Documentaries about music and musicians are extremely popular. A recent production of this ilk presents a very unique approach on the idea. Bali: Beats of Paradise explores two different artists from different cultures at divergent stages of their career. While the artists are featured, the true story is about a little explored form of music. Filmmaker Livi Zheng (along with EPs His Excellency Ambassador Umar Hadi, Indonesian Ambassador to Korea and Julia Gouw, ranked among the “25 Most Powerful Women in Banking” five times by American Banker Magazine) crafted this documentary which shows the collaboration of Grammy Award-winning vocalist Judith Hill (20 Feet from Stardom) and composer Nyoman Wenten as they collaborate on a new project which fuses contemporary music with traditional Indonesian Gamelan music.
Wenten has spent four decades as a purveyor and champion of Indonesian Gamelan music. Hill’s search for unique sounds peaked her interest in Gamelan. This film documents their exploration and fusion of funk and Gamelan in Hill’s work, present prominently in the “Queen of the Hill” music video. Bali: Beats of Paradise expertly displays the passing of the torch among artists of different generations while also communicating the search for new inspiration, sometimes found in preexisting sources. Gamelan may be this regions classical music but its inherent sounds and sights are dramatically different than what most of the world is accustomed to.
The subtext here is that the cultural identity of Indonesia is rich and relatively unexplored by the West. The sights and sounds of this documentary serve as a vacation to a visually and audibly stimulating other world. Zheng notes, “Most people will never have the chance to experience the beautiful, vibrant scenery Bali is famous for, said Zheng. “When I traveled to Bali to make this film, the most important thing was to capture the culture and traditions of everyday life – including Balinese ceremonies. Whether filled with joy or sorrow, each one is always accompanied by the traditional sounds of Gamelan.”
Bali: Beats of Paradise world premieres November 7th in Beverly Hills at the Academy of Motion Pictures Arts and Sciences and opens on November 16th in Los Angeles and New York.
Growing up, Chandra daCosta was inspired watching her uncle on television, an actor in McIver. Though his role was a small one, that made little difference to her. The moment she saw him on screen, she knew she wanted to be part of creating TV content. When watching a movie, she would fixate on the details, watching it over and over again, studying it. She understood that filmmaking was more than just entertaining. It was a way to share a part of herself with the masses, and she set her sights on producing.
DaCosta has worked with top production companies across Canada. She has worked on popular series like A Wedding and a Murder, Biggest and Baddest, and The Stanley Show and most recently docu-series for Lifetime. She has collaborated with some of the industry’s finest and her work has been seen on worldwide networks like Discovery Channel, and BBC.
“As a kid, I would always beg my parents to take me to the movie theatre. I loved the glam of it, the event of it, the popcorn, the lights, the BIG screens. I knew I wanted to live in this world somehow, some way,” she said.
One of daCosta’s highlights on her resume is her work with Dale Wolfe Productions. She currently has two shows in development with Wolfe, Fish Brokers and Water Shock. Fish Brokers is a television series that follows the process of catching, delivering and serving sustainable, fresh seafood to high profile restaurants – “from ship to chef” – on a daily basis. Based on the book Water Rights in Southeast Asia and India by author Ross Michael Pink and published by internationally known publisher, Palgrave Macmillan, Water Shock is a documentary series exploring the paramount human rights issue of our time: clean drinking water.
“Both projects have extremely sensitive subject matter, Water Shock’s message and story are imperative, and I am proud to be working on something that will hopefully have an impact and bring awareness to a very serious issue. The shortage of water is already a reality to so many and yet, here in North America we continue on like the water will last forever,” said daCosta. “Fish Brokers is extremely exciting to work on because everyone loves a good food show! And although this isn’t just about food, that’s a part of it. I am excited to get out there with the fishermen and immerse myself into their daily life. These fishermen are not massive operations, which makes it a personal experience. Further, they are very firm in their desire to fish sustainably and ensure their product is about sustainable seafood. The idea of following the entire process from fish to dish is something I’m passionate about.”
While making Water Shock, Wolfe relies heavily on daCosta to source and secure hosting talent and utilize her contacts for Directors, cinematographers etc. Through her personal and professional relationships, she has many high-profile colleagues she can approach. This is what makes her so good at what she does; the people she works with always want to work with her again. She also works hard on the research side of the show, making sure there is always a primary and secondary story for each episode that can captivate the audience.
“Chandra is the consummate professional. She has the ability to pull together various aspects of a production and ensure it is running smoothly. Her most powerful quality is her networking skills and connections with high caliber industry professionals and the ability to bring people together,” said Dale Wolfe, Producer and Writer.
DaCosta has also been a driving force behind the development of Fish Brokers. Through the casting and the pre-interviews, she has found several companies to come on board for the show. On top of finding funding and distribution, daCosta continues to work with the cast, and source footage for the pilot episode. She continues to look for new and fresh angles, which is why fishermen are eager to participate in telling their stories.
“I worked on various development projects with Chandra. As a development executive at a top tier Vancouver production company, I often collaborated with Chandra on new ideas and pitches for broadcasters. Chandra is fantastic to work with. She was one of the few people I worked with in the television industry who not only was a pleasure to work with but also able to research, network, write and produce show ideas all at once. She is truly a triple (and beyond) threat,” said Nicole Lawson of Force Four Entertainment.
Fish Brokers has changed and evolved over time. From Fish Brokers, to Fish to Dish, to Ship to Chef and back to Fish Brokers, whatever the title, the show continues to impress industry professionals and broadcast executives.
“Working on these two shows has been so much fun. I really have a chance to dive into the different worlds and meet characters. Although both shows are about sustainability, one has a “fun” subject (food) and the other more serious (water shortages worldwide). The food aspect is always fun because part of the research is testing some of the finished product. And the chef’s love watching people marvel over their creation,” daCosta described. “The water shortage is dire, and it’s been really hard to even get myself to acknowledge the severity of our planet’s water shortages. While doing research and through the book, it’s more important than ever to get this story out there. Looking for the right host is key and so right now, I’m really focusing on the right fit for cast and crew.”
Be sure to keep an eye out for both Fish Brokers and Water Shock to see just what daCosta is capable of.
Though essentially still in the initial phase of her professional film career, British actor Missy Malek has already distinguished herself as a capable technician and talented artist, one who inhabits each role with a masterly combination of skill and instinct. Whether it’s a gritty drama or action-adventure comedy, she deftly crafts persuasive, tangible characters imbued with the full spectrum of nuance and emotion.
Malek is a natural born performer, one who never doubted the direction of her career path. “From when I was as young as three, I’ve literally always known that I would pursue acting,” Malek said. “It was just always what I was going to do, there was never even any question about it.”
From her youthful start in school plays, Malek was hooked. “I always liked performing and getting attention as a kid,” Malek said with a laugh. “And I started to do it outside school when I was 14—I joined the National Youth Theatre of Great Britain. My parents weren’t really that keen on me getting an agent or being a child actor. I think they realized how serious I was about it when I was 18 and still wanted to act.”
The prestigious National Youth Theatre, whose alumni include the distinguished likes of Ben Kingsley and Daniel Day-Lewis, was a critical proving ground for Malek. Steeped in the almost mystical combination of technique, emotion and stagecraft which British theater is world renown for, the naturally skilled Malek gained an illimitable trove of insight and knowledge. Playing in classic works by Shakespeare, Tennessee Williams and Bertolt Brecht and studying drama and philosophy at Oxford University, Malek plunged headlong in the profession.
Following that ambitious onstage start Malek immediately began working in feature films, making her debut in the taut urban drama Anti-Social and following that with a role in Now You See Me 2, sequel to the popular same-titled 2013 heist-thriller
“It was really different to anything I’d ever experienced,” Malek said. “I was a teenager and so excited to have my own trailer! I got to do scenes with actors like Jesse Eisenberg and Woody Harrelson, whose acting I’ve actually studied. The whole experience was just really fun, as you’d probably imagine for a young actor on their first big film set. The director, Jon M. Chu, was great to work with, he has so much clarity and makes his choices with such conviction. I am so happy for him and everything he’s gone on to achieve.”
Malek made the transition from performing for live audiences to the on-set environment with characteristic verve. “The fact that I’ve been acting in film after being in theatre plays wasn’t a conscious decision,” Malek said. “It just happened to be the case that everything I got booked for was screen work. I will definitely go back to the stage when the opportunity to do a good role comes along.”
The ambitious Malek has a comprehensive grasp on cinematic form, with an acclaimed, award-winning short, Laughing Branches, which she wrote, produced, directed and starred in (earning the IndieFEST Film Awards Award of Excellence for her performance) and she recently completed her third feature assignment
“We just wrapped production on a film called Tala,” Malek said. “It’s a comedy that sort of makes fun of the art world and deals with cultural appropriation in a pretty funny way. I play the title character, a socially awkward artist named Tala who is trying to get in with people in the art world, but she’s seen as racially different by the other characters in the film, so they’re all trying to culturally place her. I can’t really say too much, but it’s very original and unique.”
With a fast-moving career and steadily rising professional profile, Malek radiates an appealing aura of self-assured enthusiasm, and whether she’s playing in live theater or shooting a movie, it’s clear her greatest achievements are soon to come.
“I love both forms,” Malek said. “What I think is nice about film work is that it’s always there—you have a piece of work you’ve done that you can always show. With stage, it disappears as soon as you’ve done it, but I guess that’s the beauty of it.”
You may know him as the unmistakably fierce drummer from the Californian rock band Sick Mystic, but Zhenya Prokopenko is also a world class producer and songwriter, with 25 years of experience recording, performing and touring. One of the biggest and most in-demand musicians in Russia and Ukraine, it’s hard to believe that he could have had a very different career path had the fates not stepped in.
He was born in Belgorod, Russia in 1983, and despite excelling in his percussion classes at school, Zhenya Prokopenko didn’t choose to be a drummer – drumming chose him. At the tender age of 11, he had a date with destiny and unwittingly joined a neighbourhood band on the premise that he would simply remain “devoted” to the band. The rest, as they say, is history…
“They didn’t have a drummer yet. No one in the band was a decent musician, so requirements for me were minimal, just agree and be devoted,” Prokopenko recalled. “But we were all so inspired by the idea of our own band that everyone started taking lessons in order to play their instruments. We started to practice and rehearse regularly playing cover songs of our favorite bands and composing our own music.”
Rocking out to cover songs in the dank and unglamorous surroundings of a garage are where all the greats start – and Prokopenko followed in the footsteps of some of the greatest musicians of all.Having gone on to play with some of the best known acts within the two countries, including Quest Pistols, 4POST, Libido, Velvet and Lera Lera, lovers of pop rock music throughout Russia and Ukraine will immediately recognize him as one of today’s great drummers.
Music was always prevalent in the Prokopenko household. While his parents were more into pop music, the moment he discovered the spine-tingling riffs of Metallica, his true passion for rock music came out giving him a direction in which to build his own skill.
He says, “As I got older I was introduced to hard rock and heavy metal music. I remember the moment when I listened to the CD ‘And Justice For All’ by Metallica and realized that was my kind of music as it had lots of power, energy and a strong vibes.”
With undeniable passion for rock music, Prokopenko worked hard to perfect his skill on the drums at an early age, which has endowed him with a powerful, punchy, and solid groove based playing style.
“Drums were my first and the only true love. Of course as I was training and growing as a musician I learned other instruments, but drums for me are forever and ever,” Prokopenko admits.
“The first thing you hear when you listen to any modern track is a drum beat. You just can’t miss it. It’s powerful, loud and beautiful to me. When I was young I was always attracted to the magic a drummer creates. It was absolutely incredible to me how they play. I was much more interested in the drummer than the frontman.”
Regardless of his intentions to blend into the background however, the spotlight seems to have followed him, and the recognition too. As the drummer of a number of celebrated bands over the past two decades, Prokopenko has accrued an illustrious reputation as a sought after drummer. In 2009 he was chosen to be the drummer for the band Lera Lera, the solo project from famous actress and singer Valeria Kozlova, who become an teen icon as a member of the massively popular Russian pop rock bands Ranetki and 5sta Family.
“When we were creating the project Lera Lera, we had been looking for musicians who would be able to be a star along with the frontman. Zhenya fully met the criteria,” said Lera Lera tour manager Yuri Fedorov. “Filigree precision and very spectacular technique of musicianship, the whole appearance and unique charisma made him a special part of the show. He’s like Tommy Lee or Kate Moon in that sense.”
With Prokopenko by her side, Kozlova was named Singer of the Year by RU.TV in 2010, and in 2011 Lera Lera was awarded the Gold Bravo Statue. At the same time Prokopenko was also serving as a key member of the band Velvet, a pop rock act that would go on to earn major celebrity status in Russia. Spending 27 weeks on the Russian Radio charts where it held onto the No.1 spot with a firm grip, the song ‘Forgive’ would earn them a Golden Gramophone Award, as well as a Best Song Award nomination at the MUZ TV Awards. The awards continued to roll in for Prokopenko.
Not one to stay idle, Prokopenko added another act to his name when he joined the band 4POST in 2011. Maintaining a recognizable position in the spotlight, while playing with 4POST Prokopenko and the band were nominated for Best New Band at the RU.TV Awards and Best Pop Rock Band at the Real Music Box Awards. Quickly becoming celebrities on a global scale, 4POST proved to be a tough contender in the national qualifying competition to represent Russia in the Eurovision Song Contest where they earned 6th place, and InStyle magazine would later award them a Royal People Award for the work organizing charity concerts for the youth in Russia.
One career highlight Prokopenko has under his belt, that few others in the world can claim, is having the honor of playing at the 2014 Olympic Games in Sochi with his drum show Drum Cast alongside Russian celebrity Mitya Fomin. Fast forward to 2018 and Propenko is now devoting all of his time and energy into his new project in the states, the alternative rock band Sick Mystic.
Based in Los Angeles, California, Sick Mystic sprung up in 2016 with the promise of delivering original music and excellent sound, and they have definitely not disappointed their growing fanbase. The band may be new to the music scene, but what they lack in history they make up for with their unrivalled potential and drive – and it hasn’t gone unnoticed either as their promo tracks have already received a lot of positive feedback. To top it off, their social media interest is growing by the second, ‘Music Connection’ magazine has raved about the band, and they will even get their chance to shine on the Frosty, Heidi and Frank show on 95.5 KLOS. But perhaps most excitingly of all, Sick Mystic is releasing a brand new album, and they’re currently planning their US tour for next year. Needless to say 2019 is going to be huge for Sick Mystic and Zhenya Prokopenko, so keep your ears tuned to the music.
It’s impossible not to watch director Eliza Brownlie’s work and not feel something. Over the past few years she’s directed commercials and fashion films for well-known brands including Dove, Canon, Cast + Combed, Top Expert, Angie Bauer Lingerie and many more. Diverging from the bright colors and over the top emotions utilized by most mainstream commercials to grab our attention, Brownlie brings a delicate subtlety to her work that is appealing enough to capture our interest. She doesn’t need to bombard or distract us with bells, whistles and bright lights.
“With commercials you are often working for a brand or a client, so you have to consider their needs and objectives. That’s always in the back of your mind when making directorial choices,” says Brownlie. “At the same time, the client often hires you because they like your filmmaking style, so I try and find a good balance of giving them what they’re looking for and putting my unique spin on it.”
The soft tones, atmospheric visuals and the fluidity of the camera movements present in most of her work gives Brownlie a recognizable style that is feminine, honest and intriguing, not to mention highly cinematic. And it is these aspects that have made her such a sought after director internationally. Though we’ll rarely see a face forcing a smile in any one of her commercials, the emotions of her actors are palpable and authentically human; and as a director, one of her strengths is working with her actors to bring out those qualities on camera.
Brownlie says, “I love collaborating with actors in developing the characters and performance, as well as creating a safe space for them to feel supported and bring ideas to the table. This always makes for a better performance and working environment in general. It can be easy to get lost in making beautiful visuals and forget about performance. I always try to remind myself that story, character, and performance are everything.”
The women featured in Imperfectionists, a series of branded documentary films Brownlie recently directed for Dove’s Self-Esteem Project, are not actors; but that says even more about her skill as a director. With each film focusing on a different artist and exploring how they overcame insecurity and learned to embrace their so-called ‘flaws,’ Brownlie brilliantly captures the story of each woman with a refreshing level of vulnerability.
In order to highlight how each artist turned their ‘imperfection’ into a strength, Brownlie had to create the space for them to open up and allow her to peer into their lives, and the way she captures it is beautiful. Through one on one interviews she manages to elicit the most intricate and personal details about their human experience, and the way she puts it all together combined with sequences of each artist fully involved in their passion makes each film incredibly inspirational.
“I used dynamic camera work to convey the uplifting tone and the joy and power that each of them derived from their art, whether that was painting, dance or music,” Brownlie explains. “I always made sure to direct the women in a way in which they felt as confident and beautiful as they are.”
The goal of Dove’s Self-Esteem Project is to empower young women of every shape, size and color to accept and love their bodies as they are, and to see themselves as strong and valuable human beings regardless of societal expectations.
Brownlie says, “I think for the majority of women, and humans in general, the journey to self-acceptance is a rocky and complicated process. It’s never a straight line. But I know that I feel my best when I’m creating, not when I’m focused on my appearance.”
Through her emphasis on the positivity and self-confidence that emerges through the process of creating, Brownlie nails the mark with the Imperfectionist series. It’s nearly impossible not to be inspired after watching one of these films.
Growing up in a small suburban community by the sea in West Vancouver, Canada, Brownlie was surrounded by natural beauty where the sky remained grey throughout most of the year, bringing a certain level of isolation. For her, the juxtaposition of bucolic scenery and melancholy weather patterns was something beneficial.
“You had a lot of time to think and find your own fun, which I guess made it conducive to creativity. I did a lot of painting, writing and photography, and also played tons of sports,” recalls Brownlie. “Since as far back as I can remember I’ve always loved film. I recall watching Kubrick’s The Shining as a kid and being completely blown away by the imagery, my parents weren’t very good at filtering what my brothers and I watched, which in retrospect I’m grateful for now.”
Though Brownlie studied communications as an undergrad, she started creating visual work on the side during her second year of college. One of her first professional projects was the music video for the Canadian alt rock band The Darcys’ single “Itchy Blood” off their debut album Warring. After reaching out to cinematographer and friend Peter Hadfield (The Basement, Is There a Picture) to collaborate, Brownlie and Hadfield joined forces and came up with a concept for the video and then pitched their idea to the band and their label, Arts & Crafts. Arts & Crafts and The Darcys were immediately on board with the concept, and just like that, Brownlie and Hadfield went to work directing the music video.
Starring Eva Bourne from ABC’s seven-time Primetime Emmy nominated series Once Upon a Time and model Jordan Swail, “Itchy Blood” explores the monotony of money and suburban life through the absurd ways two teenage girls kill time in their mid-century modern mansion.
Brownlie says, “The video is a subtle commentary on the disenchanting effects of wealth on youth, and the things young women do to escape suburban ennui. The song has a soft, dreamy quality about it that gradually builds to a haunting climax. I wanted the narrative and the visuals to reflect that.”
Featured by Vice outlet Noisey, Photogmusic, The Stranger, ION Magazine and many more, the music video garnered major international attention upon release. A rare accomplishment for any director’s first work, the ‘Itchy Blood’ music video was the proverbial gateway that opened the door to the industry and set her off on her way as a director. Even then, the unique style that makes her stand-out today was evident.
Since that first music video for The Darcys several years ago to her recent narrative horror film The After Party, which was an Official Selection of the Williamsburg Independent Film Festival and the Sacramento Horror Film Festival and stars Isabel Dresden (Castle, Scandal) and Tarryn Lagana (Wonderland Ave., Too Far Gone), director Eliza Brownlie has continued to make a powerful name for herself in the industry as an exceptionally talented filmmaker.
Never one to follow in the footsteps of another, Brownlie has channeled her gift for creative expression into a definitive personal style that offers up a unique kind of intimacy accompanied by the underlying feeling that something bad is about to happen. She is definitely in a league of her own and we can’t wait to see what she creates next.
It takes far more than music alone to keep the music industry running like the finely-tuned machine it is. Anyone with dreams of graduating from garage demos to packed stadiums needs the support of somebody with the connections and know-how necessary to make that dream a reality. For those lucky musicians whose sounds and skills have earned them her discerning confidence, management coordinator Daria Khovanova has been an invaluable lifeline in a highly competitive business.
Long before she worked her way up the ranks to her position as management coordinator, Khovanova knew her path in life would lead her to the industry. Born and raised in Moscow, she began training in piano and music theory when she was only six. As a teenager she was glued to MTV and VH1, which led in part to her lifelong love of American and British music. The local bands weren’t her style, so Khovanova set out to explore the scene out west.
“I was never inspired by the music industry back home, in Russia. There were no bands I was excited about. Most of them came from abroad,” she recalled. “So I started travelling to Europe early on to go to shows and music festivals. While also seeking out any book I could find in the vein of ‘How To Make It In The Music Industry.’”
The worldly experience she gained from her travels proved invaluable. She began establishing and growing her professional network, discovered countless new artists and influences, and built the foundation for her future career. Before long, she landed a life-changing position that gave her an opportunity to get some hands-on experience working in the field she loved.
“I managed to secure an intern position at Monotone. It’s a management company run by Ian Montone, and it has a pretty amazing artist roster including Jack White, The Kills, LCD Soundsystem, The Shins, and Vampire Weekend,” she said.
With a myriad of illustrious clients that includes legendary 12-time Grammy-winner Jack White, Monotone is exceptionally discerning in who it hires. Luck played no part in the decision to offer Khovanova the internship; even then, in her earliest days, it was clear to anyone in the know she had an innate gift for navigating the ins and outs of the labyrinthian music industry. Her natural aptitude for finding, fostering and cultivating talent is what’s enabled her to rise to the top of her field.
During her time at Monotone she discovered her talents and passions made her perfect for the role she now fills. As a management coordinator, there’s very little Khovanova doesn’t do for her clients. Khovanova is there at every step of her clients’ careers, watching like a hawk and constantly ready for any opportunity or obstacle that might arise.
“As an artist’s management coordinator you wear many hats, and that’s what I enjoy most. There’s never a dull moment,” explained Khovanova. “I realized a long time ago that working in music I didn’t want to be stuck in the office. Maintaining personal contact with the artists is of great importance to me, and it’s something I think the artists appreciate also… It’s important to be in it together, share adventures together and grow a bond.”
That level of personal involvement in the creative process requires a delicate balance. Khovanova never veers in the direction of being either controlling or detached; her finely-honed talents enable her to find the perfect middle ground where her clients are never interfered with nor neglected, but given exactly what they need to thrive. That philosophy, and Khovanova’s unbounded passion, are a large part of what her clients consider when they choose her as their ally.
Years spent immersed in the music scene of Western Europe, followed by her experience at Monotone, made Khovanova a formidable figure in her field. Through skill and sheer perseverance she earned the trust and partnership of Los Angeles rock band Allah-Las. Active for a decade in the L.A. scene, Allah-Las have become headliner darlings of the indie music scene in both the U.S. and Europe. After a long friendship between Khovanova and the band, she became their management coordinator in 2017.
“We met at SXSW festival in Austin, Texas, through mutual Angeleno friends who are now based in Berlin. We stayed in touch and crossed paths many times in Europe and Russia,” she recalled. “[It’s my job to] secure endorsement deals, take part in merchandise development and production, manage touring and advancing shows, book flights and accommodations and make sure everything runs smoothly on the road.”
It’s virtually impossible to name an aspect of the band’s day-to-day schedule that Khovanova isn’t personally involved in. She’s the wizard behind the curtain, and everything she does as the band’s management coordinator revolves around her longtime love of the music they make.
“Their music is timeless, not affected by trends or new technologies. They like to record the tried-and-tested, old-fashioned way, which I think is very appealing,” she described. “Well, they take you in and you become part of a family. There is a certain magic in being on the road with a close-knit group of best friends… They always manage to put a smile on your face somehow. There’s never a dull moment.”
The camaraderie between the band members and Khovanova is invaluable when it comes time to plan and manage the band’s innumerable events. That was especially true when the Allah-Las headed to Texas to play the Marfa Myths festival. Khovanova handled nearly everything for the trip, ensuring it was an epic show for band and fans alike.
“[My job included] liaising with festival organizers and the record label, Mexican Summer, in preparation for the festival, negotiating set length, order of appearance, financial compensation, and more,” Khovanova said, describing the details of her unbelievably packed agenda. “I also did scheduling, handled the van rental, seeking out and booking the best accommodation options within close proximity to the venue, arranging advance shows, renting backline if needed, hiring and flying out the sound person the band trusts for the show, handling guest lists, and often settlement at the end of the night.”
Handling the Allah-Las’ show at the iconic Marfa Myths festival speaks volumes to Khovanova’s abilities as their management coordinator. The festival has become a renowned showcase for artists, filmmakers and musicians at the forefront of the industry. Many of those who’ve shared their work at Marfa Myths, like Allah-Las, already have huge followings internationally. Others are receiving their first major exposure before going on to become household names. For a band like Allah-Las, nailing the perfect set at Marfa Myths meant a chance to gain thousands of new fans and an immeasurable boost in publicity. Thanks to Khovanova’s tireless work, the show went off without a hitch, further cementing her already stellar reputation.
Khovanova is extensively involved in groups and projects in addition to her work specifically with Allah-Las. She is a key member of Reverberation Radio, a creative collective of musicians who discover, create, and curate the best new tracks and deep cuts from artists around the country and internationally.
“Reverberation Radio is a close-knit group of record collectors who create weekly mixes of largely forgotten tracks drawing from decades of strange pop and instrumentals,” Khovanova described. “All members of Allah-Las are part of the collective and regular contributors to weekly mixes that come out each Wednesday.”
Working with what is essentially a think tank of musicians, Khovanova’s role is to ensure Reverberation Radio receives every possible opportunity to grow its brand and reach. By coordinating with artists, venues and event planners, she is constantly hard at work finding new ways to expand Reverberation Radio’s presence in the digital media landscape. Because of the close ties between Khovanova, the Allah-Las’ band members and the collective, she is uniquely qualified to bridge the needs of both groups. And with the westward move of a legendary East Coast venue, the popularity of Reverberation Radio exploded.
“There would often be Reverberation Radio DJ’s at the Allah-Las’ shows to ensure the right atmosphere. Lately though, with the opening of Zebulon – the legendary Brooklyn venue that relocated to LA in 2017 – the musical landscape has changed,” she described. “The Reverberation Radio dance party grew from playing smaller bars to being the most popular dance party to go to…, often with lines of people forming outside trying to get in. No one expected that kind of success, and it’s become a monthly event.”
That venue, Zebulon, is another example of a huge success that is covered in Khovanova’s fingerprints. In the time since it opened in L.A., it’s become one of the premiere Saturday night spots for the city’s young and trendy to dance, drink and discover new artists. Working hand-in-hand with Reverberation Radio, Khovanova has a key role in making the club what it is.
“I also work at Zebulon, where Reverberation Radio have a monthly dance night which has become the successful and well-attended ‘Party at Zebulon.’ Zebulon has become a new centerpiece to the nightlife in L.A. for people looking for a higher quality of music and art,” she said. “I do social media, marketing and some booking at the venue.”
The full list of duties she performs for Zebulon is seemingly endless. In a nutshell, she is responsible for all communication between the venue and Reverberation Radio. It’s a big task with bigger stakes for both the venue and the collective. Her results, however, speak for themselves. With the immense growth of popularity of both Zebulon and Reverberation Radio, the groups’ success hinges on the talents of Khovanova. Just as she’s done for Allah-Las, she’s guided both the collective and the venue along the path to becoming hugely influential forces in the industry. Through her constant networking, negotiating and coordinating, both have prospered and expanded their audiences exponentially.
What Daria Khovanova does best is organically develop mutually-beneficial relationships between musicians, venues, and the groups that promote both. The music industry is a complex network made up of thousands of tiny pieces all moving independently of one another. What Khovanova does is bring order to the chaos. With personal experience in every part of the process, an unrivaled talent for finding and making the connections her clients need, and a vast understanding of how the industry works from top-to-bottom, she is by far the most valuable asset her clients have.
The acclaimed Turkish art director Cagri Kara always knew his destiny lay in the arts. As a teenager, Kara wasted no time, successfully creating and selling a variety of progressive, eyecatching web designs before graduating high school. After attaining design degrees at university, the ambitious, driven Kara established himself, in short order, as one of the most skilled art directors in hometown Istanbul, the biggest, most sophisticated metropolis in eastern Europe.
The international entertainment, promotion and design communities are a tight knit pool of craftspeople and Kara’s mastery of the universal language—visuals—and impeccable reputation as a reliable, intuitive and groundbreaking artist quickly spread. Kara’s early formal accolades included numerous high-profile industry awards Crystal Apple Festival of Creativity, Kirmizi Advertising and MIXX Awards and the famed Cannes Lions Festival of Creativity. All of this notably preceded his 2016 arrival in Los Angeles, where Kara’s characteristic professional alacrity found him taking on a spectrum-spanning array of assignments and campaigns for a wide variety of agencies and clients.
One of Kara’s first, key alliances in California was with the prominent Hollywood agency Forbidden Toast, a relationship which served both as proving ground and springboard for his American career.
“I’ve been working with Forbidden Toast since I’ve moved to LA,” Kara said. “It’s a high end creative services company that focuses on entertainment art work for movies and television The company’s owner, Sherry Spencer, hired me as an art director for several projects she was working on.”
It was a significant break for Kara, and also one that demanded he deliver first rate product. “Forbidden Toast has a very high quality work standard and a clear vision for the work they produce,” Kara said. “I very much respect that and enjoy working with the team. And I enjoy the challenges of producing such great work.”
From the start, Kara’s stylish, skillful contributions fit right in.
“My responsibility with Forbidden Toast is overseeing campaigns in post-production, and ensuring the artwork is correctly executed,” he said. “The projects I worked on were highly visible and vital to the success of the films and television shows for which we developed these campaigns, and my work resulted in both increasing the company’s revenue stream and exposure in the market.”
Kara’s mixture of technical skill, instinctive flair for appealing design and comprehensive grasp on the adaptability each visual element must have is a priceless combination.
“Mainly, we do print ads, large outdoor billboards and social media campaigns,” Kara said. ”The platform is not as important as the flexibility of the art work—it needs to be effective and integrated into all types of media, both internet and large scale print campaigns.
Kara’s keen vision has created important advertising campaigns for productions by some of the biggest names in the business—Sony, HBO, Fox, Netflix, Starz, National Geographic and numerous others.
“I worked intensely with Sherry in producing the final art work for the client,” Kara said. “The art gets approved directly by the studios and, often, also by the talent. And they were all very happy with the results.”
Kara’s successful ventures include campaigns for shows with wildly disparate themes and content. He successfully worked a winning campaign for the current season of comic provocateur Bill Maher’s “Real Time” (“The show is very timely and, I feel is very important to the American political climate. It was very special to be a part of the production of the art work for this series. The art went all over the United States and the show was highly rated and successful”) preceded by one completely opposite, 2017’s launch for the National Geographic television series Genius.
“It was very exciting and challenging,” Kara said. “The talent needed to give the impression that we were actually looking at Albert Einstein. Sherry and I worked closely together to produce a successful final product that appeared not only throughout the city but also appeared on the one of the most visible billboards in the city including—the entrance of the Fox studios.”
Whether it’s documentary, fantasy, film, television, album cover art or an international promotion for FIFA giant EA Sports, Kara’s sweeping creative scale, holistic grasp of his field’s requisite elements and most effective practices create the foundational basis upon which Kara’s formidable natural skills excel—and Forbidden Toast continues to reap his bounty.
As company president Sherry Spencer said “I’ve worked closely with Cagri over the last several years—I’ve been impressed by his ability to successfully lead teams of artists and watched his creative skill and impressive talent push my company even further into creative entertainment marketing. “
It has been said that you are known by the company you keep; this also applies to talent. In the case of Will Shivers and his latest work in the television series Eddie’s, it’s relevant to both. Alex Scrymgeour (writer and executive producer of Eddie’s) met Shivers three decades ago when they were both young lads at a boarding school in Pomfret, Connecticut. While most of their classmates were jocks looking to announce their masculinity, Will and Alex were fixated on humor and entertainment…creating their own that is. Present day finds them both with successful careers in Hollywood and finally working together. Scrymgeour’s latest production is Eddie’s, starring Eddie McGee (CBS’s Big Brother, NCIS: Los Angeles, Mutatnt X), George Wendt (Cheers, Fletch), and Shivers as Daren Willis. Alex openly admits that it was Will’s talent in front of (Shivers is a co-producer and editor of the show) and behind the scenes which assured the writer that he was a key component to its success.
When the show’s writer approached Shivers about the role in a family friendly show which takes place in a Bar & Grille in Venice, California…the actor immediately expressed an interest. Will confirms, “I for one am done with everything having to be dark and mean in comedies. At one point Eddie actually says ‘Don’t be a jerk.’ It’s a basic life lesson that is too often overlooked these days. I think people are seeking a refuge from all the grim news and entertainment out there; I know I am. Eddie’s [the program] offers up some dysfunctionally good-hearted people who have each other’s backs. They don’t judge but they also don’t tolerate jerks.”
Shivers appears as Daren Willis on the show. Daren is a bit dichotomous, in a pleasing manner. He is a high tech nerd working in AI who’s also very conscious and present, having done a lot of yogic and meditative work. Willis is a socially awkward genius, very self-aware and craving improvement with social interaction. It’s this expertise with complicated things and simultaneous uncomfortablity with simple human interaction which is endearing to Will’s presentation of Willis. Shivers is not unfamiliar with complexity and navigating it. The actor not only stars in Eddie’s but he is also one of the show’s producers and the editor. Appearing on screen while also working in a capacity that necessitates he produce off camera could become problematic for anyone. Co-producing with Eddie’s co-producer and writer David Brzozowski (21 Jump Street, Anamorph) allowed Will to vacillate between his dual roles. He notes, “David is incredible so I never had to worry. I found ways to split my time. The script was so good that I just had to be involved in some way. When Alex wrote a role specifically for me, it makes things more complicated but also more enjoyable for me. I loved development and watching it blossom into something more and more with each draft. And then to show up on the shoot day and actually feel it as it came to life on set as an actor and then to take over as editor? I mean there is nothing more satisfying than being a part of all of those stages of the process.”
The tagline to Eddie’s is “Where all are welcome.” While dark humor can most certainly be funny it can also be the path of least resistance. Will Shivers, Alex Scrymgeour, David Brzozowski, director Michael Lange, and everyone involved in Eddie’s aspired to do much more than this. The goal was not to make something easy that would sell but rather to make the best television they could and be motivational in message and comedy, rather than being reactive and following the status quo. Eddie’s is most certainly different and is most certainly full of laughs.
(Eddie’s Place creator Alex Scrymgeour and Shivers on the set of Eddie’s Place)
In recent news of NBL’s 3-year partnership with Channel Nine, we sat down with the man behind Nine’s innumerable advertisement campaigns, Australian-born filmmaker Adrian Prospero to discuss his crucial role within the groundbreaking network and how his contributions have shaped Channel Nine to be Australia’s largest commercial free-to-air television network to date.
“It was an absolute honour to work with Channel Nine, and I am thrilled that the network has been skyrocketing in their success.”
Adrian Prospero has been a force to be reckoned with in the entertainment world for the past decade having distinguished himself as a versatile filmmaker with over a 100 credits to his name as a Writer, Director, and Producer on various media platforms including television commercials, narrative films, and documentary films.
We asked Prospero about his great passion for filmmaking and the many hats that he wears as a filmmaker.
“I love all aspects of filmmaking, but I would consider myself first and foremost a director.”
While the entertainment industry is known to be excruciatingly difficult to break into with thousands of filmmakers competing to get their foot in the door, Adrian Prospero has impressed many esteemed filmmakers with his success as he managed to conquer the narrative and documentary world while also making himself indispensable in the commercial and corporate world. Since the beginning of his career over a decade ago, Adrian has since been involved in dozens of advertising campaigns in the capacity of a Writer and Director for multi-billion dollar companies such as REIWA and Australia’s prominent WIN Television Network.
Most notably, Prospero has undertaken a crucial role in the growth and success of Channel Nine. The network is equivalent to America’s paramount television networks namely ABC, CBS, and NBC.
Prospero’s skills as an extraordinary filmmaker combined with an extensive knowledge in marketing allowed him to contribute to the network primarily through cultivating client relationships, which consequently magnified the company’s revenue and strengthened the reputation of Channel Nine. In 2017, Nine reported a revenue of $720 million. During his time at the network, Adrian raked in millions of views for numerous affluent clients such as the global upscale hotel brand Novotel and the renowned multi-billion dollar real estate company, Mirvac.
In a reflection of how far Adrian has come as a director, and proving how sought after he is, Prospero can now earn up to $1570 an hour as a director. A source from Channel Nine joked “not a bad jump considering most directors are only paid about $75 an hour, and Adrian’s humble beginnings in Perth!”.
Despite his vast experience and success in the industry, Prospero remains modest when asked about his success in the commercial and corporate world.
“I am thankful to Channel Nine for entrusting me with each campaign and for allowing me the creative freedom towards these commercials.”
[above: some of the above companies who have gained millions of views for their films and commercials made by Adrian Prospero].
Prospero has been regarded as a terrific collaborator across all platforms. Therefore, it is no surprise that numerous companies and artists seek to work with him. His versatility in storytelling have led him to working with Songwriter and Rapper Bill Marri and Australia’s beloved electro-pop band, The Arsonist. His work on their music videos have gained these artists legions of fans globally.
The prominent Writer and Director shares “Music videos are so much fun to work with, but what I love about it is the integration of two mediums (music and visuals) to create something powerful. You are often allowed so much creative freedom in music videos so it can be challenging in getting the balance right between the two, but when you find that balance where the two complements each other, the results are extraordinary”.
More recently, Prospero challenged himself in taking on several roles on a workplace comedy miniseries in which he wrote, produced, directed, and edited. The miniseries, Unrealty, was shot in Australia with actors Chris Buckley (Sons of Soldiers, Badgirl) and James Broadhurst (Reflection, Derelict). Adding to his great acclaim, Prospero picked up an award for the series from the Accolade Global Film Competition.
“It was really fun to shoot a comedy series. I’d definitely love to do it again.”
Prospero was also previously awarded the Accolade Global Film Competition Award for his 2016 dramatic film The Hunt starring award-winning actor Robert Hartburn and David Pragnell. The prestigious film festival has successfully been running for 14 years, and recent winners of the competition include the films Money (starring Jesse Williams from Grey’s Anatomy) and Riley Wood (starring the James Bond and Wild Things actress Denise Richards).
“It is incredibly humbling to be recognized by renowned festivals for doing what I feel most passionately about”.
From commercial and corporate work to music videos and narrative films, Adrian Prospero is regarded as amongst the best in his field. He takes incredible pride in everything that he does which in effect produces outstanding films, and we are confident that this extraordinary filmmaker will continue to conquer the entertainment industry.
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