Throughout his career, Britain’s Pezh Maan has shown audiences he is a force to be reckoned with as an actor. His work as a villain in the James Bond blockbuster Spectre was an international success, and the actor quickly became recognized around the world. Since then, he has starred in television shows like BBC’s Eastenders, the award-winning French series The Bureau, and the immensely popular FX series Tyrant.

We had a chance to sit down with this dynamic actor and find out about the beginnings of his career and get some advice for those looking to follow in his footsteps. He also gives a brief preview to his upcoming American television show Deep State, which premieres on FOX in over 50 countries later this year.

Check out this interview!

EWG: Where are you from?

PM: I was born in Plymouth, United Kingdom, a naval town on the south-west Coast bridging the counties of Devon and Cornwall. I spent most of my childhood and youth there before moving away at 18. Since then, I’ve lived in Cambridge in the UK, spent most of the past 20 years making London my home, except for several lengthy stints traveling the globe, once circumnavigating from the UK eastwards and arriving back via Brazil a year later, and several months in different cities in India and the Far East. My star sign is Leo born in the year of the Chinese Wood Tiger.

EWG: In your own words, how would you describe what you do as an actor?

PM: I think what I do is to interpret the words of the writer and turn them into all the facets of the living breathing human being that I am being asked to play. I get into the skin of the character whilst still being myself with all my own emotional responses. When the character is somewhat at odds with my own experiences then imagination can come to one’s aid in creating a way to relate to the character. Imagination is the lifeblood of an actor’s work and interpreting the text is an imaginative endeavor and an extremely rewarding one for me.

EWG: What initially sparked your interest in acting?

PM: Like a lot of kids, I was involved in school productions and I remember just enjoying being on the stage and being in a position to influence the audience with humor or different emotions. I developed a love for performing over the years that was nurtured as I moved through high school and began reading more about plays and watching films and I had some great teachers who inspired in us a love of drama and life, which was invaluable for us. Acting was part and parcel of understanding life it seemed to me and felt like a natural place for me to express myself.

EWG: Why did you want to be a professional actor?

PM: For several years I was involved in amateur productions in London on stage as well as on camera in low-budget short films. After a while it became clear that I needed to be doing it full-time and so it became a natural progression to take the steps of a professional actor. I began the actor’s journey of auditions, castings, knock backs and small successes. None of the joys would have been possible for me if I hadn’t taken the plunge and signed up to be full committed to the activity that was my passion since childhood. And I sort of fell into small successes that led to further work and I’ve been lucky enough to see my career grow.

EWG: What do you like about being an actor?

PM: It’s now such an integral part of my life I can’t see myself doing anything else. I like the work, and the people who are drawn to this particular way of telling stories. One thing we all have in common is the need to tell stories and actors are charged with bringing stories to audiences in a collaborative endeavor that can move people. It’s also a lot of fun. I feel in acting we are given free rein to experience the whole gamut of emotions that in everyday life we don’t get to experience that often (and rightly so!). It’s a very invigorating activity and I find it hugely inspiring.

EWG: What are the challenges to being an actor and how do you overcome them?

PM: The work you need to do as an actor on your mind body and probably soul to be best equipped to be able to produce performances that move people, that are specific and bring characters to life in that believable way that keeps audiences attentions. That entails a lot of preparation and study, especially learning lines and cues of when to make actions necessary for the story and so forth. Then there are the challenges of how to make a life and a living from a profession that has been described as the most competitive one out there. Being rejected is something that you accept as an actor and an experience you become accustomed to and probably the major part of any working actor’s success is having the resilience to keep working despite fallow periods of little or no success. It’s a real test of one’s self-belief as actors. Actors need to be in tune with their sensitivity as humans to be good actors and so it can be quite a challenge to maintain that equanimity and take the challenges in your stride.

EWG: What would you consider the highlight of your career?

PM: That is an interesting question because initially the early successes made a huge impact and it felt as if I was moving from highlight to highlight. Now that my career has a steady momentum I feel as if the highlight of my career is having a career. I’m very grateful to have had the honor of working with some great actors and directors on film and television and being cast in the Bond film Spectre will always be an experience I will remember. I’d like to think that the highlight has yet to happen and wait to see what the future will bring. That attitude keeps me fresh and not complacent which I think is detrimental for any artist.

EWG: How would you describe your style of acting?

PM: I think that is something that critics are better placed to comment on this. Words such as naturalistic and minimalistic are ideas that resonate with me when thinking of performances on camera. I’m excited by seeing performances with those qualities and I like to think that I do my best to try and achieve that on camera. Acting for the camera is an art in itself as the camera picks up on everything you are doing, and so minimalism is amplified and goes a long way. Apart from that I would say that having no style works best for the camera, trying to be as truthful to the moment as possible without embellishing unnecessarily and being economical with gestures and actions can really enhance the portrayal you achieve on screen.

EWG: What advice would you give to those looking to pursue a career in acting?

PM: That’s an interesting question. I’ve read other actor’s responses in the past to that question which fall into the “Do/Don’t do it and Keep going you’ll get there in the end” categories. I would say that either you know you want to do it or you don’t and that you should listen to your gut and heart because then you can never go wrong and in the end if you followed your heart you will be a success whatever happens. And to avoid becoming negative or cynical because life is bigger than all of us and to keep a perspective on it is to have cracked the secret to a successful life. One I’m still trying to achieve myself.

EWG: What are your plans for the future?

I have a really interesting role in a brilliant new thriller series Deep State in Spring 2018, which was great fun to shoot and I can’t wait to see the final cut. I also have another film project that I can’t talk too much about now and a television project to shoot this year. 2018 promises to be an exciting one and we have only just begun.