Tag Archives: Actress

Actress Claire Stollery stars in upcoming film ‘Must Kill Karl’

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The cast of the upcoming film Must Kill Karl

When Claire Stollery was in Junior Kindergarten, her teacher asked her what she wanted to be when she grew up. She had two answers, an actress or a storyteller. At even four years old, she had that sense of self already to know what she was destined to do. Now, over twenty years later, her answers still remain the same, for actors and storytellers are one in the same.

Stollery’s comedic prowess is remarkable. She has won her country over with her acting in television shows like True Dating Stories and Man Seeking Woman, and the hilarious films Who is Hannah and Love in the Age of Like. She is a force to be reckoned with.

“I’ve always enjoyed making people laugh. My parents were really funny, and if I could make them laugh I knew I was doing good. They were tough critics. Comedy is tough, but also great because it’s subjective! What is funny to me may not be funny to you. There are so many times I’ve seen a film and thought, ‘What? People weren’t supposed to laugh there.’ But that’s great! We didn’t plan for that moment, but now it’s there,” said Stollery.

Audiences will soon be able to again see what makes Stollery so great in the upcoming film Must Kill Karl. The film is about that “friend” that everyone has, the one who shows up uninvited, drinks all your booze, and hits on your girlfriend – who we all secretly hate and wish would just go away; one night, a group of friends decide enough is enough and there’s only one way to get rid of him for good: they must kill Karl.

“The film is really smart and funny. Everyone has that friend like Karl that ruins every party and you can’t even remember why you were friends with them in the first place. But I love the spin Karen Moore, one of the writers, put on it where the finger is actually pointed at Karl’s friends. It’s a good message. Sometimes you’re so busy judging other people you forget to look at yourself. That is what is so great about Karen’s writing. Even when it’s hilarious she makes you stop and think,” Stollery described.

Stollery plays Alyson, the sarcastic one of the group. On the surface, it appears like she hates all her friends, especially Karl, but deep down she just wants to be accepted as part of the group, which is like all people with a tough exterior. Her character is one of the few single ones. She gets repulsed by the other couple’s affection. Alyson, Stollery says, stands in the back and observes while silently hating everything.

“There was a lot to work off of because everyone’s characters were so different from each other and seemingly shouldn’t get along, but they all share the same hatred for Karl,” she described.

Must Kill Karl was written by the Producer of the film, Karen Moore, and the Director Joe Kicak. Stollery had always wanted to work with the pair, and when Kicak came to Stollery’s house at 11 one night to pitch her the story, she was immediately on board.

“My favorite thing is watching Joe pitch an idea. He could make lighting yourself on fire while being stung by a thousand bees sound exciting. He’s the most excitable guy you will ever meet. When he came over to my house to tell me about Must Kill Karl, it was the most entertained I’ve ever been at 11 pm drinking tea,” said Stollery.

The feeling was mutual; Kicak was highly impressed with Stollery from the moment she stepped on set. Having known each other before, but never worked together, there were high expectations, and Stollery did not disappoint.

“Claire brings so much subtlety to a scene that her performance continues to surprise me in the cut. Her reactions are so wonderful that you find yourself cutting back to her constantly. She possesses a calming force that arouses other actors around her to a natural state,” said Joe Kicak.

Despite their comradery, the film still required extremely talented actors and filmmakers to overcome some of the challenges that came when shooting. It was shot entirely at night, and therefore required 5 pm to 5 am shoots, which as Stollery says, upset a neighbor so much that they decided to play loud music to prevent the filming. Futhermore, the majority of the film was shot outside, and one night, there was a large thunderstorm. A tarp was placed over the actors’ heads, but the rain was so loud that it again made it difficult to hear. The actors kept their cool, and this was no problem for Stollery, who says despite everything, the experience was so fun that it felt like a summer camp.

“The joke was we all said we knew what Karen and Joe really thought of us based on how they cast us in the film. Jamie Spilchuk was the preppy but kinky husband, Sara Power and Peter Mooney were the annoyingly in love couple, Scott Cavalheiro was the secret psychopath and I was the bitchy single friend. I always seem to play the bitchy friend! I don’t know what that says about me,” she joked.

The role was not a walk in the park, however, as Stollery was faced with an unexpected challenge. That being said, she ended up finding it easier to get over than she may have once thought.

“In the film I had to be repulsed by my fiancé, Scott, who was playing the weirdo in the group. He’s extremely handsome in real life, but they didn’t want his character to be, so they gave him a terrible haircut. Just the greasiest hairdo you’ve ever seen. Combine that with this accent he had for the film and his wardrobe… let’s just say their mission was accomplished,” Stollery concluded.

Must Kill Karl will premiere on Bravo in January and then CBC in February of 2018.

Canada’s Olivia Scriven talks ‘Degrassi’ and becoming Maya Matlin

Acting is more than just portraying a character. It is embodying another person and becoming someone else. It is about connecting to a part of you that may have always been there, or discovering a new aspect of yourself. Canadian actress Olivia Scriven understands the nuances to the craft. She knows what it is to transform on stage or in front of a camera, creating a sincere connection with her character that captivates audiences.

At twenty years old, Scriven has soared to the top of the Canadian film and television industry. Her portrayal of Patti in the HBO film The Yard six years ago introduced the world to the outstanding talent she is, and the role earned her a Young Artist Award nomination with the rest of the cast for Outstanding Young Ensemble in a TV series. Shortly after this, she played Bailey Martel in the Hallmark Christmas film Mistletoe Over Manhattan, where she secured yet another Young Artist Award nomination, this time singled out for Best Performance in a TV Movie, Miniseries or Special – Supporting Young Artist. At the time, she was only fourteen, but she understood exactly what it was to act.

“I think that when you are doing it, acting that is, that it is just part of who you become, or maybe who you always were. I think what resonates with me, with actors that I am drawn to, and in my own performances, is honesty. I strive to make a character real. Humans are so wonderfully complicated and layered and as an actress, I feel that my performances reflect that. I want to embody beauty and lightness and at the same time be able to draw on the darker, more troubled aspects of my nature, to create characters that are full and complex, and thus, real,” said Scriven.

After her tremendous success in The Yard and Mistletoe Over Manhattan, Scriven’s reputation made her one of Canada’s most sought-after young actresses, something that remains true to this day. It was only a matter of time before she was cast on the hit show Degrassi: The Next Generation. The Degrassi series is arguably one of the most successful Canadian television shows of all time, leading to the fame of artists such as Drake and Nina Dobrev, making it the goal for many young actors in the country.

Degrassi is iconic. It really has been, for a while, one of the only coming of age television shows that merges drama with comedy in a very real way, to talk about major social and psychological issues that go on within a high school, all while using real teenagers to portray the characters. because of this, I felt it was a very important project for a Canadian teen actor to be a part of,” she said.

Working on Degrassi: The Next Generation for four years, until it ended in 2015, Scriven’s character of Maya Matlin became a fan favorite. Yet again, her talent did not go unnoticed. She was nominated for multiple Young Artist Awards her role in Degrassi: The Next Generation in the Best Performance in a TV Series (Comedy or Drama) – Leading Young Actress for two consecutive years. Despite such success, the actress remains humble, crediting the writers for giving her a character with a lot of depth.

“It was an invaluable learning experience working on Degrassi. I am so appreciative of the opportunities the writers and directors gave me within the show. My character goes through so many changes, she has so many terrible experiences and so many wonderful happy ones, and I really got to challenge and demonstrate my range as an actor thanks to them,” she said. “I also got to work with some really inspiring directors. In my opinion, directors can really make or a break an actor’s performance, and I have been blessed to have made such a good connection with those who I worked with on this show. With directors like Bruce McDonald, Phil Earnshaw, and Eleanor Lindo, I was given the freedom and confidence to make both bold and subtle choices. I have the entire crew and cast mates to thank for things like award nominations and praise, and the knowledge that I have gained along the way.”

As Maya, Scriven says the role allowed her to explore different things that she had never done in any other role before. She had to break down in tears, sing and play guitar and cello, and kiss passionately on-screen. Such experiences allowed her to become a mature actress even at a young age, giving her the skills that many years older than her do not possess. It is one thing for an actress to portray their character, it is another thing for them to become it, and this is exactly what Scriven achieved.

“I worked many days on set, and the writing for Maya’s character was very undeviating, so as soon as the words were coming out of my mouth, I felt like Maya. She is this very, dedicated, emotional person, who cares so much about things to the point that it causes her anxiety, so there was this tune she had that I would always try to tap into. Physically, I feel like she always has this strained look of stress, an intensity even in her voice, which tends to pitch higher than mine does in real life. She is different from who I am and what my personality is like as a whole, but we do bear some similarities. I definitely brought a bit of myself into the role partly because as a young actor, it was the first time that I was required to portray such charged emotions, and it needed to come from someplace genuine in order for me to reach the desired performance,” Scriven described.

When Degrassi: The Next Generation came to an end, its popularity did not. The saga returned to Netflix and Canada’s Family Channel with a new series titled Degrassi: Next Class last year. Once again, Scriven stepped into Maya’s shoes, and continues to do so with new episodes. The fourth season hit Netflix earlier this month.

Her portrayal caught the eye of Philip Kalen-Hadju, a Canadian Screen Award nominated producer and writer. He has worked in various capacities since 1997 and has produced, line produced, and associate produced on features, TV, and award winning digital series for many Canadian and international companies, including Oxygen Media (NBCUniversal), Canal Evasion, Radio-Canada (CBC), and his most recently produced feature is getting its world premiere at the SXSW 2017 Film Festival. He worked with Scriven on the new series Skal. The show recently premiered on the new mobile platform Blackpills, which is currently working with stars such as James Franco, and filmmakers such as Luc Besson. Kalen-Hadju was impressed with the Degrassi actress’ abilities from the very beginning.

“In order for Skal to shine, we wanted to ensure that our series would have only top talent. We auditioned dozens of women for the role of Emma, but none held a candle to Olivia’s interpretation of the character. The second our executive producers saw her, the reaction was unanimous and fast: she was the only choice for the role. There wasn’t even a close second,” said Kalen Hadju. “Olivia delivered a nuanced and personal performance and was a professional in every respect. While still young, she has vast experience. She learned her trade from years being the star of Degrassi, and she brings this knowledge to every part she plays. She lights up the camera and draws in the audience. She makes subtle and smart choices and she brings her characters to life. It was a pleasure to watch her make Emma real; the director and I could not have been more pleased.”

No matter what she is working on or the continued accolades she receives, Scriven stays entirely committed to what she does best: acting. With such an established career already behind her, audiences around the world can continue to watch out for what is ahead for this extraordinary young talent. There was never a question for her about what she wanted to do, and evidently, her passion led to enormous success.

“At a young age, I knew that I couldn’t wait until I was an adult for my chance to begin my career. I loved the stage and the immediacy of performing live, but it is film, with its magical ability to create whole worlds within which the exchange between actors is integrated, that has always by far been my passion,” she concluded. “For me, it has always felt so natural and satisfying to slip into the mode of another person, to be able to convincingly act as someone other than yourself was and still is a thrill.”

Actress Sunny Koll’s comedic chops on full display in award-winning series ‘Flat Whites’

Sunny Koll always knew she was meant to be an entertainer. Growing up in Adelaide, Australia, Koll always felt at home on a stage. However, from the age of 13, she pursued a singing career. Never did she picture herself becoming an actress, but one fateful day she decided to take acting lessons, and she quickly realized she had a passion for it. Now, years later, she is a sought-after actress all over the world.

Around Australia, Koll’s face is instantly recognizable from both the big and small screen. She has worked on several popular commercials, the award-winning series Traffik, the anti-cyberbullying film Zach’s Story, and many more. She is extremely versatile, going from different genres and perfectly embodying the characters she is playing. In the critically-acclaimed television series Flat Whites, Koll’s skills at playing a comedic role are more than evident.

Flat Whites was so much fun. It was my first indie job and I loved every minute. The crew were up for trying new techniques and ideas and it paid off,” said Koll.

Flat Whites follows the lives of best friends Phil and Luc in their endeavors to meet the perfect girl and fall in love, all the while willing to sacrifice their friendship if the chance of romance appears. The show was extremely popular, winning the Producing Award for a Comedy Series, Lead Actor in a Comedy Series, Music Production in a Comedy Series, and Supporting Actor in a Comedy series at the LA WebFest. It also went on to be an Official Selection at the Hollyweb Festival and an Official Selection at the Pollygrind Film Festival in 2012. The show premiered as a web series and then because of its success, went on to air on three TV stations in Australia.

“It’s brilliant that the show has been so successful. Max Orter and the rest of the cast and crew deserve so much success. I’m really very happy everyone’s getting acknowledged for their work,” said Koll.

In the series, Koll played Stacy, the female lead in the episode Phil and Luc. Both Phil and Luc try to pick Stacy up, which causes an altercation with her boyfriend. Her boyfriend injures Luc, which forces Stacy to break up with him. She then takes Phil and Luc back to her place to tend to Luc’s injuries, only to discover it’s all been a ploy to win her over. Finally, Stacy throws them both out of her house.

“It was a very funny script. Two boys want to meet girls but they have the same taste and always end up falling for the same girl. They then sacrifice their friendship in order to win the girl over, only to both lose the girl and end up back at square one. It’s an oldie but a goodie,” said Koll.

Koll was asked to be a part of the show by the Producer, Director, and Co-writer Max Orter. Koll wanted to be involved, as she thought it sounded like a fun production, and contacted Orter. He was very impressed with Koll’s abilities and commitment to the project, and immediately requested she take the role of Stacy.

Working with Sunny is the perfect experience of working with a professional actor. She’s a very warm personality and gets along with all cast and crew. She also has an infectious smile and knows how to have a joke. Sunny is amazing to have on set. She puts in the time and effort to be as good as she possible can. She’s always well prepared and will do whatever it takes to make the production the best it can be,” said Orter.

Koll’s acting was so believable, in fact, that at one point during filming, spectators in the park did not realize there was a television set filming a fight scene, but rather an actual fight. During shooting, four men raced over to protect Koll.

“I still don’t know how they missed the cameras and the sound gear, but it was a very nice gesture on their behalf,” Koll laughed.

Koll’s portrayal of Stacy was extremely popular with viewers, and although the series ended in 2012, it is still considered a great episode. Koll has the ability to remain in the minds of viewers, bringing an authenticity that connects with audiences. This is exactly what she did for Flat Whites, and what she does for every role she takes on. It is no doubt why she is considered one of the best, and why audiences worldwide can expect to see her face on both the big and small screen for years to come.

Photo by Daniel Guerra

Actress Gabriella Giardina to fill audience’s small screens in multiple upcoming TV shows

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Gabriella Giardina

Gabriella Giardina believes she was born with the love of acting. She remembers watching movies as a child and being completely mesmerized. At the time, she believed the people on the screen were real, showing their real-life experiences. When her parents explained what film and acting was, she was instantly amazed. After watching a film or television show, she would run to her room and re-enact whatever she had just watched, creating the whole story and scenes from scratch. Since the age of four, she would repeat the lines of any movie she had just watched. There was never any doubt for her as to what she was meant to do, and to this day, that belief is still there. She was destined to be an actress, and audiences around the world are thankful.

Originally from the small town of Ragusa in Sicily, Italy, Gabriella has travelled the world doing what she loves, taking in new cultures and experiences and implementing that into her craft. Working as both as actress and model, she has shown the world what she is capable of, and has emerged one of the top in her field. She has worked on feature films, shorts, commercials, television series, and music videos, never afraid of taking on something different than what she has done before.

“My favorite part of acting in any kind of set, film, television, photo-shoot, music video, is to be able to express everything simply with your eyes and expression. That’s something I find very powerful. It’s really exciting when you are on set having a great song play. But I love it even more when it’s really just you, your feelings and a camera that wants to catch it all,” she said.

Music videos require just that, and Gabriella has been a large part of the success to many. This year, she was played the singer’s muse in the music video Leila by Jah Khalib, a romantic song in which the Jah Khablib sings of the muse that he has dreamed of. Jah Khalib is one of the most famous artists in Kyrgyzstan, Uzbekistan, Russia, Ukraine, Kazakhstan and his popularity is spreading in very short time. In November of last year, he performed live at Flavio Briatore’s Billionaire Manson, at Burj Khalifa Blvd in Dubai.

“I love Leila, it really transported me and made me love it right away, and what the song is about to helped me understand her,” said Gabriella. “Shooting for Leila was like taking a day off to go explore and then represent beauty. The music video is so well represented that, even for those who cannot understand the lyric because of the language, the narrative is very explicit, with powerful, poetic emphasis.”

Giardina was selected for the role by the young but renowned award-winning Director Aisultan Seitov, winner of the 2016 Hollywood Boulevard Film Festival as Best Director in the category Short Meter, and he knew that Giardina had what it took to make the video a success. Published on May 11 2017, in less than one month the video-music “Leila” already achieved more than 2,650,000 views.

“I love music that tells a story, makes you feel all different kinds of emotions, dream the wildest dreams, makes you travel and go places you’ve never been or fantasize about or just travel around the world; that gives you energy and power or makes you vulnerable, makes you reach the sky. Music is very powerful and really reaches the furthest places. And music videos accompany that. They create one of the millions of scenarios of places, stories, emotions that one can express and experience. When an artist makes a song and music, they are sending a message to so many. So, to be a part of all this, to be a part of creating something so beautiful that reaches so many, that’s one of the things I really love about music videos,” she said.

Gabriella Giardina had achieved success with music videos prior to Leila, including the hit Paani Paani. The song was associated the story of the movie Yaariyan, in which Giardina had a leading role. The song sung by rapper Honey Singh and the soulful Neha Kakkar hit the right chords with the youth. The video was an enormous commercial success and registered over 18 Million views on YouTube alone.

Paani Paani was also a great experience. The director, Divya Kumar, created a set of young energic people and the singer, Yo Yo Honey Singh, brought his talent and all of us really enjoyed working on this together, getting to know one another,” she said.

All those that work with Gabriella Giardina know that she is a unique actress, which is why she is extremely sought-after. Her commitment to every project and genuine passion for what she does makes her pivotal to the success of whatever she works on. Alexandra Guarnieri, a Producer at All In Films, first worked with Gabriella in the musical A Night at the Black Cat Cabaret. She was instantly impressed, since the first audition, by Gabriella’s intensity and by her ability to closely relate to the character, and she defines Gabriella gifted of an intuitive talent, which is one of the most important quality to perform characters with emotional dynamics.

Having witnessed Giardina’s talent before and during the performances, Guarnieri cast her to be the female lead of the new television series project Sigueme. With many upcoming television series next year, Giardina is continuing to show audiences how versatile she is.

“I think doing a television show is very challenging because you bring the character you play through a very large continuous change. And you want to do it well, you want to give it justice and understand it, not judge it, love it, like your own self. Sure, you have a script and story to follow, but you have so many opportunities and various facets to take on the journey of portraying this person, this being, that you in your own way create. And it’s not just the character itself, it’s also the character relations with other people, places, life experience and everything that involves a day to day life. So, it’s that big range of opportunities on how is this character going to be, from the inside out that really fascinates me,” said Giardina.

Gabriella Giardina will be playing the role of Monica Muerte in the upcoming TV series The Legend of High Master. The show turns around a man named William who creates his own Kung Fu dojo called High Boxing. Soon Master Willie must defend the honor of his dojo and neighborhood from the attempt of the Corporate’s hegemony, and has to fight the corporation’s masters using high boxing to prove that his Kung Fu is the greatest, keeping his business, and saving his honor. Monica Muerte is the leading female character in the series. Her story is crucial in the series since it is unveiled at the beginning and evolves gaining relevance, episode by episode, as she becomes one of the reasons William is inspired to create his “High Boxing” in defense of the neighborhood. Monica is an expat with problems to settle down in a new environment. The character is complex and peculiar, and it requires uncommon acting skills to smoothly and naturally switch from a romantic to a dramatic or even comedian performance in a blink, all fulfilled at high level by Gabriella Giardina.

“What enhances my feeling about being in the show is the awareness of the complexity of the character. I cannot reveal very much about the plot but I can say that Monica is a complicated young lady. I’m particularly attracted by more complex and troubled roles and definitely Monica is a challenge; I am enthusiastic and eager to work on the series,” she said.

In addition to The Legend of High Master and Sigueme, Giardina is set to be in the upcoming television series The Poe Project, based on the life of Edgar Allan Poe. Giardina will be playing Cora Anne, a character who represents a woman who was a public reader, writer and actress herself, whose radiantly beautiful smile appears unmatched to Edgar Allan Poe. Gabriella Giardina’s experience in theatrical performance is important, as she can understand and better interpret the role.

“Cora Anne is an intriguing character. She is a lady of intellect, since she is a writer, a public reader and an actress of theatre. The role is fascinating and the script immediately captured me. She’s very feminine but strong and powerful at the same time. I love the contrast that goes so well together. It’s something new to explore and I truly look forward to portraying her,” she said.

With so much upcoming, and with so much success already, Giardina is in no way tired of doing what she loves best. Understanding a character and portraying them in a believable and sincere way is a thrill to her, and a thrill for audiences to watch.

“An actor doesn’t only have the job of reading a script and performing it at its best. An actor studies people, understands what’s behind every reason of this being you are introduced to, empathizes with and for this person, which is extremely important. Without judging it. An actor gives a voice to someone who is either not as loud or doesn’t have one. It opens the eyes of the audience, to new possibilities, new ways of seeing or approaching relationships and situations, new realities. An actor brings to life people and their stories. That’s what to me being an actress means,” she concluded.

Anja Ellam is truly awesome with AwesomenessTV

Growing up in Toronto, Canada, Anja Ellam always wanted to entertain people. Although she had loved being on stage, making people truly feel the emotions of a character, it wasn’t until later when she realized her passion for writing. That was a fateful decision, as she is now not only an internationally recognized actress and successful influencer, but a celebrated writer.

Ellam now has shown the world why she is one of the best. Her film The Woods that she wrote went on to receive praise at many international film festivals. She worked with Verizon’s Go90 app and has written and hosted several of their top videos. The viral video What Girls Do in Cars on DangMattSmith’s YouTube channel that she co-wrote has over 1.4 million views. Working with ArsenicTV as a writer and host for their Snapchat story gets over 500,000 views a day. There is nothing this versatile writer, actress, and influencer cannot achieve.

“I’ve had a very successful career for someone my age but I like to think that this is only the very beginning. I’m very lucky to be in the place that I am, but it’s because I work incredibly hard,” said Ellam.

Ellam’s continued work with AwesomenessTV has helped make the channel what it is. As a writer for the Hollywood department, she writes for their many segments that come out on their channel daily. Her job as a host and influencer allows her to work on a wider variety of shows for the network.

“Me being an influencer helps me connect more to our audience and see what they’re interested in at the moment, which lets me write scripts that relate to them. My online presence helps me to stay connected and stay relevant on topics that relate to AwesomenessTV and entertainment news,” she said.

Without almost twenty-thousand followers on Instagram, Ellam has an impact all over the world. While promoting AwesomenessTV using social media, she has helped the videos viewership, ranging from 100,000 to over a million views.

“Anja and I worked together on AwesomenessTV’s Hollywood team where Anja wrote scripts and pitched ideas for daily episodes. She would always come prepared and would always be willing to step up when needed. I always enjoyed working with Anja and loved that she expressed her ideas and contributed to a team atmosphere. She definitely takes direction and has a good eye for what is trending and in the news. She knows what is relatable to our audience. She is super creative and always had input for stories to write and pitch ideas for stories,” said writer, host, and producer Hunter March.

Ellam writes a lot of AwesomenessTV’s daily entertainment news segments, which are targeted at teens and young adults. She says from the moment she first started working there, she fell in love, and quickly moved up due to her talent and commitment.

“Everyone was so welcoming and the company was so rapidly growing I knew that’s where I wanted to be. They’re definitely leading the way in digital media,” said Ellam. “I like that I can be open with my ideas and that even though we’re a big company, we’re still a small company where everyone knows each other. I like that my job allows me to be creative and that we reach such a large audience.”

Ellam does a lot of test shoots, but she also often appears as the main talent for the videos, hosting shows like Third Wheel and Dream Date with Brent Rivera. Their audience is drawn in by social media followers which is why having influencers on the channel are so important.

“The first time I hosted was very nerve racking because you’re in the office with everyone around you and you don’t want to mess up or take too long. But it always runs smoothly and the crew is amazing and very reassuring,” said Ellam. “It’s a good feeling because everything we put out is positive and it’s something I’m very proud of. I’m especially proud when a topic that I pick ends up with very high views because it’s something I was trusted to do and I was successful at it.”

Ellam’s followers are always eager to view her videos that she hosts or writes for Awesomeness, and she says it allows her to truly be connected with her audience.

“When I host or I’m a talent on the show I think it helps a lot because I can promote it on my social media platforms. I’m closer to our demographic and my followers are also the same demographic,” she concluded.

You can check out the Awesomeness TV channel here.

Actress Shauna Bonaduce takes audiences back in time in “Embrasse-moi comme tu m’aimes”

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Canadian actress Shauna Bonaduce, photo by Andréanne Gauthier.

Acting has always been a part of Shauna Bonaduce’s life. As a child growing up around Montreal, performing was a favorite past time, and the stage was a second home. As a teen, she was shy and thought maybe she should consider a different field, but acting kept coming back to her, as true loves do, and audiences both in Canada and around the world are thankful, as she is a truly unique actress.

Bonaduce’s versatility in her craft is evident with every role she takes. Whether it be comedic in the hit teen show Comment devenir une legende, or serious in the popular Quebec series 30 vies, Bonaduce knows how to captivate audiences. Her work last year in the period drama Embrasse-moi comme tu m’aimes did just that.

“Era movies are great. I love getting to explore an era that I would otherwise never have the chance to get acquainted with. I love researching and having the chance to travel back in time, and getting to explore how the women of these different periods lived.  And love the dresses and hairstyles of these periods. What a chance to be able to play dress up and be paid for it,” Bonaduce joked. “Also, the cast and crews of that movie as well as the director himself were just perfect. I consider this project as one of my most memorable ones.”

The story follows twenty-two year old Pierre Sauvageau , in the year 1940. Pierre wants to join the army, but he must take care of his twin sister Berthe who is paraplegic from birth. This closeness awakens Berthe’s sensuality, who then tries to seduce her brother. Pierre rejects her advances, but when he falls in love, he is haunted by the fantasy of his sister. He would like to get rid of it, but the fantasy of Berthe is very persistent.

“The movie takes place in the 1940’s, Second World War, so research on that time was mandatory for the process. In my creative processes though, mostly when the rest has settled down (learning the lines, researches, reading the script, etc.), the costume also has some importance in helping find the character. It really helps me become the person I’m portraying. How she walks, moves, talks, holds herself, her hair, it’s very stimulating. Is she the ‘good girl’ type or more frivolous? Trendy or conservative? Feminine or more one of the boys? The costume chosen by the production always influences my performances and I’m always exited when it’s fitting day to discover what they will bring along,” said Bonaduce.

Bonaduce plays Madeleine, a pivotal character to the story, as she is Pierre’s first serious date in a long time. He takes her out to dance that night at Café Bleu. When he gets in the car with her to drive her back home, the attraction is palpable and they start kissing. But as always, his sister is there to haunt him and, confused, he decides to pretend Madeleine has bad breath and that he will just take her back home.

“Shauna truly brought the role to life, with simplicity and genuineness while still keeping it firmly rooted in the period in which the film took place. This is a valuable feat, and not one that I have seen many actors attempt successfully. Shauna’s authentic portrayal brought us back to that time. She was engaging yet had the more reserved, prim decorum that women of that time so often had. She kept enough of her personal, modern flair to remain relatable to contemporary audiences, while still offering them a genuine, organic glimpse into their nation’s past. Without a doubt, we were delighted to have Shauna amongst our actors and she definitely contributed to the success of the film, which was greatly appreciated by the audience and rewarded by two awards at the Montreal International Film Festival last September. I would work with her again anytime,” said the director Andre Forcier.

In fact, he was so impressed with Bonaduce’s portrayal of Madeleine that another collaboration between the two is already being worked on for his next feature film, though the project remains secret at this time and can’t be elaborated on. He thinks Bonaduce was able to bring the perfect balance that Madeleine needed, the poetic and theatrical yet realistic and authentic approach that characterises most of the director’s work. Bonaduce is very eager to collaborate with Forcier again.

“Andre is a great director and quite unique too. There’s only one like him and I had the chance to work on what lots of us consider like one of his bests movies. I feel extremely privileged” said Bonaduce.

Going back in time and portraying characters from other eras is one of Bonaduce’s favorite things to do as an actress. In the film La passion d’Augustine, she had to play a trendy young woman in Catholic Quebec during the 1960s.

“I definitely did some research about that era and how things where done in that time; the role of women, the convent, the importance of religion in people’s lives at that time, etc,” said Bonaduce.

In the film, Mother Augustine provides a musical education to young women no matter their socio-economic background in a small convent school in rural Quebec. She helps Alice, a young music prodigy; realize her aspirations. However, with the looming changes brought by Vatican II and Quebec’s Quiet Revolution, the school’s future is at peril. Bonaduce plays Françoise, a trendy young woman who believes in modernity and evolution. She finds this convent completely passé and is quite happy that it is under serious threat of being shot down. When leaving the Church where a meeting was organized by the nuns in a desperate attempt to save the convent, she is requested by two students of the convent to sign their petition to save it. Françoise refuses immediately, since she is very much against that idea. 

“Historical movies are my favorites and I had the chance to take part in this great movie, with a very talented director. There are too little female directors in our industry. Lea Pool in one of our great ones and she truly inspires me. She is bold, outspoken and determined. There were also lots of great Quebec actresses on the cast, from whom I admire the work a lot, Celine Bonnier is one of them, and just felt blessed to be able to see them work and learn from them. It was just such a great experience,” she concluded.

Spotlight: Dynamic Actress Manuela Osmont

Manuela Osmont
                                      Actress Manuela Osmont shot by Brian David

Dynamic actress Manuela Osmont’s stunning beauty is matched only by her ability to meld into character. Highly talented and experienced, Manuela has been at home on stage and behind the camera since the age of five. Raised and trained in four countries on three continents, her works run the proverbial gamut; from Gnossienne, a film which grapples with the subject of clinical depression, to the lighthearted Vice-Versa about a love triangle with a twist.

In the tragic and beautiful Gnossienne, which was recently accepted as an Official Selection of the Cannes Short Film Corner, Osmont plays the wife of a doctor. After the death of their first child, Osmont’s character becomes hopelessly depressed. The film follows her and her husband as she grapples with depression, and through the narrative the film examines one of the most prevalent mental illnesses in society.

“Each person is very singular about how they deal with grief and the loss of a child, and I enjoyed being able to experiment with my character’s vulnerable side,” said Osmont.

Osmont’s astounding ability to shift characters is seen in Mariana Can, where she plays the role of a prostitute who meets a writer and becomes his muse. The setting and cinematography take a surreal approach, making this film, like all of Osmont’s work, a cerebral and artistic examination of human emotion.

“I try and go for the roles with big moments and emotions that truly reflect how people behave,” Osmont said about choosing her roles. “I mostly try to do the projects that scare me the most. If I read a script and start to doubt my ability to do it, then I go for it. In my opinion, that’s what helps me grow.”

In Vice-Versa, Osmont plays a married woman who is having an affair; only, the woman she is seeing is also involved in a tryst with her husband. Osmont’s first comedic film role, Vice-Versa forced her out of her element; exactly what she loves in a role.

“I usually try and choose roles that I haven’t done,” Osmont said. “I don’t want to put myself in a box.”

In addition to her film experience, Osmont has spent practically her entire life on stage. Her repertoire includes roles such as Lady Macbeth in Shakespeare’s Macbeth and Queen Margaret in Henry VI, Blanche Dubois in Tennessee Williams’ A Streetcar Named Desire and Carol Cutrere in Orpheus Descending. Of her work on stage though, her most dynamic role was that of Sergei Upgobkin in Tony Kushner’s Slavs. The play centers on the fall of the USSR, with Osmont playing an old Bolshevik man.

“I had to work really hard to get the Russian accent right combined with the voice of an old man, which proved to be quite challenging, but a lot of fun nonetheless,” said Osmont, the consummate professional.

All of Osmont’s experience onstage and in front of the camera is compounded by her training at the renowned Cours Florent Acting School in Paris and UCLA’s Film School. A polyglot, Osmont fluently speaks French, Spanish and English, and is functional in German and Italian as well. With her diverse background Osmont is able to blend into almost any cross-cultural role.

“Because my father is French and my mother is Colombian, I am ethnically ambiguous; I get called in for European, Hispanic, Middle Eastern and sometimes even Indian parts,” said Osmont.

Her upcoming projects include Across The Desert, a film about a devoted sister spreading her brother’s ashes along a road trip; Smoking Gun, about a spy in the CIA who learns more than she’s supposed to; and Galleon, about the search for a shipwreck containing an enormous cache of treasure.