Filmmaking started out as a hobby for a young Brett Morris. He was a child actor, and became exposed to movies in a different way than most other kids. The Toronto-native began making films with his sister, and it became his favorite past time. This same passion continues in his work today, and Morris is an in-demand director and producer.

Having worked on several large productions, Morris has taken the Canadian television industry by storm. Shows such as Big Brother Canada, Top Chef Canada, Hockey Wives, and So You Think You Can Dance Canada may not have achieved the success they did without him as the mastermind behind the scenes. He constantly aims to make the best product possible, and ensures all he works with do the same.

“I like to make the on-set experience an ‘idea meritocracy’ where the best idea wins.  Structuring your set this way makes for the experience to be enjoyable for everyone, and always delivers the best content. I don’t care if you’re responsible for catering, if you have an idea that will make our final product better, I’m all ears. You never know where the best idea will come from, and you have to be open and secure enough in role to listen,” he said.

Morris carried this mentality with him during his work on ten episodes of The Real Housewives of Toronto, a show that follows six of the city’s most privileged, powerful and glamorous women as they navigate the elite social scene of Canada’s largest city. This first season introduces Kara Alloway, Roxy Earle, Gregoriane (Grego) Minot, Ann Kaplan Mulholland, Joan Kelley Walker and Jana Webb. Toronto is their playground and they have the real estate, cars, and the diamonds to prove it. The show is part of the widely popular Real Housewives franchise, and when the opportunity came up for Morris to pioneer the Toronto series, he was all for it.

“Working on The Real Housewives is really like working on a soap opera in the 21^st century,” Morris described. “What I love about The Real Housewives is that everything is heightened.  Heightened reality television. The hair is bigger, the money is bigger, the personalities are bigger, the fights are bigger. It’s a show that seems so fabricated it has to be real, because the characters are always so magnificent.”

When the showrunner, Grant Greschuk, was looking for a director to make the Toronto version of Real Housewives a success, he reached out to producer Lara Shaw for a recommendation. Shaw instantly thought of Morris, as the two had worked together on Big Brother Canada. Once the two had a chance to talk, they instantly hit it off, and knew working together would be a triumph.

The role of director for Morris demanded a swift technical directorial eye, with a keen sense of how to arc the story to engage audiences. He led a field team of a director of photography, one assistant director, a camera operator, and a production assistant. Each one of them were extremely impressed with Morris’ directorial and leadership skills.

“Brett brought a level of camaraderie to our team that I haven’t experienced in my 14 years in the industry, and I can say I have never had such a good experience working on a show, as I did on the time spent working on Brett’s team. He had a way of raising team moral, bringing a level of levity and enjoyment to each shooting day, while working with the team to get results that brought constant positive feedback from the production management. Brett creates an extremely collaborative environment, instills confidence with his leadership and raises the confidence in his team members by constant feedback and encouragement. Brett is the kind of leader that makes you want to do your absolute best work for him. I would jump at any opportunity to work with Brett in the future as much and often as possible,” said Chris Sherry, the Director of Photography on Real Housewives of Toronto.

Each day, Morris and his crew would arrive two hours before the cast. They would spend this time figuring out how they would film each scene, and he says these were often his most creative hours of the day. Once the cast arrived, filming would begin. The ladies, Morris says, did not require any coaching on his part, as they were very professional, giving him more time to focus on making the best possible product.

As the director of the show, Morris’ first priority was storytelling. At the beginning of each day, he was given just the location and the cast members that would appear in the scenes. At any given time, each character had five different plots to follow, because they all have relationships with different characters. Those relationships would change on any given day and Morris always made sure to keep his head around the story despite such a challenge.

“The best part of working on The Real Housewives of Toronto was how we got to spend the summer. Sometimes in film and TV, the shooting locations and conditions aren’t the most glamorous. I’ve worked in freezing cold ice rinks, on dairy farms, dirty basements – not the most desirable of conditions.  The best part of Real Housewives was that we lived like the cast for three months. We dined at the best restaurants in the city, traveled on yachts, filmed on golf courses, even took the whole shooting crew to Barcelona for a week. The show definitely had its perks,” said Morris.

Morris is immensely proud of the work he did on the first season of The Real Housewives of Toronto. It was a small team, and with him as the leader the show championed as the number one show on the W Network where it premiered. He credits his previous work in reality television to help him bring a fresh perspective to the Real Housewives franchise. He always makes the cleanest and most efficient show he can; he aims to have the locations look as glamorous as possible; he makes sure to photograph the cast in flattering ways. Lastly, he beautifully showed his home city of “The 6” to the rest of the world.

“One of the best part of working in this industry is being able to talk with people who have seen your work. It’s the best ice-breaker to say, ‘I worked on The Real Housewives of Toronto’ because it instantaneously gets a reaction out of someone. They’ll always have an opinion about it, and always want to learn more. It doesn’t matter if you’re talking to a big jock, or an actual housewife – everyone has seen the show and everyone wants to know what it’s really like behind the scenes…. of course, though, I’ll never tell,” Morris concluded.