Rob Teehan has decided to head south to thaw out from the Canadian winter in the warm California sun. When we got wind that one of Canada’s top film composers was coming Stateside, we decided to catch up with him to talk about his eminent migration.
Rob Teehan started his career as a performer, playing the guitar, flute, and tuba, before moving into classical choral and orchestral composition, which led him to his forever-home of film composition. He has gone on to score more than a dozen films, including the award winning films Tulip, Texas and Us, and The Sugar Bowl. In addition to film scoring, Teehan is perhaps best known for his work with the acclaimed Lemon Bucket Orkestra, with whom he has toured Canada and Europe, as well as being a member of the European Saida Baba Talibah jazz band, and, currently, the Heavyweights Brass Band, whose music is regularly played on jazz radio stations across Canada.
Virtually every major music award from coast to coast in Canada has recognized Teehan’s extraordinary work. Since 2010, he has been nominated for an impressive list of awards, which includes three Juno Awards, the first of which marked him as the youngest person to be nominated for a Juno in the Classical Composition category. He has also been nominated for a staggering seven Canadian Folk Music Awards, four of which were for his work with the Lemon Bucket Orkestra, one for his work with The Boxcar Boys, and two for his work as the engineer and producer of the Ventanas’ self-titled album. He also earned a nomination for Best World Group of the Year at the Sirius Radio Indie Awards in 2014 for his work with the Lemon Bucket Orkestra. Other accolades include a Toronto Independent Music Award nomination, a 2nd place finish at the SoCan Foundation Awards, as well as numerous top finishes at choral competitions across Canada as well as internationally.
When asked about some of his most memorable film projects, he singles out a few of the films that stand out to him. The first film he mentions is Hogtown, which was directed by Canadian actor turned director Nick Latimer, and features among its cast WWF wrestling legend Jake “the Snake” Roberts. Teehan describes the film as “avant garde” and the experience as one he “can never forget.” Hogtown is the name of the city where the film is set, a futuristic version of Toronto, which has slid into poverty and debauchery. The protagonist, Boris (aka Baxi) is Hogtown’s only pig-mask wearing insomniac “baxi” driver, which means that in lieu of shuttling people around in a taxi, he spends his evenings transporting his fares from Point A to Point B on his back. When the dirt, grime, and depravity of his surroundings become too much for him to take, Baxi takes it upon himself to clean up the streets in a gory wave of vigilante justice. The film screened at the Shaved II Film Festival, as well as enjoyed several underground screenings, which sparked the major cult following the film has today.
Despite the independent vibe of the film, it drew the attention of Mississauga Life mag, as well as the famous Toronto culture site Blog TO and Zee Big Bang, who covered the film’s making and release. Rob Teehan’s work with the Heavyweight Brass Band on the film’s score was a big selling point for the film.
The next film he cites as a favorite is Tulip, Texas, and Us, a charming love story uniquely set to Balkan brass music, scored by Teehan. One of the things that stand out about this film is its international reach and appeal. Tulip, Texas and Us was the winner of the Grand Prix at the Zubroffka International Film Festival in Poland, and was also selected for the Kustendorf International Film and Music Festival (Serbia) and the Timishort Film Festival (Romania). Teehan was interviewed on CBC Radio 3 about his work on the film, which he describes as “quirky”.
The other film that immediately stood out to Teehan was the film simply titled Joe, a documentary chronicling the true story of musician Joe Garisto, a musical genius whose career is threatened by a debilitating anxiety disorder and an addiction to the medication used to treat it. The intense film, directed by Patrick Collins and Scott Williamson, was released on DVD as well as on iTunes.
Taking on such varied musical themes as mental illness, young Eastern European love, or futuristic dystopia is no small feat, and shows the breadth of Rob Teehan’s great talents.
Teehan insists that the themes and music in his next films are so varied that they will continue to defy categorization in any particular musical genre. They include the Italian animated short film Life is a Coin, about the exciting travels of a 2-Euro coin named Dante who travels across Europe, followed closely by the release of the documentary feature The Babushkas of Chernobyl, a film about the old women of Chernobyl who chose to sneak back into the contaminated zone after the nuclear meltdown in Chernobyl, Ukraine in the 1980’s to live out their last days in their hometown, rather than suffer through a relocation to a new uncontaminated city, as well as the Venezuelan documentary film Flor de la Mar about a well-hidden archeological treasure found on the Venezuelan island of Cubagua, and the feature documentary The Unsinkable Captain John about a historic Toronto ship facing and fighting eviction after generations in the Toronto harbor.
After many successful years in his native Canada, Rob Teehan is heading to Hollywood, not only for the warm sun but to bring his music to more Hollywood films. We wish him good luck, fame, and fortune, and can’t wait to see this top talent hit Tinseltown!
Untitled excerpt from Life as a Coin composed by Rob Teehan
“Caracas” composed by Rob Teehan for the upcoming documentary film Flor de la Mar