Tag Archives: Photographer

The Ever-Expanding Lens of Chinese Photographer Jiayi Liang

April 2, 2021 Randall Head Leave a comment

Photographer Jiayi Liang with runway photographer Dan Lecca (left)

Standing ready to capture the magic of any moment, Chinese photographer Jiayi Liang is always looking for her next shot. With professional experience spanning years of brand campaigns, documentary filmmaking, and high-profile fashion photography, Liang has proven that no subject is outside of the scope of her photographic prowess—which she has been cultivating for a lifetime.

From a young age, Liang was encouraged to explore her natural proclivity for visual arts by her mother, who was herself a painter. Growing up in this artistic environment gave Liang freedom to creatively interpret the world through her own eyes. She soon became engrossed in motion pictures, and began her relationship with photography during high school. Since then, she’s never stopped shooting.

Of course, there are many people who take up photography as a hobby or a means to capture memories. Liang, however, became obsessed with understanding the craft and its nuances; with mastering the interplay of light and shadow; and with capturing emotion to eternalize the moments she experienced.

“When you view a photograph, you can experience the feelings of that moment, even after many years,” Liang mused. “I think the meaning of photography is very important—it is a medium through which the moment becomes eternal.”

Since receiving her Master of Fine Arts Degree in Filmmaking and Cinematography from the New York Film Academy in 2014, Liang has professionally expressed her philosophical approach to photography across an impressive array of projects spanning multiple high-profile industries in New York City.

One of Liang’s more recent and prestigious career accomplishments was her coveted role as a photographer at the internationally-renowned and highly exclusive New York Fashion Week. Each year at New York Fashion Week, more than 250 of the industry’s top designers gather to present their latest collections with the world. Attendance to this high-profile event is by invitation only, and press credentials are given out on an extremely selective basis. Due to the merit of her work, however, Liang was one of the incredibly talented photographers chosen to shoot New York Fashion week.

“Being invited to photograph New York Fashion Week felt like a rare opportunity to document history,” reminisced Liang. “It was also a chance to glance into the future of the fashion industry by photographing the next quarter’s trends.”

From 2019 to 2020, Liang covered runway shows, backstage moments, presentations, private shoots, capturing the collections and styles of international fashion icons on behalf of VRAI Magazine, an American publishing house and digital fashion magazine with international readership. VRAI Magazine recruited Liang as their chosen photographer for both the New York Fashion Week and New York Bridal Fashion Week events during this period.

Jiayi Liang – Official Mori Lee Photographer at New York Bridal Fashion Week

In addition to her undeniable ability to convey the attitude and grace of high fashion through her photography, Liang also has a proven track record of helping big brands bring their vision to life. Suki Eyewear and Mott & Bayard Eyewear, two of the biggest eyewear brands in New York City, called upon Liang in 2018 to manage their photo shoots, promotional video shoots, and lookbook creation on an ongoing basis.

“Jiayi Liang often finds different perspectives and gives her images new meanings,” said Kenneth Ma, Owner of Suki Eyewear and Mott & Bayard. “Each time I finish working with her, I look forward to starting our next project together.”

Through her years at this position, which she currently holds, Liang has earned nothing but praise for her work, which includes seven campaigns for the Suki Eyewear and Mott & Bayard brands. By using her fresh and unique perspective behind the camera, Liang has been able to capture the very essence of these brands and portray them in a natural light, resulting in a win for Ma’s business.

“I’ve been using the images and footage Liang created everywhere for my stores, websites and social media,” mentioned Ma. “I saw a big impact for both of my brands after the photos and videos were released.”

Liang doesn’t just lend her talents to big clients—she also believes in making an impact in the lives of young artists. Since 2018, Liang has been a photography instructor at the Rising Star Photography Society, a photography club for teenagers based in Princeton, New Jersey. Beyond just teaching technical skills, Liang aims to ignite a long-lasting creative spark in her students.

“It is very important to create the right environment for younger kids, because anything could unexpectedly influence them,” said Liang. “Teenagers have incredibly interesting thoughts and ideas, so I encourage them to practice and explore.”

As Liang continues to push her craft forward, both as an artist and a professional, the lens through which she interacts with photography expands to include new skills and perspectives. With an already inspiring portfolio and list of career accomplishments, Jiayi Liang is poised to capture the imaginations of not only her clients, but also her students and anyone fortunate enough to appreciate her body of work.

fashion, photographers

Adam Flipp photographs luxury California fashion brand Johnny Was

April 21, 2019 Lorraine Wilder Leave a comment

From the moment Adam Flipp began exploring the art of photography, he found himself enchanted by its limitless possibilities. He knew early on that he was destined to explore a career in the medium and set out to become a still life photographer specializing in advertising. However, with his vast technical knowledge, he soon found himself in the fashion world, and he knew he was meant to become a fashion and portrait photographer.

“I think it was my destiny as my great grandfather owned a large fashion manufacturing business in New Zealand and I realized I had an understanding of fashion as it was in my blood,” he said.

Now, Flipp is a sought-after photographer in his home country of New Zealand and abroad. Millions have seen his work, whether on television with Australia’s Next Top Model, or in print, like in Marie Claire. He has shot for Nike, Canon, Converse, and more, with internationally renowned brands seeking him out for his extraordinary talent.

Across the pond, Flipp has been making quite a name for himself as well, working with well-known American brands, including California fashion company Johnny Was. Johnny Was is luxury boho chic clothing and accessories with vintage inspired style, which Flipp knew would make for a creative and fun project, and it was right in his wheelhouse. The Johnny Was Australian wholesaler reached out to the photographer after seeing work he had done for Grazia, knowing he could turn their campaign into a success.

Just like the universal and timeless appeal of a great song, Johnny Was designs clothes that cross cultures and defy trends. With a bohemian spirit and a true sense of authenticity, they take our inspiration from anything that is beautiful, genuine and special—a striking piece of artwork, the luxurious hand-stitching on a vintage dress or the natural simplicity of a vibrant bougainvillea. Their signature embroideries and effortless silhouettes are unparalleled. After more than 30 years of their artisan-inspired stitch work and luxe fabrications, the undying allure speaks for itself. For the woman looking to showcase her personal style, while appreciating the thoughtful details of timeless techniques. An aesthetic that embraces their California-based lifestyle but always with a global vision. It’s the gorgeous details in life that make it beautiful, and that’s what they strive to create with Johnny Was. Embrace the beauty, look beyond and enjoy the journey.

“The vibe and the clothes are beautiful. Working with brands from America is a dream come true for me as I consider the US to be at the center of the world for professionalism. My aspirations and influences are all based there,” said Flipp.

In 2018, the Jonny Was team traveled to Sydney Australia to shoot two catalogues at iconic locations in the country. Flipp shot the Spring 2018 catalogue on Sydney harbor and famous palm beach area. He shot the Summer 2018 catalogue on Hyams beach south coast NSW, which features some of the whitest sand in the world. These two catalogues were some of Johnny Was’ most successful catalogues to date.

“It’s fantastic. It is really great to be able to shoot such a successful catalogue to a very established brand,” said Flipp.

Flipp had never worked with the Johnny Was team before shooting that Spring catalogue, so he didn’t know what to expect. He quickly earned their trust, showcasing his extensive experience which proved essential to the job. They shot on ships, with horses, and in mega mansions, all settings he was very familiar with, which ensured a smooth shoot.

Whenever Flipp arrives on a job, he focuses on the energy of the models, making sure they are happy as that is what will come across in the pictures. He was pleased to discover Johnny Was was also all about good energy and he therefore managed to capture that in every shot.

“The team from Johnny Was were amazing. They traveled all the way from the United States, but still managed to keep the energy up the whole trip. They were so professional and a pleasure to work with,” he said.

Stay up-to-date with Flipp’s work by checking out his website.

Canada, photographers

Photographer Hubert Kang combines artistry and storytelling for Metropolis Mall campaign

August 29, 2018 Lorraine Wilder Leave a comment

Hubert Kang Bio Photo by Peter Yang — Hubert Kang, photo by Peter Yang

For Canada’s Hubert Kang, his hobby and his career are the same. Being a professional photographer allows him to do what he is truly passionate about every day. He believes that is the key to driving himself forward, as he never loses interest in his work.

“I like photography as an art form. I also like working with people. Being a professional photographer allows me to work with different projects and different people almost daily. It’s exciting and interesting,” he said.

This attitude has allowed Kang to soar to the forefront of his industry in Canada. His photos have been featured in the Globe and Mail, a leading Canadian newspaper, and his images have helped large brands for campaigns for Fairmont Hotels and Fairmont Royal York, as well as Canadian Tourism.

Kang often shoots advertising campaigns for travel and tourism companies and destinations. He continued this pattern when he created imagery for the last three seasonal campaigns for Metropolis at Metrotown Mall, the largest and most successful mall in the Vancouver Area. His images were used extensively for outdoor billboards, especially in the busiest subway station in Vancouver. They were also used online and in print. The video he directed was used as a spot in cinema as pre-roll advertising before the feature movie.

Traditionally, Metropolis used mostly fashion photography for their campaigns. For their new brand, however, they wanted to take a storytelling approach showing sweet moments in life. Twice Brand therefore reached out to Kang, knowing that he would excel at such a feat. His efforts helped boost customer interaction at the mall.

“I am really proud to see the success of the campaign. Metropolis took a risk to try my photography skills, which is very different from what they usually did in the past. It was great to see that I was able to create these beautiful and effective images to reward the client taking the risk,” he said.

The central theme of the campaign is “life happens here”. Right away in the brainstorming process, Kang and the team at Twice were looking for activities that are photographically compelling and yet at the same time showing enough emotional quality and products so that they could advertise the mall. Kang came up with unique ideas for the Christmas shoot. For example, he shot a group of friends at a dinner party, showcasing all the food, gifts, decorations, cookware, and more that highlighted what could be purchased at the mall. The ad also told a story and evoked an emotional connection that people could resonate with when they looked at it.

“It is very inspiring that I can return to my documentary photography roots and apply it to a commercial project. I was also attracted to the project because of the large print implementation they planned to do with the images. It’s a very photography driven campaign and I was intrigued to lead it,” said Kang.

It was exciting and refreshing for Kang to bring a new photography concept to the largest mall in Vancouver. He and his team elevated the standard of productions for Metropolis. He was a big part of the creative process in coming up with the stories and finding locations. Then when it comes to actually shooting the photos, his approach and thoughtfulness in considering everything from production, art direction, lighting, and model performance led to images that look natural and interesting, and at the same time help Metropolis’ reach out to the targets they want to reach. This is a combination of Kang’s artistic sense and experience in both commercial and documentary photography, exemplifying what a unique skill set he possesses.

“I enjoyed this project for so many reasons, but most of all it was the people I worked with. I have worked with Twice many times throughout my career so there is a lot of trust between us. The creative team at Twice was very collaborative and open to new ideas from all members of the crew. It was a great feeling to work with a group of like minded professionals who are on top of their game in this field. I really like the execution of the project as well. Metropolis took up ads that took over one of the largest subway stations in Vancouver. It was an immersive experience to see these images printed large scale plastered all over the station. With so much advertising moving to digital these days, I really enjoyed seeing the images in print,” he said.

Kang credits his vast success as an advertising photographer to the work he does as a documentary photographer. His eagerness to tell stories for his clients rather than simply taking a photo is what makes him so in demand.

One of Kang’s most heartfelt projects in his career is the work he does in Uganda. He has gone there to document the progress of baseball development in the country, showing how the sport positively impacts the lives of the children in the country. In the future, he would like to extend the project to other sports as well, as he has seen the incredible power it has to positively influence one’s life.

“I have enjoyed teaching quite a bit. I guest lecture in our local colleges from time to time. I like being able to give back to my community since this profession has given me such an incredible life so far. I like spending time in Uganda to teach photography to the local children as I see they enjoy having another way to express themselves and tell their stories,” he said.

Kang also will soon be starting a new photo project on the relationship between people and animal. He is passionate about animal rights and likes to utilize his skills to help promote the causes he cares about. Be sure to keep an eye out for it.

Filmmakers, photographers

Alice Esposito reminds us it’s never too late to change your mark on the world

October 26, 2017 ewgpress Leave a comment

CronacheDiFotografia — Poster for Alice Esposito’s work with Vincenzo Castella

In today’s day in age, it is nearly impossible to envision a world without photography. Picture yourself walking down the street toward the supermarket, only imagine a lack of billboards, advertisements in store windows, and posters on the walls. What would magazines look like? Or film and CD covers? How would we capture perfect moments in time? Photography is a universal language, spoken and understood by people from all different walks of life. It speaks to our eyes, but more deeply, to our souls. It is an undying profession and as technology advances, we are increasingly able to see the world through millions of different lenses. It is an exciting time to be a photographer and for artists like Alice Esposito, it only heightens a passion that has been embedded within her from the time she was a child. For Esposito, photography is both a skill and a hobby, but above all else, it is a job that she has enjoyed building into a career.

“For the kind of photography that I do, it is essential for me to travel, to meet new people, and to learn new cultures. It is something that I truly love to do and the way photography connects me with people all over the world is something rare and beautiful. The potential to tell stories in countless different ways is magical,” tells Esposito.

Esposito has differentiated herself from her competition by more than just sheer talent. She has developed a way to combine her photography skillset with her interest in filmmaking in such a way that gives her a unique edge and understanding of her industry. Her filmmaking skills have earned her several prestigious jobs across the world. For instance, Esposito worked as a photographer and videographer from 2009 to 2011 in Italy and was tasked with filming for multiple different events, conferences and Exhibit Shows. Later on in 2011, she landed herself a job as Vincenzo Castella’s photographer and personal assistant, where she experimented with different cameras and set ups to bring Castella’s photography to a different level. Whenever she was tasked with one of his projects, Esposito would heavily research the concepts, study any and all appropriate mediums, and determine how best to showcase his visions. She is a trusted talent and has an unprecedented ability to capture the ideas of her clients or employers flawlessly.

In 2011, following a conversation with a colleague, Esposito was inspired to tell her own, original, compelling story to the world via stop motion animation. She was excited about the opportunity to explore stop motion animation, as it was the first time she had worked with it. The video short that she created, called Thend, tells the story of a man who occupies a city but consequently becomes occupied by it. The story presents the idea that human beings often forget that when they invade the earth like a virus, they eventually find that the earth, or in this case, the city, ends up infecting and assailing man. Essentially, the story is a reminder for people everywhere to be mindful of the consequences of destroying the earth out of personal interest. Esposito and her team aimed to remind people to think about the repercussions of their actions and to be careful where they step, what they do, and ultimately, of the legacy they will leave behind.

For Esposito, the joy of creating Thend, in collaboration with Carlotta Roda, was based on the ability to both explore her storytelling abilities, as well as to dive deeper into the art form that she lives and breathes for. She took a lead role on the production, leaving herself in charge of the visual style that was to be achieved, the choice of equipment, the set locations, and more. Her natural affinity for photography and videography allowed her to see the project from a unique angle and to bring it the level of quality that the premise and script demanded. In the end, Esposito could have never anticipated the wide-range success that the short would receive. Upon releasing Thend, it was selected for a special screening event called Cronachedi Fotogradia in Verona. It was subsequently screened on the show VideoSoup at Artist’s Television Access in San Francisco in 2011 and was later shown at SiFest 2014 Urban Space Garden.

“The success of the film came as a surprise at first. It started out as something that was supposed to be a fun way to collaborate with other colleagues. When it became a success, I was honored. I loved seeing the way it was received and knowing that I took a risk in showing something new and different but that it paid off big time. It made people think and I enjoyed answering questions about the process of creating it. It was humbling to hear their thoughts and interpretations as well,” says Esposito.

For Esposito, creating Thend presented a series of unforeseen challenges that she is fortunate to have encountered. Every set back and obstacle allowed her to build and refine her skill set and provided her with a series of opportunities to learn new things about her artistry. The reality of working with stop motion is that it is precise and any minor mistake can create a large impact on the final result. The project required a very diligent, detail oriented artist like Esposito and the final result of Thend was a reminder that all of the hard work, time, and dedication that she put into its final production was more than worth it.

Me_StellaTinucci_ClamChowderSet — Alice Esposito and Stella Tinucci on set, photo by Nilangana Banerjee

Today, Esposito continues to use her exceptional skills to show the world how powerful photography and videography truly are. She is currently working on creating her own, independent production company and with that, she has some short films moving their way through the editing process. In addition, alongside Director and Producer, Stella Tinucci, Esposito is collaborating on a television pilot called Surreal Estates. The show has been successfully crowdfunded and Tinucci attributes a large part of this success to Esposito’s prowess as a filmmaker.

“Alice’s efficiency, combined with her warmth, add to her talents and knowledge of her craft. She has a very keen eye and she cares about details. This attention to detail, coupled with her professionalism, make her a pleasure to work with. She is also a strong communicator, which is key in this industry. She will do great things,” concludes Tinucci.

Watch Esposito’s astounding work in Thend here.

Top photo by Claudia Caldara

Canada, photographers

Award-winning photographer Jennifer Roberts is one to watch

July 7, 2017 ewgpress Leave a comment

When Jennifer Roberts was just a child, she was always taking photos on her mother’s camera. She loved looking at them. Whenever she would go on a trip, she would take that camera and capture everything she saw. At the time, photography was just a hobby, but as years passed she realized she could turn what she loved into a career.

Roberts is now an internationally sought-after photographer, with an esteemed resume that has earned her the reputation as one of Canada’s best. She has shot for the world-renowned Wall Street Journal, and The Globe and Mail, one of Canada’s largest newspapers, as well as magazines like Canadian Business and Moneysense. She is an award-winning photographer, and her shots for Getty last year featuring Academy Award winning actress Michelle Williams received won a 2017 Applied Arts Annual for Best Portrait, and was nominated for a Communication Arts Award.

“I would say my style is very natural looking but also has a nice polished edge. I like using light in a natural looking way and always try to make sure any artificial light doesn’t look too source-y. Depending on who I’m photographing I’ll decide how much direction to give. I find that when shooting actors and actresses, they don’t need much direction. They’ll know their best angles and be able to provide a lot of interesting poses. If there is a specific angle for the story or tone then I’m happy to provide a little direction. If someone isn’t familiar with being in front of the camera then I’m happy to give some direction so they’ll feel more comfortable,” Roberts described.

Recently, Roberts has shot features for Canada’s largest and leading news magazine Maclean’s, founded in 1905. The magazine has published the work of Canada’s top photographers and photojournalists, including Roberts.

“It was a career goal of mine to be a contributor to the magazine. Working on Maclean’s stories are always really interesting. The topics are very timely and relevant. The art department leaves the photographer with lots of room to be creative and they like the photographer to provide lots of options. It’s also great to know that the end product will be seen around the country,” she said.

Shooting for Maclean’s, Roberts has done very high-profile projects, often being commissioned to shoot subjects with sensitive subject matter. One of these pieces was shooting a critical piece about Dr. Darryl Gebien, titled “How fentanyl turned an ER doctor into an addict.” Dr. Gebien was a former drug addict, also being charged with illegally prescribing fentanyl. Roberts did a portrait shoot with him in his home and she had to be extremely gentle with him as he was really worried about being photographed. In the end, Roberts had captured a beautiful series of photos of Dr. Gerbien that really spoke to his personal struggles.

She also photographed internationally renowned artist Ed Burtynsky, for a profile on his career as an artist. When shooting the Ed Burtynsky, she was on a super tight timeline and small window of opportunity with Burtynsky, but she was able to photograph beautiful studio portraits that really captured the mood and tone of the story.

Another feature included shooting Kristine Johnston and her husband Jimmie Johnston for a piece on Alzheimer’s and Assisted Suicide in Canada. Roberts says she had to be very delicate and gentle in such a sensitive situation. Jimmie Johnston was suffering from Alzheimer’s and was seeking the right for assisted suicide.

Later, she a story following NDP Leadership Candidate, MPP Jagmeet Singh. This was no easy documentary piece, as she had to photograph him while he went about his day in the Legislative Assembly of Ontario. She also shot a portrait of Giller Prize and Governor General Literacy Award Nominee Gary Barwin, and worked as a freelance photo editor at Maclean’s Magazine 4.

“As a photo editor and producer, I’ve hired Jennifer countless times over the past five years for photography assignments in Maclean’s, Canadian Business, MoneySense and Tourism Toronto. She continually delivers the best quality of work and exceeds my expectations with every assignment, whether shooting portraits, food or reportage. I have found her to be versatile in her photographic ability, resourceful in difficult situations that may present itself on a shoot, highly creative in her approach, and always reliable. I can say with confidence that she is a well-respected and established photographer in the industry and among her peers,” said Kayla Chobotuik, a Canadian Business Editor.

What was, however, the most influential of Robert’s work for Maclean’s was her feature for the social movement Black Lives Matter. The shoot from demonstration won international Applied Arts Award for Best Documentary photo and was a nominee for an international Communication Arts Award. It demonstrates great documentary ability as Roberts was originally commissioned to shoot a Pride Parade, but when the protest broke out, she was able to capture award winning photos of the event.

“When I won the Applied Arts Award for the Black Lives Matter photo I was really excited that more attention would be given to the issue. By winning that award and being nominated for a Communication Arts award I knew even more people would have the opportunity to see an image from their demonstration. I was also really proud that the photo was being recognized as award worthy,” said Roberts.

With such innate talent, there is little doubt as to why Roberts receives the accolades she does. She is definitely one to watch for.

Artist, photographers

Artist HuiMeng Wang shares vulnerability and understanding of the world with worldwide audiences

May 30, 2017 ewgpress Leave a comment

Born and raised in Inner Mongolia of China, HuiMeng Wang always had a passion for art. Her mother always had a deep appreciation in literature and the Chinese Opera. Growing up, she read nothing but fictions, and would always fantasize about bringing the narratives to reality, in one way or another. Despite this passion from an early age, Wang did not initially feel she was ready to explore being an artist. That patience is what sets her apart from so many. She studied science and engineering, travelled the world, experienced other cultures and immersed herself in life. It was during her travels that she realized she was ready to be an artist.

“I felt I had enough things to talk about and I felt this strong desire to talk about them. A diverse educational and cultural background has made me immensely conscious about the changes and formation of personal identities, during a socio- geographical, professional and/or cultural transition,” said Wang.

During her travels, Wang conducted a 4000-mile road trip in Tibet, photographing its landscape. She created a collection of the photographs, titled The Isolation Book, and it is one of her most remarkable pieces. On a plateau in the northeastern Himalaya, at an average elevation of 16,000 feet, Tibet enjoys great natural remoteness. Its extraordinary physical isolation is also reinforced by political complexity, Wang says. She drove through out the vastness of Tibet week after week, as an observer, as well as a bearer of the great isolation and loneliness.

“People’s state of mind can heavily change the visual perception of a landscape or cityscape. And in that sense, The Isolation Book is a metaphor of my personal struggles through isolation. When one is in isolation, or sometimes self-seclusion, the eagerness of engaging with the outside world always comes hand in hand with the resistance. Such conflict creates great intangible tension, which overrides the reality sometimes, and urgently needs to be described in a form of emotional resonance,” Wang described.

Wang’s initial interest in the project was to truly understand isolation. From the time she was a child, she always has felt more comfortable by herself than when surrounded by others, so she wanted to understand what it was to be truly alone.

“I wished I could understand the nature of isolation better, how it exerts influence and disguises itself. And that is why I picked up a camera initially,” said Wang.

Wang’s photography is extremely impactful for all those who see it. It is perfectly framed, shot, and edited, and with The Isolation Book, each picture is its own essay, worth far more than the usual “1000 words” mantra.

“HuiMeng is a natural photographer capable of composing visual poetry from any scene. Her intellect is stunning. her insight is incisive and her sensitivity is sublime. she is complex and profoundly complex. She is a dream to work with,” said Lonnie Graham, who has worked alongside Wang on various photography projects. “Her uncanny ability to understand a situation and interpret it makes her outstanding. This is what she does with her image making, so that as an installation artist her concepts become dimensional.”

HuiMeng 3 — HuiMeng Wang in *Fire Green as Grass*

Many around the world know Wang for her outstanding artistic abilities. They know her celebrated work, and the exceptional understanding she possesses of her craft. She is more than just an artist, she is a creator and a storyteller. Just last year, she dined by herself on a suspended table for one hour. While trying to cut and eat a 16oz steak, she had to carefully maintain the balance of the table, and put out the fire which the flowers constantly caught from the candles. Titled Fire Green as Grass, the piece interprets the mental state of an immigrant, displaced and isolated often, for whom conducting daily activities becomes a struggle in itself.

“The title came from Dylan Thomas’s poem Fern Hill. I lived in a place that’s also called Fern Hill in New Zealand for a while. It was the most surreal and beautiful place, but I was also incredibly alone,” said Wang.

Wang normally acts more as a director in her pieces than performer. However she felt the need to perform herself for this piece to truly convey the message.

“I thought I’d be embarrassed to perform in front of the audience. But when I did, even though there were a lot of people watching and the flowers were constantly on fire, I felt peaceful. I also felt like I was saying the things I wanted to say,” Wang described.

Wang’s vulnerability in Fire Green as Grass captivated audiences and critics alike. A fellow artist and friend, Jeremy Morgan, says that Wang has an ability to do this with every project she takes on, whether it be a video, photograph, or exhibition.

“Our conversations have always been a meaningful, creative journey, metaphysically moving from one space to another. HuiMeng has a luminous mind, and is self- possessed but without arrogance. Her generosity and original spirit permeate all of her interactions with people around her. In her performance and filmic work, she displays a poetic, philosophic and socio-political sensibility that is noteworthy wherein beauty, elegance and poignancy are perfectly balanced with precision, focused with intelligence and humanity. She is in every sense a creative being, an artist who is both unique and a powerful presence,” said Morgan.

With such a commitment to her craft and respect around the world for what she does, it is obvious to all that sees her work as to why Wang is considered one of China’s best recent visual artists. Not many can achieve what she has, and she still has so much left still to show the world. However, she does have advice for those looking to follow in her footsteps.

“It sounds silly, but my advice is make absolutely sure that you really want to be an artist before you commit. You don’t want to be an artist because of flexible schedules or some certain lifestyle or things like that. You want to be an artist because you cannot imagine yourself doing anything else. You want art to be the center of your life,” she said. “Also, some wise man said: make work, faster. That is my second piece of advice. Always make work, don’t pause for too long.”