Category Archives: Music

Kurt Szul blows away City of Los Angeles for Italian Heritage Day

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Kurt Szul

Kurt Szul is a firm believer that in this life, “you get back what you put in.” Working in a field as cutthroat and unpredictable as the music industry, he understands the reality of this motto better than most. Not only does he know the level of dedication and hard work required to stay on top of his competition, he makes it look effortless. His success is largely based on his unprecedented drive; however, it is perhaps his versatility that has earned him a profound reputation amongst some of the best artists in the world.

Szul’s background in jazz music allowed him to master other genres with ease; however, his talents extend far beyond his natural affinity for composing and playing music. He is also a seasoned businessman with a wide range of experience managing and promoting bands. He has an aptitude for preparing music, organizing musicians, rehearsing bands, creating concepts for projects, and ensuring that any band he manages are well prepared to exceed their goals. Beyond managing bands, Szul can be credited with inventing, pioneering, and co-building one of the first and only Nine String Guitars at the young age of 18.

In 2015, Szul shared his talents with Los Angeles’ Italian community when he performed at Los Angeles City Hall Chambers Ceremony for their Italian Heritage Day. The city’s primary contact when looking for an artist, Janet DeMay, was tasked with securing a band to play at the event. Given her prominence in the Italian community, she was determined to acquire a seasoned professional to ensure that Italian Heritage Day was equipped with the highest quality performance possible. DeMay was already aware of Szul’s reputation in the industry and knew that he would be the perfect addition to the event. When she approached him about the possibility of having him perform for the city of Los Angeles, Szul couldn’t resist saying yes.

Szul, who has ample experience performing for high calibre events, knew of the hard work that would need to go into preparing Italian Heritage Day and took careful consideration to guarantee that the session would be a hit. For Szul, opportunities like performing at the Los Angeles City Hall Chambers Ceremony are what motivated him to become an artist and a band manager in the first place. He was both honored and humbled by the experience and eager to make sure that the city would be left speechless when the band were finished.

“Before the performance, I felt excited that I was bringing session musicians that I handpicked, prepared, and organized for such a prestigious event. I felt confident that the band would flawlessly perform the music that I had prepared and that it would be appreciated for this special day. I helped the band prepare in such a way that when we talked over the music and set up, we were able to play exactly as planned and it was very satisfying seeing the crowd enjoy it as much as they did. People loved it and kept moving closer to watch us play. After we finished playing, people kept approaching us to express what our music meant to them and to offer us future work,” said Szul.

Szul’s successes at Italian Heritage Day continued to grow even after the band’s performance. In addition to the verbal feedback that the band received, DeMay went on to receive a Certificate of Recognition honouring the band’s contribution to the event. The entire Los Angeles City Council, including the Honorable Mayor Eric Garcetti and councilman Joe Buscaino of the 15th district, who were also impressed by the quality of the performance. Naturally, DeMay was ecstatic by the event’s reception and knows that its success is a reflection of Szul’s artistry.

“I hand-picked Kurt to perform at the Los Angeles City Hall Chambers Ceremony kicking off Italian Heritage Month because of his ability to perform authentic Italian Jazz music from Native Italian Composers, an ability that is not found among musicians in the Los Angeles area. Because of his early classical piano training and his years of experience playing a variety of Jazz music, he is able to meld two disciplines and traditions into one seamlessly. He has a unique ability that suited our needs perfectly and he is a valuable member of the extended Italian community,” told DeMay.

Szul prides himself on the feedback he receives from any project he completes and continues to labor his efforts toward creating new opportunities to do what he loves wherever and whenever he can. When his competition is fierce, he stays grounded by the knowledge that he is willing to persevere where many other artists would give up. Quitting isn’t an option for Szul and his vast amount of experience has allowed him to find stability in what he does. He puts one hundred per cent of himself behind every project that he works on and in return, he receives one hundred per cent satisfaction from his achievements.

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Drummer Ivan Copelli remains humble in his rise to fame

When hard rock musician, Ivan Copelli, began drumming as a young child, he had no idea of the impact it would have on the rest of his life. For the Brazilian-native, it was all about tending to the passion inside him and exploring himself through his music. The now wildly successful artist is used to other aspiring professional musicians asking him for the secrets to his success, but for Copelli, it is simple. He understands that regardless of whether or not you can be classed as a “good” musician or a “bad” one, you owe it to yourself to just keep playing.

As he earned success in his career, after playing with the hit Brazilian band Motores, he learned the true value of remaining true to yourself and to your original sound. He has mastered the ability to market himself effectively and ensure that he doesn’t allow major companies or record labels to take advantage of his purity as an artist. His art is his business and he works tirelessly to grow it wherever possible. He also recognizes that today, with the power of the internet, it is easier than ever before to educate yourself and keep yourself busy. There is no excuse to give up on what you love to do most.

After achieving a series of accomplishments with Motores, including winning MTV Rally’s fierce competition in 2007, Copelli was approached by another up-and-coming Brazilian band, Kiara Rocks. He was familiar with the band’s sound and had attended their shows on several occasions. The band’s lead singer, Cadu Pelegrini, was eager to work with Copelli when he heard that he had left Motores. He wanted a drummer that would attract the attention of a larger audience and to boost the band’s visibility in the industry. Fortunately, Copelli’s work with Motores positioned him well above other drummers of his kind and Pelegrini knew that his contributions to Kiara Rocks would be invaluable. Copelli jumped at the opportunity to lend his talents to the band and it was the beginning of something new and exciting for his already esteemed career.

What Copelli ended up enjoying most about playing with Kiara Rocks, however, was touring around the world and being able to share the band’s music to new audiences in new areas on a daily basis. “For the three years that I played with them, we spent most of our weekends on tour, playing in different cities and states, making new friends, and growing our fan base. We were very close as a band. We didn’t even need to look at each other when we were on stage to know what everyone was doing. We were so connected,” said Copelli.

Copelli’s ability to not only adapt himself to the style of the band he is playing with, but to enhance their sound is what makes him such a highly sought after addition to every project he is asked to work on. After Kiara Rocks appeared on the successful Brazilian web series, Showlivre.com, producer Clemente Nascimento realized just how intangible Copelli’s skills are.

“Across his time with the group, he provided expertise as a top tier drummer. He also appeared in a number of the band’s virally popular music videos. Specifically, in his role as the drummer for the band, he kept the rhythm solid and consistent and while his work does not overshadow the tones of his fellow musicians, anyone who listens to their music notices the harmonious coordination between his drumming and the bass to create a tight rhythm section. He is absolutely vital to any band he collaborates with, more so than most drummers in his field. His contributions Kiara Rocks highlight both his prowess as a drummer, as well as the impact his music had on the band’s incomparable success,” recalled Nascimento.

With Copelli’s rising success, came unexplored territory. When his first single with Kiara Rocks received over 300,000 views on YouTube, he started to see the impact that his music had on the band’s presence in a new light. He could see the difference they were making in the field of rock music on an unfamiliar scale and he was humbled by the recognition they were receiving. All of a sudden, he found himself encountering excited fans in the street, screaming at him and honking their horns. He still gets shivers down his spine when he thinks about it and he credits this success as being the to motivator driving him to create new sounds and bring even more high-quality music to the shelves for his followers.

In fact, it was during his time playing with Kiara Rocks that Copelli experienced one of the major highlights of his career. Being a die-hard rock music fan, Copelli had the distinct pleasure of working with Guns n’ Roses’ drummer, Matt Sorum. Sorum produced what Copelli considers to be one of the most important albums for the Brazilian rock music scene in years. Copelli played his heart out and to little surprise, the band’s fans were immediately addicted. Seeing his work come to life for his fans is just one of the many reasons he continues to play and produce music for a living.

So what does Copelli have in store for hard rock music fans around the world? He has a few projects in the works. Ultimately, however, he hopes to re-connect with some of the artists he has worked with in the past, as well as with new artists, in order to create unique new sounds and albums that his fans will thank him for.

Keyboardist Jose Roman talks Daphne’s Roots’ debut album ‘Enter the Voyage’

Jose Roman is a true musician. He doesn’t just enjoy music, he lives it. He breathes it. He feels it. When his fingers touch the keys of a piano, he is alive, and when one listens to his music, they are alive as well.

Despite working on many successful projects and working alongside many artists, Roman’s claim to fame is with the progressive/alternative rock band Daphne’s Roots. Besides playing the keyboard, Roman writes songs and arranges high quality keyboard parts to the musical ideas of the other band mates. Once these ideas are polished, and the songs are completed, he is an outstanding studio musician, bringing his ideas to life. He always consistently delivers versatility and a wide range of musical abilities.

“Working with Jose is an amazing experience. He is so full of energy and creativity that makes you feel good and motivated. He is a top-notch player which makes him extremely reliable. He has an extensive musical knowledge which is very useful. For instance, we wrote together some percussion arrangements and he always surprised me with his creativity and talent,” said Felipe Restrepo, drummer of Daphne’s Roots.

In 2012, Daphne’s Roots released their first album titled Enter the Voyage. Being the founder and main songwriter for the band, it was Roman’s idea to start working on the ambitious project. For a long time, he had the concept of the album in his head. It is the first part of an epic story, told through different songs. The album was the breakthrough for the band, and to this day, one of the most exciting experiences of Roman’s esteemed career.

“It was extremely exciting and thrilling to work on this project all the way through. From the writing process to the studio time, the motivation to deliver an amazing album was always there. The atmosphere on the studio was always electric and inspiring. I would write new songs and then show them to the guys and then we would work on them all together. It was an unforgettable experience and we are very proud of the result we accomplished,” said Roman.

As the founder and leader of my band Daphne’s Roots, Roman motivated my band mates to start working on this project. They had a repertoire of songs that they played together, and together they choose the best songs and wrote even more in order to develop the album. Roman’s role, in addition to playing the keyboard on every track, was to write the remaining songs in order to complete the first part of this concept album.

“Writing all the keyboard parts was a lot of fun for this project. I used many of my different keyboard influences to enhance as much as possible the songs. Once at the studio, the recording process of the keyboard parts was very exhilarating. It was very cool to experiment with different layers of keyboards that we could put in the recording. At the end, I was very satisfied with all the keyboard parts on all of the songs,” he said.

The album ended up being a large success. Not only did fans love it, but upon its release, Enter the Voyage was awarded “Best Album of the Month” by the popular radio show La Zona del Metal.

“We were very gladly surprised and honoured to know our album did so well. It is always gratifying to know we connect with many fans as possible with each project we release. We are very grateful to be recognized by this prestigious radio show that we admire very much,” said Roman.

None of this could have been possible without Roman’s contributions. Daphne’s Roots is a very keyboard driven band, and it was very important to get that part of the album right. There are a lot moments on multiple songs where sometimes the keyboard is all by itself, responsible to evoke a very emotional part. Without the presence of the keyboards on this album, the structure and sensitivity of the songs would not have worked.

“Still to this day, I hear a lot from fans that the keyboard parts are their favorite parts of the songs and that is very rewarding,” he said.

The best part for Roman, however, about working on Enter the Voyage, was not the awards or the fan reaction, it was getting to work alongside his friends, doing what he loves.

“One of the most gratifying experiences about working on this album was writing a couple of the songs with my good friend and band mate Manuel Sambour, who is the main singer and lead guitar player. The way we complemented each other was rich and creative. This is true not only with Sambour, but with the rest of the band as well. The chemistry in this band is very powerful and I believe that is the main key element responsible for this project success,” he concluded.

Peter Lam’s musical genius wins Best Score Award for film ‘Lovebites’

When Peter Lam was a child, he, like most other children, loved movies. He would sneak into his parents’ movie collection, eager at any opportunity to experience a new film. However, unlike most children, who would be enthralled by what they saw on the screen, Lam was captivated by what he heard through the speakers.

Now, Lam is an internationally sought-after film composer. He has worked on countless successful projects, including the award-winning films The Ballerina, The Shoemaker, & His Apprentice, and (le) Rebound. He recently worked on the score for the TV movie Menendez: Blood Brothers, which premiered on Lifetime earlier this month, with over a million people tuning in to hear what he is capable of. However, what is perhaps the most celebrated film of his career is Lovebites, a 2015 animated film that catapulted Lam to the top of his field, being recognized as one of the best film composers to come out of Hong Kong in recent memory.

“I am always excited to work on animations. It’s a very imaginative genre and music often plays a big part in shaping the ‘sound world’ of the animated world. A composer often doesn’t come on board on a live-action film until the film has been shot. But in animation, I often start composing while the animation is still being developed or rendered alongside. The whole creative process feels very organic, hence it’s always fun to work on animations,” Lam described.

Lovebites is about the praying mantis Cecil, and tells the story of his first date. Lam’s music is vital for Lovebites, as the story is essentially told through music. It is an animated film with no dialogue and minimal sound effects, and the score runs continuously through the film from start to finish. Lam’s ability to capture the emotions of the two mantises is what makes the film so engaging.

“We bounced back and forth about musical ideas and the storyline, and when I started working on the project, I was presented with the initial character sketches and concept art. I scored the entire film based on the animatics (pre-rendered animation). In a way, the material I was working with then was not as detailed or delicate as the final product, but on the other hand, it offered me a bit more freedom for imagination, and encouraged me to be creative,” he described.

Stuck Truck Studios, the production company of Lovebites, had total trust in Lam’s creative decisions. Knowing they needed the best for a film that relies so heavily on the score, the team quickly invited Lam to be a part of the project after hearing samples of his work. Lam decided to create a score that only featured percussion and plucked instruments to create the quirky world of insects.

“Stuck Truck Studio encouraged me to think outside the box in order to create a colorful and quirky palette for this cute animation. It’s always fun to break away from conventions and experiment with new sounds,” said Lam. “I think the approach I used for the music gave the film a unique character, and I had a lot of fun experimenting with wild percussion sounds that, if not for this film, I would never have thought of using.”

This musical approach proved fruitful. After its premiere at the Original Narrative Festival in Dubai in February 2015, the film went on to see enormous success at film festivals around the world. That same year, it was an Official Selection at BFI Future Film Festival, Chile Monos International Animation Festival 2015, Athens Animfest, Tiltshift Festvial, 9th River Film Festival, Original Narrative Dubai, Reel Teal Film Festival, MICE Valencia, and the Vancouver International Film Festival. It went on to win the Audience Choice Award at the Melbourne International Animation Festival, and the Character Animation Award at the ANIMEX International Festival of Animation and Computer Games. Lam was personally recognized at the Short Sharp Film Festival Australia that year, winning the award for Best Score.

“Given that this was one of my first experiences in working with animations, I was very delighted to know that the film did so well in so many film festivals. Lovebites has been screened around the world and has set foot on almost every continent. I guess winning the Audience Choice Award at the Melbourne International Animation Festival and Best Score in Short Sharp Film Festival in Australia shows how effective my music can be,” said Lam.

After its success at so many film festivals, the film was later featured in the acclaimed animation website and channel CG Bros. It has amassed more than 4.2 million views (on YouTube since that time), making it a viral animation. None of this success would have been possible without Lam’s creative ear for the score, knowing its importance in telling the story. Agaki Bautista, the Art Director for Lovebites, believes Lam is one of the best film composers he has ever worked with.

Peter was always punctual in responding and we always felt comfortable having a dialogue with him. Communication was clear across all fronts. Peter is super receptive towards creative collaboration. We started off by sharing references and bouncing off ideas with each other and he was open throughout the process. It is rare to have the level of creative cooperation that we had with Peter,” said Bautista.

Lam’s talent is evident in everything he does. His work on Lovebites shows the world that his creative instincts are spot on, and he is exceptionally versatile. Be sure to check out his work in the upcoming animation film Slippages – Grace in IMAX later this year.

In the meantime, watch Lovebites here and let your eyes, and ears, capture the essence of the story with Lam’s work.

Bassist Yasutaka Nomura talks Smokey Lenses’ new highly-anticipated album

Yastuaka Nomura is lucky enough to love what he does. There is no “back to work grind” that so many face on a Sunday night for him, or dull days filled with no real feeling of accomplishment. His job gives him joy, a sense of purpose, and adrenaline rushes. That is the life of a professional musician.

Having worked with several bands, such as Mammoth, Squanky Kong, and Voodoo Kungfu, Nomura has worked on a wide variety of genres for a professional musician. He enjoys this, not wanting to pigeon-hole himself into one specific type of music. The guitarist and bassist is recognized for his undeniable versatility and talent, which is why when the Indie Rock/Alternative band Smokey Lenses was looking for a bassist, he knew he had to be a part of it.

“I wanted to work with Smokey Lenses because I liked the songs, but also because the music they play is something I usually don’t get to play, even though I always liked listening to that kind of music and I always wanted to play it with a band with original material. I was very excited when they asked me to play in the band,” said Nomura. “I usually don’t get to play the kind of music that Smokes Lenses plays so I was inspired to do a completely different musical approach than I usually do in my other projects. I was definitely a new challenge for me.”

Initially, Nomura had heard the band was looking for a new bass player for their album recording through his friend Aliyar Kinik, the drummer of Nomura’s band Mammoth. The band’s drummer needed a substitute and Kinik was filling in. He mentioned to the band that he new a good bassist, and after hearing Nomura, they knew they had to have him.

“Recording the album was great. We recorded total of 12 songs and I’m happy with all of them. The songs were already great before arranging but I think the work of the band is making the songs sound even better. I can’t wait for the album to be released and to listen to it,” said Nomura.

When recording the album, they did all the basic tracks live at once, with everyone in the same room. This is not a common way of recording. Because of using this style, the tracks have a lot of energy and organic feeling, according to Nomura. Recording like this allows there to be more energy, with better dynamics and conversation between each band member, just like a live show.

“It was awesome. I barely knew the band members at first but we got along very quickly. Everyone in the band was very easy to work with and fun people. We always had a great time at the recording sessions. I cannot wait to work with them again,” said Nomura.

The album is expected to be released later this summer, which is highly-anticipated due to the release of the first single Candle Glow, which was released May of last year. The single received positive reviews and was featured by popular music blogs like Speak Into My Good Eye, That New Jam, and Revolution Tunes.

Candle Glow is definitely one of my favorite songs from this album. It has a nice catchy melody and lyrics. I’m really happy with the recording too,” said Nomura. “The success it has seen since being released is great. We started off the album recording with this song. It was the first time I could even play with the band since our schedule didn’t match before the first recording session, but I think we were already locked in at the first session.”

As a guitarist and bassist, Nomura typically plays progressive rock, metal, funk, R&B, jazz, and fusion. He says progressive rock and metal require a lot of technique, with the sense of odd meters and solid timing. Funk and R&B require a nice 16th note time feel and a good sense of call. Jazz and Fusion require great skill with improvisation, nice swing, 16th note feel, pocket and of course sophisticated technique. The music that Smokey Lenses plays is far different from these genres. It doesn’t require either an amazing technique or the skill of improvisation but a good time feel/pocket on mostly 8th note beat, importantly the skill to stay on the groove and not overplay, technically speaking. Many musicians so familiar with other genres would have found themselves overplaying and not staying on the groove, which would interfere with the vocal melody. This was not the case for Nomura. He even tried to sing on everything he played on bass. His adaptability was appreciated by the band, who may not have been able to make the album or see the success that they say with Candle Glow without Nomura.

“Yasutaka is very professional and easy to work with. The work process went smoothly and he produced exceptional results. Yasutaka is a professional musician, so he understands the importance of being excellent at his craft and has a dense knowledge of music theory. He is respectful, focused, observant and learns extremely quickly,” said Singer and Guitarist Adam Oberst.

With talent like this, there is no doubt Nomura will continue to come through our speakers for years to come. Listen to Nomura’s work and Smokey Lenses’ song Candle Glow here.

Check out Nomura’s YouTube, Instagram, and Soundcloud to hear more.

IS PHIL LUZI THE SUPERHERO GENRE’S FRENEMY OR BFF?

There’s no being lukewarm when it comes to superhero movies. It’s either love them or mock them. If you’re not standing in line to see the newest Marvel or DC Batman vs. Superman vs. King Kong vs the Crab Legged Prestidigitator film, then you’re likely mocking those standing in line. Wrong; in fact, wrong bigtime! A group of very funny and very talented comedy actors/singers showed their affinity for these films while also pointing out some of their shortcomings in the appropriately titled Man of Steel Song. If you recall the Dean Martin Roasts (the present incarnation of which is the Comedy Central Roast), then you understand that the purpose is to show love and also keep someone aware of their fallibility. The combination of superheroes, comedy, and singing was the triple crown for Canada’s Phil Luzi. Luzi is an instantly recognizable name in Canada’s improv scene as well as on comedy series (such as CBC’s “Terrific Women”) and feature films (The Devil’s Tail), and is vigilant in his search for different ways to display his talent and sensibilities. Truth be told, Phil was beyond being a pushover when Melissa D’Agostino (Writer and Star of Man of Steel Song) asked him to join the cast. Luzi confesses, “I was so excited when I was invited to play Green Lantern in the super hero parody Man of Steel Song, which went on to be a huge success. Not only did I get to perform as Green Lantern, but I was also the lead male voice on the soundtrack! That’s something that’s been on my bucket list forever. I love playing and singing with Melissa, not to mention with other cast members who are absolute dynamos. We were given the opportunity by our director, Matthew Campagna, to improvise and play, and I believe that’s what makes the short so, so good!”

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Man of Steel Song became an internet sensation, and went on to be featured and recognized in many film festivals. It satirizes the disposability of franchise film-making that is rampant in the superhero genre, namely between DC and Marvel. In the short film, superheroes gather in a church to mourn any shot they may have had at a big screen feature. Luzi plays The Green Lantern, made famous by Ryan Reynolds. While D’Agostino’s Wonder Woman has reason to feel upbeat these days, Phil’s character comes to terms with the likelihood that his shot at anything more might be over too since it was a box office flop; all thanks to the overexposure of the golden children of the comic world, Batman and Superman. The superfluous drama in which the actual superheroes are immersed exacerbates the implied and stated comedy of Man of Steel Song. Perhaps the only thing funnier than someone who isn’t in on the joke is an individual who simply doesn’t have a comedic thought or expression. Phil states, “I think any grown person wearing a cape in tights and makeup is hilarious. Also, I love wearing a cape in tights and makeup. Green Lantern, specifically is hilarious to me because, if anything, I’m a Superman fan. The Green Lantern is MAYBE in my top 5 and even then, I don’t really know if that would be the case if his lantern was another color. Truthfully, I don’t really follow superhero movies as an adult like I did as a child. As with the tooth fairy and Santa, there just came a time when I stopped believing. I lost interest somewhere along the way when the novelty of it wore off and superhero movies became a dime a dozen.”

The ironic thing about Phil’s involvement in this production is that it reminded him of his real life superpower as well as realizing a dream of his own. While a blemish faced teenage Peter Parker became bitten by that radioactive spider or an adolescent Bruce Wayne began his training to become the world’s greatest detective, it was his natural inclination to easily elicit laughter that set a young Phil Luzi apart from his classmates and peers. He recalls, “Being comedic is the first talent that made itself apparent to me while I was growing up. Friends would say ‘you’re so funny!’ or ask me to say something funny! For a while, I took it offensively like I was a clown or something. Like they were laughing AT me and I didn’t know why; like the Joe Pesci scene in Goodfellas when he freaks out on Ray Liotta. But now I love the idea of making someone laugh. It’s the best sound in the world. It means someone is watching, that I have an audience. I guess I prefer comedy more because I love laughing so much myself. The sound of it means I’m doing something good…that something I’m doing is making someone’s day better or more memorable.”

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In the short film, Melissa D’Agostino rewrote the lyrics to the famous Crash Test Dummies hit “Superman’s Song.” Luzi sings the male part in this duet and delivers it with impressive facility and presence. One almost wonders if he lip synced to a professional vocalist performance but he is adamant that the male singing was all him. “Singing on the soundtrack was without question my favorite part! It has always been a goal of mine to be on the soundtrack of a film, whether it was an animation or a musical. Man of Steel Song gave me that first opportunity. I love singing, and it’s actually been a while since I’ve done a musical. After I started Second City, that part of my life sort of dwindled. The only time I get into a sound booth now is for commercial or animation voice gigs, so this was a real treat. This was my chance to bring that part of my performance abilities back to the surface, and now I want to do it more!” comments Luzi.

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As Phil did in his younger days, the makers of these superhero franchises might misconstrue the intention of Man of Steel Song if they hear of it secondhand or don’t truly pay attention when viewing it. They would make a serious mistake if they took it as ill-natured mocking. It is the most affectionate type of comedy; that which says you are loved and we feel close enough to you that we can say it is funny when you stumble on a pebble in the road. Luzi is an ideal messenger for this. His leading man looks, his comic timing, and his singing ability just might place him in contention for an actual superhero role and, more than anyone, Phil Luzi finds that incredibly amusing.

Duarte Figueira Pushes Artists to the Next Level

Duarte Figueira
Music Producer Lhast (left) & A&R Specialist Duarte ‘Duda’ Figueira (right)

When it comes to the world of art and music, turning one’s creativity into a profitable career is no easy task. There’s a reason that so many talented artists and musicians throughout history have toiled away working odd jobs only for their work to be discovered posthumously. The business side of becoming a successful artist is imperative for someone to actually make a living from their work, but for most of the world’s wildly creative people, business and art just don’t line up.

Thankfully for those in the music industry however, there are people like Music Producer/A& R Specialist Duarte Geraldes Figueira, founder of the imprint agency, DGF Agency, and co-founder of one of Portugal’s leading booking agency, Bridgetown Talent Agency. Hailing from Lisbon, Portugal, ‘Duda,’ as he is known widely throughout the music industry, began his career coordinating projects for some of Portugal’s most recognizable musical acts back in his teens. After starting the incredibly popular sound system Fyah Box Sound back in 2007, Duda began coordinating the careers of Richie Campbell, Lhast, Regula and many other well-known artists.  

“I think the fact that I did everything available in the work field allowed me to learn from all perspectives. With Fyah Box Sound I was in charge of being the creative input for the new campaigns, marketing director, booking agent, MC, promoter, event producer, and all other business aspects of it,” explains Duda.

As a music producer/A&R specialist, Duda handles everything from planning the image of the artist and their musical approach, to organizing their events, releases, PR and much more. What makes him such a uniquely talented individual that artists around the world want to work with is the versatile nature of his skill and his ability to organize their careers in a way that actually brings a profit.

Duda with Regula - Hotel lobby
Duarte ‘Duda’ Figueira (right) & Regula (left)

In 2012 he began coordinating the career of famed Portuguese rapper Regula. The two started working together just before Regula’s hit album “Gancho” was about to be released. Duda invited him to come on board and release some of his tracks through Fyah Box Sound and that’s what really got the word out about the artist’s upcoming album.

Duda recalls, “After doing a collaboration with Fyah Box for the song ‘Casanova feat. Leftside,’ and releasing the single ‘Berco D’Ouro,’ people were just expecting the new album like nothing else we have ever seen before. The streets were hot for it.”

Knowing that he had a winner on his hands, Duda went to the biggest CD retailer in Portugal and convinced them to put “Gancho” on the shelves. Not only did the album sell out within hours of making it into the store, but it sold more copies than those of Rihanna, Beyonce and Tony Carreira had sold in a week! Next Duda went to work paving the way for Regula to reach a wider audience by coordinating several shows across Portugal. He got Regula on the bill of some of Portugal’s biggest concerts, including a 2014 show at Semana Academica de Lisboa, Campo Pequeno with Valete in 2012, headlining for a hip hop festival at Coliseu de Lisboa in 2013, as well as the Sudoeste Festival in 2014.

“Working with Duda is, and has been, a constant learning process. The success that I have obtained during these times, is due to the teamwork that we built, where Duda is an essential element because of the commitment that he assumes,” explains Regula. “His innovative spirit and vision that he transmits, his effort and dedication that are characteristic of him, and the responsibility that we both took to the process.”

Duarte 'Duda' Figueira
Richie Capmbell (left) & Duarte ‘Duda’ Figueira (right)

In 2010 Duda began working as the A&R specialist for multi-award winning artist Richie Campbell. The two have continued to work together ever since, and the collaboration has been beyond fruitful for both of them. As Campbell’s A&R specialist, Duda has handled the A&R side of practically every album Campbell has released as a solo artist.

Duda says, “My journey with Richie towards the beginning of his career as a solo artist. I was part of every aspect of his career. From the music, to the brand, to the shows, to the personal life… me and Richie are friends and work partners. I’ve worked with him as A&R, as driver, as fashion advisor, as event producer, PR, marketing planner, counselor, and anything else you can imagine. It has been such a long journey that I can’t even remember all the stories.”

Over the years Duda has played a major role in the release and success of several of Richie Campbell’s albums, such as “My Path” (2010), “Focused” (2012), “Live at Campo Pequeno” (2014), “In The 876” (2015) and the EP “Richie Campbell” (2010).

Aside from coordinating a plethora of major international events for Campbell, Duda was also the A&R man behind the artist’s hit 2016 single “Do You No Wrong.” The song topped the charts earning a Gold and Platinum Award on the Portuguese sales charts and was a major viral success garnering more than 10 million views on YouTube. Earlier this year Campbell released the single “Heaven,” yet another hit production led by Duda. The song was an immediate success and garnered more than two million views on YouTube in a little over a month after its release.

“I love being around the creation. I feel like we are always leaving a legacy, anytime that we develop something. It’s a joy to see the results of our work connecting so deeply with people. The creation and the way we put it out is a beautiful experience as a human being,” explains Duda.

“A moment that made it really clear for me was during a Richie Campbell performance watching every fan going crazy over the song ‘Piece of Bread.’ We went to Berlin to record a couple of songs for his album Focused, and that was one of them. I remember the amazing days that we had and the recording process in detail. I remember how important it was for the vibe to be right. Those conversations, those laughs, those moments, everything that happened is why I work as a music producer/A& R specialist.”

While his work involves coordinating for highly-acclaimed artists, those are not the only professionals he represents. Through his meticulous planning, ingenious sense of how to form powerful artistic collaborations and ability to manage a team, Duda has been hugely influential in the career of Portuguese music producer Lhast. Over the years Duda has connected Lhast with a long list of artists and coordinated collaborations that have been invaluable for both Lhast as a producer, and the artists, whose songs have gone on to become major hits.

Some of the hit song collaborations that Duda has coordinated for producer Lhast include Diogo Picarra’s “Historia,” which has over five million views on YouTube, Regula’s “Tarzan,” Profjam’s “Xama,” Plutonio’s “Nao Vales Nada,” and Valas’ hit songs “As Coisas,” “Alma Velha” and “Acordar Assim.” Duda is also the one who connected Lhast as the producer of Richie Campbell’s award-winning hit “Do You Know Wrong.”

“I’ve worked with Duda for a long time on a bunch of different successful projects, since the beginning he has always pushed me to deliver the best and stay focused,” explains Lhast. “I think he strives in this industry because of his great understanding of both the artistic and business side. He always finds a strategy that fits the artist concept and always executes it with ease.”

After making a name for himself in Europe, Duda moved to the United States where he has continued to lead the way as a music producer/A& R specialist for many well-known artists. As an A&R specialist at Rebeleon Entertainment, he is currently working on the upcoming releases for artists that include La Santa Cecilia, Gloria Trevi, Mon Laferte, Latin Grammy Award winner Alejandra Guzman, Enjambre, Mitre and several others.

“Being around the creation, and then seeing it come to life, and then watching people singing out loud the words and harmonies that you saw being created is what brings me joy to be a project coordinator,” says Duda. “The passion for being behind the scenes and seeing everything happen out of nothing is what lights my career.”

A decade after his career first began, Duda has come fully into his own as one of the most sought after music producer/A&R specialists on an international scale. When it comes to overseeing an artist’s career and taking them to the top, Duda has proven himself to be a driving force behind the success of some of the music industry’s best-known talents. With his keen sense of business, timing, meticulous planning and knowledge of what audiences are looking for, Duda’s role is a rare gift that allows the artists he works with to stay focused on their creativity, while he manages everything else.