaks the storyline to truly hit home with its viewers. Whether it’s to make people laugh or cry, he gets every frame just right to connect with his audience. As an editor, he is responsible for the story coming together, and he is brilliant at it.

Hein is known in the United Kingdom for his exceptional work on many popular television programs. The Denmark native has worked on shows like X Factor and First Dates, as well as award ceremonies like The BAFTA Awards. He uses his extensive knowledge to glue audiences to their seats, ensuring they watch every moment of a show, feeling connected to the cast they see on screen.

This is perhaps most exemplified with his work on Britain’s Got Talent. The editor has been part of the show since its second season, and is consistently asked to come back due to his substantial contributions. Sophie Coen, the Senior Producer of the talent competition, says that Hein’s work is incredible, and he plays a large role in the editing team.

“Peter is a real team player and always goes the extra mile. He is a dream in the edit. He is creative, decisive, and hugely experienced. He is always positive and upbeat, even when presented with a very tricky story, and with incredibly tight deadlines he manages to make it work. He is a real joy to work with,” said Coen. “On Britain’s Got Talent, Peter would often be the editor that the show would depend on to make a story work. His passion drives his talent. He is one of the best editors I have worked with. He understands narrative, humor, and emotion. Peter is able to draw upon his varied experience to make the edit work. He is a lead editor – he can inspire, direct, and lead others. Peter thrives under pressure and always delivers amazing work.”

The Got Talent format has been extremely successful in many countries, and the United Kingdom is no different. Hein’s work is what makes auditions so captivating, and even those not living in the UK have been privy to his talents. Many of his videos from the show have gone viral, including the iconic Susan Boyle audition, which has tens of millions of views on YouTube alone. The video starts in a comical way, with the audience laughing at the unassuming singer. By the end, viewers are in tears by her talent and the judges’ reaction.

This is what Hein does with every scene he works on. During the audition process, he spends weeks sifting through footage for seven minutes of the show, but it is worth it. As the show progresses into live shows, he works to edit videos of the talents’ journeys prior to their performances. His work is what makes viewers root for different contestants.

Britain’s Got Talent is one of the two hardest shows I’ve ever worked on. The days were very long in the earlier series because the show was still finding its feet. But the teams on that show have always been great, and the success and team effort makes it worth working on it. You get given a story and you try and make it the best you can, bring something to it nobody thought of before, whether that be the style or music choices. Anything to make it ‘pop’,” said Hein.

With Hein’s work, the ratings have grown substantially each year, and now it is one of the most successful television formats in the world. Hein brought his own sense of comedy and emotion to the show, resulting in such a feat. The show’s third season final was the highest rated television show that year, when Susan Boyle won the show. It even won a BAFTA award.

Despite his accolades, Hein finds working on the show to be a team effort. He loves who he works alongside, and finds everyone pulls together to make the best show they possibly can.  The show has been on for eleven years and still entertains audiences with the same format, and that is because of the stories they are sharing with the world; stories that Hein plays a large hand in telling.

In the beginning, Hein wanted to work on Britain’s Got Talent because it was a new and growing format that would provide a different editing experience. At the time, he was extremely grateful for the opportunity. He still is today.

“I still find it incredible when people love what I do. It’s a real compliment to know that after all the years on the show I can still surprise and entertain people with how I edit. Britain’s Got Talent has a special warm feeling about it, it has always had that, and I feel like I done my part to give the show that well-loved feeling,” he concluded.

Producer Katie Horbury is essential for Disney channel hit

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Katie Horbury

When Katie Horbury decided to pursue a career as a television producer, she knew that she had her work cut out for her. Amidst fierce competition, grueling hours, and unpredictable schedules, she would have to come out on top. The now esteemed television producer knows that if she were to go back in time and share with herself the key to her success, it would be to make her dream her number one priority, and to make sure that she stops at absolutely nothing to make it her reality. Early on in her career, she moved away from family and friends and worked odd hours, oftentimes sacrificing weekends and holidays to gain as much experience and knowledge in her field as possible. Fortunately, it all paid off. In the entertainment industry, reputations are paramount and as a result of her unwavering drive, Horbury’s is world-renowned.

As Horbury became more established in her career and took on more prestigious roles, her name became a staple in television production. Having lent her talents to hit television shows like Big Brother, Don’t Tell the Bride, and Come Dine with Me, Horbury is well-versed in producing high quality content for reality television. Her job requires her to take an idea from a script or a project outline and bring it to life. She needs to be able to capture the emotional response that her audience is intended to feel and communicate it to them creatively and meaningfully.

“In pre-production, I must be able to visualize the final product, plan how to achieve it, and be able to communicate that to my team to ensure that everyone is working toward the exact same goal. During production and shooting, I have to create a buzzing but professional atmosphere to allow the entire team to function confidently and to the highest standard possible. This usually has to be done under harsh time constraints, so I have to keep the momentum up for the duration of the project. Finally, the edit is where the magic happens. Everything I envisioned in pre-production, and hopefully even more, comes together here when myself and my editor wrap up our work,” stated Horbury.

Horbury considers the highlight of her esteemed career to have been in her lead production role for Disney Channel Vlog. The show’s tremendous success is a reflection of Horbury’s natural affinity for producing. Horbury, who is no stranger to producing for large audiences, was particularly humbled by Disney Channel Vlog’s 3.5 million views and 300% increase in viewership since she took over the role of Director and Producer. For the first time in her career, Horbury was working with a very small team and had the opportunity to showcase her ideas and her ideas alone. For a producer used to working with hundreds of team members, she was pleasantly surprised by how much she enjoyed managing a smaller, more intimate group of individuals. To date, she has been the mastermind behind 52 episodes of the hit show, each littered with her ideas, scripts, edits, and more.

Disney Channel Vlog airs weekly, featuring two teenage hosts and targets children between the ages of 8 and 16. The Vlog has three segments and shows all of the latest Disney channel shows, DIYs, spoof music videos, comedy skits, hosts that talk about issues concerning teens today, and more. During pre-production, Horbury generates all of the concepts behind the show’s content, ensuring that every segment promotes the Disney Channel in a natural, compelling way. She has the distinct pleasure of creating and pitching a series of ideas to Disney and writing each script from start to finish. During production, she composes and decorates each set to appeal to her audience and appear fun, colorful and engaging. She then produces and directs the talent and camera crew while shooting. Once production concludes, Horbury masterfully edits all material gathered to make sure that only the best footage is kept. She adds her finishing touches in the form of after effects, visual and sound effects, graphics, etc., and the result is profound. Viewers are eager to tune in again on a weekly basis and consume whatever great content Horbury has to offer them that week.

In addition to Horbury’s satisfied viewers, she is used to receiving positive feedback from her co-workers. She differentiates herself by her ability to inspire her crew and make them feel at ease when they work with her, keeping them up to speed with her visions and addressing any questions or concerns they have along the way. Heather Nair, who works closely with Horbury on Disney Channel Vlog, witnesses Horbury’s remarkable talents on a daily basis for the show and considers herself lucky to work with such an unprecedented producer.

“Working with Katie is an absolute dream. She knows exactly what she wants, is decisive, and very knowledgeable in her field of work. She has such a magnetic personality with a fantastic sense of humor. She is so good at what she does because she is incredibly sharp and on the ball. She is also extremely creative. On this show, not only does she script and direct each shoot, but she comes up with all of the ideas for each segment,” said Nair.

For Horbury, working for Disney Channel Vlog has been a dream come true. Not only does she get to do what she loves, she has the satisfaction of knowing that she has been a positive influence in the lives of young viewers. She hopes to continue to inspire children to pursue their dreams as feverishly as she has through the content she creates for them and takes pride in knowing that 10-year old Katie Horbury is living her dreams to their fullest extent.

Behind the Scenes of 24 Hours in A&E with James Ralph

When you think about your favorite television show, what comes to mind? Is it your favorite actor’s Emmy-worthy performance? Or is it perhaps set in a part of the world that you’ve been itching to explore for all of your life. Is it funny, or is it sad? Is it dramatic, or is it scary? No matter what comes to mind, each component that makes it the show you love and cherish is rooted in an editor’s ability to tie every element together seamlessly before your eyes. Without the help of a skilled editor, storylines would falter and viewers would lose interest. Films and television shows that dominate the industry require a seasoned editor, one with a keen ability to captivate an audience and ensure that only the best quality content makes a final cut. They require an editor like James Ralph.

Ralph’s versatility as an editor makes him difficult to define, but a mere glance at his work will tell you that his talents are profound. His ability to transform his skill set to meet the demands of the project before him allow him to ease into new premises, scripts, and storylines flawlessly. He brings a certain authenticity and creative edge to his work that makes him instrumental to every job he accepts and over a twenty-year career he has accepted many. His unique editorial style can be understood through a variety of different projects he has worked on, from British favorites like X Factor, Britain’s Got Talent and The Voice UK, to hit reality television shows like Love Island and First Dates. He differentiates himself as an editor through his natural ability to transition between different genres without weakness. According to Ralph, he doesn’t have one specific style or technique that characterizes him, which makes him all the more suitable to work on a diverse array of projects.

“I wouldn’t say that I have a definite style as my work spans multiple genres. I think my work is always smooth in that you can watch it without ever being aware that there are edits – unless I’ve placed them there deliberately. Editorially, I am thoughtful, intelligent, visually creative, and musically dynamic, all of which are crucial to any story you’re trying to tell. I think that there is a certain energy in everything I do,” tells Ralph.

Over the last three years, Ralph has worked on a number of series for the well-known British television show, 24 Hours in A&E. 24 Hours in A&E is a medical documentary set in a busy hospital in London, England. The unique docuseries offers an inside look at one of Britain’s busiest Accident & Emergency departments. For the show, cameras roll for 24-hours straight over the span of a 28-day period.

With a reputation as unparalleled as Ralph’s, it is not uncommon for a production company to solicit his talents. When 24 Hours in A&E’s production company, The Garden, were looking for an editor to flavor their series with the perfect amount of suspense and truth, they demanded that Ralph come on board. In fact, the show’s Executive Producer, Spencer Kelly, had worked with Ralph in the past and knew he was the perfect fit for the job. For Ralph, the opportunity was too great to turn down and knowing The Garden’s respected reputation in the factual and documentary making world, he was eager to accept.

Despite Kelly’s experience working with Ralph, he never ceases to be amazed by the quality of Ralph’s editing skills. Ralph is a rarity in his field and production companies are extremely fortunate when they come across talent as remarkable as his.

“I have worked with James on prime-time series for BBC 1 and for the last three seasons of 24 Hours in A E. Throughout each, he has brought a unique combination of consistency and editorial clarity. His work is beautifully crafted and his editing delivers compelling, thoughtful and entertaining television,” states Kelly. He also points out that Ralph’s “good humor and hardworking, collaborative attitude make him a pleasure to work with. Most importantly, he is quick at what he does so he can quickly sift through material and implement changes to meet pressured deadlines.”

As an editor, speed is crucial; however, the true art of editing shows in an editor’s ability to produce content quickly without sacrificing quality. Ralph is well-versed in this skill and it makes him a true asset to the teams he works on. For 24 Hours in A&E, this skill is paramount to the show’s success. Due to the sensitive nature of the subject matter, it is important for Ralph to be able to accurately portray each situation with every aspect of authenticity and human nature possible. The show’s audience become privy to very intimate parts of people’s lives, ranging from birth to death and everything in between and as a result, Ralph has to thoroughly explore all of the footage, identifying any stories or themes that can be developed into an episode. On the surface, the show is about medicine but in reality, it is about people and the often fascinating stories of their lives. It is a challenge unlike any of Ralph’s other projects.

“It can be very challenging when you’re faced with the reality that people sometimes die or appear on the show with appalling injuries. As an editor, I have to work with this footage and find ways to tell these people’s stories without glorifying or reveling in the gruesomeness of the situations. It’s all about being sensitive and respectful to the people on the show and to your audience as you tell each story and ensure that you do them justice,” notes Ralph.

From an editing standpoint, 24 Hours in A&E was a thrilling job. With full creative reign, Ralph was trusted to make his own decisions in terms of which stories he followed and developed. He thrives in an autonomous environment, allowing his unrestricted creativity to reach the surface. He loves the responsibility that comes with being able to showcase such raw, human stories. There are moments of humor, as well as moments of grief. It can be touching, but also devastating. The show is characterized by a wide spectrum of emotions and Ralph gets to choose how he wishes to present each and every one. He has been instrumental to the show’s success and is without a doubt one of the main reasons that his viewers absorb the show in the way that they do.

“I take a great deal of pride knowing that the show is so popular, not only with the public but also amongst my colleagues. The fact that it is repeatedly commissioned, as well as on repeat across many of Channel 4’s subsidiary channels, is a tribute to the hard work and dedication that goes into making it. It’s one of those shows that a lot of my friends in the industry always say, “I wish I worked on that,” concludes Ralph, and he is proud that he does.

ACTRESS JAEDA LEBLANC IS A LITTLE GIRL ON A BIG SERIES

Actor’s know that when you exhibit your skills on a project this is not only the action of using your talent but also the way in which you advertise yourself to other potential employers. Being of benefit to any production allows directors, writers, and other professionals to envision you in their own creations. An actor can spend a lifetime amassing a collection of performances that will keep them employed doing the vocations that they enjoy so much. It can take decades, even lifetimes to do so. In the case of Canadian Jaeda LeBlanc, it may happen much more quickly…because it already has. While still in her single digits, this young actress was noticed by Gregory Smith, director of the highly successful TV series “Saving Hope.” Airing on Fox in the US, “Saving Hope” joined the lineage that has lasted for decades of popular dramas that take place in the medical field and portray the humanity behind the healers, the afflicted, and their loved ones. When Smith saw Jaeda on “Odd Squad” he understood that her talent and abilities transcended those of youth based stories. Casting her as Aisha Kai in “Saving Hope” not only proved that he was correct but also gave a boost to LeBlanc’s credibility and vetted her as an actress more than capable of working in prime time television.20728338_157108004866208_2853571896937534171_n

The key to being a great guest star on an already popular show, as well as being a great actor, is being memorable without trying too hard. Performance is a requirement; beyond that you can chalk it up to charisma. Robin Williams, Leonardo DiCaprio, countless actors have appeared on prime time TV shows in bit parts that morphed into careers on the small and the big screen. Canadian actress Jaeda LeBlanc has that same magnetism. Although still in her early teens she has appeared in a number television and film productions. She’s appeared in films with such household names as Susan Sarandon, Kathy Bates, and Natalie Portman. It’s easy to see why her roles have been much more prolific in the past two years when viewing the heartfelt portrayal, she gave in “Saving Hope.” As Aisha Kai, a bossy, sassy, and very intelligent young girl mature beyond her years, Jaeda gives a layered performance. Aisha’s mother died of cancer three years prior and she now lives with her father who is also terminally ill. She has learned everything she can about her father’s illness and takes the doctors to task about it. Dr. Reid (Erica Durance, star of Saving Hope) makes matter worse when she makes a promise to Aisha whose own birthday is derailed by her father’s sickle cell crisis. Aisha (powered by LeBlanc’s portrayal) gives the audience the dual sense that she is very young but has been forced to mature quickly due to her difficult circumstances. She’s a girl who is aware well beyond her years about life’s harshness…but still is a young girl, with all of her concerns and uncertainty. At times irreverent and at other times fearful, the role gave Jaeda the opportunity to convey many subtle shades of emotion rooted in body language as well as dialogue. Gregory Smith, director of “Saving Hope” tells, “On our show Jaeda played Aisha, an insecure stubborn child that is authentic without being annoying or exaggerated.  As a director I know that it is not easy for a young actor to fully immerse themselves into a role but this is not the case here. Jaeda translated her actions and emotions to a believable character that drew sympathy with her realistic yet endearing delivery. Jaeda is an accomplished young actress who commands powerful, nuanced performances, the quality of which exceeds that of many of her peers. She was able to take on and be this child with a sick dying parent, unsure, stress and sad of what could happen.  Jaeda has the ability to know if she is under or over acting and correct her own self, this is an impressive trait.”Photo 2016-05-11, 4 37 09 PM

You’d think that for a young actor the excitement would be finding themselves on set, under the lights with all eyes on them. For some it might be the luxury of having their own trailer with snacks and video games. For LeBlanc it was sitting down for the table read. The formal table read is a staple of all major productions; for Jadea, this was her first and a true indicator that she had made it to the big leagues. Many table readings would follow this one but you always remember your first…like a first love. Without a frame of reference, Jaeda paid attention to how far the other actors “turned up” their performances at the table read and matched them toe to toe. Reading the room and acclimating is a benefit of being an actor. While she received praise for the read, it was the test of being on set that confirmed her abilities when under pressure. LeBlanc remarks, “It was nice to be a ‘Guest Star’ and work with seasoned actors in one of the most popular TV show in Canada. From the first moment I was on set everyone was super nice to me, not only because I was a kid but as another actor. People may not always admit it but, kids can tell when someone is being nice to you because you’re young rather than being honest. It was a great feeling to be treated as a peer by so many great actors. Like my mom always says, I have an ‘old soul’ so for me to be around adults feels normal. It was nice to feel like a peer playing in the same field as all those seasoned actors of this start cast TV show.” When you play a role in a Canadian Screen Award-Winning Series (“Saving Hope” has received numerous awards including: Canadian Screen Awards, Directors Guild of Canada, Leo Awards, Joey Awards, and others) that is watched by most Canadians, you are bound to get noticed. Casting Directors definitely paid attention as proven by the numerous TV and film roles which followed this young actress’s appearance on the series. Jaeda LeBlanc is just embarking on her teen years yet she has already amassed a long list of credits that have set a strong foundation for an already impressive acting career.

With Director

(Jaeda with director Gregory Smith)

Producer Cassie Friedman is ‘one stop shop’ for Studio Lambert

Cassie Friedman describes her producing style as hands-on and hungry. If something needs to get done, she jumps right in. The Development Producer became one of the best in her home country of Canada, working for some of the country’s largest broadcasters and on popular news programs. Despite such success, she remains humble, knowing that you can’t achieve greatness without the help of others.

“I’m big on collaborating. As nice as it would be to have a huge vision and execute all the pieces yourself, that’s not realistic and would probably grow isolating after a while. The fun of producing is working with great teams, so I love helping my co-workers with their tasks or projects and vice versa. I’m very lucky that I’ve only worked in environments where my co-workers have been more supportive and collaborative than competitive with one another,” said Friedman.

Now, Friedman has taken her talents abroad, working with the independent production company Studio Lambert, based in Los Angeles and London. She has worked as Manager of Development at Studio Lambert for over a year, greatly contributing to the acclaim of several television shows, such as Second Wives Club on E!, Growing Up Evancho on TLC and seasons 8 & 9 of Undercover Boss on CBS. She has worked for projects on even more major networks with the production company, such as FOX, ABC, NBC, LIFETIME, and A&E.   

“Cassie is an extreme asset to the company.  She has an incredible eye for talent as well having the intellect to develop shows,” said Rich Leist, Supervising Casting Producer at All3Media America. “Cassie is phenomenal at her job and has the best attitude. It is a pleasure to work with her because she is creative, hits deadlines, and has an excellent understanding of the television industry. Cassie has many quality skills that make her an asset to the company. She can find talent, edit, create pitch documents and sell a concept. Cassie is a one stop shop for us.”

While working on various shows, Friedman has impressed many of her colleagues at Studio Lambert. She takes on many tasks, from development to casting. She also works on many network-funded and internal development projects for the company, including writing, producing and editing sizzle reels, heading up casting, writing and producing detailed decks, producing and developing segments for shows, and field producing for various TV projects. While taking on so much responsibility, Friedman is still loving what she does.

“I am extremely lucky to work at Studio Lambert. Some days, as I’m driving to work, I check-in and smile because I am doing what I set out to do – working in television in Los Angeles. My work consists of many different roles on various projects. In the morning, I could be casting therapists to host a family show and in the afternoon, I could be scanning evidence binders for a true crime show,” she said. “What I love about working at Studio Lambert is the drive of everyone I’m surrounded by. Our team, along with the teams at All3Media America, our parent company, is always driven to do our best work. And the next best part is seeing something you worked on air across the continent, that story you’re telling making its way into people’s homes and starting a conversation.”

Friedman is incredibly versatile, with a wide range of talents beyond simply producing. This immediately impressed with Vice President and President of Studio Lambert during their first meeting. Friedman’s experience in television, writing and on digital projects was extremely comprehensive at just 27-years-old. She had produced live TV for more than two years, but had also spent time working in the start-up world in Silicon Beach. Her ambition was highly-regarded.

“Studio Lambert has a fantastic history. The original production company dates back to the 1950s, as a successful UK production company. Being from Canada, with close ties to family friends back in the UK, I always felt connected to that part of the world. So, on top of the current Studio Lambert being an extremely successful, Emmy-winning production company, with unbelievably talented producers leading it, I also appreciated the company’s history. It felt like a team and family I wanted to be a part of from day one,” said Friedman.

On an average week, Friedman touches at least five to ten different projects, all in different stages of development. This could be anything from research, outreach for a potential show idea, meeting with artists and creators, casting, producing decks or sizzle reels, producing pilots, development notes for shows in production. Friedman’s high level of organization is essential to such a workload, and she meets the challenge easily.

She works closely with her team, not making a major decision without consulting her coworkers to make sure it will work for everyone. She values their opinions, and also uses her knowledge in the industry to make decisions on her own that will benefit everyone. This was exemplified when she wrote and designed the pitch deck for the company’s show Growing Up Evancho, which aired on TLC just last month. She designed the deck specifically for TLC, getting ideas by looking at the posters for the network’s current shows. She did the same thing for Second Wives Club on E!.

Working in development, Friedman is often one of the first people to touch a project. “It’s so thrilling, because every project has the potential to become a major hit. Pitching, researching and casting sets the tone of the show for the network. We set things up so the next team can hit the ground running into pre-production and production,” she said.

Friedman also enjoys meeting all sorts of people while she is working, not just those in her industry, but those in her stories all over the world. There was one instance at Studio Lambert when she was casting a show with youth sports coaches around America. She dove into that world, infiltrating sports-parents Facebook groups and connecting with that community. She got to call and Skype with coaches all over the country, hearing about their lives, jobs, etc. This passion for what she does keeps her going every day.

“It is so cool learning about worlds I know nothing about. And that happens all the time as a producer. You dive deep into new environments. No day is the same. No project is the same. That is one of my favorite parts of my job” she concluded.

Greek actor Konstadinos Lahanas shows comedic skills in hit show ‘Lola’

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Konstadinos Bahamas

From the time Konstadinos Lahanas was a young boy, he always has been artistic. At the time, there was no preferred medium. He would paint a picture, or perform on a stage, and expressing himself in such a way was consistently a thrill. As he grew, his love of acting began to take over. He was able to express his emotions and change who he was for a brief moment, entertaining his audiences. He continues to do this today.

Now one of Greece’s most reputable actors, Lahanas shares his culture and talent with the world. His esteemed resume exemplifies the versatility he possesses, and his work on various film, television, and commercial projects have gone on to receive critical acclaim. These include popular television shows The Disappearance (I Exafanisi), Family Stories (Oikogeneiakes Istories), and I Have a Secret (Eho Ena Mystiko), the film The Pilgrim (O Proskinitis), and the popular Yoplait commercial, filmed in Croatia, which was shown all over Europe.

“I suppose the need to express my inner feelings was what initially sparked my interest in acting, and it has been my passion ever since,” said Lahanas.

When working on the popular Greek television series Lola, Lahanas once again captivated his audiences with his outstanding performance. Lola has over 200 episodes, and is distributed in Greek Television by Antenna TV. The series was directed by Kostas Kostopoulos and stars Christos Vasilolpoulos (Gregory) and Ada Livitsanou (Lola). The story is about a man (Leonidas) turning into a woman (Lola) through a magical spell activated by a disappointed and furious ex-girlfriend. Since that day, Leonidas struggles to continue his life and keep his job, by acting that his new female nature is his sister, Lola.

“I wanted to work on the hit television series of Lola, as it was based on a popular Brazilian hit television series that was brought to Greece. The high ratings the series had already acquired were intriguing to me, as was the story. I really wanted to participate and be a part of the cast in such a production,” said Lahanas.

Lahanas played a young friend of Gregory’s named George, a commercial manager. Alongside Gregory, George attempts to influence feelings of one Gregory’s ex-girlfriends. The requirements of this role were demanding, requiring Lahanas to convincingly flirt in a humorous way, while still telling the story.

“My character has to sell Gregory’s ex-girlfriend a product. Under Gregory’s guidance, my character was required to approach and flirt with his ex-girlfriend for the purpose of humiliating her in order for him to take revenge for her hurting him in the past,” Lahanas described. “I got into the mindset of the character by observing how men and women interact and how important it is to psychologically evaluate the behaviour of both sexes.”

When Lahanas was first approached about taking on the role in Lola, he immediately accepted. The producers had seen his performance in The Disappearance, and although the role was a dramatic one, they knew the actor was not only capable, but ideal, for the comedic role in Lola. They required an attractive and fit actor, and Lahanas was eager to make audiences laugh.

“What I liked the most about working on this project were the requirements to demonstrate specific social skills such as flirting and storytelling. as well as the importance of charm, in order to be convincing in this specific role. This was a fun attempt in trying out my comedic side and it was interesting, as it crossed a fine line between humiliation and admiration,” Lahanas described.

Many of Lahanas’ scenes in Lola, except for the scenes shot around the city, were filmed in one of Greece’s largest studios, Kappa Studios. Lahanas thoroughly enjoyed his time working on the show, and impressed all he worked with. The casting director on the show was so impressed with the actor that he immediately began recommending Lahanas for other projects, and is always eager to work alongside him once more. Lahana’s co-star, Christos Vasilopoulos, also said working with him was a great experience.

“I have the luck of being friends with Konstadinos ever since we worked together on Lola. Working with Konstadinos is always a very pleasant experience because he is a very positive and cooperative person. He always makes the person he is acting beside feel safe and cheerful,” said Vasilopoulos.

Lahanas’ performance in Lola was essential to the story of the episode, and the character development of the main character. Lahanas’ understood the responsibility of such a role, and gave an exemplary performance, as he is known to always do. However, at the end of the day, Lahanas is a storyteller, and like most storytellers, the message behind the words is always of vital importance.

“The story of the show is important, as it teaches the audience a lesson about behaviour between males and females. It really shows the kind of behaviour between a male and a female that can surface after a hurtful break up between a couple, as well as the consequences of seeking revenge. Audiences can really relate to the story, and see themselves in the characters, and as an actor, that is all you can ask for,” Lahanas concluded.