Category Archives: Writer

Victor Osorio On Living to Write

Victor Osorio is part of the 0.1 per cent of the general population that suffers from a rare neurological disease characterized by recurrent, severe headaches. The disease is called Cluster Headaches, but sufferers often refer to their condition as “Suicide Headaches” due to the often insurmountable pain that it causes. Osorio, on the other hand, sees his Cluster Headaches as the driving force behind his unwavering passion to write. Despite the massive amounts of pain and suffering that he has endured over time, he has only grown stronger and more determined to enlighten the world with his ideas. For the Spanish-native, writing is his reason to wake up in the morning, and although it isn’t the simplest profession to master, he has done so with ease. He doesn’t write because he wants to share something, he writes because he has something to share, and he has crafted a remarkable career around it.

When Osorio was a child, his parents deterred him from spending too much time in front of the television. As a result, he became an avid reader. He was fascinated by each author’s ability to awaken his imagination in ways they might not have ever intended. He loved learning the various styles and techniques that his favorite writers would use and he was inspired to develop his own unique methods. Today, the renowned writer can be credited as being the successful mastermind behind works like his children’s book, Cosas Que Nadie Sabe (translated in English to: Things Nobody Knows). He also worked for the longest running child and teen magazine, Dibus! Magazine, as a children’s comic writer for their hit feature, Alienados. Osorio’s talents, however, are not limited to writing for children’s publications. When he expanded his reach into the television and film industry, he lent his expertise to the award-winning web series, Hollywood and later earned himself a position working for Origo Media.

 For Osorio, working with Origo Media is unlike anything he had ever worked on in the past. The job requires him to write short commercials and corporate videos for Origo Media’s clients. In addition, he is expected to deliver material on a weekly basis, according to very strict deadlines. Fortunately, he thrives under pressure and can produce high quality content in a very short period of time. The videos that he writes, which appear mainly online and on television in Central and South America, would not be the success that they are today without Osorio’s unprecedented ability to turn a minor concept into a piece of artwork. In his time spent working with Origo Media, Osorio has written over 200 commercials and corporate videos, as well as a spec pilot.

When asked about his position at Origo Media, Osorio would tell you that he felt lucky to expand his skill set and learn to succeed under a different kind of pressure. “Working at Origo Media was a big deal for me because it allowed me to work on a series of projects with the same people for a year. By now, I consider myself to be very skilled at being concise and to the point, without sacrificing flavor, entertainment, and quality writing. Working on commercials really brings those skills to light and being able to put them to use within the context of this job has been extremely satisfying,” said Osorio.

Those who have worked with Osorio, however, would tell you luck has little to do with it. Luiz Santiago, who is the CEO at Origo Media, considers Osorio to be an invaluable asset to his company. “Victor is a very good writer with a big imagination and his command of creative writing techniques highlight his prowess as a writer. He also takes any potential set and post-production complications into account when developing his scripts to make everyone else’s work easier. Beyond that, he writes interesting, dynamic characters for our actors to explore,” told Santiago. Given the fact that Origo Media creates commercials and corporate videos in Central and South America, it is also important to bridge the gap between American and Hispanic culture in their work. Osorio’s life experiences allow him to do so flawlessly, in a way that resonates well with his audiences. For this reason, Santiago went on to say that, “Victor’s Spanish heritage and culture give him a unique perspective into American culture that infuses his work.”

Working at Origo Media has added a new and interesting dynamic to Osorio’s career. His eagerness to write and his passion for spreading his ideas across the world make him particularly open to expanding his horizons into new mediums and genres wherever possible. He enjoys stepping out of his comfort zone and striving for excellence in each new territory that he embarks on. A quick glance into the future of Osorio’s career looks bright. Recently, his children’s book was translated into English and eventually, he hopes to see it on as many bookshelves as possible. He is also working on a second children’s book, as well as a feature film script. He has no shortage of ideas in his brain, and will continue to craft them for success. From the outside looking in, Osorio writes for a living but if you ask him, Osorio simply lives to write.

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A FAMILY OF FRIENDS HAS MANY FORMS IN “PARKED”

There’s something romantic and endearing about a group of people coming together to support each other’s attempt to bring out the best in themselves and their dreams. It might be possible to make it on your own but when you do it with a trusted group of confidants it’s so much more enjoyable. “Parked” is a Canadian production which tells the story of five men who attempt to navigate the highs and lows of life. It’s a theme that is synonymous with the writers who created this show. In a small writers’ room, Gorrman Lee, Executive Producers Adam O. Thomas, Tracey Mack, Siobhan McCarthy, and Actor/Co-Producer David Lewis spent many long nights together writing what ultimately became a season of six full webisodes and twenty-five interstitial videos. The struggle that artists take on to test themselves, to aspire to create something which binds viewers together, it’s just as touching as the obstacles and experiences of the characters in “Parked.” Great things are achieved in life when people work together to support each other’s dreams, whether in real life or the stories which resemble it.

Here’s something that any true artist will tell you, greatness is found in the idea and the manifestation of it not necessarily in the execution of it. There’s a reason that songwriters receive a larger portion of the income generated by a song than those who perform it. Creative individuals understand that the idea itself is the keystone. The modern presentation of this is the fact that many of the productions that are presented on the web rival, and sometimes exceed, the stories presented on more traditional platforms. When writer Gorrman Lee saw the pilot for “Parked” shared on Facebook he thought “They’re doing this on the web? It’s so good!” The show’s pilot is so well produced and funny that it stands as a testament to the excellence of work being created outside the traditional system in today’s marketplace. When Lee had the chance to meet Siobhan McCarthy at a pitch event, he made it his mission to convince her that he could be of benefit to the show as one of their writers. He recalls, “I was very professional about it. I told her how much I enjoyed the pilot and asked if they were looking for people to join up; if so, I’d love to have a coffee with her to discuss. Asking people to coffee in this industry is a great, low-pressure way to get an in.” To Gorrman’s delight and the shows benefit, it worked.

Parked with EP Siobhan McCarthy

“Parked” is about a group of 30-something dads, plus their one non-father pal, struggling with their late coming of age. While at first glance the characters might seem homogenous, each one has their own story to differentiate them in the group. The same can be said for the writers. As the youngest in the writing room and the only non-parent himself, Gorrman related most to the character Josh (the burnout, non-father of the group). While Lee and Josh vary greatly in personality, being of a certain age and place in your life naturally presents a shared perspective. Josh is found to be somewhat abrasive by the audience of “Parked” but Gorrman enjoyed the exercise of finding the sympathy/concealed soft side of Josh. The dichotomy of Josh was as entertaining for Lee as a writer as it was for the viewer. In episode #5, “Waiting for Kiddo”, Josh appears insufferable as he enters the scene complaining about how lame kids’ birthday parties are and how he’d much rather spend the day getting stoned. Lee’s writing shined a light on Josh’s humanity by showing just how hard he’s willing to work to get a child to attend this party with him. It looks creepy from the outside but Josh’s unawareness of this ultimately comes off as sweet because he just wants to hang out with his friends.

In a similar way to Josh’s willingness to step out of his comfort zone to keep the group together, Gorrman took on a writing assignment for “Parked” that was well outside his wheel house. Adam O. Thomas (Executive Producer of “Parked”) notes, “Gorrman was a key member of our writing room. He helped find the humor and really had a strong handle on how to shape a scene. If we were going off on a tangent, he was always the one to help bring us back around. He also made sure we never took the easy way out. I loved him for that. We broke down episodes and then assigned each writer some. Gorrman had a couple of the toughest. One was a musical episode and the other had to dance around the theme of child abduction to find the comedy in a dislikable character…. not an easy task. When he turned in his episode, I laughed out loud. It was perfect!” The musical episode referred to was entitled “Master Baker” and required Gorrman to create a Rap video. While most people think of writers as professionals who create based on something which they already know and actors as professionals who educate themselves/research about things they don’t know, Lee’s situation with this episode seems to indicate that writers are much more like actors in their approach. He was given an outline and lyrics for the song but the rest of creating the scene was up to Gorrman. He states, “I’m not really a Rap fan, my wife is though. I’m a writer of color. I’m Chinese-Canadian. It was important to me to research enough that I wasn’t being offensive or inappropriate in satirizing rap with three white, and one Indian actor. I think we pulled it off because of how silly our characters looked. The joke was on them, and not at the expense of rap.” The writer admits to feeling a great sense of accomplishment standing on set and watching the rap video sequence being filmed with Davinder/Sean Amsing is in his hot tub alongside Jimmy Z /Colin Foo. The entire cast and crew seemed to revel in the ridiculousness of the scene which Gorrman had concocted. It was obvious to all that the cast was living out the same fantasy that their characters connected with. “Parked” actor/writer David Lewis confirms, “Gorrman’s voice was definitely a distinct one. His episodes were some of our strongest. His understanding of character and story structure was invaluable. I’ve been working in this industry for over 25 years and have seen both good and bad writing. Gorrman’s writing is very good!”

Parked at Leo awards

Part of success is accepting both achievement and disappointment with grace. “Parked” received multiple nominations at the Leo Awards (Canadian based awards) in 2016 and a win for best actor (David Lewis). It was an instance of public affirmation in the industry for this production. With equal measure Lee describes, “It was a wonderful moment for all of us. While I remember that easily, I also remember the many long days and nights churning out ideas and breaking stories. I wish we could’ve come up with a way to shoot our original idea for the season finale. It was about Josh realizing that he had drunkenly donated sperm to a local sperm bank and convincing the other dads to help him break into the bank and steal it back. It was our take on a ‘bank heist’. Thinking back to this pitch still makes me chuckle. There’s always something to work towards.”

Writer Guilherme Ribeiro was force to be reckoned with during times with Globo TV Network

Guilherme Ribeiro was meant to be a writer. Ever since he was young, he always enjoyed writing, but as he aged, his hobby transformed into his passion. Today, he is celebrated internationally for his talents, with an esteemed career as an online content writer, captivating readers all over the world.

Throughout his career, Ribeiro has worked on several successful projects, with readers in his home country of Brazil and abroad. He wrote about the wonders of Rio de Janeiro for Mastercard Priceless Rio, and wrote for television programs such as TV PUC, and Toxic Rio. With everything he works on, he contributes to its success, which is exactly what happened when he worked with Globo TV Network, a major media group in Latin America.

“Globo TV Network is the dream of almost every media professional, actor, comedian and journalist in Brazil. It is like a billionaire holding with the TV studios producing content meeting Hollywood standards (series, telenovelas and movies) and exporting it for more than 100 countries. I started there as an intern and I was glad I could be hired afterwards, as my career took off from there,” said Ribeiro.

And that it did. Ribeiro worked at Globo TV for three years, between 2012 and 2015. Initially, he started as an intern, but he quickly impressed. Now, he is one of the best content writers in Brazil. All those he worked with recognized his skill, and his work was always popular among readers and viewers

“Guilherme is a creative guy, takes good pictures and was a proactive journalist and reporter for Globo. He started as an intern and ended up working full time, covering daily news for the website but also participating in especial projects, such as Carnival and 2014 World Cup news coverages. He has a good eye for details, wrote interesting reports and compelling stories during his time at Globo and was constantly working on news that reached great results regarding online views and shares on social media,” said Eduardo Vallim, Editor in Chief of two websites, Gshow and EGO, owned by Globo TV Network, and was once Ribeiro’s boss.

When working with Globo and their publication G1 – Portal de Notícias da Globo, the main news program for Globo, Ribeiro’s articles and news reports were usually in tune with everything happening in the city of Rio de Janeiro. He worked with a strong team, saying the work structure was always essential to keep a good work. He could cover a good variety of subjects, culture, music events, police, politicians, protests, press conferences, prep for the Rio Olympic Games and more. Many of his stories had over a million viewers.

“Globo is a strong brand for every Brazilian and also within Latin America, so it is comfortable and challenging at the same time write reports and articles for them. It is always a guarantee your article will reach more than a hundred thousand views in couple of days, so I can say that be behind this brand makes your name be easily written by people. But it also a little bit threatening to follow the results of your work, check if you are providing accurate and clear information,” said Ribeiro. “I used to receive a huge amount of material from press agencies, PR companies, government, companies, important people and more. Sometimes a good idea comes from a source you are definitely not expecting. That’s why the field of online content writer requires a detail oriented eye for good hooks, new possibilities to redirect news that are going on media, and other always be open for the new.”

Initially, Ribeiro was selected as an intern from over 15,000 candidates. Although he describes the process as long and hard, he was recognized for his knowledge of web journalism, and his strong writing skills. He knows how to word a story to capture an audience’s attention, making him an asset to the network. He used to cover local news in Rio, working together with the TV team from the local TV news in Globo TV, so each day was a new adventure in the city. He covered special events in Rio, such as Soccer World Cup in 2014 and Olympic Games in 2016, but also yearly events like Carnival parades at the city. Eventually, he became the Web Content Editor at Globo.com, a very important position. At that time, he says he literally had to run to win, competing against media websites for audience and news.

“Working with Globo was very challenging, but very rewarding. Every day was a challenge, but I can say it made me fast and strong. It was awesome to work very close to such important and remarkable things to the history of my city, my country, totally participating on that. It is a journalism feeling that made me happy in there for three years,” he described.

Now, Ribeiro has moved beyond reporting for Rio, and is currently working with a Fortune 500 company on a new music project. It is definitely something we can all look forward to.

Gisele Goes went from writing letters to producing content for the world’s biggest brands

When Gisele Goes was just a child growing up in Brazil, she moved around a lot. Going from city to city, she began writing letters to keep in touch with her friends. Eventually, as the internet became more readily available, she transitioned to more modern methods of communication, like email, blog posts, and social media. This gave her the foundation for what she would then need later in life. Now, she is an internationally sought-after content producer and writer.

Goes has an esteemed reputation, with an outstanding career doing what she does best. She has worked with several large companies, creating content to help boost, restore, and promote brands. Not only does she create such content, but she is also responsible for providing a strategy behind it, and how the message will be distributed to different outlets/channels. That includes press releases, blog posts, social posts, video content, event marketing and any type of asset that is part of the overall strategy.

“It is important to have a good understanding on what kind of role content plays for each brand or service. There are so many different channels to explore nowadays and so much content that you need to be able to identify the best strategy to make your name stand out and how to increase brand awareness,” Goes explained.

More recently, Goes has been doing just that with Wpromote, a digital agency with sixteen years of experience. It was elected one of the best places to work in the United States twice and has offices in Dallas, Chicago, NY, SF, LA, and more. Since starting with the agency in March of this year, Goes’ job is to manage and oversee content strategies for some of Wpromote’s clients. Wpromote has been growing in the United States, and expanding internationally is definitely something they want to pursue. Goes’ background in different content initiatives and international expansions makes her a great asset for that expansion plan, and she has been helping improve this process.

“Wpromote is an amazing agency and I’ve heard so many cool things about it. Not only the culture of the company but their reputation for being the “Challenger” agency, it sounded a lot like me,” she Goes. “It’s been only a few months but I’m really excited to move forward with the projects I have upcoming here and make Wpromote global.”

Some of Goes’ current clients include major companies like Shutterstock, RoadRunner Sports, Imprivata, Minnetonka Moccasin, and more. Her international perspective and the way she worked with Content before, such as the mega popular Asian company Meitu, is definitely essential to do a good work for Wpromote.

“It’s always amazing to see the work you do coming to life. Establishing good relationship with the clients, their teams and being able to present all those results is really rewarding. Also, being able to bring something new to an amazing company like Wpromote makes me so happy. I know I have a lot to add and I know that I’m valued as a professional,” she said.

Her team is made up of professionals with varied backgrounds, but with Goes’ experience with launching a product and working for a global company allows her to look at things from a bigger perspective. To be able to establish effective process around content production, put together solid strategies with a great sense of direction, and attach important KPI’s to measure the actual impact of the content in the goals she is already beginning to achieve make her essential to the company’s success.

“I worked with Gisele to develop an international content marketing presentation from the ground-up. We collaborated on this project from the ideation process to detailing how we would implement and execute the strategies, which we later presented to a board of directors. Currently we are continuing to further develop and grow this exciting, new offering at Wpromote,” said Ana Vila, Content Marketing Manager with Wpromote. “Working with Gisele is an absolute pleasure; she brings unique ideas to the table with a fresh perspective backed by relevant previous experiences, data and trends. She’s able to convert ideas from a stream of consciousness to actionable next steps. Gisele’s diverse life and work experience positively contribute to her successful, multifaceted approach to content creation and building strategies.”

Unlike her previous projects, working with Wpromote allows Goes to manage content for a large variety of clients rather than focusing on just one. For many, this task would be almost impossible, but for Goes, it is a refreshing change. It’s a fast paced, dynamic environment but is great to expand different content initiatives and align them with different business goals. Most of the decisions are directly related to business goals and how they can achieve them as a team, some accounts have more than one service here, and it allows everything to be very integrated, making Goes’ job much more interesting.

“Everything is super flexible and the main goal is to achieve our client’s business through powerful and unique content – regardless of what distribution channel or type of content. We cover it all,” Goes described. “I like the fast-paced environment and I love being able to “switch” mindsets every day since all my clients are so different from each other. It’s also great to be in contact with people from other industries that come from a different background. And because Wpromote has such a strong internal culture it’s amazing to feel part of the team and being able to bring my international experience to the Content team and optimize our strategies in order to grow the company and achieve its goals.”

No matter who she is working with, whether it be her clients or her teammates, Goes impresses. Her vast range of knowledge caters perfectly to the goals she aims to achieve with Wpromote, and Jessica Anguiano, a Content Marketing Manager for the agency, is continuously impressed.

Gisele and I have worked together on developing digital campaign strategies for a number of clients ranging in size and budget. Working with Gisele is fantastic. She is a wonderful teammate and I know I can always rely on her. Above all else, the positivity and optimism she brings to situations is such a breath of fresh air. Gisele is extremely dedicated to her career and clients. She’s extremely passionate about everything she does and it is reflected in her high-quality of work. She is never afraid to tackle big projects and consistently develops out of the box ideas and campaigns, never hesitating to go above and beyond,” said Anguiano.

Goes’ dedication to her work combined with her innate talent have skyrocketed her career, allowing people all over the world to see why she is considered one of the leaders in her field.

20 QUESTIONS WITH WRITER SARAH WALTON

You write films which present the plight of modern romance. How does romance differ today from the romantic films of your childhood?

Classic 80’s rom coms like Overboard and Housesitter were much soppier than most modern rom coms. They were more fantasy based, more farcical, over the top and fun. I think audiences found corniness more palatable back in the 80’s.

In the 90’s rom coms became more realistic, more drama based rom coms like Sliding Doors and 40 days and 40 nights, high concept ideas based in reality.  Now rom coms are often quite reality based like He’s Just Not That Into You and Bridget Jones’s Dairy.  Personally I love them all, but I have to admit I’ve not seen many Woody Allen rom coms. They feel too gritty for me, but I know I shouldn’t knock it till I try it!

It feels as if society is slowly becoming more accustomed to violence and graphic, sometimes aggressive sex scenes and becoming less comfortable with cheesy love stories and romance.  I don’t know who decided it was “uncool” to like romantic comedies – I imagine someone or more likely, a group of people who had been through a lot of pain and were angry at the world.  It seems audiences are more comfortable seeing character get slaughtered on screen than they are with seeing true intimacy.  Love definitely feels more natural to me than violence and I’m passionate about making more corny lovey dovey content to counteract the violence and hate spreading like a disease in the world.  Romantic comedies have the power to remind us of the love inside of us.

What is it about romantic comedies that appeals to your sensibilities as a writer? 

Rom coms appeal to me because I’ve always been obsessed with love. I’ve been so fascinated by observing and experiencing the power of love and how it transforms people and their behavior.  I didn’t start out writing rom coms.  I fell for the mainstream view that rom coms were “uncool” and although I loved them I stayed quiet about it.  In the industry they’re most often not taken “seriously” – certainly in Australia – They don’t usually win Academy Awards (although that seems to be shifting). In my 20’s when I was an actor/writer I was the epitome of a tortured artist, I smoked cigarettes, drank too much alcohol, I fit the Hemingway stereotype perfectly. The first feature I wrote wasn’t a romantic comedy and it was horrendous. I was trying too hard to be clever. It wasn’t coming from the right place. It was coming from my head instead of my heart. I threw it all in and decided to write something fun instead – a film I wanted to watch, which I admitted to myself was a cheesy romantic comedy set in my two favorite places – a tropical island and NYC!

As I matured and I cared less and less what other people thought I began to speak my truth.  I decided to do the seemingly impossible, the unheard of, the bravest thing a filmmaker can do – come out of the romantic comedy closet and admit my love for them once and for all! And not just cool Woody Allen rom coms, but the cheesy, soppy ones that make people gag.  It was a shaky road, initially I was embarrassed, but once I embraced my true self as a corny rom com lover and expressed my passion for rom coms with conviction, I found that other people came out of the woodwork and admitted their secret rom com love.  I once dated a guy who lived in a sharehouse with a group of guys who had what they called “Rom com Sunday”! They’d all huddle around the TV nursing hangovers and watching their favorite rom coms (and no, they weren’t gay! I can vouch for that!). Some people have told me I inspired them to uncover the love from rom coms they never realized they had or were too embarrassed to admit. It’s a pretty liberating experience that I’d highly recommend 😉  Rom coms being “uncool” is kind of ridiculous, but what’s more ridiculous is caring whether people think we’re cool after we leave high school. 

Different cultures have their own perspectives on romance. How would you describe your Australian homeland’s unique sensibilities towards romance?

Australian romance can be pretty pathetic. In Australia, the sophisticated method by which a man lets you know he likes you is usually by ignoring you or teasing you.  I recently wrote the joke “You know you’re a true blue Aussie when”: 1. You understand the importance of vegemite to butter ratio; 2. You only know the first 2 verses of The Australian Anthem. 3. You call your best mate dickhead.  Excuse my French there, but you get the point.  Banter is a huge part of the Australian culture.  What we call “giving each other shit” is an endearing process by which us outback simpletons bond.  I lived in London in my 20’s and my experience dating there was that this culture comes from our British roots. Men in London were even more reserved. I find in the US and Europe men are more forthright in asking you out. This was such a novelty for me at first, I loved the confidence and straight shooter method, but at the end of the day I feel that in all cultures there’s too much emphasis on the initial “wooing” period at the beginning of dating which can be fun if you’re just dating around for the experience, but essentially it’s kind of empty and fabricated.  I find when people stop playing games and trying to be something they’re not and really get to know each other as friends, they’re more likely to find a compatible match and then from there true romance and love blossoms and flourishes.

As a screenwriter who lives in Hollywood and is female, you have a very authentic voice for the types of films you create. What responsibility do you feel to your audience in regards to creating films that are based in reality? 

I feel my responsibility is to create more female driven stories as well as smash stereotypes and challenge old unhealthy relationship paradigms. I don’t know about making sure that the films are based in reality, as I like a good farcical rom com that’s more fantasy based. I think it’s important to laugh as dysfunctional relationship patterns if I portray them in films, but I’m conscious not to encourage dysfunctional relationship patterns or promote them as healthy.  At times I’ve taken my responsibility as a writer and filmmaker too seriously and lost the true goal of rom coms for me which is to laugh at our pain and to enjoy the ride and experience love and joy myself within the process – basically to have fun! When I’ve agonized over the kind of messages my films are sending I’ve ended up writing preachy material and losing my true intention.  If I stay centered in my intention to tell stories from love about love, I find that’s when my best work comes through.  When I’m in my head I’m coming from my ego and my writing begins to feel fabricated.

I do take integrity seriously though. It’s important for me to not be swayed by external influences that focus purely on making money.  I have no problem with making money – in fact making money is good – it’s how we make more films – but I’m conscious of staying true to the heart of the story and making sure it isn’t lost in the process. This is where it’s important to have strong instincts and learn when to compromise and when to stick to your guns.

I think that the lasting effects that films have on audiences emotionally is largely neglected.  There have been many studies on the neuroscience of how film affects our brain and emotions, but it doesn’t take a neuroscientist to observe the effect the media has on our mind and our emotions.  We can experience these effects ourselves simply by observing the way commercials affect us and get into our heads. I don’t know about you, but a commercial has the power to make me cry or crave a chocolate bar so bad that I’ll be sure to eat one after I’ve been exposed to a luring commercial.  The amount of money spent on Super Bowl commercials is ludicrous and speaks to the power of the moving image on our sensibilities.  In the same way that I’m conscious about what food I feed my body, I’m conscious of what I feed my mind – the amount of negative images I expose my mind to.  I rarely watch television and I almost never watch the news.

It’s undeniable that we’re influenced by our environment- thought processes, images, sounds are all embedded in our mind when we’re exposed to them. When we’re repeatedly exposed to a succession of images, we feel the emotional effects this can have an impact on our daily lives and how we interact with others. This is why I’m so passionate about making more films that evoke and spread love, laughter and joy and remind and encourage people to live from their hearts. 

For the film JUMP, an original soundtrack was written that was inspired by 80’s music, as was the tone of the film. What do you love so much about the 80’s and what is it about this era that infers lighthearted fun? 

The 80’s music and films represent the heart and joy of our inner child. It’s fun, lighthearted and most often about love, dance and enjoying life – “dancing in the street”, “dancing in heaven”, “girls just want to have fun” …  you know how it goes.  I grew up listening to love song dedications – songs that come from love have always resonated with me.  In saying that I feel the same euphoric rush, the same joy in my heart when I listen to Linkin Park music as I do when I listen to Whitney Houston belt out a tune. Punk, rock and sometimes even heavy metal music also speaks to my heart. I think it’s about the space the artist was in when they performed the piece of music – I can feel their intention if it comes from love then it doesn’t matter whether it’s rock, pop or country music. 

The main character in JUMP is a 37-year old secretary who manifests her own release from an ordinary life. Presenting a female lead in her late 30’s is (sadly) far from the norm for Hollywood films these days. What inspired you to present Melody at this stage of her life for this film? 

Melody’s age was the most important part of the film for me.  To portray a character who is considered in society “old” as not only facing her fears, taking a risk and chasing her dreams at the age of 37, but also the fact that the odds are stacked against her in terms of being paired with her worst nightmare dance partner who exacerbates her “Stiff Leg Syndrome”. I’m incredibly passionate about shattering ageist attitudes.  Growing old is a beautiful process – ageing should be celebrated! I’m becoming fitter, healthier, more active as I’m getting older and continuing to push myself outside my comfort zone is an important part of growth.  If we’re not growing, we’re not really living.  Life is growth. If we don’t continue to grow we turn into rocks. No one wants to be a rock. 

The Dating Ring is a film in which you had the male and female leads presented in an emotional role reversal.  Are you constantly looking for new ways such as this to twist the romantic comedy template and how difficult is this to achieve? 

Yes, I love exploring gender role reversal and smashing stereotypes.

Although I still relate to the basic ideals I tend to have different views and opinions to mainstream society – tend to naturally think outside the box, so I don’t find it difficult to come up with new ways to twist the rom com template. It’s just the way I think.

In my experience there’s a different kind of love that’s largely neglected in romantic comedies that I’m excited to delve into in my films – what’s most commonly known as true friendship love or unconditional love.  I feel the current definition of romance is false, fleeting, lacks substance if it’s not grounded in true love.  What is romance with someone you don’t really know yet? You get swept up in the romance, but then once that fades away and you get to know the person you may realize you’re not compatible.  Romance without truly getting to know someone is like coloring your hair. At first it looks luscious and shiny, but eventually it fades and your turn colors show you can keep putting dye in your hair and each time it glows again, but after time your hair becomes brittle or the dye builds up and you have to keep treating it.  It’s a lot of work.  Why not just enjoy your hair in its natural state? Why not just be yourself when you’re first getting to know someone and then once you know you’re a good match, let the romance develop naturally from there.

I’d go even further to question the way we perceive the “opposite sex” in terms of attraction and how it can steer us away from creating deeper stronger bonds and platonic friendships with each other.  What if when we had children we didn’t’ tease them when they had a friend of the “opposite sex”.  What if we refrained from saying “oooh is that your girlfriend?” – or is that just me?  It’s harmless and well-intended, but what if from a young age we encouraged kids to see the other gender as equals – as mates.  Relationships based on a foundation of friendship are more likely to last and to grow unconditional love filled with respect and void of fear based love which includes jealousy, control and insecurity. 

Hollywood is still the biggest producer of films in the world. What are the challenges in this modern era for a writer in this current time here in Hollywood? 

I don’t see challenges as a bad thing, it’s an opportunity to adapt and grow. The addition of platforms like Hulu, Netflix etc. is definitely changing the game, there’s definitely a plethora of content being made and it seems there’s more opportunity to get alternative stories made, as these platforms are open to a wider range of ideas and concepts rather than being restricted by the constructs that the bigger channels and studios adhere to.

What’s the average daily routine for a screenwriter like yourself in Hollywood?

Everyone has a different process. I know some writers write for 4-6 hours a day while some write for 2 hours in the morning or late at night. Some work for 8-10 hour days. It depends on the individual. For me it varies. I can work for long periods without a break, but I can also work really well on short spurts.

You present romance and comedy in your screenplays. What is it about the blending of these two genres that works so well and has become such a popular combination? 

Romantic comedies are love and laughter – love and laughter are the two most powerful forces in human nature.

One of my favorite Gandhi quotes speaks to the power of love: “When I despair, I remember that all through history the way of truth and love have always won. There have been tyrants and murderers, and for a time, they can seem invincible, but in the end, they always fall. Think of it–always.”

There’s still an overhang of an old perspective that hate and anger are power and that love, vulnerability, kindness and compassion are weak. The truth is the opposite. It’s much harder to be kind in the face of aggression than to bite back. True strength is love and I think people connect to this truth in a good romantic comedy.

Laughter is the most positive and powerful human expression of joy and happiness and can be medicinal in its effects.

Crying as an expression of sadness is an important element in the therapeutic effects of film. Repressed sadness is what causes anger, bitterness, resentment and can lead to damaging behavior. Crying as relief is incredibly transformative and can allow the audience to connect with a film on a deeper level.  

How important are romance and comedy to you in your personal relationships? 

Imperative. I love to laugh – I laugh at everything. I can’t have people in my life who don’t make me laugh. But seeing as most people make me laugh, I’m an easy audience. Romance to me means open, regular expressions of love which is one of my favorite things to do. I do it to people I don’t know that well and sometimes strangers which can be awkward, but fun, funny and incredibly rewarding. I much prefer a card with a meaningful message or a cheap thoughtful present than an expensive gift. I guess I see romance as kindness in a way. Random acts of romance should be a thing.  I think because I do it often it comes back to me tenfold. Recently I was having a bad day and I went out for ice cream with a beautiful friend who encouraged me to “let it out” and cry (in public!) and a kind stranger came up to me, opened his arms out and hugged me. We were in Venice, so I thought he was a tree hugging hippy (I hang out in these circles sometimes, so I get it) but it turned out that the stranger was the director of one of my all-time favorite romantic comedies and now we’re friends. 

Are most of your moments of genius (in screenplays) the result of personal experience or imagined experiences? In other words, how much of your writing is based out of first hand experiences? 

My favorite moments in my films spring from a fusion of real life and being connected to the present moment – usually after or during meditation, listening to music, an inspiring conversation or exercise.  I have a vivid imagination and a tendency for exaggeration which bodes me well in comedy, but the best comedy for me comes from the truth and organic moments that pop out in presence.

Studying The Meisner Technique for 3 years as an actress I developed an obsession for organic moments – the magical moments that shoot out of us like lava when we’re in the present moment.  These are gold for both performance and writing.  This is also why I love improv. I like to use improv to help inspire ideas as well as when I direct or perform.

Real life is a huge influence on my work – like all writers I observe and soak up my environment like a sponge.  I see the beauty in everyone, I see peoples pain, their joy, their hidden emotions and stories – sometimes I feel I can see through people – that sounds creepy, but you know what I mean. Don’t you? 

Do you consider the films which you write to be therapy for the audience or how to” instruction?

I see my films as relief – escape from daily life. Have a laugh, take a load off. Laugh at our pain – therapy in that sense.  Laughter and tears are very therapeutic and a good romantic comedy will do both.

Most rom coms shouldn’t be modelled as a how to… more like how not to.  Sex and The City modelled and promoted dysfunctional relationships by making a fairytale out of Carrie and Big’s romance.  There she was, an intelligent, successful, beautiful woman with a group of good friends – a strong support system who chose to be with a man who disrespected her and strung her along for 10 years and left her broken hearted time after time – even on the alter.  This is the kind of love that happen when we don’t have a strong sense of self-worth. 

How does a screenwriter like yourself find romance in Hollywood while pursuing a career in such a difficult field? 

I don’t. Just kidding. I have incredibly fulfilling and nourishing relationships with friends and family.  I’m not interested in the traditional or modern dating structure – I did it to death in my 20’s and it was fun – and then it was painful, and now I’m done with that.

What is the DNA of a great romantic comedy? i.e. the required traits. 

The formula for a great romantic comedy is love plus laughter equals joy. A rom com needs to be relateable even if it’s a fantasy based rom com, there needs to be an element of truth.

I’m interested in exploring a different definition of romance than our current understanding of it in mainstream society. I believe romance should come later rather than at the beginning.  It should start slow and increase as your relationship develops.  The current model shows and abundance of romance in the first couple of months or the “honeymoon period” and then once there’s commitment and safety often people get complacent and the romance fades.  Id’ like to see that turned around. This would make for a long term sustained relationship full of romance.  A higher love is achieved when two people love themselves fully and don’t need or expect the other person to make them happy.  They take full responsibility for their own happiness and merely join together with someone else who is whole and complete.

I’ve fallen into the expectation trap in past relationship, but when I took a 2 year break from dating and focused on me I noticed the ebb and flow of emotion, joy, and love within me and it became clear when I was going through challenges that it came from me – when I no longer had someone else to blame! These themes that surround love are what I’m fascinated in examining further and portraying in my films. 

What film did you not write but wish that you had and why? 

Disney’s Enchanted because it’s a magical fantastical musical with a message of love and believing in wonder and the good in people.  I write music into my films and there’s usually at least one scene where characters sing and/or dance, but I’m yet to make a musical feature. I write songs, so it will happen one day in the not too distant future. 

Describe your idea of a nightmare writing assignment for a film idea. 

Anything on violence or an empty sexualized rom com focused on aesthetics – anything that would contribute to the negative body image content that we already have an abundance of.  Many films are highly sexualized these days – they focus on physical attraction and base the development of love form this foundation of initial attraction or chemistry.   The problem with this is that it fades, it’s not sustainable long terms.  Societies obsession with image breeds insecurity competition and fear which are not compatible with true love which is ultimately what people are searching for whether they admit it or are aware of it or not and what compels people to watch romantic comedies. Enjoying fashion, beauty etc. is totally healthy, it’s the relationship we have with it – when we gain our sense of self and our worthiness from image that’s when we can run into problems. The paradigm – this obsession with superficiality – is flawed and perpetuates itself in a cycle of destruction. 

What is the most avoided topic in romantic comedy films and why? 

I don’t know if there are many avoided topics in rom coms these days. Pretty much anything goes. You hear to steer clear of religion and politics, but I’ve seen some of the best comedic moments on these topics. 

You’re obviously a very creative person; how do you maintain that constant flow of creative ideas over an entire career? What is your personal means for doing this?

 Mediation, yoga, dance, running and spending time with good friends is usually the best inspiration for me as a writer.  The heather and happier I am in myself and my life the more creative ideas flow through me.  I’ve found I’ve still managed to churn out decent work when I’ve been stressed and overworked, but it’s less enjoyable, so I prefer the healthy, happy method!

 Finish this sentence; the best thing about Sarah Walton is….

 Can I say for me what the best thing about “being” Sarah Walton is?

For me it’s that I love everyone and this brings me so much love and joy. It’s not that I don’t find people challenging like everyone else, but I always find a way to connect to empathy and love people regardless of what behavior they display. I see people as who they truly are, not their behavior. My upbringing gave me many gifts, but the one I’m most grateful for is having parents that are so different. My father was brought up in a poorer, small town non-religious family with 11 children while my mother was brought up in a fairly well off suburban catholic family.  This polarity allowed me to relate to a wide range of people. I grew up camping and staying in fancy hotels, so I appreciate the beauty in simplicity while also enjoying the glamorous lifestyle without placing any importance on the superficiality of material things.  I was also blessed with enough make or break me challenges in my life to force me to discover self-development and well-being practices that have changed my life dramatically and lead me to explore new ways to find happiness, love and joy in life regardless of external circumstances. It’s an ongoing process and sometimes I’m like – I’m done! I want to go back to how I was before, ignorance is bliss! – but I know it’s not and I’ve found ways of achieving natural highs through dance, meditation, yoga, laughter etc. which is a pretty good incentive to stay on this path!

Bonus:

Finally, what do other writers say about you when you are not listening?

What others say about me is not really any of my business, but I know sometimes people comment on how cheesy and mainstream my work is thinking that it’s an insult, when for me it’s a huge compliment. I enjoy hearing other people’s perspectives. It makes me laugh.

Anja Ellam is truly awesome with AwesomenessTV

Growing up in Toronto, Canada, Anja Ellam always wanted to entertain people. Although she had loved being on stage, making people truly feel the emotions of a character, it wasn’t until later when she realized her passion for writing. That was a fateful decision, as she is now not only an internationally recognized actress and successful influencer, but a celebrated writer.

Ellam now has shown the world why she is one of the best. Her film The Woods that she wrote went on to receive praise at many international film festivals. She worked with Verizon’s Go90 app and has written and hosted several of their top videos. The viral video What Girls Do in Cars on DangMattSmith’s YouTube channel that she co-wrote has over 1.4 million views. Working with ArsenicTV as a writer and host for their Snapchat story gets over 500,000 views a day. There is nothing this versatile writer, actress, and influencer cannot achieve.

“I’ve had a very successful career for someone my age but I like to think that this is only the very beginning. I’m very lucky to be in the place that I am, but it’s because I work incredibly hard,” said Ellam.

Ellam’s continued work with AwesomenessTV has helped make the channel what it is. As a writer for the Hollywood department, she writes for their many segments that come out on their channel daily. Her job as a host and influencer allows her to work on a wider variety of shows for the network.

“Me being an influencer helps me connect more to our audience and see what they’re interested in at the moment, which lets me write scripts that relate to them. My online presence helps me to stay connected and stay relevant on topics that relate to AwesomenessTV and entertainment news,” she said.

Without almost twenty-thousand followers on Instagram, Ellam has an impact all over the world. While promoting AwesomenessTV using social media, she has helped the videos viewership, ranging from 100,000 to over a million views.

“Anja and I worked together on AwesomenessTV’s Hollywood team where Anja wrote scripts and pitched ideas for daily episodes. She would always come prepared and would always be willing to step up when needed. I always enjoyed working with Anja and loved that she expressed her ideas and contributed to a team atmosphere. She definitely takes direction and has a good eye for what is trending and in the news. She knows what is relatable to our audience. She is super creative and always had input for stories to write and pitch ideas for stories,” said writer, host, and producer Hunter March.

Ellam writes a lot of AwesomenessTV’s daily entertainment news segments, which are targeted at teens and young adults. She says from the moment she first started working there, she fell in love, and quickly moved up due to her talent and commitment.

“Everyone was so welcoming and the company was so rapidly growing I knew that’s where I wanted to be. They’re definitely leading the way in digital media,” said Ellam. “I like that I can be open with my ideas and that even though we’re a big company, we’re still a small company where everyone knows each other. I like that my job allows me to be creative and that we reach such a large audience.”

Ellam does a lot of test shoots, but she also often appears as the main talent for the videos, hosting shows like Third Wheel and Dream Date with Brent Rivera. Their audience is drawn in by social media followers which is why having influencers on the channel are so important.

“The first time I hosted was very nerve racking because you’re in the office with everyone around you and you don’t want to mess up or take too long. But it always runs smoothly and the crew is amazing and very reassuring,” said Ellam. “It’s a good feeling because everything we put out is positive and it’s something I’m very proud of. I’m especially proud when a topic that I pick ends up with very high views because it’s something I was trusted to do and I was successful at it.”

Ellam’s followers are always eager to view her videos that she hosts or writes for Awesomeness, and she says it allows her to truly be connected with her audience.

“When I host or I’m a talent on the show I think it helps a lot because I can promote it on my social media platforms. I’m closer to our demographic and my followers are also the same demographic,” she concluded.

You can check out the Awesomeness TV channel here.

Writer Sarah Stunt tells inspiring and impactful story in award-winning film ‘Girl Unbound’

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Actress/writer Sarah Stunt, photos by Alexis Dickey

Growing up, Sarah Stunt always loved stories. The Toronto native was always a big reader, reading her first novel, Little Women, at just nine years old. She loved the history and romantic setting, drawing her to the visual, and she was immediately taken by the characters, seeing herself in the passionate and independent writer Jo March. At the time, the only way she could describe the feelings the book gave her was on paper. It was something that changed her life. Now, her talent communicating through the written word, and that passion that started at just nine-years-old, has propelled Stunt’s career, and she is recognized around the world as an outstanding writer.

 

Stunt’s work has impressed international audiences for many years, but it was writing the impactful documentary Girl Unbound that she considers the highlight of her career. The film is about an exceptionally brave girl living in Waziristan, Pakistan, “one of the most dangerous places on earth.” Maria Toorpakai defies the Taliban, disguising herself as a boy, so she can play sports freely, something the Taliban strictly prohibits girls from doing. However, when she becomes a rising squash star, her true identity is revealed.

“I love working on documentaries as a writer. It’s always a long-term, nurturing relationship that changes and grows as time goes on. The lives of the characters are real. You don’t have to envision the conflicts, the inciting incidents or arcs, they evolve naturally on their own. Being able to capture it on the page is where the magic before the magic takes place, because in a matter of pages, your essence of the film presents itself and sets the stage moving forward. Being able to create some sort of affect, as the subject matter is usually from a human-interest point-of-view, is always the greatest outcome. You learn to champion your characters and unlike fiction, their stories continue to evolve after production is complete. It has a long-lasting affect,” said Stunt.

As the film’s writer, Sarah worked closely with the Producer, Cassandra Sanford-Rosenthal, to develop the film’s basic concept, and from those initial ideas, she wrote the film’s script. Rosenthal says without Stunt, the film could never have been possible.

“Sarah is an exquisite writer whose skill and talent for her craft is obvious. Girl Unbound could not have been made without her guidance and her amazing abilities. The fantastic record of success the film had could not have been achieved if not for Sarah’s prodigious talents,” said Sanford-Rosenthal.

After being asked to premiere at the world-renowned Toronto International Film Festival last year, Girl Unbound received rave reviews from such top industry publications as The Hollywood Reporter and screened at more major international film festivals such as the DOC NYC (where the film was nominated for the festival’s Grand Jury Prize), Cleveland International Film Festival (where the film was nominated for Best Documentary), Athena Film Festival, and the Human Rights Watch Film Festival.

“I am so proud that the film has done so well. So much work, dedication and time went into the making of this film. With all the ups and down, everything from capturing the characters and their lives to the struggles of filmmaking in general, the final film is beautiful and powerful and executed in a way that will continue to generate a conversation after the film has been screened. This, in my opinion, is the true purpose of documentary film,” said Stunt.

With experience in writing for documentary, which for obvious reasons does not have scripted lines but requires a strict outline, Stunt was asked to join the film. The filmmakers knew they needed an experienced and skilled writer to properly tell such an important and captivating story. Originally, Stunt came to work on the film for a short time, but ended up as the lead writer, watching over the process from start to finish.

“The messaging is inspiring. The themes are varied with a focus on human rights, girls in sport, the right to education, and identity, but the courage of this one girl and the support of her family to use their platforms to inspire and make change is why it’s so important. Our main subject Maria is a force to be reckoned with, and if she can win and continue to do so, then it spreads the message of hope for others to do the same,” said Stunt. “The story was so strong and ever evolving. It took a lot of risk, courage and strength for all involved to actualize the final product and it inspired me to do my part as a writer, even though I wasn’t on the ‘frontlines’ of it all.”

In a world with a growing stereotype towards the Middle East, the story of Girl Unbound is of increasing importance. For Stunt, working on the film was not about the many awards and recognition both she and the film received, but about educating the viewers and inspiring audiences through Maria’s story.

“I loved working on this project. It took on many lives but the story that is out is the one that needs to be told. It has so much heart and invites viewers into a world that is both complicated and beautiful. It expels Western notions of Pakistan, sheds light on the lives of many but especially women and children and challenges old world notions that this generation of youths are trying to identify with and evolve from,” she concluded.