THE UNIVERSAL LANGUAGE OF MASTERY TRANSLATES GERMAN INTO CELTIC

Almost every aspiring musician has this dream; a huge band playing a show at a gigantic venue suddenly needs someone to fill in for a show, then they like you so well that they ask you to stay on the gig. It never happens, right? Wrong. Yes, it’s the stuff that dreams are made of but it does happen from time to time. The part that isn’t so highly glamorized is the crammed preparation and the nerves that can make one “lose their lunch” hoping that you’ll make it through that first gig without everything crashing down on top of you (to say nothing of those dreams in which you arrive to school only discovering you are only wearing underwear). The true music professional can only hope that his years of preparation have honed their instincts to a point where all will be fine. A great example of this is the tale of German guitarist Stefan Hillesheim. As a celebrated Blues, Rock, and Jazz guitarist in his homeland Stefan was enjoying a fulfilling life as a musician when he was asked to fill in for the internationally popular Celtic Dreams. The incredibly popular touring musical show Celtic Dreams features a unique mix of modern rock with traditional Scottish, Irish, and Celtic folk music, with an eclectic mix of dancers and other visual performers. Celtic Dreams regularly perform to sold-out audiences all over the world, and have been the subject of many press articles in Europe and abroad.

Celtic Dreams tour manager was in a high pressure situation when the guitarist for the show was suddenly unable to perform. This extremely popular show relied on the professional execution of the complicated musical pieces to excite the audience and support the dancers and other performers. The guitarist was essential to every performance due to the fact that Celtic Dreams takes on a contemporary rock influence with their traditional music, making it more accessible to a wide age range of audience members. The fact that the music was quite complicated and required flawless execution of the many transitions from piece to piece further exasperated the situation. Celtic Dreams tour manager Oliver Stahl needed to find not just “a guitarist” but, “an amazing guitarist” who could read complex charts and play shows to huge audiences with basically no rehearsal. Luckily for Stahl, he was in Germany and was able to contact Stefan Hillesheim. Although not focused on traditional Irish music, Hillesheim was particularly enabled to take on the task of this music for Celtic Dreams as he reveals, “I started listening to Irish folk bands like the Dubliners, the Pogues and the Fureys when I was about eight years old. My Uncle is the lead Singer and Guitarist of the well-traveled Irish folk band Limerick. My Parents took me to his concerts from my early childhood on. When I started playing electric guitar in my early teens, I really got into Gary Moore and Rory Gallagher (both are Irish guitar legends). I love the way they combine traditional celtic music with Blues and Rock.” As an accomplished and lauded guitarist in Germany who also possessed an understanding of the inherent lilt of traditional Irish music, Stefan was an easy choice to fill in for Celtic Dreams. Oliver Stahl comments, “Stefan performed as a lead musician and guitarist on multiple occasions for Celtic Dreams. His knowledge of both modern rock styles and traditional Celtic folk music made him perfectly suited for us. I truly could not have asked for a more versatile musician. Stefan was with us for multiple performances, all of which were held in major venues in large cities. I must note how versatile a musician Stefan is and how this added to the success of each of these shows. His ability to jump between and blend styles on both acoustic and electric guitar (and occasionally bass) was astounding! It brought a fantastic energy to each of our performances. The shows that Stefan played in were performed to sold out audiences and I’m positive that his playing was a major factor in garnering these huge

audiences as well as the press and great reviews. Stefan played a lead role in ensuring the success of every show he performed and has been an essential player in boosting Celtic Dreams reputation and success as a whole. Stefan is known throughout Germany as an incredibly skilled and accomplished musician who has made a name for himself as both a session player and bandleader.”

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While Stahl was nervous until he found Hillesheim, Stefan’s uneasiness began at this time. You could almost say that Stahl “gifted” his concerns to Hillesheim. That’s not to say the guitarist wasn’t excited to play with Celtic Dreams…quite the opposite. Stefan was contacted three days prior to his first performance with the band and had to learn three hours of music; including medleys and complicated transitions. Daunting task ahead of him, as a true professional, Hillesheim understood that the production was depending on him to fit perfectly into an ensemble that was already running smoothly. In respect to the music, Stefan wanted to play authentically stating, “Every genre of music has its appropriate vocabulary. When you play Irish or Scottish music you have to stick with certain clichés because this kind of music has a long tradition. Even though there is room for interpretation and improvisation, it wouldn’t be authentic if certain elements were missing. For example, the typical triplet based rhythmic in Irish step/tap dance music is the foundation of this musical language and is a requirement. For traditional Celtic Folk tunes like ‘Scarborough Fair’ or ‘Star of the County Down’, I would definitely play an acoustic guitar because that is what people expect and want to hear. Modern Irish music like the Corrs or the Cranberries often features electric guitar so that would be my weapon of choice in that case. Overall it depends on the ‘Vibe’ of a song. I play the instrument that fits the song best and compliments the singers as much as possible rather than playing what I personally prefer, even if that sometimes means committing to a less ‘flashy’ or interesting guitar part.”

Hillesheim is more often seen performing in a Blues club (with popular German band BlueSide), at a large outdoor musical festival, or even at major concert venues (as he did recently with Liquid Blue at the Staples Center in Los Angeles) but all of these ensembles are the contemporary Blues or Rock bands with which he is more commonly known to perform. Having spent decades in groups of this type, Stefan is extremely familiar with them and points out one major difference that he had to adjust for in playing guitar with Celtic Dreams…dancers. He remarks, “Celtic Music has a lot of colors to it. Many of the tunes are quite danceable and have sort of a jumping, galloping character to them; others are almost hauntingly emotional, melancholic, and full of heartache. I had the advantage of playing behind a number of great vocalists before so I was familiar with that role but the Dancing/Step Dance groups added another component to the show and I found myself playing behind a line of dancers.” Stefan more than exceeded the hopes of Celtic Dreams producers and performers as proven by the fact that he was immediately asked to finish out the tour as their guitarist. Not content with expressing this “accent” in his guitar playing, Hillesheim has currently relocated to the US to pursue his career and further his exploration of the American musical style of the Blues. If Stefan’s history tells us anything, we can be certain that this internationally acclaimed guitarist will be recognized amongst the latest generation of Blues guitarists.

 

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