All posts by Ashley Bower

From Mermaids to Mental Health, Actress Brie Kristiansen Does it All in TV, Film, and New Media

Article Written By: Ashley Bower

It’s not always easy to keep up with an industry that is constantly evolving, but when it comes to navigating the busy world of entertainment, working actress Brie Kristiansen is a pro.

“It all started with a musical in Iceland when I was a teenager,” stated Kristiansen, and right from the start, she was propelled into learning how to adapt to the unpredictable curves that life – and the film and television industry – are known for. “The musical was Bugsy Malone and hundreds of people auditioned. In the end, I was cast in the leading role of “Dandy Dan,” which was changed into a female role since they thought I fit very well for the villainous character. Funny story, at the dress rehearsal I fell down and broke my leg and had to do all of the remaining shows in a wheelchair. It actually turned out great in the end, as the wheelchair seemed to add almost another level of authority for this villain.” Ever since this debut, Kristiansen’s career has skyrocketed.

While Kristiansen has numerous projects that span film, television, and new media under her belt, she’s most known for her work on It Takes a Killer, Delirium: What’s Your Worst Fear?, Corrupt Crimes, and her latest role as a series regular on season two of Life as Mermaid.

With over 25 million views and more than 155k subscribers, it’s safe to say that the hit YouTube Series Life as a Mermaid has a passionately committed following. The story follows two mermaid sisters and their journey on land as they work their way around obstacles while adjusting to life with the humans. Kristiansen plays Astrid, a ruthless European villain with an icy demeanor, whose mission is to hunt down the mermaids with the intention of selling them for billions.

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Brie Kristiansen as “Astrid” in Life as a Mermaid

“From the start of when season two started airing, we received such fantastic reactions from people all over the world. We started getting asked for autographs and receiving fan mail which has all been an amazing experience. We truly have the best fans, and they are what made all the hard work worth it in the end,” Kristiansen reminisced.

Though Life as a Mermaid airs on YouTube, one of the entertainment industry’s newer media platforms to publish episodic content on, the production process was exactly the same as any other television show. The only difference: the website makes its content accessible to anyone anywhere in the world.

Starring opposite Kristiansen in the series is Marcella Di Pasquale, who is also credited as casting director and one of the producers of the show.

“Brie is the sweetest person, so it is so interesting to see her play such a brilliantly evil villain,” explained Di Pasquale. “To be able to switch into such a strong character within a matter of seconds just really goes to show Brie’s true talents and acting skills. She is also great at stage combat and I loved watching her film her fight scenes on the show. Brie is very charismatic and naturally talented, which makes her a great addition to any set, and us on the Life as a Mermaid team always love having her around.”

In addition to villainous roles, it’s apparent that Kristiansen has a gift for securing and excelling in roles that encompass very serious, emotional qualities, such as the roles she played in It Takes a Killer, Delirium: What’s Your Worst Fear?, and Corrupt Crimes. Elaborating on her love of playing and process of preparing for such kind of a role, Kristiansen explained, “I always think it’s really funny since I’m actually quite a goofy person, but I guess I look very serious. However, I love doing these roles, especially when there’s an added challenge or something I haven’t done before.” An example of such is Kristiansen’s work she did on Delirium: What’s Your Worst Fear?” where she plays the character of Ava, a teenager with schizophrenia.

Prior to being cast as Ava, Kristiansen wasn’t familiar with the mental disorder outside of what she had seen in other film and television shows. Therefore, it was a role that require extensive research – something which was already a very major component of Kristiansen’s character preparation process. “I try to get closer to my character’s mindset and who they are. I’m a total nerd when it comes to this and will dive into research for significant amounts of time until I feel that I have managed a full understanding of the character, and then I go into the next steps of my preparation,” Kristiansen said.  “With Ava, I did so much research, probably more than I’d ever done before. I thought it was vital for the authenticity of my character to absolutely dive into research. I went to libraries, read books, and even spoke to people with experience in the field.”

Currently, Delirium: What’s Your Worst Fear? is being screened at multiple film festivals around the world.

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Brie Kristiansen as “Ava” in Delirium: What’s Your Worst Fear?

Coincidentally, on Kristiansen’s episode of Corrupt Crimes titled Vulture Feeder Fiend, the topic of schizophrenia arose yet again for the actress, though this time the character with the disorder was not her own. Taking place in California in the 1970’s, the storyline of the episode follows a schizophrenic serial killer named Herbert who murders a homeless man while in his altered state of mind. Kristiansen plays a hippie named Mary, who attempts to hitchhike her way to an event only to suffer a similar fate after she’s given a ride by Herbert himself.

Kristiansen not only loves the roles she’s been given the opportunity to play but is also passionate about the impact they make on her viewers, along with the awareness they bring to mental illness in film and television. “I’m a very open and honest person who comes from a very liberal society. The way I was raised is that if there’s a problem, you speak about it, and that you should never judge others for their feelings or behaviors because you don’t know what they’ve been through or are going through. Mental illness is a very serious issue, and the shame and stigma surrounding these issues need to stop. We need to be able to speak about our feelings, experiences, and illnesses openly in order to help or even fix them. There are so many tools one can learn from speaking to a professional, or by simply opening up to a friend. Love conquers all,” she said.

While some roles help to expand the knowledge and understanding of one’s mind, others do the same for the heart. This is the case for one of Kristiansen’s earlier television series: It Takes a Killer. “In my role as Charlotte, I played an emotionally unstable teenager who goes through a horrible tragedy,” Kristiansen discussed, revealing her journey of portraying the sixteen-year-old character left parentless after discovering her father murdered her mother.  “Charlotte is extremely vulnerable and has moments where she has emotional breakdowns. For me personally, this role was a great opportunity to showcase my talents with vulnerability and fully diving into the character. It was a great experience, and also helped me become more vulnerable and open as a person.”

There’s no question that Kristiansen’s vast experience and success as an actress has helped her grow not only as an artist within the film and television industry, but also as a person. There’s no doubt that this is something she’ll continue to do throughout her acting career in the years to come. Regarding this idea of both personal and career evolution, Kristiansen stated, “I’m incredibly lucky to be a working actress in different parts of the world, and on a variety of project types portraying completely diverse characters. Each time I take on a new role there’s something new I learn about people from the character I’m portraying. As a people person, this job will never become boring. The challenges, in drama, in comedy – all of it – just makes you really grow as an individual and you learn so much about yourself. I’m all about figuring out your dream and making it happen, and I find it to be one of the perks that I am able to grow both personally and professionally while living mine.”

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Brie Kristiansen walking the red carpet

For more information on Brie Kristiansen, please visit:

www.imdb.me/briekristiansen
https://www.briekristiansen.com/

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Renowned Writer Camilla Sauer Talks Top Projects

Camilla Sauer is one of Germany’s most successful head writers. Over the past 20 years of her career, she’s been accredited for her remarkable work on over a dozen different TV series, produced by some of the biggest German and European TV and Film production companies.

Getting her start as a creative writer at the young age of 19, Sauer proved early on that she was destined to spend her life creating and telling stories. Just three years after her first professional gig, she went from intern to full-time storyliner on Germany’s second highest rated TV series, Verbotene Liebe (Forbidden Love). With numerous awards won and over 4,5000 episodes aired, Verbotene Liebe circles around the lives of young men and women in Germany, their friends, and their families, and has become well known for its positive representation of LGBT characters and its presentation of controversial issues. The show is produced by UFA Serial Drama (Metropolis and The Blue Angel), one of Germany’s oldest and most distinguished entertainment brands

Sauer worked on Verbotene Liebe for two of its 20 seasons. From there, she climbed the ranks and earned what would be her first of many head writer titles for a season on the crime series Einsatz für Ellrich, of the award-winning production company, Constantin Entertainment.

“Two years later I started working for Alles Was Zählt, where I continued to work for three years,” Sauer said. “I was there from day one and was fortunate enough to be able to create this TV drama with some of the most talented writers. We were all so different, but each and every one of us was passionate about the show. We were encouraged to tell fresh, new, and compelling stories. We all put 100% of our effort into the stories – and it paid off.”

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Camilla Sauer

In February of 2008, while Sauer was the head writer on the show, Alles Was Zählt was awarded Blu Magazine’s Best National TV Format award for its portrayal of the relationship between two of its characters, Deniz and Roman. Additionally, Guido Reinhardt, Chief Creative Officer of UFA and producer of the groundbreaking series, provided Sauer with the opportunity to work as a creative producer together with the producer of the TV series Unter Uns, ultimately trusting her to relaunch this show and work with a different team of writers, with a different broadcast station in the process. “Camilla is truly a writer of extraordinary merit and ability,” Reinhardt recently commented of his professional colleague of over 10 years. “She possesses a talent that is rare, and it is her unique combination of talent and experience that has resulted in her becoming one of Germany’s most successful head writers.”

Having aired in 2006 to the present, Alles Was Zählt is one of the longest running TV dramas in Germany.

While it’s obvious that creative talent is a must-have when it comes to being a successful writer, one of Sauer’s greatest strengths that Reinhardt pointed out: life experience, along with empathy and a sense of structure, are also qualities that mustn’t be overlooked. Sauer is well versed when it comes to all of these, her expansive success as a head writer in the entertainment industry serving as proof. Expanding upon what she’s learned regarding the importance of these assets, Sauer explained, “It takes empathy to create characters and to be able to connect with how they feel and act. Not because you would do so, but because your character with his background, culture, and personality would do so. It takes some life experience because life gives you the best inspiration every day, everywhere. The best stories I’ve ever heard stem from real life experiences. Lastly, structure is needed to be able to take your story to the next level; To create a plot, a script, a scene. I know a lot of writers who are either very creative, but have issues with creating structure, and vice versa. If you have both – you are considered one of the lucky ones.”

In addition to head writer, Sauer has also worked diligently as a creative producer and story consultant on numerous distinguished projects broadcasted on some of the most established networks throughout Europe such as, Soko Familie, Herzflimmern, Unter Uns, the award winning Dahoam is Dahoam, and Lena – Liebe Meines Lebens, the latter which she first began working on a few years post her work on Alles Was Zählt.

“A story consultant in Germany is probably considered a creative producer, or a co-showrunner in the US. It’s someone who works closely with the producer and/or show runner. Together they create the story concept, characters, and the long running plots of the TV series,” Sauer said of her job title. “This particular work is not so much focused on the details like scenes or dialogue, but more so of the development of the whole concept of the TV series. The staff writers break our ideas down into episodes, scenes, and scripts.”

In 2010, Sauer was hired by the academy award winning production company, Wiedemann & Berg (The Lives of Others, WhoAmI, Welcome to Germany, and Dark), to create Lena – Liebe Meines Lebens with showrunner Günter Overman (Storm of Love, Verschollen, and Hinter Gittern – Der Frauenknast). The series title translates to Lena – Love of My Life in English, and is an adaptation of the Argentine series Don Juan y Su Bella Dama, created by Claudio Villarruel and Bernarda Llorente.

It was on Lena – Liebe meines Lebens where Sauer first worked with co-founder and CEO of Wiedemann & Berg, Quirin Berg. Berg, who thinks quite of the writer’s talents, shared, “I have had the pleasure of working with Camilla Sauer and can without a doubt certify that she is an exceptionally talented head writer, and furthermore, one of the best head writers in Germany. Camilla is extremely unique in many aspects. She is outstandingly creative, a very fast thinker, she has a wonderful ability to express her ideas clearly, create deep and three-dimensional characters, and eventually bring them to life. Additionally, she can immediately identify specific problems in a story and articulate a solution to them.”

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Camilla Sauer

Since 2012, Sauer has been staffed as the head writer for Germany’s hit series Schicksale – und plötzlich ist alles anders (Fate – and suddenly everything is different). Produced by Constantin Entertainment, the TV series has been running for eight years, consists of twelve seasons, and was recently picked up for another (1 year).

In Camilla’s words, the idea behind Schicksale – und plötzlich ist alles anders is that, “Things are not happening to you, they are happening for you. Even if it looks like something bad is happening to you, it just creates a new opportunity for us to learn, to grow, and to eventually make better decisions that lead to a better life. ‘Fate’ is about that one single moment, that ‘accident’ that might look like some random situation, that completely changes your life.”

While working on such a long running show for an extended period of time has its challenges, Sauer has demonstrated that she is an expert when it comes to contributing fresh and exciting stories to an ongoing series, and in doing so has played a pivotal role in the success of Schicksale – und plötzlich ist alles anders. Former CEO of Constantin Entertainment Christoph Knechtel raved of the head writer, “Camilla is truly a head writer of extraordinary merit and ability. I was fortunate enough to witness her extraordinary talent in screenwriting when she served as writer, head writer, and showrunner on numerous television series like K-11-Kommissare im Einsatz, Einsatz für Ellrich, Schicksale, In Gefahr, Im Namen Der Gerechtigkeit, and Soko Familie for huge networks such as Sat. 1, RTL, VOX, and more. Her demonstrated skill and unparalleled creativity on these and other projects have earned Camilla widespread recognition and international acclaim as one of German television’s leading writers.”

Presently, Sauer is in development with the German TV production companies, UFA Serial Drama, Constantin Entertainment, and Bastei Media, on a few pilots and television series while continuing to write for Schicksale – und plötzlich ist alles anders.

 

For more information on Camilla Sauer, please visit: http://www.imdb.com/name/nm4646044/?ref_=nv_sr_1

Sound Engineer Josué Catalán Discusses Hit Singles and What Can Be Expected in 2018

To this day, somewhere just over 1,250 micro-genres of popular music have been named. They’ve played a huge role in helping to describe and classify different albums and songs, and in doing so, have allowed both listeners and musicians to easily identify and categorize their preferred musical styles.

Renowned sound engineer, Josué Catalán, has experience with mixing and mastering music from a multitude of genres. This versatile experience has aided in Catalán’s growth as an artist, which in recent years has contributed to the success of two major hit singles: Pegadito a Mi Piel and Cuando La Historia Cambie, both released in 2017. Furthermore, due to his vast practice, Catalán’s been able to isolate a few of his favorite genres to work within, too.

“I have two favorite genres of music,” Catalán informed, “POP and Jazz. I love how each one represents a world on its own, and I learn a lot every time I get to work on a POP or Jazz production.”

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Josué Catalán recording at Studio 57 Pro

The song Pegadito a Mi Piel, which Catalán mixed and mastered, is a song that falls within one of the sound engineer’s two favored genres: POP. Sung by Chilean POP artist Dani Ilabel and produced by Max Donoso and Manuel Burgos, Pegadito a Mi Piel translates to “Close to my skin,” and is a song of romance. It took Catalán a total of just three days to have the final product complete and ready to be delivered to TVN (Televisión Nacional de Chile) Records, the well-known label the single was signed by.

“The main challenge while mixing and mastering this particular song was finding a certain attitude to give the sound that could make it stand out from the typical romantic ballad,” Catalán explained. “I tried to impart some character by adding subtle distortion and delivered nuances that made the sound be forward and dynamic.”

Part of what makes Catalán so uniquely brilliant when it comes to his work is his fearlessness when it comes to taking risks with sound. Anyone can learn how to engineer, but it takes a truly exceptional kind of person, one who’s willing to gamble the possibility of failure, to obtain the attention-seeking type of success Catalán has proved himself more than capable of attaining. Producer Donoso supported this thought, stating, “Josué’s the person you go to because you know he’ll make your music sound better. Not only is he the kind of engineer that knows how to translate engineering into music, which makes him so easy to work with, but he’s also not afraid of taking musical/engineering risks. His mixes tend to bring an edge to projects that helps them to stand out among the ever-crowded universe of music productions.”

Such success also goes hand in hand with working amongst a team of talented individuals, who also happen to deeply care about professionalism and camaraderie within the workplace. Not only have Catalán, Donoso, and Ilabel worked as a unit on Pegadito a Mi Piel, but they’ve also collaborated on several tracks and albums together. “When you work with talented people who also care about teamwork, work ethics, and human relationships, it’s hard not to learn and see yourself grow. Working with Max has showed me that big challenges must be taken step by step and that nothing is impossible in terms of dreams and vision. He taught me to value simple things in music; an honest song will resonate better with the audience, and actually, that’s something one can even relate to life,” Catalán elaborated.

While Pegadito a Mi Piel was the first of songs that Catalán mixed and mastered to be aired on national television, it certainly wasn’t the last. In fact, some of the most notorious tracks the trio has worked on together have been featured on multiple shows of the main Chilean TV channel, TVN. It was, however, Pegadito a Mi Piel’s great success which opened new doors for young singer Ilabel. Not only was the single used as the main soundtrack for the 2017 soap opera La Colombiana starring Felipe Braun, Elizabeth Minotta, and María José Illanes, but it was also named one of the 50 most viral songs in Chile on Spotify for two weeks, ultimately reaching second place on the list.

In simple terms, as Catalán puts it, “A successful song can position an artist so that he or she can spark interest of the label or producers that are managing the artist.” And, this is exactly what the finished product Pegadito a Mi Piel did.

Currently, there is another Ilabel single that will also be mixed and mastered by Catalán in the works. While an official release date is still to be determined, one can remain on the lookout for the song as it is set to be titled Cuenta Conmigo (Count on Me). Ilabel’s latest single that was mixed and mastered by Catalán, Eres Mi Otra Mitad (You Are My Better Half), was released quite recently, and has been airing on TV for about three months now.

Branching out some from the familiar and favorited territory of the POP music genre, Catalán contributed to yet another hit single this past year: The Country-Rock single Cuando La Historia Cambie sung by the famed Jano Letelier.

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Josué Catalán recording Jano Letelier’s single Cuando La Historia Cambie

Cuando La Historia Cambie is a powerful song that speaks of the injustice and wracked government system in Chile. Elaborating on the subject he’s quite familiar with, Catalán explained, “Chile, because of the military dictatorship in the 70-80s, is one of the most “Neoliberal” countries in the world. Everything is private and the system encourages social and economic inequality. People have to wait six months to get an appointment with a doctor in the public system. Meanwhile, the private hospitals are like luxury hotels and are very expensive. Also, people are retiring with pensions not greater than 10% of their former income, and this is a system managed by private companies. And these are just a few examples of what is going on within the country.”

The compelling and fresh production of Cuando La Historia Cambie was recorded, mixed, and mastered by Catalán, and has been transmitted by several online radio stations, including as the Todos Junto Radio, as well as FM radios such as Radio Futuro, one of the largest Rock and Blues radio stations in all of Chile.

“The first time I heard Cuando LA Historia Cambie on Radio Futuro, I felt so proud and excited and was full of adrenaline. I am proud of having worked on delivering the powerful message of the song to tons of people through one of the biggest radio stations in the country,” Catalán reminisced.

Contributing to the overall production of the single was drummer Arturo Salinas, bass player Sebastian Cordova, and studio assistant Nicolas Moris.

Prior to entering the recording studio, the team had prepared the songs and all ideas, resulting in a smooth process of production.  The band was recorded live with all musicians playing at the same time, and the final mix of the song was listened to repeatedly until Catalán and Letelier were certain they’d achieved a flawless sound.

“Josue’s preparation, responsibility, good hearing, and good will to work makes him very good at what he does,” Letelier commented. Catalán’s great ear for sound quality and comprehensive talent for engineering was also noticed by several radio listeners; After Cuando La Historia Cambie first aired on a radio show, Catalán instantly received praising comments comparing the sound quality of Letelier’s song to various others of the same style that were aired among his on the station that day. Adding to her previous words, Letelier concluded, “When working with him, you can see that he is happy doing what he loves and puts his positive energy into the projects.”

Presently, Catalán has mixed two additional Jano Letelier singles that are set to be released in early 2018, along with an entire album that should see the light by mid 2018. “The new album is a fresh view of Chilean music based mainly on blues and rock. It serves as an example of the talent that we have in Chile and will bring many different topics to the table in a very honest and powerful way,” Catalán shared. “Jano’s vision of Chilean music is very unique yet very representative of the national scene. The whole process of working with him has been very educative.”

 

For more information on Josué Catalán, please visit: www.josuecatalan.com
To listen to Pegadito a Mi Piel, please visit: https://www.youtube.com/watch?v=k-SzcAHUHek
To listen to Cuando La Historia Cambie, please visit: https://www.youtube.com/watch?v=u6E3mIjDZBw