Shayar Bhansali’s Editing on “Against Night” Earns International Recognition

Shayar Bhansali
“Against Night” team from left to right: editor Shayar Bhansali, Elena Caruso (actor), Stefan Kubicki (writer/director), Saba Zerehi (producer), Konstantin Lavysh (actor) and Lucas Lechowski (composer) at AFI Fest in Los Angeles

 

Getting his start as an editor in the world of narrative film with none other than the iconic India based production company, Yash Raj Films International, Shayar Bhansali seemed destined for greatness even at the very the beginning of his career. And, the international success he’s received over the last few years through his work on multi-award winning films including “Wild & Precious” and “Kicks” make it undeniably clear that he’s already made it to the top.

One of Bhansali’s recent projects as lead editor, and one that proves why he is such a sought after talent in the film industry, is “Against Night” from writer/director Stefan Kubicki.

Set in the 1960s, “Against Night” starring Konstantin Lavysh (“Five Days of War,” “Karaganda,” “Juke Box Hero”) as Vitali, multi-award winning actress Elena Caruso (“Paper,” “Cloverfield”) as Marina, and Eve Korchkov  (“Joseph,” “A Night at Christmas”) as Lenka, follows Vitali, a cosmonaut who crash lands in a seemingly desolate stretch of snow-covered land in Mongolia.

Climbing out of the small capsule, Vitali stumbles his way through the ostensibly endless miles of snow and nothingness in the midst of a blizzard until he finds himself at the door of a lamp lit yurt in the middle of nowhere. The home of a reticent and shaman-like man, once Vitali steps into the yurt, the real emotional drama and the film’s underlying story begins to reveal itself. As he drifts into a deep and feverish dream-state, Vitali’s present world intermixes, through a series of flashbacks that serve as a major source of plot development, with painful memories of the daughter and wife he lost in a tragic accident years prior.

“[The film] explores the relationship we have with time and memory,” explains Bhansali. “Part of the challenge with the project was to find a good handle on tone, and to be able to maintain the style and rhythm achieved by production through the edit.”

The numerous awards Bhansali earned from festivals across continents prove that he nailed the task with his work taking home the Festival Prize for Best Editing at India’s 2015 Kolkata International Film Festival and the LAIFF June Award for Best Editing from the 2015 Los Angeles Independent Film Festival Awards.

Immediately drawing viewers in with a heart-pumping scene of Vitali and his co-pilot struggling to remain calm as their capsule malfunctions and begins to crash, Bhansali’s precise edits created a beautiful and dynamic rhythm for the unfolding story throughout the entirety of the film. Through his edits Bhansali provides the necessary pauses to allow viewers to really understand and feel the pain of Vitali’s loss when the emotional aspects of the dram are at their height.

While “Against Night” was shot with Russian dialogue, Bhansali admits that there were many similarities in his approach to editing regardless of the language. “I’ve worked with other languages before and the interesting thing for me is how similar the process is – I still spend a lot of time watching dailies and making decisions about performance, thinking about structure and the emotional rhythm of the piece and putting together a first cut within the time frame that’s expected for a project like this. The thing that’s a little different is how the director and I end up spending our time – initially a lot more of it was spent looking at dialogue delivery and sculpting performance.”

A film that has had an incredible impact on audiences, “Against Night” actors Konstantin Lavysh and Eve Korchkov earned the Best Actor and Best Actress Awards at the Long Island International Film Expo for their performances in the film. Aside from the awards Bhansali and the two lead actors earned for their work on the film, “Against Night” also won the Cinematic Achievement Award from THESS International Short Film Festival, the National Jury Award from the USA Film Festival, the Maverick Award and the Jury Prize from the Woodstock Film Festival, the Best Narrative Award from the Ojai Film Festival and several others.

You check out the trailer for the multi-award winning film “Against Night” edited by Shayar Bhansali below:

Some of Shayar Bhansali’s other work includes Mattson Tomlin’s drama “Persuasion,” Sahirr Sethhi’s “Zoya,” Shuming He’s comedy “La Bella” and the drama “Loveland.”

About the powerful force Bhansali brings to the table as an editor, “Persuasion” director Mattson Tomlin (whose film “Rene” Bhansali is currently editing) explains, “The work of the director, cinematographer, and the actors very often falls on the editor’s shoulders. A great editor is able to champion the best of the best performances and manipulate even those at their worst into something emotional and resonating. In the case of Mr. Bhansali, I have seen him time and time again act as both a problem solver and a treasure hunter, often finding the key moments to make a scene work in the most unintended places.”

Over the years Bhansali has proven his ability to tackle some of the most challenging stories and translate them into seamless visual productions through his precision as an editor. While he earned his master’s in film editing from AFI, he initially began his collegiate career many years ago studying psychology, something that has proven to be incredibly useful in his work as an editor because it allows him to understand the mindsets and emotions of the characters in the stories he creates with his edits.

“As filmmakers, I believe we are constantly working with the medium to guide the way our viewers feel – and to do this successfully one has to have to be sensitive to the way we think. I’m not sure I realized this at the time but my interest in psychology and the way our minds work definitely helped me shape emotions and characters,” explains Bhansali.

“Whether it’s a fictionalized post apocalyptic world with a robot as it’s protagonist or a based-on-reality story about a soldier fighting in WWII – the thing that makes these movies resonate with me is the humanity within the story and characters.”

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