There is a quote that is attributed to many fine actors that states, “Dying is easy. Comedy is difficult.” It has been repeated by Academy Award winners like Gregory Peck and Jack Lemmon (most consider Edmund Kean to be the originator) and speaks to the fact that making something seem spontaneous and light hearted takes a fair bit more convincing than a dire situation. There’s also a fairly common belief that the film industry takes itself too seriously and rejects mockery. This is a notion to which Canadian writer/producer/actor Troy Greenwood does not subscribe. As a part of the FAFC (Film Actors Fight Club), Greenwood helped create the award winning film Diamond Planet. With a very self-deprecating approach, Diamond Planet poked fun at filmmakers, the film industry, and even film students. In this production, fools abounded while intelligence was scarce. The film was so popular that Troy decided to write/produce and act in the sequel…a sequel which is in fact about a film that is not yet a film. As proof that filmmakers revel in self ridicule, Diamond Planet 2: Emerald Horizon was embraced with greater enthusiasm than the original (winning at the Calgary Film Challenge and going on to screen at the Sun and Sand Film Festival in Mississippi). Diamond Planet 2: Emerald Horizon is a testament to the fact that as long as creative individuals take themselves too seriously, there will be peers among them who remind us all how absurd they seem.
It has increasingly become commonplace for filmmakers to feed upon themselves, recycling films and themes from the past, sometimes even repeating the same current day premise but with different casts. While Diamond Planet shone a light on laughable concepts in modern film, Diamond Planet 2: Emerald Horizon turns its gaze to the film industry’s lack of originality and ingenuity. It seems that the current M.O. is to go for a wide audience that assures box office rather than fosters new ideas and artists; at least for the most part. Greenwood had a clear idea for a sequel which immediately follows the action of the first film. In Diamond Planet 2: Emerald Horizon, Ollie Swagger (the filmmaker from the original Diamond Planet) steals the idea for the “Diamond Planet” that was pitched in the first film. He’s going to try and sell the idea to a studio at the annual pitchtime event. Unfortunately for Ollie, when he was bragging about it the night before the meeting, his nemesis overheard him. The next day when they are seated together, Swagger starts into a pitch about “Diamond Planet”. In the film’s premise, the Diamond Planet will cross between the sun and the earth, magnifying the sun’s rays and burning the earth to a crisp. The government wants to send optometrists into space to change the curvature of the Diamond Planet rendering the rays harmless. However, Swagger’s nemesis jumps in, pitching his movie “Emerald Horizon” about a giant emerald planet and ophthalmologists in space. We, as the actual audience, see cuts back and forth between trailers for these films as they are pitched. Each trailer becomes more and more ridiculous until they’re basically turned into one complete parody of a movie; to which the studio’s representative responds “I like it, but how about a hamster!” The unseen wink with which Greenwood delivers the humor is obvious to all. One need not look too far into recent movie productions to see evidence of this scenario. Cutting to the core of the movie’s lesson, Troy notes, “Anything that tries too hard to purport itself is funny.”
Due to the nature of “Diamond Planet” (the spoof movie) being a science fiction suspense thriller, the production value and the cast for this sequel necessitated a sizable increase from the original Diamond Planet. Because the original was so successful, it helped to propel much of the original cast and crew into busier careers and thus some key players proved unavailable for this sequel. Luckily the popularity of Diamond Planet attracted the interest and involvement of a large number of respected Canadian actors (both films are Canadian productions). This included noted theater and film actor Stuart Bentley. Greenwood’s prowess at a multitude of production roles, in addition to the script is what enticed Bentley to join the cast of Diamond Planet 2: Emerald Horizon. He comments, “Over the years, I’ve had the distinct pleasure of working with Troy Greenwood on stage and in film. In a production of Inherit the Wind Troy gave a masterfully understated and relatable performance of the accused schoolteacher, Bertram Cates. Troy effortlessly navigated this difficult character, drawing in audiences and critical approval. I had the opportunity to act in Diamond Planet 2: Emerald Horizon which Troy wrote, directed, and starred in. Troy had written a wonderfully funny script, and easily navigated the tricky job of acting and directing in his own production. He took great care of his cast and crew, and kept the production flowing on time, while being careful to ensure that every needed master and coverage shot was captured to realize his artistic vision. Diamond Planet 2: Emerald Horizon was a great success with judges and audiences and continues to be one of my favorite film projects of the past several years.” In addition to Bentley, the considerably larger cast included notables such as Jesse Collin (Fargo), Helen Young, and many others. Troy remarks, “Stuart, Louie, and Helen were all a breeze to work with. Stuart’s presence as the president had a great gravitas to it. He really milked the moments of humour in the script, nailing the timing of lines to keep the pacing moving as the film progressed. Helen was also wonderful to work with. I had an interesting shot envisioned where the camera rotates around her before landing on the president; she was a trooper repeating the sequence a number of times while we worked out the technical kinks with the camera movement.”
Another positive aspect of any sequel is that the success of the initial production allows for a higher production value in the second installment. The aforementioned larger cast and a greater array of interesting locations (including the Rothney Astrophysical Observatory, and the Springbank Airport Flying Club), were augmented by state of the art VFX. Greenwood relates, “I invested money to buy specific models we needed through a 3D modelling page. Specifically, I got two distinct space ships for the two different versions of the trailer within the film, and planet models for the solar system, and then a diamond model so that my VFX artist could place them into the editor and articulate them to create the sequences you see in the film.” In fact, Troy concedes that he had to make sure the graphics were not too professional, in order to add to the humor of the trailers and the actual film itself.
Diamond Planet 2: Emerald Horizon represents a blind spot in the film industry. While a considerable number of studios and filmmakers steer towards repeating proven ideas rather than creating new ones, Troy Greenwood has found a way to turn that concept around and use it against the very premise it represents…and still be wildly entertaining. Greenwood refers to comedy as a unique beast, remarking that you can plan all you want but often what is required is to just sit back and watch. Be careful filmmakers, you are being watched.