Category Archives: Television

Charismatic Actress Scherrikar Bell Goes Viral

BELL-1

British actress Scherrikar Bell’s combination of natural talent, technical skill and intuitive gift for manifesting an emotional reality qualifies her as an extraordinary force. From her 2011 start on stage in London’s West End to her extensive film and television work (credits include roles on BBC’s “EastEnders,” “Famalam,” “Doctors”), Bell unfailingly radiates an engaging quality that profoundly enhances every portrayal.

Her memorable performance as a professional assassin in masked British rapper SL’s “FWA-Boss” music video is a prime example of the inescapable Bell charisma.

With over 100 million streams of his music to date, the enigmatic, teenaged SL is one of UK hip hop’s most important and fastest rising artists, and landing her role in the video (SL’s first single of 2019) was a plum assignment for Bell.

Helmed by the award winning director Myles Whittingham, the deeply cinematic film short  showcases the masked rapper’s downbeat, almost nonchalant UK drill sound—a smooth, minimalist mid-tempo style—and Bell’s lead character anchors the video from it’s opening through to its final shot.

As SL’s low key rhymes roll above the track’s glimmering, almost meditative beats, we see Bell donning a nun’s habit, then cut away to an exterior where the Mother Superior calmly approaches an automobile, produces a wicked looking automatic handgun and shoots the vehicle’s occupant at point blank range.

BELL-NUN-GUN

It’s downright startling moment—made all the more so by Bell’s  serene demeanor and measured pace—and she draws the viewer in close as we witness a series of similarly deadly encounters.

A subsequent sequence find her clad head to toe in black leather (an updated Emma Peel comes delightfully to mind) and wielding a high powered sniper’s rifle which she uses to coolly dispatch a trio of obvious ne’er do wells before breaking into a lethal Mona Lisa smile and slowly sauntering over to retrieve chrome-plated brief case  from one of her victims.

The unforgettable instant when she cracks that malevolent grin is so subtly evil and cold-blooded that it qualifies as an absolutely masterly piece of acting, one that Bell makes look so easy but is, in truth, an example of deep stagecraft.

It’s the ideal set up for the next murderous tableau, a scene straight out of Hitchcock—Bell strolls wordlessly up to an approaching woman, suddenly produces a nasty looking shank from within her sleeve to adroitly deliver a swift shocking stab, another deadly encounter stunning in its almost mechanical precision.

Bell’s comprehensive involvement with the role allows her to inhabit this icy-hearted murderer so convincingly that it made the video a fan favorite, with almost 4.5 million views since its March 2019 release. Intriguingly, the video ends with her appearing in SL’s living room then fades to black with a lingering “To be continued” screen title and an open-ended question as to what she was doing there—reporting to her employer or preparing to dispatch him?

The mood and mystery of the video inspired multiple fan-made reaction videos and cemented SL’s reputation as one of the UK’s fastest rising stars, and there’s no question that Bell (currently featured on the BBC “Teach The Victorians”) and her blood curdling contributions to the video played a significant part in making it such a sensational, feverishly viral internet and commercial success.

Britain’s Ron Carroll on passion for television and advice for newcomers

It seems Britain’s Ron Carroll has always known what he was destined to do in life. As a child in Liverpool, he used to play newsrooms in his bedroom, obsessed with typewriters and tape recorders. Even at that young age, the idea of being a journalist and creating compelling stories for the world excited him. When he finished university, he never felt lost the way so many do, wondering what their next move was. He knew he was going to be a writer, and quickly got his first job working for a newspaper.

Now, as a showrunner and development producer, Ron’s passion for detailed and accurate storytelling is seen on a grand scale. He traded in a pen and notebook for scripts and sets and has never looked back. Once his career in print journalism had taken off, he began wondering what else he could sink his teeth into. Television became the obvious next step.

The transition started when Ron was working as a senior producer on US talk shows. He went back to work in Britain for a while and got a really interesting opportunity, which came to him the moment he stepped off the plane. Sky TV, one of the UK’s largest networks, was launching a new daytime television show. It was live with phone-ins. They asked Ron to develop the format for the show and produce it, and that really put him on the career path he is on today, an industry leader in his country, developing new formats and launching new TV and Digital projects.

“It may not be everyone’s dream job, but it was one of mine. I loved producing talk shows. I still do, if I get the opportunity. Nothing is better than writing a funny line for the host or having a guest share a story and getting an immediate reaction from a live audience,” said Ron. “I get to meet all kinds of people. I have interviewed A-list celebrities, got to produce shows that make life-changing dreams come true for people, and in some small ways made a difference.”

Audiences all around the world have enjoyed Ron’s shows, whether binge-watching Blown Away on Netflix or waiting each week for the newest episode of Canada’s Next Top Model or Game of Homes. Ron knows how to tell a good story, and his roots in journalism only fuel his passion for reality television.

“When I am developing a new show, whether it’s my own idea or it belongs to a production company that hires me to help bring it to life, I am very guttural about it. Over-thinking can be the curse of death. I have witnessed great show ideas get grinded to a pulp because producers over-think. I always say know what you like and make the shows you love. I like to produce shows that have heart, humor and hope. Shows that genuinely make a difference to people’s lives, which is why producing Undercover Boss was so rewarding. At the end of the day, I am a viewer first and a producer second,” he said.

Ron has developed a “3-H formula” based on his success: Heart, Humor and Hope. These characteristics are always at the forefront of whatever he produces. When he looks back on his career, he has had many highlights, but it is making a real difference through his work that fuels him.

“I was the lead story producer on an ITV show that aired live across Britain on Christmas Day, and I had people in tears on both sides of the camera because of surprise reunions, uniting families across the globe. Well-crafted shows should connect with viewers in real and tangible ways,” he said.

So what’s next for this industry titan? Ron has several new shows that are at various stages of development, including the community-uniting format “The Tree” that he is very excited about. He also has several other shows in the works, in conjunction with collaborators, which include an exciting new design competition format, a reno series, and a fun food competition show. In addition, he has a strong and growing reputation as a content consultant. He is in increasing demand, working with production companies in the US, Canada and the UK, helping trouble-shoot their shows and help devise formats, pilots and presentations for both TV and Digital platforms. For those looking to follow in his footsteps, he offers some wise words:

“It worries me that so many people seem to leave media courses and not know how to apply for a job.  That’s a problem and they are being disserviced by colleges and universities. Know what you want and network. That’s code for pick up the phone and write emails to heads of departments. CC-in Human Resources if they have them but don’t rely on HR. Reach out and ask for meetings directly with frontline creatives. You have to be bold and tenacious. It’s a tough business and breaking into it is more competitive than ever. Some people will love you and some people won’t, because they don’t get you. There will be times when doors won’t open and you’ll get career-blocked. But, generally, if you don’t have too big an ego and you are willing to listen and learn and work hard, you will be welcomed with open arms, across all departments. And when you finally get to break into the industry, don’t work for free or at a reduced rate. Know your worth. Every time someone works for free or at a reduced rate, they devalue the industry they want to be part of,” he advised.

Hong Kong’s Samuel Lam gives musical life to new Chinese television series

Samuel Lam was born with a large birthmark on the right side of his face and spent much of his childhood alone because of it. Growing up in Hong Kong, it was hard for him, being a loner, but when he was 12 years of age, his sister bought him a guitar and his whole life changed. Music became a way to express himself, changing his personality and giving him something to connect with others.

Now, Lam is an industry leading composer and orchestrator is his home country and abroad. He has worked on multi-million-dollar blockbusters, such as Crazy Alien, to award-winning films like Mommy’s Girl. He has scored dozens of short films, and has many exciting projects on the way, including Paramount’s Playing with Fire, starring John Cena, Judy Greer and Keegan-Michael Key, directed by Andy Fickman, and Detective Chinatown, a 12 episode web-series, produced and written by Chen Sicheng, the director of the feature film of the same name, which generated over $600 million USD at the box office.

Lam is known all over the world for his talent, and recently worked on the highly anticipated Chinese series Paratrooper Spirit. The show is about a team of paratroopers with actual combat as their training ground, as they push hard to level up their fighting abilities and complete different missions. Set in the foreground of military reform, the story follows military men like Zhang Qi and Qi Xiao Tian. To develop an air force that can compete in the global stage, a special team called Guo Gai Tou has gathered. After the initial adjustment period, Guo Gai Tou began fighting wars in the North and South and challenging greater enemies. Warriors from Guo Gai Tou who are dispatched to other teams become aces in the field.

“It is a good way to increase understanding and knowledge about the military through the influence of media and entertainment. This show has a really interesting military service theme, the paratrooper,” said Lam.

Working on a series is far different than a feature film, and Lam was eager to work on his first television show with Paratrooper Spirit and working in television in China differs greatly from America. Rather than getting each episode weekly, as the U.S. does things, Lam got every episode of the show at once. Although there is a greater time crunch with this method, Lam likes knowing how the entire story is developed to orchestrate the score accordingly. He was given all 35 episodes of the season to work on and began by watching each one. Then he and his team started developing essential thematic materials such as main theme and melodies for characters that worked with each and every episode and helped to tell the story.

“It is very challenging working on a TV Show. Because of the large amount of content, you have to be very organized, and work at a super-fast pace. I had to arrange all kinds of music genres, from action orchestra, to rock and romantic pop song, and that was really fun,” said Lam.

It takes an extremely broad skill-set to orchestrate for a television show, and Lam possesses just that. He arranged hundreds of minutes of music for Paratrooper Spirit that will continue to be played over the show’s run, with millions hearing his work, and he couldn’t be more excited.

Paratrooper Spirit is currently being promoted in China and will be released in September 2019 on a major television network in the country. Be sure to keep an eye out for it.

Compositor Ranran Meng takes audiences back to 1970s NYC for HBO’s ‘The Deuce’

For Ranran Meng, compositing is like decorating a building; as the final step of the filmmaking process, her role as a compositor, is to make a scene look complete and beautiful, just as an interior decorator would a room. She makes the footage look the best it can possibly look, ready for audiences all over the world to be taken in by the story, transported to different places and time, and to be purely entertained.

Meng has put her extraordinary touch on many of the world’s most popular recent films and television shows. These include Netflix’s hit rom-com Set it Up, Amazon’s award-winning television series The Marvelous Mrs. Maisel, and the Emmy-nominated film Fahrenheit 451, to name a few. Her talents extend to commercials, collaborating with iconic brands like Microsoft, as well as virtual reality, having worked on the Harry Potter franchise award-winning video game The Fantastic Beasts and Where to Find Them VR Experience in 2018.

Last year, Meng also worked on the second season of HBO’s Golden Globe nominated series The Deuce, starring James Franco and Maggie Gyllenhaal. Based in 1970s New York, this show gives a raw and gritty portrayal of the prostitution business that was so publicly executed at that time. As a result of police crack-down, the characters are forced to venture towards relatively safer and more discrete forms of the same work.

Meng, already a fan of the show’s first season, was happy to use her talents on such an enticing story, even if it meant she would be exposed to some spoilers.

I have not watched any show talk about the porn industry before, so this was a really unique project to be a part of. The story involves the government and police corruption, the violence of the drug epidemic and the real-estate booms and busts that coincided with the change. It really allows viewers to imagine what 1970s New York City was like,” she said. “I love the old stories and the older looking sets, it’s like seeing something from the past, even if it is not a true story. It gives an idea of what the old society was like, making it real for audiences.”

When working on The Deuce, Meng had a tremendous amount of responsibilities, making sure the VFX would really allow audiences to transport back in time to the 1970s without being noticeable. To do this, she used compositing techniques like 2D tracking, 3D tracking, roto and paint skills. In the original footage, there were modern things in the background that wouldn’t work with the time period, so she used her software to replace this with older images, making every detail work for 70s New York City.

These small details included erasing modern road stripes or signals and replacing them with the older styles, which meant she had to 3D track the scene and simulate a 3D scene of it, and then use paint techniques to paint out a newer, cleaner, no-stripes road image. She would then project the new painted road image on the 3D space and bring in a 2D plate, and then add new render stripes footage. Finally, after bringing back the cars, she used 2D tracking and roto/paint skills to do the motion work and to simulate the exact same traffic lights and shadows to bring them back to the scene. This made the scenes still have the same shooting elements, but with a perfect, older environment. Viewers may not notice things like the road signals in the background of a dramatic scene, but they would notice them if they were modernized, which is why Meng takes such care and pride in her job.

“This project is the story about the 1970s in New York, so it is interesting to make a modern city into an old-time city. I enjoyed the process of seeing how the city changed. It let me know how accurate the scene should be for output, as even a little light sign should be changed back to that period. It really magnified my attention to detail,” said Meng.

Meng’s work allowed The Deuce to be more believable and precise, allowing viewers to have the ideal entertainment experience from the couch of their homes. She used advanced high compositing techniques to achieve photoreal effects, making her indispensable to putting together such a high-end television show.

“I am proud of myself to have been a part of this great project. The post-production did a very good job and presented a real 1970s New York City to the audiences. I had a good experience working with my team and I am very much looking forward to the show’s next season,” she concluded.

The Deuce will return later this year on HBO.

Canada’s Helena-Alexis Seymour plays her dream role in Amazon’s hit series

1v4a1641 copy 2
Helena-Alexis Seymour

Helena-Alexis Seymour grew up on stage, never having an issue with being in the spotlight, literally. Growing up in the small town of Cornwall, Ontario, Canada, Seymour danced, did beauty pageants, and modeled. She loved the way she could express her creativity through such methods of performing. As she grew and started a successful modeling career, she realized another passion: acting. After booking her first commercial at only nine years old, she knew what her calling was.

“The more I acted, the more I realized that the artform was about more than me being creative, it was about how I was able to make the audience feel. Having someone watch your performance and be moved by it because they can relate, it reassures them that they are not alone. We all want to feel like we aren’t alone in this world so to be able to do that for someone makes it all worthwhile,” she said.

Now, millions around the world have seen Seymour in some of their favorite films and television shows. She is known for films like the blockbuster xXx: Return of Xander Cage starring Vin Diesel, as well as the multiple Academy Award winning film Birdman or (The Unexpected Virtue of Ignorance). The highlight of her esteemed career however, began last year when she was cast in the title role in Amazon’s award-winning original series Chronicles of Jessica Wu.

“Helena is a woman that exudes positive energy, so naturally she brightens up any room she steps in. She’s hardworking, humble, kind and so down to earth, which allowed for us to not only create great moments on camera, but many memorable moments off camera. It was a very rewarding experience and I hope it’s the first project of many that we get to work on together,” said Jasmine Hester, Seymour’s co-star on the show.

Chronicles of Jessica Wu is a story about a young girl on the Autism spectrum who has mastered martial arts. She becomes a Hero in her city and takes down some of the most ruthless villains in Los Angeles. Jessica’s genius ability and martial arts helps her become the most unique and fascinating Superhero of our time. Chronicles of Jessica Wu is a fun, action-packed, and exciting series for the entire family.

“I love how the story showed a strong, bi-racial, woman on the autistic spectrum living a very normal life. She is highly functional and lives quite like everyone else. Bringing awareness to the autism spectrum is something that we all need to experience. Being more inclusive of each other and more loving to each other. Everyone in this world is different and going through something so the more we can open our minds to it, the more compassionate as a whole we become,” said Seymour.

The character of Jessica Wu is driven, focused, ambitious, strong yet quite shy, and vulnerable all at the same time. She is loyal and expects the same loyalty in return. She believes her autism is a strength and uses it to her advantage. She is an intellectual genius and is always two steps ahead in her mind. She uses her amazing mathematical abilities to solve certain issues in her life as well as in her fighting when acting as the superhero named Equation.

“Helena-Alexis is a complete joy to work with. From her dedication, preparation, and delivery performances on and off set, she is the total package. Helena captures the true essence of an individual not defined by any disabilities or anything else. You will surely see how she brings the character Jessica Wu to a full circle of life. Her preparation and dedication to make our show the very best and to reach its maximum potential is truly appreciated. We couldn’t be more pleased and prouder of her work. Seriously, her performance on this show is must see TV,” said Brandon Larkins, Executive Producer.

Stepping into the show during its second season and taking over for the actress that played Jessica Wu in the show’s first season, Seymour had her work cut out for her; she had to honor a character that had already been established in fans’ minds while still making it her own. To do so, she extensively researched autism and what that would mean for her character. She had a great time recreating the character and experiencing life through her eyes. Seymour discovered what Jessica’s values were, what her strengths and weaknesses were, the type of music she listens to, the type of guy she crushes on and even what zodiac sign she was. With all that knowledge, she used it to mold Jessica Wu’s personality, and essentially, her soul.  Luckily, Seymour has a kickboxing/martial arts background, and was able to use those skills when playing Jessica.

I loved everything about working on this. I loved playing a double life as Jessica Wu and Equation,” said Seymour. “I loved working on set with such inspiring and grounded cast and crew members. When you are surrounded by love, light and greatness you naturally will vibrate to that frequency, so I am so grateful that every day was positive and that we were free to create great art together.”

The Chronicles of Jessica Wu is truly fun for the entire family. Seymour is excited by the show’s success already, and for the future seasons to come. She knows the importance of shows like this and is happy to be portraying a such a unique character that the world needs to see.

“This is only the beginning of major change in the television and film industry. We need more ethnic superheroes on the big and small screen. The world is full of different people with different backgrounds. We must continue to open our eyes to them and the gifts that they have to offer not only to this generation but the younger generations to come. It is up to us to show the youth that they matter and that there is someone just like them on the screen who is strong, capable and worthy. Being able to do that for a young child whether with autism or not means that I have done my job,” she concluded.

Be sure to check out the second season of Chronicles of Jessica Wu on Amazon when it is released on April 2nd.

Actor Tennille Read Shines on “Workin’ Moms”

Award-winning actor Tennille Read’s versatility and drive have propelled her through a remarkable career, one where she gracefully slides from stage to film and television with chameleonic quicksilver grace. The charming, Toronto-based Read’s mixture of talent, training and intriguing good looks qualify her as a commanding presence, one that’s equal parts reserved dignity and combustible whimsy, an irresistible combination which serves as an ideal foundation for characterizations in any genre—comedy, drama, adventure or fantasy.

Read, who took the Best Actor award for her lead performance in the stylish drama “I Lost My Mind” at 2018’s Hollywood North Film Festival, is experiencing a burst of creative and career momentum. She recently landed her first recurring role on a television series, another significant step forward in the ambitious player’s roster of professional achievement, and one that she found particularly rewarding.

“The show is called ‘Workin’ Moms,’ on CBC in Canada,” Read said. “It’s a funny and poignant half  hour show about the struggles women face when balancing a career with motherhood, and unabashedly shows the messy challenges of parenting. I really enjoyed doing this project because the people I work with are incredibly nice and I was familiar with some of the crew from past projects. We became an ensemble, similar to being the cast of a theatre production, which really makes a difference—I like that immensely. “

For Read, this represents an upshift which signals both peer appreciation and an affirmation of her formidable capabilities—even though she can’t reveal too much about the project.

photos by Hamish Birt

“The show starts its third season in January,” Read said. “But because it hasn’t aired yet, I’m not allowed to spill any details about my character or the season’s story arc. I can’t even talk about it with friends or family. After all, if you knew what happened in advance, you probably wouldn’t want to watch it and we want all our viewers to be on the same page and see the show unfold as planned.”

Created by American sitcom veteran Catherine Reitman (“Always Sunny in Philadelphia,” “Black-ish”), who also stars, produces and writes the popular, International Emmy-nominated series, is an ideal platform for Read.

“Developing my character for ‘Workin’ Moms’ was fun, but it was also driven by many questions,” Read said. “I wasn’t given much information about my character in the beginning, only got scripts for the first few episodes so I had to really mine them for details about characterization. I think the writers were still figuring her out themselves, but that meant I got to bring a lot of my own interpretation to set and the character got crafted along the way very organically as a result.”

While she isn’t free to share any details in depth, viewers can clearly expect some emotional fireworks from the talented actor.

“My character’s story arc was very satisfying to explore,” Read said. “I can’t say much specifically, but I can say that the challenges she faced are very relevant to many women in their child-bearing years. While I haven’t personally had the experience she had, some of my friends have gone through it and I have nothing but empathy for them. My character makes some pretty bold choices from episode to episode as the season unfolds that shed more light on her inner workings.”

Read’s reputation as coolly reliable pro was tested, memorably, on what turned out to be a particularly challenging location shoot.

“On the final day of shooting it seemed like every possible obstacle came out of the woodwork,” Read said. “We were on a street in downtown Toronto on the Friday leading up to the Labor Day long weekend. There was an airshow scheduled for the weekend, but on that specific Friday, the planes were practicing their routines, right above us. So, our dialogue was already competing with aircrafts roaring by, when a random car ran out of gas on the streetcar tracks beside us. It wasn’t long before we had a bunch of streetcars piling in. Then, someone thought they smelled gas and called 911 so we had a whole fire brigade siren in. They stopped traffic in both directions while they investigated the stalled car and the “gas leak.” Trying to keep focused and to stay in the scene was no easy feat. But all the crew and actors rose to the occasion and got it done. In fact, it became ridiculously funny—we kept asking ourselves ‘what’s next?’”

Read’s poise, versatility and patience are matched only by her deep well of dramatic skill, creativity and in-the-moment flexibility. It’s a winning formula which has consistently elevated her standing in film, theater and television and is certain to continue her ascent as an in-demand actor.

“TV shoots very fast, which is what I love about it,” Read said. “It demands that I be ready, able and present from the very first rehearsal until they call wrapped. Being relaxed and open to the other actors in the scene and my own impulses is key. It’s not always easy to do when there’s so much activity swirling around me on set—but I think that’s the enjoyable challenge.”

The Sky’s the Limit for High Flying Actor Jolie Chi

Actor Jolie Chi’s infectious mixture of enthusiasm and playfulness may give the impression that she is all about laughs and frivolity but, in reality, Chi is a dedicated artist with a zealous commitment to refining and perfecting her craft. While still at the dawn of her career, the diminutive, charming Chi is quickly building impressive professional momentum and a burgeoning roster of credits.

Chi, a native of Taiwan who studied at the prestigious New York Film Academy, is globally known for her acting roles.  2018 was a phenomenal year for internationally celebrated actor; this year alone she received several accolades for her leading role in the award-winning film “My Lunatic Lucy”, including “Best Actress in a Comedy” at the Actor Awards, “Best Actress” at the LA Short Awards, and “Best Actress” at the Top Shorts Film Festival.  Additionally, she received the award of “Best Actress” at the Independent Short Awards; her selection for this title was determined by a panel of experts from both the film industry and academia against a high standard of merit—her performance was deemed outstanding based on the complexity of her role, impressive acting abilities, and the energy that she brought to the screen.

As a rising actor of international acclaim Ms. Chi has recently secured roles on anticipated feature length films and appeared in motion picture “Destined to Ride” released by Sony Pictures, opposite big-name actors Denise Richards and Joey Lawrence.   Outside of film, Ms. Chi’s latest works as an actor have included a performance on Justin Timberlake’s 2018 hit music video “Filthy”, and a role on the television series “Laff Mobb’s Laff Tracks”, as the character of Ming Ling.

Chi’s effortless ability to succeed as actor reflects a comprehensive, impressively holistic approach to performing. Equally at home in a stage or competition setting (beating out thousands of international talents to place in IMTA’s Top 10 Female Young Actors of 2015) as she is working in film, video, and commercials, Chi has been a dynamic force since her arrival the United States when she was just 16.

jolie-imta

“I grew up in Taiwan and China but I never really fit in, because I was always too outgoing for the culture,” Chi said. “I decided that I wanted to be an exchange student in America, so I went to Indiana—it felt like home. I realized how much I love America because I finally felt like I was accepted and loved. I decided to stay and finish my education.”

The teenager’s choice to pursue acting came about with a particularly poignant twist. “My parents had divorced when I was six,” Chi said. “Even though my mom always pretended to smile in front of me, I knew she was unhappy. Once when I was mimicking a character we’d seen on TV, she laughed—genuinely—for the first time in years. That’s when I realized how powerful acting was.”

From that bittersweet launch—the classic pathos/comedy paradox—Chi aggressively pursued success in film and television and was soon working in TV commercials, short films, and movies. Some are currently in post-productions.

Chi’s dedication to improving her artistry is a constant, innate pursuit and she is not one to squander any opportunity to do just that.

With her steadily ascending professional profile and reputation as a respected, formidable artist, Chi is a talent from whom the film industry will definitely be hearing a lot in the months and years ahead, a destiny which her positive attitude practically guarantees.

“My career aspiration is to make as many people laugh as possible,” Chi said. “I want to be able to make a difference in this world through my acting, to inspire the audience to smile, to reduce stress. Many people relax by watching films and I hope to help relieve their pain and make them happier.”

Chandra daCosta talks love of producing and finding the best stories

Growing up, Chandra daCosta was inspired watching her uncle on television, an actor in McIver. Though his role was a small one, that made little difference to her. The moment she saw him on screen, she knew she wanted to be part of creating TV content. When watching a movie, she would fixate on the details, watching it over and over again, studying it. She understood that filmmaking was more than just entertaining. It was a way to share a part of herself with the masses, and she set her sights on producing.

DaCosta has worked with top production companies across Canada. She has worked on popular series like A Wedding and a Murder, Biggest and Baddest, and The Stanley Show and most recently docu-series for Lifetime.  She has collaborated with some of the industry’s finest and her work has been seen on worldwide networks like Discovery Channel, and BBC.

“As a kid, I would always beg my parents to take me to the movie theatre. I loved the glam of it, the event of it, the popcorn, the lights, the BIG screens. I knew I wanted to live in this world somehow, some way,” she said.

One of daCosta’s highlights on her resume is her work with Dale Wolfe Productions. She currently has two shows in development with Wolfe, Fish Brokers and Water ShockFish Brokers is a television series that follows the process of catching, delivering and serving sustainable, fresh seafood to high profile restaurants – “from ship to chef” – on a daily basis. Based on the book Water Rights in Southeast Asia and India by author Ross Michael Pink and published by internationally known publisher, Palgrave Macmillan, Water Shock is a documentary series exploring the paramount human rights issue of our time: clean drinking water.

“Both projects have extremely sensitive subject matter, Water Shock’s message and story are imperative, and I am proud to be working on something that will hopefully have an impact and bring awareness to a very serious issue. The shortage of water is already a reality to so many and yet, here in North America we continue on like the water will last forever,” said daCosta. “Fish Brokers is extremely exciting to work on because everyone loves a good food show! And although this isn’t just about food, that’s a part of it. I am excited to get out there with the fishermen and immerse myself into their daily life. These fishermen are not massive operations, which makes it a personal experience. Further, they are very firm in their desire to fish sustainably and ensure their product is about sustainable seafood.  The idea of following the entire process from fish to dish is something I’m passionate about.”

While making Water Shock, Wolfe relies heavily on daCosta to source and secure hosting talent and utilize her contacts for Directors, cinematographers etc. Through her personal and professional relationships, she has many high-profile colleagues she can approach. This is what makes her so good at what she does; the people she works with always want to work with her again. She also works hard on the research side of the show, making sure there is always a primary and secondary story for each episode that can captivate the audience.

“Chandra is the consummate professional. She has the ability to pull together various aspects of a production and ensure it is running smoothly. Her most powerful quality is her networking skills and connections with high caliber industry professionals and the ability to bring people together,” said Dale Wolfe, Producer and Writer.

DaCosta has also been a driving force behind the development of Fish Brokers. Through the casting and the pre-interviews, she has found several companies to come on board for the show. On top of finding funding and distribution, daCosta continues to work with the cast, and source footage for the pilot episode. She continues to look for new and fresh angles, which is why fishermen are eager to participate in telling their stories.

“I worked on various development projects with Chandra. As a development executive at a top tier Vancouver production company, I often collaborated with Chandra on new ideas and pitches for broadcasters. Chandra is fantastic to work with. She was one of the few people I worked with in the television industry who not only was a pleasure to work with but also able to research, network, write and produce show ideas all at once. She is truly a triple (and beyond) threat,” said Nicole Lawson of Force Four Entertainment.

Fish Brokers has changed and evolved over time. From Fish Brokers, to Fish to Dish, to Ship to Chef and back to Fish Brokers, whatever the title, the show continues to impress industry professionals and broadcast executives.

“Working on these two shows has been so much fun. I really have a chance to dive into the different worlds and meet characters. Although both shows are about sustainability, one has a “fun” subject (food) and the other more serious (water shortages worldwide). The food aspect is always fun because part of the research is testing some of the finished product. And the chef’s love watching people marvel over their creation,” daCosta described. “The water shortage is dire, and it’s been really hard to even get myself to acknowledge the severity of our planet’s water shortages. While doing research and through the book, it’s more important than ever to get this story out there. Looking for the right host is key and so right now, I’m really focusing on the right fit for cast and crew.”

Be sure to keep an eye out for both Fish Brokers and Water Shock to see just what daCosta is capable of.

Graphic Designer Bruna Imai honors veterans with award-winning SYFY campaign

As a graphic designer, Bruna Imai takes a simple idea and turns it into a visual masterpiece. She finds the aesthetic that best suits each project and the most appropriate way to communicate a message with all its potential.

“All kinds of art, music, literature, film, dance, etc. – has its own language, and the role of the designer is to interpret these arts and translate one “language” to another. Any art is about telling a story, a message. I’m a storyteller specialized in the visual language, and I use elements like illustrations, photographs, objects, movies, animation, motion and so on to tell a story,” she said.

It is exactly this attitude toward her craft that has made Imai an industry leading graphic designer. She is known for her contributions to several acclaimed campaigns, including IFC’s “No Brainer” commercial spot, Coca-Cola’s “Coke On” commercial, FIFA’s Women’s World Cup on Fox Sports, and STATE Design’s Statement. Her work has gone on to receive several awards from the most prestigious advertising agencies and awards around the world.

Another award-winning project for Imai was the 2015 SYFY Veteran’s Day campaign. The project was about a holiday spot for SYFY Network to produce a heartfelt ‘Thank You’ to the nation’s veterans. In addition to appearing on televisions all over the country, Imai’s work was also seen online. Parts of the animation were used as the opening and ending of “thank you” videos, featured in many motion graphics related sites.

Imai’s graphic design work led the project to immense success. Not only was it popular with viewers and online, but it took home several prestigious advertising awards. The project won the Channel Holiday/Special Event Spot at PromaxDBA 2016, the most important awards in entertainment marketing and design.

“I am still so happy this campaign was so successful, especially because it shows that all the trust that was placed in me was deserved. I was happy not only with the reaction from the public, but also happy about my performance, knowing that I could make something really interesting,” she said.

Imai had two main roles for this project, the storyboard, which involved transforming the script into the first sketches, and the layout, which she was solely responsible for. The project follows a color palette based on the United States flag and yellow light to add a warmth tone to the message. The entire process was done digitally in Photoshop. Imai received the script from the studio with some images they would like to use – the veterans carrying the flag, the eagle flying and a field of flags, plus some typography references of types and illustrations mixed up. She began sketching thumbnail studies and soon, the storyboard was ready.

As they were working on a tight timeline, Imai came up with the pivotal idea of most of the animation efforts into bold transitions and keeping the layouts simple but captivating in most scenes. She conceptualized the designs, especially the transitions in the theme of “freedom”, representing it with elements of “air”, which audiences can see in the flight of an eagle, the movement of the flag and leaves being carried by the wind. The illustrations were finished with a broad brush and sketchy edges to emphasize this movement and flow, making the animation finalization process easier.

“This project was a very challenging one and wouldn’t be possible to do on time without the studio’s trust in my work, giving me creative freedom. I loved working on a project that I could use my full potential as a designer. Also, the communication with the studio during the project was excellent, and is what made me feel like being part of the team. It would have been impossible to deliver this result without our good relationship,” she said.

As the sole designer for the project, Imai was vital to the Veteran’s Day campaign’s success. She expedited the process, considering the design and transitions even in the process of storyboarding. Because of her talents as a storyboard artist, she also saved the company money in doing multiple roles. Her versatility and vast understanding of her craft is unparalleled. For those looking to follow in her footsteps, she offers encouraging words of wisdom.

“There is a tendency for students to focus on learning the software and tools, but it is essential to study academic subjects of art and design to be able to do a solid project with cohesion. When you study theory, you learn how to “see” images and references. It is a study of how to analyze critically and technically a designer’s choice,” she advised. “Also, I would say to feed on various types of references, not just graphic design. There are so many languages of art in so many senses! Music, dance, photography, movies, sculpture, literature, gastronomy, performing, folk art, everyday experiences and so on. Just as languages are translatable from one to another, all kinds of artistic expression and experiences are translatable between them. We can see a great example illustrating this “translation” in the film Ratatouille, in the part in which the characters describe the flavors of the strawberry and cheese in graphical forms. I believe that it’s essential to be the professional who can see and navigate between different languages, have a fresh mind that continues to play and to experiment.”

Editor Roma Kong shows of beauty of nail art with iconic Disney characters

Editing, to Roma Kong, is like a simultaneous combination of surgery and magic. When she gets footage, she reviews the script and gets an idea for the direction of the story. That is when she starts cutting, splicing things together, and moving things around, until every part is put together, telling a clear story; that is the surgical aspect. When it comes to the magic, Kong believes that part comes in two ways. The first being that each story must evoke a certain feeling in the viewer, so it’s not only cutting and putting things together, but also adding emotion to it, whether this be through the music, the rhythm, the speed of the cuts, etc. The second, more often than not, is transforming the footage that may not tell the story they want and making it what they need, without any reshoots or work from the crew. That is where the real work for a film editor comes into play, and that is when Kong truly shines.

Born and raised in Lima Peru, the in-demand editor has impressed the masses with her work. She often collaborates with renowned production companies like Nickelodeon, with work on their online video series BTS Nickelodeon and Inside Nick, as well as Disney.

With Disney, Kong edited DIY Disney, an online series that allowed audiences around the world to see just what she is capable of. The videos amassed over 11 million views, and featured various crafts that viewers could partake in, offering simple and fun instructions using Disney films and characters. She also created another video titled “Disney California Adventure Food Crawl”, effectively launching the Disney Eats brand. She is quite the formidable editor.

“I would say my style of editing is very fluid, dynamic and fun. As a filmmaker, I strive to entertain the audience, so when I edit, telling a good entertaining story is the priority. I also love for cuts to be seamless, so I pay close attention to movement and try to make really smooth transitions between shots, even when making pop videos. I also work very fast which is something the people I’ve worked with have always appreciated,” said Kong.

Kong has a close working relationship with both Nickelodeon and Disney and is often the companies’ first editing choice when they have an innovative new online project to pursue. In 2017, Kong continued her work with Disney on their TIPS Disney series, featuring different videos showing the intricate work behind nail art, using some of Disney’s most celebrated productions.

“I think these videos really help bring more attention to a form of art many don’t really consider art. They allow the audience to truly appreciate the intricacy of the work these artists do. They give Disney fans great ideas on how to show their love for their favorite characters in very stylish ways, and they inspire other artists to create their own version,” said Kong.

The videos feature many beloved Disney film and television productions, as well as iconic characters. These include High School Musical, Mickey and Minnie Mouse, Moana, Coco, Beauty and the Beast, and more. They were published through Disney’s expansive social media platforms, including YouTube, Facebook, and Instagram. Together, they gathered over 7.6 million views.

“Seeing the comments from the audience on the videos and realizing how much they love them is heartwarming. Seeing people post about their own versions of what we showed them, is amazing. Reminds you that you’re not only making things for people to watch and forget about, people actually truly love these movies and characters and love showing their love for them and your video can persuade them to make something that they hadn’t thought about before,” said Kong.

Kong’s talent as an editor is evident in the TIPS Disney videos. She is very good at editing with music beats and for Disney Style, the Digital Brand that Tips Disney falls under. Her colleagues and her audience enjoyed the rhythm Kong put into the videos and how, by doing a very musical type of editing, made them fun and entertaining to watch. Because she has a very good eye for art and style, she knew exactly what the best shots were and what made the art look the most stylish and vibrant it possibly could. She understood the vibe of the brand very quickly and knew exactly what the executives wanted before they even knew themselves.

“I loved watching the intricate process of nail art in such a detailed way. I was constantly mesmerized by how hard it is to do, and I found myself with a lot more respect for nail artists. It’s such a great art and they’re all so talented. And also, being able to play with scenes from some of my favorite movies and use them to create something new was so much fun,” said Kong.

Kong worked on TIPS Disney from October 2017 to December 2017. It was an amazing experience for the editor. The Disney Style brand is her favorite out of all the Disney Digital brands. Making multiple videos for it was a great opportunity. The audience loves their content and as a result, the brand has a lot of engagement, and as an editor, making content that a lot of people would appreciate, and love was something that truly made the experience for Kong. It’s a fun brand to work for and it fits her editing style perfectly.

“Disney is the holy grail of the entertainment industry. Working for them is like hitting the jackpot of companies you can put on your resume. Being able to do that and have a Walt Disney Company ID with your picture on it, walking into the Studios with no problem at all is quite the dream come true,” Kong concluded.