While the films “All Lives Matter” and “86 Melrose Avenue” are completely different in scope and story, they do have two things in common– and that is Ukrainian siblings Viktoriia and Kostiantyn Vlasenko behind the scenes. As the costume designer on both films, Viktoriia designed the extensive wardrobe for each project all under the direction of her brother Kostiantyn, who worked as an actor and production manager.
A spectacular thriller directed by Lili Matta, “86 Melrose Avenue” also features Kostiantyn Vlasenko in the role of one of Marine. A dramatic film that never ceases to keep the viewer in suspense, the plot of the film is centered around a former marine who suffers from PTSD, and breaks into an art gallery where he takes hostages and forces each of them to face their past and impending death.
As the costume designer, Viktoriia faced an interesting challenge in the way that each of the costumes had to not only correspond to the character’s image, but it also had to give viewers important insights into the character’s past– a difficult task, but one she achieved seamlessly.
With the wardrobe created according to Viktoriia’s sketches, and under the direct supervision of Kostiantyn as production manager, the costumes exceeded all expectations of the director, who especially emphasized this when talking about the film. In addition to serving as the costume designer, Viktoriia Vlasenko also played a key role as a make-up artist and special effects specialist for the film.
Compared to the previously mentioned film, “All Lives Matter,” which was written and directed by Alonzo Dominguez, has a completely different dramatic tone. A sci-fi film featuring a cyberpunk boy from the future and his girlfriend, “All Lives Matter” offers a dramatic narrative built around a futuristic society’s rejection of the cyberpunk way of life, and the related twists and turns that ensue. The film develops the philosophical idea that even a futuristic society will not be ready to accept people who differ from the mainstream.
In this film, Kostiantyn Vlasenko again worked as an actor, as well as a production manager, while Viktoriia acted as the film’s costume designer, a familial collaboration which provided yet another film with truly spectacular chemistry behind the scenes. The tailoring of the costumes for the film was also carried out under the direction of Kostiantyn.
The creative collaboration of the Vlasenko siblings has already been seen repeatedly on set, with the brother and sister taking part in the filming of more than 30 films. Moreover, as a result of their natural energy and ability to multitask, both of them often combine several roles during filming. Viktoriia, in addition to working as the costume designer, acts as a make-up and special effects artist, where Kostiantyn, who is often acting in leading or supporting roles, also acts enthusiastically as a line producer and production manager, while also helping his sister to bring her creative ideas to life.
The camera is mighty! Able to sway the masses or speak to an individual’s innermost thoughts, film has altered the human mind in relation to all things. There’s nothing grandiose about this statement. The emotional power of the camera to move us is proven by the still and moving images embraced collectively by us all as a species. Italian cinematographer Vittoria Campaner recognized the magic of moving images early on and has committed her life to channeling it in order to relay messages of importance and inspiration to enlightened audiences. Her wielding this skill so masterfully has enabled her directors/collaborators to materialize the impactful messages to which all storytellers aspire. While still exhibiting her own proficiency and artistry, Campaner uses her visual sense to amplify the voice of the story. “The films I shoot are rarely conventional in their design,” proclaims Vittoria, who is known for her affinity for the long take and inclination to risk taking. “The directors I collaborate with,” she continues, “know this early. Ultimately, I believe that a DP must adapt in service to the story. The director’s vision must become my bible before I bring in my beliefs and thoughts. My work alters and mutates with each collaboration. Thus, my style can be present but should not dominate.”
Director Liang Zhao wanted to create a film as a love letter to her hometown of Guiyang, China; a film about how people can change in one’s absence. From A Distance shows how those you knew so well can seem unrecognizable and strange upon reintroduction. Understanding that the visual element of this story was demanding, Zhao acquired Campaner as cinematographer for the film. The tale follows a college girl named Yuan Yuan who returns home but, instead of rushing to greet her loved ones, embarks on a spying expedition following a couple and seeking to uncover the secrets they keep from each other. Following the protagonist’s POV closely, the camera indulges playfully in voyeuristic intrigue creating anticipation for a looming surprise. Through Vittoria’s visual contributions, we learn about these characters’ personalities and the connection between them as they engage in their everyday activities. As the DP explains: “We opted to make use of long takes to convey the sense of voyeurism and to play with expectations. What is our protagonist looking for? We also understand the limitations to what a voyeur can see. The camera can only tilt and pan, so vital information may be hidden behind walls. Looking at the neighbourhood from a fixed position, we wanted to make the audience a participant in this young woman’s gaze and to convey the curiosity she feels towards her former community, whom she views without judgment. This POV approach is reversed near the end of the film when Yuan Yuan herself becomes the subject of our gaze.” From A Distance is an Official Selection of this year’s Los Angeles Asian Pacific Film Festival, La Guarimba Film Festival, Flicker Rhode Island International Film Festival, and Bogotá Short Film Festival.
With director/actress Fabianne Therese Gstottenmayr, known for her work on the films Playing It Cool (starring People’s Choice Award Winning actor Chris Evans aka Captain America of the Marvel franchise) and John Dies at the End (starring Oscar Nominated Actor Paul Giamatti), Campaner collaborated on the absurdist romantic drama The Ex, currently in post-production. Starring Odessa Young and Monica Lek, The Ex is a near hyperbolic tale of the irresistible pull a former lover can elicit. The chase becomes literal as one woman pursues the other throughout the city. Award winning actress Odessa Young, one of the film’s two leads, espouses the positive benefits of working with a cinematographer of such consummate skill, declaring: “When I met Vitto her reputation as a cinematographer preceded her. She’s as deft and sensitive behind the camera as she is in real life, in her friendships and as a creator. Vitto is down for anything and her energy and dedication are palpable on set. She’s one of those alchemists with light and image who makes a small budget and a crew of friends feel like an affair of the highest caliber. I’d let Vitto film me any day.”
Once the Covid lockdown expires and the film industry resumes, Campaner is already set to take the cinematographer’s chair for a duo of tense yet drastically different feature films. For director Jamil Munoz she will DP Muslimah, a story about an American convert to Islam who falls in love with a Somali cab driver, which results in a complicated and forbidden romance. Bryant Terrell Griffin, well known for his decade-long tenure at Lucasfilm’s Industrial Light and Magic – where he contributed to films by George Lucas, Steven Speilberg, Gore Verbinski, Guillermo Del Toro, and others –, has procured Vittoria as his cinematographer on his Young Kings, which he will direct. Griffin illuminates his reasons for enlisting Campaner as follows: “I’m very visual when it comes to colors, compositions, space, and movement within a frame. Young Kings is an intense character piece in which I want to explore the interiority of the characters. I want to take internal restrained emotions, subtle and complex emotions, and visualize them without dialogue. It’s extremely difficult. That is what Vitto excels at in my opinion. She can take what’s inside and find ways to make it come alive on screen. Not through crazy tricks or camera moves, but subtle changes in POV, camera placement, angles, and lighting. She knows how to capture stillness in a way that is engaging. It’s very, very tough to do.”
For her part, Vittoria Campaner sees the camera as a communicative tool. Having filmed in so many different parts of the world – from China to Italy to Norway and North America –, Vittoria has cultivated her skill to allow the images and perspectives to transcend any spoken language. The filmmakers who seek her out for their productions recognize her ability to create intimate connections between the characters of these stories as well as the audience, often in a surprising manner.
It takes a unique individual to not only run a successful production in the modern entertainment industry, but also make sure it’s delivered on time. Being able to raise the necessary funding and keep the production on budget, while also managing an entire crew and ensuring the client is happy with the end result, are all key for a producer, all of which are skills producer Kim Shapiro has in spades.
A talented producer, Shapiro is best known for his ability to bring the creative visions of brands such as L’Oreal, Johnny Walker and FaceTune to life through eye-catching commercials. He has also made a powerful name for himself in the world of music videos as the part of the production team behind Nikki Vianna’s “Mambo,” which has nearly two million views on Youtube, “One Life” from internationally acclaimed music duo DJ Aron and Beth Sacks, as well as Eliya Sinai’s “Girls Like You” and Aviv Terner’s “Azman Azal.”
The music video for the recent hit track “One Life” by music producer DJ Aron feat. Beth Sacks, which was produced by Shapiro, was a whopping success, gaining over 110,000 YouTube hits in just two weeks.
Since its world premiere on September 26, the dynamic pop video has earned rave reviews within the dance and LGBT community, with thousands of fans from around the globe dubbing the hit track as “the new anthem.”
“The vibe of the music video is very fun, and yet emotional.” Shapiro says, “It has aspects of the LGBT community as the artist DJ Aron is a very big DJ in this community. The music video also shows a bit of a connection to the Black Lives Matter [movement].”
The track was written during the early stages of the intense Covid-19 lockdown as a way for the artists to give back to their devoted fans while keeping their hopes alive during the challenging times.
Considering the powerful message behind the lyrics, the team responsible for bringing the video to life required a clear understanding of the artists’ creative vision, something Shapiro has excelled in time and time again with all of the artists he’s worked with.
“DJ Aron and his partner Beth Sacks, are both well known and they’re amazing artists,” says Shapiro. “When I heard the song they wanted the music video for, I knew immediately that we were going to make it happen no matter what.”
Known for his focus, diligence and keen awareness of the various wants and needs of all parties involved, Shapiro’s work as the producer behind the project was integral to ensuring that the production flowed on time and came in on budget.
“Some of the challenges were to keep it all on budget,” admits Shapiro. “When I produce any project, I need to consider what the director wants, what my client wants, what the director of photography wants, and to make sure that each of them will get the most out of the shoot.”
His level-headed approach and effective team management was the driving force that not only led to a phenomenal shoot, but ensured every artist, cast and crew member were completely satisfied.
Shapiro says, “I feel very good about the end result of the video, I think everyone did an amazing job starting at pre-production and all the way to post-production when we edited the video and released it to the world.”
A real people person at heart, Shapiro knows exactly what it takes to succeed as a producer. With an overwhelming and expansive skill set to his name, he has continued to lead the way for cutting-edge productions in today’s industry. However, it’s his superb business savvy management skills that have set him apart from the rest.
Any good producer will tell you that a detailed budget, which requires constant attention, and the ability to expect the unexpected are essential to managing a production. Through his years of experience, Shapiro has mastered the skill of factoring in every single cost when it comes to budgeting, and he ensures that the money invested is accounted for and well spent.
He says, “My favorite part about what producers do is dealing with the money, it starts with creating a budget, and then making sure that everything will stay on budget as we move on with the creation of the project.”
His cosmic repertoire of success, which extends to writing, directing and producing, has propelled him to become a highly sought after figure amongst many international brands. Over the years Shapiro has been a key contributor to commercials for multi-billion dollar companies such as Johnnie Walker Scotch Whiskey, the leading French cosmetics company L’Oréal and the recent “Landing on the Moon” commercial for Artgrid, which was inspired by the first spaceship launch to the moon in 1969.
Launched in 2019 by the founders of the music licensing giant Artlist, Artgrid is one of the world’s largest websites for stock footage, where top cinematographers from around the globe can share their artistry in an authentic way.
He explains, “We booked a location that was built over a 100 years ago and we made everything look as if it actually was from the 60’s.”
To pull off this kind of detailed shoot required a team of experts, and it was Shapiro’s outstanding reputation that landed him the job, alongside his brother and business partner Don.
He adds, “Artgrid approached my brother and I to produce this project because they saw other stuff we produced before, and they knew that we’d be the perfect team to produce for them.”
The global impact of Covid-19 meant that the director and client were unable to travel to New York for the shoot.
However, with never being one to shy away from a challenge, Shapiro used his razor-sharp creativity to think outside of the box and adapt to the project’s unique shooting demands
“The main difference between this project and other projects I produced is that this time, my director and client were not physically on the shooting day, they were in Israel, a different country, and they saw everything through a zoom call.”
Considering the technical skills required to bring a global team together, it was Shapiro’s genius ability to manage every department online that ensured a seamless shoot.
He continues, “Something very interesting about it was that we had to connect the camera wirelessly to the computer so they’d be able to see exactly what the camera sees live. It was also very interesting to see the director direct the commercial from another country.”
Artgrid were so blown away by the tremendous success of his work, that they re-signed him to produce their next promotional video, which is set to be released later this year.
With a long list of incredible achievements to his name, it’s fair to say that Shapiro has truly established himself as one of the industry’s leading production experts.
His reputation precedes him, with colleagues and friends praising not only his diverse array of talents, but also his light-hearted and welcoming approach to every cast and crew member he meets.
“Working with Kim is always a fun and yet very professional experience,” says “One Life” production manager Scott Hansen. “He makes everything run smoothly on set and with a very happy mood amongst everyone that we work with.”
A man of many talents, Kim Shapiro has undoubtedly set himself up for an exciting career full of longevity, passion and success.
“I’m interested in producing projects that I have the feeling that’ll get a big crowd and that I’ll have fun making. I believe that if you enjoy what you do you don’t need to work a day in your entire life, and for that reason, if I can choose, I’ll choose the projects that I’ll enjoy working on the most.”
One of the greatest challenges for a working artist is finding a balance between their commercial projects and their personal creative projects. Photographer Nilangana Banerjee, who’s originally from Mumbai, India but is currently based in Los Angeles, CA, is one of the rare individuals who has managed to establish an inspiring career as a successful commercial photographer who continues to produce powerful personal projects as well.
As a commercial photographer Banerjee has shot for massive brands including Forever21, Nordstrom, GLAM LA, Walmart, Urban Outfitters, Beauty Influence, Hanhoo, Masqueology, Ross, Olivia Care, Dr. Skin Feed and more. In between shooting for international clients, she is also the in-house photographer for the fashion brand Jill Roberts, as well as the beauty and lifestyle company Beauty Architects. At the same time Banerjee maintains a relentless level of dedication to shooting her personal creative projects, for which she’s gained extensive international praise.
For Banerjee, balancing a demanding commercial photography schedule and maintaining the energy and creativity to continue shooting her personal vision is all about time management and keeping the inspiration flowing.
“I read, research and undertake creative writing of the topics I want to work on in the near future, in order to line up my projects. This allows me to stay engaged and motivated to retain my creative edge and keep productive,” explains Banerjee.
“I also make sure I shuffle my artistic medium to take the productive break from the photographic medium by parallelly engaging in creating art across different domains like painting, making mixed media projects, composing music, playing the guitar and singing.”
Over the years Banerjee has earned numerous awards for her work as a photographer, which includes being named ViewBug Photo Contest’s 2020 Community Choice Award winner in the Image of the Month, Inspiring Landscapes, The Wonder of the World and Change of Seasons categories, as well as the contest’s 2020 Choice Award winner in the Monochrome Masters Project category, and their 2019 Peer Choice Award winner in the Image of the Month and Emerging Talent categories. She also earned the 2018 Peer Award in the Fashion category and the Celebrity Award in the Image of the Month category from the ViewBug Photo Contest, in addition to being named the 2017 winner of the Monochrome Awards (conceptual category) at the International Black and White Photography Contest, the International Color Photography Contest’s Chromatic Award winner (conceptual category) and many more.
Banerjee is lauded for her creative eye and her ability to capture photos that lead viewers to think deeply about the subjects she tackles– such as social issues and those concerning mental health.
One photo series that has made Banerjee stand out in a big way is her open-ended narrative project “The Selves,” which focuses on the psychological craving people have to become an ideal individual and the utter dissatisfaction they experience when judging their existing self to be somehow less than ideal.
“The Selves,” which Banerjee is continually expanding, was featured in the 2017 Photo Ville global exhibition in Brooklyn, NY and the Dark Arts Exhibition at the Squid Ink gallery in Los Angeles, CA, as well as by the California Council of Arts and at the Black Box Gallery in Portland, Oregon.
“The series ‘The Selves’ is an artistic manifestation of the internal dialogue… a conflict an individual has with their inner selves in the process of choosing who they truly are or who they shouldbe,” explains Banerjee.
“The message of this series is simple– it aims to provide a face to the abstract psychological headspace of an individual plagued with the necessity to fulfill the un-demanded and unwanted responsibility of being the ideal self.”
Through Banerjee’s lens and visionary art direction, “The Selves” captures the sense of exhaustion and self-loathing that ensues when a person is entangled in an endless effort to become something or someone different. The series is filled with dark, almost gothic elements, with the photos giving way to the overall feeling that the subjects are trying to submerge parts of themselves.
Growing up in India, Banerjee experienced first hand the way societal expectations lead people to ignore their true nature in pursuit of an ideal, oftentimes at the expense of their mental health.
“I drew my inspiration from being a part of a culture that stresses the need to be one’s ideal self at any cost,” Banerjee explains. “In most societies or generally in the world we don’t see these mental turmoil being acknowledged as real issues unless they present themselves in their aggravated forms.”
As an artist, Banerjee uses her craft as a way to shed light on many of these issues in a palpable and poignant way.
She adds, “Believing in the quote that a picture is worth a thousand words, I feel that it is important to create art that spreads awareness and initiates the conversation about these preliminary issues which is required for the social stir we need to un-plant these seeds giving rise to an unhealthy society.”
Some of Banerjee’s other successful personal series include “The Anomalous,” which was featured on the June 2020 cover of the fashion editorial magazine GMARO, and “The Lullaby,” which has been featured in Daily Style entertainment, Brooklyn PR Girl, Hollywood Patch, So Reckless and more.
“She works harder than anyone else and puts as much into her shoot preparation and execution as she does on her post-production. Her avocation and relaxation is by doing artwork,” says fashion model Daniel Kinske. “Her candid stills are also artistic in her approach to the finishing touches. Her care and attention to detail are the same for all subjects and her direction is very easy to follow and reassuring.”
When she’s not shooting personal projects that carry powerful messages, Banerjee is busy working as the inhouse photographer for Jill Roberts where she is in charge of shooting the fashion brands products, accessories and clothing line. Along with photographing all of the Jill Roberts products, as well as those for the company Beauty Architects, Banerjee’s role as an inhouse photographer includes handling all of the post-production and editing, as well as wardrobe styling and art direction for the shoots.
Banerjee says, “Since I work as an inhouse photographer at two companies while simultaneously dealing with numerous brands and freelance commercial clientele, which all run on present project timelines, balancing the time between the commercial photoshoots while still working on my personal creative fine art conceptual project is the main challenge,”
While the process of balancing commercial photography and personal projects is a tricky one, Banerjee has managed to accomplish just that by creating an efficient schedule, something that she believes, along with self-discipline, have been key to her success.
“Planning and effective time management is key… I am able to maintain this balance by having a very planned timetable for myself that enables me to achieve every single thing I want to accomplish on a daily basis and meet all my goals, without compromising the quality of my work,” she explains.
“I have a disciplined schedule which starts very early and I follow the habit of creating a detailed plan map which I draw out for the following day, the night before. I follow it, religiously every single day and utilize time efficiently. This is what allows me to achieve everything I set.”
While most of us have encountered the image of the artist who struggles to get by as they spend their time doing nothing but following their creative and often sporadic inspiration, it doesn’t have to be that way. More and more artists, like Nilangana Banerjee, are proving that it’s possible to successfully meet the demands of their clients in the commercial sphere while simultaneously maintaining a strong creative output of personal work.
Becoming a successful and sought after audio engineer in the modern film industry requires someone with a meticulous ear for detail, and the ability to balance the mechanical aspects of the production’s music and overall sound, which includes everything from the sound of rain drops to the actors dialogue.
The audio engineer’s role on a film or TV production is vast and varied, with some projects calling them in to specifically edit the score or the project’s dialogue, and others requiring them to oversee the entire body of sound. Being able to not only solve any technical issues concerning the sound, but also being able to think creatively outside of the box while serving the artistic vision of the production is key.
We needn’t look further than audio engineer Mateo Barragan, who served as the score editor on “Deadpool 2,” to see the vast nature of skill that is required for an engineer to become a successful force in the industry. There’s no question that his mastery of recording, mixing and reproducing sound, all while actively listening to what the artist wants and what best fits the production, have made him stand out in a big way.
Mateo says, “To put it simply, my work as an audio engineer could be divided into three different aspects: recording, editing and mixing.”
Throughout his impressive career, Mateo has worked on everything from engineering the audio on voice-overs for video games and multimedia projects to recording Grammy Award winning albums and editing scores for hit TV series and multi-million dollar films.
Over the past few years he’s become known for his work as an audio engineer involved in major films such as the Oscar Award winners “First Man” and “La La Land” starring Ryan Gosling, the 2018 comedy “The Spy Who Dumped Me” with Golden Globe nominee Mila Kunis (“Black Swan”), as well as the BAFTA Award winning video game Life is Strange 2 and Vicente Fernandez’s Grammy Award winning album “Un Azteca En EL Azteca.”
One thing that makes Mateo’s work unique in comparison to most other fields is the degree of difference between his role on one project to the next– which means both his technical knowledge and creative abilities have to be incredibly expansive in order to successfully meet the varying demands of each production.
“I would say that one of my strongest qualities as an engineer is being able to adapt to any of the situations that come in my day to day work. I know there are engineers that focus on one specific type of work and I totally respect that, when I moved to LA I initially just wanted to work in music,” explains Mateo, who has spent the past four years as an audio engineer at Igloo Music Studios.
“Because of the wide range of clients and projects that Igloo Music has, I had to learn from recording a band, editing an orchestra for a movie score to record dialog for an animated series or a video game. Each of these projects have their different workflows but you still need to be able to deliver your best work as an engineer so adapting to all situations is essential.”
Adaptability, drive and passion have all been key to Mateo’s success. In 2016 Mateo landed a key spot as an audio engineer at Igloo Music (“A Star Is Born,” “Mary Poppins Returns”) founded by five-time Grammy Award winning engineer and producer Gustavo Borner.
It was through Igloo that Mateo was tapped to come on board as the score editor of the hit Marvel film “Deadpool 2” starring Golden Globe nominee Ryan Reynolds (“The Proposal”) and Josh Brolin (“Avengers: Endgame”).
As the score editor of “Deadpool 2,” which grossed over $785 million dollars worldwide and took home numerous awards including four Golden Trailer Awards, Mateo played an integral role in ensuring the film’s music seamlessly matched up with the final cut viewed by audiences.
“We recorded a full orchestra, percussion plus a choir,” explains Mateo. “It is important to edit the recorded music of a score because we are looking to obtain the best quality of sound for the music while maintaining the musical performance of the musicians.”
Working with a brilliant score composed by Tyler Bates (“Guardians of the Galaxy,” “John Wick”), it came down to Mateo and the team at Igloo to digitally edit out any background noises while also ensuring the timing of the score matches the necessary parts of the film.
He says, “Regarding timing we have to make sure that the recorded music fits in naturally with all the other elements of the music… [But] it is really important to never ‘over edit’.”
Following the success of his work on “Deadpool 2,” Mateo was called in as the score editor on the Neil Armstrong biopic “First Man” directed by Damien Chazelle (“La La Land,” “Whiplash,” “10 Cloverfield Lane”).
The critically acclaimed masterpiece, which depicted the life story of American astronaut Neil Armstrong and the legendary space mission that led him to become the first man to walk on the moon, led Mateo to once again work alongside score mixer Nicholai Baxter (“Aladdin,” “The Disaster Artist”), whom he worked with on “Deadpool 2.”
“On this specific project my role was very demanding because of the tight deadline we had, we needed to edit everything that was recorded immediately,” explains Mateo.
“To put it in perspective, Nicholai was recording the orchestra at the scoring stage during the day. At night we would receive the recordings, we’d do a backup of the recorded files to our drives and then start editing immediately.”
Mateo’s meticulous attention to detail, dedication, and ability to quickly solve audio problems once again proved to be integral to delivering a seamless edit for the film’s score. In the end, “First Man” was a major hit, with the film taking home an Oscar Award, as well as over 190 other nominations and 31 awards.
“Mateo has been part of Igloo music for almost four years now and he has taken part in several projects during this time. We have worked together on a couple of albums such as ‘Un Azteca En El Azteca’ by Mexican artist Vicente Fernandez, two MTV Unplugged Albums/Dvds, and on several films such as ‘Deadpool 2’ and ‘Hobbs and Shaw’,” says Igloo founder Gustavo Borner.
“He is not only a skilled engineer and knowledgeable on the technical aspects needed for each project, but he is also a very dedicated person and always brings a great attitude to the team which is also a very important aspect of working with people.”
Undoubtedly what has set Mateo apart from others is the knowledge and skill that he has developed over the years which has allowed him to easily transition from one project to another. For example, shortly after working as the score editor on the hit films “Deadpool 2” and “First Man,” he was able to pivot his attention and take on the role as the dialog editor on the animated YouTube original series “Sherwood.”
A refreshing take on the classic tale of Robin Hood created by Diana Manson (“Lucky Break”) and Megan Laughton (“Peter Rabbit”), the series tells the story of 14 year-old Robin and her friends, who embark on an inspiring journey to overcome inequality in a fight for justice.
As the dialog editor of the series Mateo was in charge of making sure the audio was as clear as possible, which meant removing any background or mouth noises from the part of the actors, as well as ensuring that the dialog matched up with the script and the visuals. With millions of views, “Sherwood” was yet another hit program where Mateo’s work as an audio engineer proved invaluable to its success.
“I really enjoy working in voice over projects for series and animations however my passion and love will always be with music,” admits Mateo. “Being in a city like LA gives you the opportunity to meet and collaborate with so many talented musicians, artists and producers.”
With a booming track record of success, Mateo Barragan is a prime example of what it takes to become a powerful force in the industry. At the end of the day, it takes more than just talent to make it as an audio engineer in film and television, it takes the ability to transition between projects and handle various roles with ease, something Mateo has proven time and time again.
Upon warmly meeting Sarah Nasri, her personable and empathetic nature is immediately palpable.
One might think that this energy is what affords her the ability to transcend different cultures and borders around the world with acting in international projects but, ever-so-casually, she informs us that she speaks multiple languages.
“I’m fluent in more than half a dozen languages including Arabic, Spanish, and French,” she adds with a laugh, “as well as obviously English.”
It’s a combination of this internationalism that clearly imbues within Sarah an inherent understanding of the human experience, a point which lies at the center of any successful actor’s career. It should come as no surprise then that Sarah’s career, in the midst of a global pandemic when people are grappling for stories now more than ever, has continued to thrive.
Originally from Tunisia, Sarah found a love for acting when she was 17 years old during summer break. After watching Leonardo DiCaprio give an interview and describe his creative process, Sarah was inspired to explore acting and a more artistic career path.
“Even though I had already been doing it a few years, I discovered a deeper love for acting after leaving the confines of school, one that I was able to refine and cultivate even more with the freedom to explore different topics away from the syllabus.”
“For instance, one of the most vital areas in contemporary aesthetics concerns the experience of so-called “negative” emotions in an engagement with fiction…our imagination is powerful, and acting gives me an opportunity to tap into that.”
Sarah’s childlike curiosity has remained a constant despite the growth she has experienced in her career. Such a quality will undoubtedly serve her well ever since standout performances have attracted the attention of notable Hollywood producers.
One of those performances, for instance, was in the horror film Childhood Chills. Her gripping portrayal as a nun struggling to survive after her best friend has been attacked by an unseen evil, alongside Ashton Solecki and Curt Darling (Devil’s Hallow), is an obvious standout and distinguishes a crucial moment in the arc of the film. In each moment, Sarah echoes the audiences’ obvious terror while maintaining a commitment to her character in each and every extreme close-up frame in which she appears on-screen.
When watching her, Sarah’s particular understanding of how to balance temperament and feeling with advancing the story – never crossing the line of self-indulgence – is readily apparent. It’s a mark of a great actor.
“Every form of art including acting has to have an arc, it should go up and down just like life. Otherwise, it will seem flat and uninteresting to the viewer,” Sara explains. “I always look for the high, the low and the ‘fake high’ in every script.”
Sarah also explains how she incorporates a variety of approaches to a script, depending on the storyline.
“I [also] look for the music that I feel supports the atmosphere of the project and create a playlist from that – I find that really helps stimulate ideas about my story and creativity in general. ”
It’s this structured but also malleable attitude to approaching her craft which has not only served Sarah with an understanding of how to work across countries, but also genres too.
Any director who’s worked with her praises her understanding of finding the humour in darkness, and the darkness in humour.
Such is the case with her work in ‘Losing Your Marbles’, in which Sarah appears alongside The Art of Acting star Derick Gonzales. In that project, Sarah portrays a childlike introvert named Jenna, who struggles to overcome the recent death of her mother and is afraid to confront life on her own. In a moment that is incredibly affecting but also challenging and hilarious to watch, Sarah’s character discover’s Forest’s (Derick Gonzalez) love for her and the confusion she faced, whether to welcome him in her new life or not.”
“What I like about comedy is that it allows you to criticize and deliver a message in an unapologetic manner. Drama, on the other hand, sheds a light on the dark realities of life.”
Comments such as these point to the universal relevance of Sarah’s mission as an artist, and her burgeoning curiosity in the American market – the American market’s curiosity in her.
“I’ve been fortunate to have been offered contracts to work in America, so I’m excited to contribute to the industry and connect with fresh stories, especially in the aftermath of COVID-19.”
As the entertainment industry looks to recover past a year marked by struggle, fresh stories – and exciting talent – are indeed in demand.
Today millions of people work remotely, a luxury that affords them the freedom to manage their time without the constraints of the traditional 9 to 5, travel at will and oftentimes live wherever they want in the world. Even with the many that have managed to break away from a life of going into the office, there are millions more who are still desperately trying to figure out how to create a remote career for themselves.
A few years ago Russian blogger Polina Pushkareva, who’s known internationally by her instagram handle @nioly where she has over one million followers, figured out how to create a successful remote career for herself through blogging and social media.
She says, “Dedication, and a deep understanding of how social media functions and analytics,” are among the most important qualities to be successful in her field.
Gaining an astonishing level of success, Pushkareva’s expertise as a fashion blogger has led her to be featured in the Russian editions of Vogue, GQ, Grazia, Cosmo, Kommersant and more. She is also a columnist for OK Russia, where she regularly gives advice on blogging, with articles that include “Thinking Strategy that will Lead to High Income,” “Organizing work with Clients in the Freelance Market,” “What Character Traits Will Help You Succeed?” and many more.
“It all started in an ordinary cafe. I sat at a table and took pictures of cheesecakes for my Instagram profile, which at that time consisted of 300 subscribers,” recalls Pushkareva. “I was noticed by the owner of the establishment and offered the job as a social media management specialist. This is how I got my first job in the online field. After a short period of work with commercial accounts, I was recommended as a good specialist to a blogger.”
What makes Pushkareva so unique though is the way that she took her career beyond simply blogging. Using the knowledge she’s gathered over the years, she created an online program to help other people establish successful remote careers of their own.
Last year she launched her first online course, “Managers,” which was an instant hit in Russia. The course taught subscribers how to manage other people’s blogs, essentially helping them to learn how to become a universal specialist capable of doing everything from writing posts and purchasing advertising for promotion to targeting audiences and creating the blog’s visual vibe.
“When I realized that I couldn’t cope with my many responsibilities anymore, and 24 hours a day wasn’t enough, I began to think about training assistants for myself…. that’s when I unconsciously identified the urgent need all bloggers have for a qualified ‘helper’,” explains Pushkareva.
“That’s how I created my first course, ‘Managers.’ It was an absolutely spontaneous project. But it sold out completely on my first day of sales, even though my blog only had 30 to 50 thousand subscribers at the time. The first round was immediately followed by the second, third, and fourth editions.”
With a million followers herself, and also managing blogs for brands and celebrities with millions of followers, Pushkareva was constantly overseeing the output of creative content to meet the demands of her various audiences.
She quickly realized that an opportunity to create a new career field in the social media industry existed– one that would help the bloggers, as well as those who wanted to create a remote career for themselves. This was a few years ago, and at the time the idea of someone being specifically trained to manage other people’s blogs and instagram profiles hadn’t fully taken off yet– Polina was on the forefront of a new industry.
“The popularity of my course grew instantly. After all, this info product had a specific goal to help both sides at the same time. All the talented people got an opportunity to learn a remote profession, and bloggers freed up their time for more important and interesting things,” explains Pushkareva.
One of the key reasons Polina’s course was such an instant success, and something that speaks to her keen insight as a business developer, is the mutual benefit she saw in creating the role of a social media manager.
She says, “Bloggers are people who live a normal life, but also have a great responsibility to their readers. They have lists of things to do on a daily basis besides blogging. And all these bloggers have long been in need of such a helper to free them from the routine stuff on Instagram, such as buying ads, creating content, and writing posts.”
Since 2019 Pushkareva has trained hundreds of thousands of people through her “Managers” course, which pulls from her years of experience as a blogger and her knowledge of what it takes to successfully manage all aspects of a blog and instagram account from the front and back end in a way that makes everything run smoothly and increases traffic.
Though she’s still in her early 20s, Pushkareva has accomplished more than most, and it seems everything she does, she does well. Not only was she named Fashion TV Russia’s Best Extraordinary Blogger in 2019, but she also recently took on her first ever acting role, and it was no small feat. She recently wrapped production on the upcoming feature film “WarHunt” where she acts alongside none other than iconic star and Oscar Award nominee Mickey Rourke from “Sin City,” “The Wrestler” and “Iron Man 2. ”
“We invited Polina to act in the role of a radio operator. As a blogger with one million followers, she will help us to attract a younger audience to watch this film. The shooting was in Latvia, in Riga. I was impressed by her self discipline,” says Julia Kim-von Den Driesch, one of the producers of the film.
“She is not afraid to try new things, she is not afraid to fail. All of her ups and downs are part of transformations and developments. She has a sixth sense in visual content. I think she is doing the right thing so that her generation can become independent from their circumstances.”
As a blogger, Pushkareva is a leading figure in her field, and as such, she’s been invited to give talks at the well-known international business forum, Synergy, which has featured other powerful speakers such as Tony Robbins, Sylvester Stallone, Arnold Schwarzenegger and many more.
Polina Pushkareva’s story of how she got to where she is today is one that reaffirms the power of self-determination, and it’s inspiring. Originally from Kovrov, a small town in eastern Moscow, Russia, Pushkareva worked as a waitress to put herself through school while studying sociology at Saint Petersburg State University. The owner of the restaurant she worked at approached her with a curiosity about social media so Pushkareva took it upon herself to learn everything she could about the business.
“I did not have any clue about this field, but I needed to earn extra money as a student. I told him yes and I started to learn and try something new with social media management everyday. This moment changed my life,” recalls Pushkareva.
“A couple of years ago the huge number of Instagram promotion training courses out there now weren’t available, so I had to learn all the skills necessary for the work by myself, watching videos, looking for and collecting all the information on the internet or from friends who were already well versed in this field. In addition to working as a manager on my blog, I also tested all the existing ways of promotion.”
She quickly took note of the rise of social media and the potential it offered to create a lucrative business, and she knew she could make more money. While in college Pushkareva made a trip to the U.S., which proved to be a major turning point for her.
She explains, “I flew to America on an exchange program and that’s where I realized that I urgently had to do something with my life… I realised that US bloggers needed a manager… At the time, the profession didn’t even exist, nobody knew what the job of a ‘blogger manager’ was… I knew exactly what I wanted to do in the future and I started to independently develop schemes and mechanisms of net promotion.”
Pushkareva’s newest course is called “Millionaires,” which is targeted towards training people to use social media to increase their personal income and become millionaires. Since releasing the new 11-day intensive training course in January, she has trained 4,000 people. The course, which is currently geared towards Russian speakers will be available in an English version at the end of the year.
She says, “Million follower bloggers is a new trend in our reality. To handle everything related to the blog professionally you have to be surrounded by a professional team… on the new course I teach people how to become a millionaire, how to deal with blogs of a million subscribers and how to manage everyday life.”
For Pushkareva, who began her own instagram by blogging about ‘student life, coffee, guys, and dreams,’ the platform has been hugely lucrative. Today, with one million followers herself, Pushkareva’s instagram account @nioly, takes audiences on a journey across the world with every picture telling a story.
Producer Julia Kim-den Driesch says, “Polina motivates people to do things and to move towards their goals. She built a strong and recognizable brand called @Nioly. Millions of followers watch her and she is a role model for young and dynamic girls around the globe, and she has a mission to provide affordable online education as a blog manager.”
Seeing how instagram and blogging could be a powerful tool for brands to gain attention and for people around the world to tell their stories, and the growing number of people in search of the digital nomad lifestyle, Pushkareva has become a sought after leader in the digital generation. With all of the opportunities she’s made available online, Pushkareva is one of the people who have helped make the days of being tied to a desk, one country and a predictable lifestyle something that is optional, not mandatory.
A proven master of composition who understands that music is key in setting the tone of a film or television series, Gabriel Torrado is one composer who’s in high demand in the entertainment industry today. With an ability to create a piece of music that matches the director’s vision perfectly, his track record of success has led him to work alongside internationally recognized filmmakers and well-known networks from around the world.
Torrado’s extensive work as composer includes creating the music for numerous network television shows, including the four-time Primetime Emmy Award winning series “Life Before Zero” on National Geographic, Bravo’s two-time Primetime Emmy Award nominated series “Million Dollar Listing New York,” VH1’s GLAAD Media and Golden Derby Award winning series “RuPaul’s Drag Race,” the hit Netflix series “Dancing Queen” and Bravo’s “Real Estate Wars” among many others.
Raised in Bogotá, Colombia, Torrado began developing his musical talent at the age of 4 when he received his first violin, a pivotal moment in his life that eventually led him to cultivate his skills on the piano, guitar, numerous percussion instruments and ultimately, writing music.
Most recently, Torrado composed the score for Auden Bui’s (“The Lost City of Tomorrow”) dramatic film “Dream Boy or the Pursuit of Being” starring Jordan Prentice from “Mirror Mirror,” “In Bruges” and “Howard The Duck,” and Anna Lore from “Doom Patrol,” “Faking It” and “Training Day.”
Showcased at the 2019 Oscar qualifying Aesthetica Short Film Festival, one of the UK’s leading international festivals, “Dream Boy or the Pursuit of Being” tells the story of George Swoot, a middle aged little person who struggles to catch his big break in Hollywood. Torrado’s score set the perfect tone for the film, with his use of low pulsating beats and the sound of shimmering lyrical pads bringing the sombre character to life in a palpable way.
He explains, “The overall effect that I was trying to achieve with my music was a dreamy, ethereal sound, using a very melodic approach to synth writing.”
The storyline begins with George sitting alone in his car confronted by rejection and sadness. Feeling defeated by society and unable to escape his loneliness, he enters a seedy strip club to find comfort from an exotic dancer.
“I used a high melody of synths to open the scene, and then built intensity by adding more layers,” explains Torrado. “As the dance gets more active, I also include a rhythmic synth that sets a forward moving pace.”
The pivotal moment of the film is when, in a moment of pure desperation, a wrong decision in a dark back alley leads the character on a revenge fueled killing spree. Torrado draws our attention to the film’s climax with a driving heartbeat like rhythm that effectively highlights the action.
“This is a very tense moment, and I wanted to highlight that using a low, pulsing, dark synth,” Torrado adds. “As things escalate, our main character becomes a killer… I marked the action with loud percussive synth hits, which ended up being extremely effective.”
Torrado’s keen understanding of the narrative story and his ability to create rhythms and melodies that drew the audience into the unfolding story were key to the overall success of “Dream Boy or the Pursuit of Being.”
“I think the music has a huge responsibility in film and to me it is fascinating the fact that we are creating worlds and landscapes with music,” says Torrado. “I have always loved music and film, so being able to write music for film is undoubtedly my dream job.”
Over the years Torrado’s work as composer has helped lead countless films to be chosen as an Official Selection at some of the world’s most esteemed international festivals. Earning international acclaim for his work, Torrado was the composer behind the film “The Plague,” which received the Jury Prize at the First Look Film Festival, “Manmade Waters,” which earned the Best Conservation Film Award at the Catalina Film Festival and “Margaux in America,” which took home the Award of Excellence for Female Filmmakers at the Best Shorts Competition.
Not only has Torrado’s musical journey taken him into the lives of intriguing characters and fascinating cinematic stories, but it has taken him across the world, literally.
In 2011 Torrado’s love for music led him to move to the US to study at the world renowned Berklee College of Music, which was ranked No. 3 on the 2019 Forbes list of top schools in the U.S and is responsible for producing notable Hollywood alumni such as John Mayer, Quincy Jones, Charlie Puth and many more who have achieved commercial success in the entertainment industry.
Torrado says, “I always felt profound admiration for classical and film composers, and so once I got accepted into Berklee, I felt very encouraged and decided to pursue a career as a composer.”
Berklee served as a pivotal stepping stone in his path to becoming the powerful composer that he is today. Shortly after graduating he relocated to Los Angeles where he co-founded his own film and music production company, Waking Whale, alongside his brother, film producer and director Federico Torrado Tobón. While Torrado is a proven master when it comes to composing scores for film, he also has a powerful gift for creating the perfect tune to fit advertising projects, which need to catch the audience’s attention quickly.
Through Waking Whale, whichspecializes in writing and producing original music for advertisements, Torrado has composed music for reputable brands including Mountain Dew, the NBA, Coca-Cola, Spectrum and more.
In 2018 Torrado was tapped as the composer for Spectrum’s FIFA World Cup commercial, which screened across the U.S. for several months during the World Cup and featured an upbeat composition that drove home the excitement of the international competition.
“Gabriel’s music was energetic and celebratory, the perfect composition for a World Cup commercial,” explains Carlos Correa, who produced the commercial. “If the music doesn’t capture the audience they might change the channel and that’s something we cannot risk, so it is imperative that we use effective music, and Gabriel can do that at the highest level.”
Further adding to his success, Torrado’s skill at composing for Spectrum led the brand to rehire him as the composer for three more of their commercials. In addition to composing for film, television and major advertisements, Torrado uses his talent to craft orchestral compositions, which he says, “are the purest expression of my art.”
One orchestral composition that he’s been busy creating is his newest passion project “Serenade for Strings,” which has earned him a place in the internationally recognized Jóvenes Interpretes competition in Colombia.
Torrado shares “The inspiration for this piece came from a yearning to write concert music as well as music for media. I have always admired classical and concert composers so I also wanted to create music for the sake of music.”
Torrado’s knowledge and experience married with inexhaustible passion and drive have cemented him as one of today’s most prominent music composers. Whether it’s a catchy advertisement jingle or a nail-biting thriller, Torrado fuses emotion into every piece of music he creates, which has helped pave the road to success for every project he’s worked on.
The work of a motion graphics designer is arguably one of the more challenging creative professions to define in terms of what’s required due to the multitude of skills it calls for from one project to another. Depending on the project a motion graphics designer could be exercising their skill as a designer, animator and storyboard artist one day and an editor, illustrator and 3D artist the next. It is through the modern art of motion graphics that images, text, graphics and sound take shape to tell a story through moving images.
The combination of colors, text, styles, images and whatever else the artist wants to include are virtually endless, and that’s what Italian motion graphics designer Emanuele Marani loves most. Some of his most recent work includes the new Facebook Faceversary animation videos that debuted in February, the opening logo motion graphic for New Republic Pictures founded by Academy Award-nominated producer Brian Oliver, the opening title for “The Morning Show” and more.
As a motion graphics designer Marani has designed commercials, idents, advertisements and more for the likes of Baskin Robbins, Oreo, Target, Apple, Facebook, Uber, BMW, Apple TV, Adobe, Oculus, Instagram and countless others. Growing up in Italy, Emanuele Marani loved to draw, as well as shoot photos and tell stories through film; yet, he found each of the mediums to be too limiting on their own.
“I felt really limited by having a still frame or a drawing as a form of my expression, this was a huge problem for me- I wanted to see what I had in my mind taking life. I was looking for something that was able to mix my passion for storytelling, drawing, photography and film.”
Upon discovering the world of motion graphics Marani fell head over heels in love– finally, a medium where all of his interests could intersect to create whatever he imagined. As a man with a seemingly endless well of creativity, Marani has not only managed to stay ahead of the curve in the ever-evolving industry, but he’s also established himself as an innovative force.
Last month Marani earned a Bronze Award from the 99th annual ADC Awards for the opening title he designed for “The Morning Show,” which airs on Apple TV+ and stars household names Jennifer Aniston, Reese Witherspoon and Steve Carell. Earlier on his career Marani was also recognized with numerous awards, including the PromaxBDA Silver and Bronze Awards, and the Silver and Bronze World Medals from New York Festivals for his work as a designer on the 2013 Italian promotional campaign for season eight of the hit series “Criminal Minds.”
Over the years Marani has worked as a motion graphics designer for numerous TV networks such as Fox Channel Italy, MTV Germany, MTV Italy and Italy’s leading TV network RAI, as well as legendary studios including Elastic TV, Psyop LA, Buck LA , Man vs Machine LA, We Are Royale, Hello Scholar and more.
Needless to say, Emanuele Marani is among the industry’s best and most experienced artists to shed a little light on the field of motion graphics. In our interview he fills us in on what goes into the job, some of the keys to success and above all, the importance of remaining authentic and staying true to yourself with your work.
So, what led you to motion graphics– how did you first discover the field?
EM: When I was in high school I used to borrow my dad’s old reflex and camera to shoot photos and videos, and create short movies with friends. I felt a strong passion for drawing, but I felt really limited by having a still frame or a drawing as a form of my expression, this was a huge problem for me- I wanted to see what I had in my mind taking life. I was looking for something that was able to mix my passion for storytelling, drawing, photography and film.
While researching film schools in Rome, I discovered an institute of design that was doing an exhibition with projects from recent graduates. It was in that moment that I discovered motion graphics, I instantly fell in love. Through motion graphics I found a way to mix all the different techniques that I’d always loved and create what I’d envisioned in my mind without any limits.
For those who don’t know, can you tell us what a motion graphics designer does?
EM: I can really only say what a motion graphic designer is for me from my perspective. The motion graphics designer has to know how to handle all the different techniques that will help develop the story.
So for me, it’s not a 3D artist, it’s not an illustrator, and it’s not an animator, but someone who does a bit of everything. But most of all, besides the technique, they have to know how to tell a story, and make that story interesting, to catch the attention of the viewer using the right design and language depending on what the story and the concept is about. They also have to know how to tell a story with the right timing and point of view. So basically for me a motion designer is both a designer and a director who has the power to create an interesting visual story.
What is it about motion graphics design that you love?
EM: That’s simple. The freedom that it gives you in terms of storytelling. There’s always the potential to find a way to tell the story you have in mind using different techniques, the only limit of motion graphics is your mind.
Where do you get your inspiration from and how do you maintain your creative edge?
EM: This is a hard question. It’s hard to predict what can inspire me. I can talk about real inspiration, but that can be different from the creative process you have to deal with when you work on a project with a deadline.
Creativity is something that’s born from your mind and your thoughts, so I can get inspiration from different things. Sometimes it can be music and the environment we are surrounded by, and other times it can be a person you’re talking with, a place you’re visiting, some specific image, painting or sculpture that gets your attention. Anything that makes my mind vibrate. The most important thing is to find a way to travel with your mind and your thoughts and let the inspiration come to you. Honestly, the times when I force myself to get inspired are the times I never find the inspiration. I think there are no rules about getting inspired, everyone has his one way. Creativity is about your individual mind, it’s about getting your thoughts to move freely… if your mind is not free I’m not sure you can be creative.
Can you tell us what you feel is needed to be successful in the industry, how does someone set themselves apart? EM: When I started the industry was not as competitive, but over the years it’s become really hard to be successful and unique in this industry. I see a lot of really good designers, but also a lot of the same stuff. I think that more than anything the most important thing is to be yourself and follow what you really love. The saddest thing you can do is copy someone else, just because you see that kind of stuff is working doesn’t mean that you need to follow the same rules.
It is rare to find someone with an original point of view and something interesting to represent. You can put a lot of creativity into a single frame, but this only comes if you follow yourself and what you really love, otherwise you’ll just be a boring copy of something else.
The tool that can help you to be successful is yourself, not the techniques, but your creativity and your ideas. With all of the social networks and the way things are now, especially with instagram, so many people are interested and getting likes and followers so they just start to create things following the current hype, making what everyone else is making because that is the trend. I think that we need to take the time to stop and experiment by ourselves, to make mistakes and learn from them, and to step by step understand our unique characteristics that can make each of us unique, interesting and successful as individuals.
What are some of the changes and advances the motion graphics industry has seen in recent years, how is the modern industry different than say, 10 years ago?
EM: Yes sure. The industry has changed a lot. The technologies and the software right now are more accessible and easy to learn with a lot of tutorials online, and there’s huge power with the current software allowing you to develop something really professional from your home. You need to know a lot of technologies and techniques to stay competitive. The evolution has led the market to run faster and faster, and make the competition more intense, but it’s also given birth to a lot more studios and companies, which has two sides. On one side it is pretty positive since those who have talent are able to express themselves easily, and they have more opportunities to get noticed and start a career in this field. There are more work opportunities and the chance to prove yourself. On the negative side, or as I see it, is the risk of losing the creativity and originality in order to run and follow the rhythms of the market. There’s the risk of becoming just a machine that produces a product because there is less time to work on personal projects, to experiment and do what you need to in order to keep the creativity high.
How do you stay up to date on the advances in the industry? EM: I think that really depends on what kind of jobs and projects you are looking to work on and your approach to the industry. In terms of the techniques and software, it’s starting to get harder year by year since there is alway a new release from the software house and the plug ins etc., so you just need to keep learning and understanding what’s going to be useful for you and what’s not, in order to stay competitive but also to use your time wisely and stay focused in the right direction.
You also need to stay updated about the design languages that are used in the present market. It’s not hard nowadays to stay updated on all of this. You can follow what the studios are releasing thanks to the online platforms, and some studios are more famous than others for experimenting and bringing something new that will automatically become the new trend. This is the fastest way to keep yourself up to date. But again, I’ll say that you should always continue to experiment by yourself in order to keep your mind fresh because if you lose your creativity, you’re going to lose your passion and your motivation.
Can you tell us about one of your early jobs as a designer for Fox Italy? Why was this an important stepping stone for you and what were you doing for them?
EM: I started working for Fox a few months after graduating from the European Institute of Design. At that time it was a huge company in Rome full of talented and creative people, and it was an innovative and professional environment to grow in as a designer.
I was working as motion designer for different Fox channels, creating graphic packages for their TV shows, but also short idents that gave me the chance to express myself and my creativity. The environment was amazing since the art directors let the designers freely present their ideas for the production of the graphics, and that was really important for me .
I was working with people with years of experiences so I was able to learn a lot and grow quickly, and the professional level was really high since I was working for national television, which taught me how to create and present a high level product. Fox helped me refine and improve on what I’d learned at the institute of design. I was working within a small team of motion designers and art directors, and because the team was small each one of us had the opportunity to contribute from the initial phases of a creative brief. We used to share ideas and concepts, and we had the freedom to develop and experiment both by ourselves and under the supervision of our art directors, which allowed me to express myself at 100% and push myself over the limit every time a new brief came along.
Can you tell us a little bit about the projects you worked on at Fox?
EM: I worked on a lot of projects over the course of my four years with Fox, from little graphic packages for their TV shows to complex idents and huge campaigns. My role was to create all the graphic packages that went on air with a tv show, which include elements called bumpers, end pages, elevators, and idents. All of those elements have to represent the mood of the show, so I used to take a look at a few episodes in advance, come to an understanding of what kind of graphic and animation style was most suitable for the show, and then design and animate those elements.
A project that represents my work best was the graphic pack I created for “Agents of S.H.I.E.L.D.,” a TV show that was produced by Marvel for FOX . This graphic pack included a really cool ident I developed entirely by myself starting from the idea all the way to the final stages. That project was from 2014, but I’m still really proud about it and I can still consider that ident to be fresh and modern.
What do you hope to achieve in your career?
EM: I’d love to keep doing what I do with passion and love, to be able to create new art and new projects that I can devote my creativity to– my main goal is to keep being creative and to have fun with my work. I think if you can do what you love you’ll achieve whatever you want. It can be from a position within a company or on your own, but always trying to do it with passion and fun.
What advice would you give to those who aspire to do what you do?
EM: Do it for fun, for passion and for your own satisfaction, and most of all, don’t take yourself too seriously, we are not saving lives here, we are artists.
“There are some people who live in a dream world, and there are some who face reality; and then there are those who turn one into the other.” -Douglas H. Everett
There are extraordinary party planners who create events that draw crowds in the hundreds through a combination of great music, enticing venues and eye-catching acts; and then there are corporate event organizers. While each needs to draw a crowd and make sure guests have one hell of a time, the latter of the two needs to deliver on a much larger scale. Providing an unforgettable experience to thousands of people compared to a mere hundred is an arguably more challenging feat, but it is one that Parisian corporate events organizer Nathalie Woog excels at at a global level.
Nathalie Woog founded Paradise Events in 2015, and has organized roughly 20 events in Florida, for high-profile clients and companies in the fields of advertising, design, finance, and insurance, as well as a host of other prestigious organizations. In recognition of her achievements and standing as a business leader in her field, Nathalie Woog was recently selected to join the Forbes Business Council. An invitation-only organization, the Forbes Business Council is a high-profile professional community that brings together the most successful entrepreneurs and business leaders in the world. In order to be considered for acceptance, one has to be a proven owner, founder, or executive leader of a business who has generated at least $500,000 USD in annual revenue or funding.
Though Woog has clearly reached an astounding level of success in her field, with her acceptance into the Forbes Business Council being a mere one of the several accolades that reveal her shining reputation, creating innovative and unforgettable events is more than just a job for her, it is an art form and a challenge that never gets old.
“I take this quest to organize innovative events more as a challenge, as a challenge to be taken up every time. There is never a rest, because when an event is held, you have to think about the next one, which must be even more innovative,” explains Nathalie Woog.
“I need to be amazed at every event. If I am not, then the event is not innovative. So I keep my eyes open all the time, I’m interested in everything that’s going on around me and I try to imagine possible combinations, with all the suppliers I come across, in each place I walk through, to find the unique concept that will hit the bull’s eye.”
Nathalie Woog launched her career as a leading events director for the French multinational technology consulting and engineering company Alten in 1996. There, she spent nearly two decades knocking people’s socks off with the large scale events she created for the company, which employs over 25,000 people and has offices in 25 countries.
When it comes to throwing large scale corporate events, the planner behind the scenes takes into account everything from the range of clientele the event is targeting to the personality of the brand and how to creatively meet the desires of both. But Nathalie Woog does more than just meet their desires, she brings a special kind of wow factor to every event that she creates. Doing more than just drawing in attendees, Nathalie Woog makes audiences feel like her events are something they cannot miss and ensures that they’re remembered long after they’ve passed.
“I always ask myself how to get as many participants as possible to join and participate in a particular event. How can I obtain general satisfaction on each of my events?,” explains Nathalie Woog. “I usually draw inspiration from my environment. I’ve always loved the world of shows and dance in all its forms. The performance of the athletes and especially the innovation, precisely in the shows and their staging … I have this ability to marvel every time I see a show, as children do, and I think that you have to look at your whole environment with children’s eyes to always keep this state of wonder.”
Initially, Nathalie Woog began as the corporate events director for an Alten subsidiary, but before long she was managing the events for 12 separate Alten subsidiaries, a role that led her to create events around the globe. Her talent for bringing together top-tier talents to recreate iconic spaces and deliver mesmerizing events placed her in a tier of her own.
Over the years, Nathalie Woog has created, managed and overseen events at some of the world’s most prestigious venues, such as the Grand Palais in Paris in France, where her event garnered more than 5,000 attendees, as well as at The Zenith de Paris, The International Paris Air Show Bourget, The Eiffel Tower, The Opéra Garnier, The Palais de Tokyo, The Louvre, The Musée d’Orsay, The Coupole du Printemps Haussmann, The Cirque d’Hiver, The Château de Versailles, Chantilly, Cirque Phenix, The Fouquet’s, Chez Maxim’s, L’Atelier des Chefs, The Musée National des Invalides, and more.
“Since I was a child, I have always been attracted to going out, discovering new places, finding original activities to do, discovering friendly and festive places and above all, meeting many people and socializing,” admits Nathalie Woog. “I’m always in search of exceptional places to organize events, conventions, seminars, evenings, conferences, fairs, and incentive travel.”
In addition to having an expansive contact list that includes many of the most well-known venues across the globe, Nathalie Woog has an eye for talent, and she’s inexhaustibly on the lookout for the next big act to include in her events. Over the years, she’s managed to recruit internationally in-demand acts for her events, such as Gad Elmaleh, Bérengère Krief, Jérome Daran, Dany Boon, French actor Donel Jack’sman, Verino, Eric et Ramzy, Fary, Michael Guez, Jean Marc Dumontet Productions, Jerome Sordillon and Michael Levinas, and more.
“The choice of location remains a must for me. Choosing prestigious, mythical or inaccessible places to open to the public is my motto. One of my private events held at the Grand Palais de Paris in 2008, for 5000 people, was just incredible because it was very difficult to imagine such a grandiose place transformed for one evening into a private reception and scripted for 5000 people,” explains Nathalie Woog. “The adrenaline you feel every time you start an event is something exhilarating. And of course, the thanks of the participants at the end of each event is always very rewarding.”
For Nathalie Woog, who has established a shining reputation as a leading corporate events organizer over the past two decades, throwing unforgettable events is what makes her heart sing. Hailing from Paris and born into a family of artists, Nathalie Woog discovered early on what connotes creative appeal and it shows in her work. Something unique about her story is the fact that in her early 20s she was diagnosed with incurable Leukaemia, and though none of her doctors thought she would survive, she proved her fighting nature.
“It was then in shock, and with courage, that I decided to fight with strength and conviction, having only one objective in mind–surviving and living to achieve great projects,” recalls Nathalie Woog. “To the general surprise of the medical profession, I won my one year battle for life, and decided to use this experience where I came close to death, as a personal force, to lead in my wake, all the people who would now be with me, in order to disperse the joy of living.”
After beating Leukemia, Nathalie Woog dedicated her life to following her passion, which centers around brightening the lives of those around her, something she’s managed to achieve through her work in the events sector. Through her work as an events specialist creating large-scale international events for huge international companies, Nathalie Woog’s innovative approach and continued success has led her to establish a shining reputation over the past 15 years. With a reputation that precedes her, her role has extended beyond creating events to the point where other leaders in the industry turn to her as a consultant for advice when organizing their own events.
While working with Alten, Nathalie Woog has regularly been invited as a judge for various opportunities for the organization where she was part of the jury in charge of selecting the best events and event service providers. She was also the lead reference for the company when it came to establishing specialized guidelines for organizing the company’s events, which were disseminated throughout the organization’s team of communication professionals and ushered her into a speaking role at conferences where she has shared her knowledge of the industry with others.
Nathalie Woog adds, “I also had the privilege of presenting at conferences in universities throughout France, exposing the best practices in the field of event communication.”
In 2015, Nathalie Woog started her own event company, Paradise Events, in Miami. Through Paradise Events, she has spearheaded numerous events, including those for EFAP ICART at Art Basel. In 2018, she facilitated the meeting of 10 world renowned artists during Art Basel Miami, where each of the artists painted live during the event in front of an audience of professionals in the artistic sector.
Nathalie Woog says, “During my 15 years of experience prior to founding Paradise Events, I was able to see all possible situations in terms of requests, customers, suppliers, management, and unforeseen events. You have to have a strong heart to face all these elements. You have to know how to manage stress, both your own and that of the people you work with, customers or suppliers.”
Based on her professional integrity and the significant impact she’s had in the field of events organization and management, Nathalie Woog was recently elected as the Vice President of Events for the 2020 Board of Directors for SITE, the Society for Incentive Travel, for the Florida and Caribbean Chapter. Founded in 1973, SITE is a professional association of 2,000 senior level members located in 90 countries, working in corporations, agencies, airlines, cruise companies and across the entire destination supply chain. With 29 chapters around the world, SITE is the only global organization dedicated to strengthening and supporting the incentive travel industry, and as such, the organization has gone to great lengths to fund research and establish guidelines on sustainable travel.
As the new Vice President of Events for the Florida and Caribbean Chapter, Woog’s role as a chapter leader places her in charge of promoting all of the events for her chapter and ensuring that they are educational, while also maintaining the ethical standards of what constitutes sustainable travel in today’s market.
“Being part of this association is a privilege because it gives me the opportunity to communicate with more than 2,000 personalities from the world of travel and events,” says Nathalie Woog. “I can bring all my knowledge in travel and events, all my expertise, give advice, and participate in many networking events, and organize interesting big events.”
While there are countless event organizers across the globe, there remain few that have made it to the point of creating events on the scale that Nathalie Woog has, so it’s no surprise that SITE chose her as the new Vice President of Events for their Florida & Caribbean Chapter.
At the end of the day, Nathalie Woog says, “My overall creative philosophy is to always have your eyes open, to be generous with others, to know how to give a person a chance, to let yourself be won over by emotions and to have the desire to pass them on to others, and finally, to have this constant desire to share, because happiness is above all to read it on the faces of others. That’s what matters most to me in the world.”
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