Category Archives: Uncategorized

From the Stage to the Screen Tatiana Romao Nails the Mark

January 2, 2017 Lorraine Wilder Leave a comment

At barely 12-years-old, an age where few of us really knew the exact direction our future careers would take, Brazilian actress Tatiana Romao was already busy putting in work and developing her craft as an actress. While she comes from a family of doctors, the world revealed itself to her as a stage beckoning to be performed upon, and she quickly took to the spotlight without ever looking back.

Romao says, “Acting has been my passion and a need in my life since I came to really know myself as a person. It all started as an after school, extracurricular activity and as time went by it became my goal in life.”

Hailing from Sao Paulo, Romao began her professional acting career on the stages of Brazil where she starred in a lengthy list of high profile theatrical productions such as “The Secret of Fatima” directed by Grand Othelo and Coca-Cola Award winner Ronaldo Ciambroni, “The Exception and the Rule” directed by Gabriel Carmona, “Life of Drugs” directed by São Paulo Association of Art Critics and Prêmio Contigo Award winner Walcyr Carrasco (Seven Sins, Watercolor of Love), “Waltz No. 6” directed by Marcelo Lazzaratto, “The Long Goodbye” directed by Shell Award and Gabriela Paulista Cooperative Theater Award winner Nelson Baskerville (Seize the Day, Maysa: When the Heart Sings) and many more.

“Theatre is so different from film, I have to say that my heart does beat a lot faster for theatre. The passion, the thrill, the family feeling, learning and always discovering new things in a scene, a script, having beautiful words to say and find their meanings… the list is endless,” admits Romao. “It was one of the main reasons why I fell in love with acting… It gave me all these different feelings and sensations that I wasn’t finding anywhere else considering I was born in a fast paced somewhat cold city.”

While Romao is undeniably magnetic on stage, her skills have easily carried over to the silver screen where she has garnered substantial recognition on an international level as a diversely talented actress capable of embodying virtually any character.

Romao’s first foray into the film world took place nearly a decade ago when she landed the lead role of Paula in Brazilian director Bruno Costa’s film Encantacao aka Enchantment. Set in a puritanical town, Encantacao revolves around a peculiar family of three whose lives are turned upside down after Romao’s character Paula, who is embittered by her husband leaving her, begins spreading rumors that the wife and her teenage daughter are witches. Paula’s powerful conviction permeates not only the minds of the town’s people, but also the two women accused, who begin to believe that they really are connected in someway to the dark side. A powerful and seething first role on the screen, Romao nailed the mark making Encantacao a success, and giving audiences a chance to see just how powerful an actress she would become as her career progressed. During the filming of Encantacao Romao worked closely with famed Brazilian acting coach Fatima Toledo, who is known for her work on the four-time Oscar Award nominated film City of God, and the multi-award winning films Elite Squad and Elite Squad: The Enemy Within.

“It was a delight to play a villain for the first time and to immerse in this experience… I discovered so many other nuances of myself as an actress, of myself as a villain, you learn and find real and cohesive reasons for that role, that person to be doing and saying what she is saying. I embraced Paula, I understood and processed her point of view of things. She was a lonely bitter woman,” explains Romao.

“For me it wasn’t much of a challenge as it was a learning process. How to access that side of you, how to understand that role, how to understand yourself, how to bring that feeling…The growth I had working with Fatima and Bruno was gigantic. I will never forget that experience.”

Since that telling first role, actress Tatiana Romao has worked non-stop giving a slew of unforgettable lead performances in a wide range of projects across multiple continents.

In 2015 she took on the starring role of Sarah in Lips, written and directed by ConCorto Award nominee and Nyon Visions du Réel Award winning director Andrea La Mendola (Echoes, Lost in Gray, Just One Shot). Starring alongside award-winning actor Ruben Navarro (Barbal Zoralo, She Wants Me, Till Death Do Us Part), Romao gives a magnetic and sometimes painful performance as Sarah, a young woman caught in an abusive relationship who struggles to find the strength to leave her boyfriend.

“That role was very intriguing and a challenge for me because I tend to always play the stronger roles and this time I had to be more fragile, defenceless and submissive. It was a bit of a struggle to go on set and ‘not fight back’ and just take it. Even though it’s a great challenge for me it is interesting how it feels almost ‘wrong’ to play that for me. I guess I can say that it made the role even more interesting,” admits Romao.

In addition to Lips, Romao has become known for her work in Marco Ferrari’s Castell Award winning drama Simple Being where she stars alongside Tony Award winner Paul Sand (The Main Event), Elephant Clan starring Burt Culver (To Survive, Ghostline), multi-award winning director Giulio Poidomani’s film Disruption starring Ron Gilbert (Inertia, Desire), Abberation starring Andrew Bongiorno (NCIS, Live By Night), as well as the series What You Want? with Elle Han (Til We Meet Again) and Evgeniya Radilova (Limitless) and many more.

She says, “Acting is a need in my life, it’s not an option of whether or not I will do it, it is what I have to do, it’s what I do and a great part of who am. Acting has shaped all my life. The feeling, the emotion, hearing from the audience how you moved them, how you touched them, it is indescribable.”

With a dazzling repertoire of work already under her belt it’s clear that actress Tatiana Romao is one Brazilian talent who is destined to stay on the radar for years to come. Audiences will soon be able to catch her in the horror film Valentine DayZ, which is due out later this year and also stars Carrie Keagan (Reno 911). She also recently wrapped production on Apple Ng’s (1 Corinthians 13) upcoming film The Process where she takes on the starring role of Lindsay.

Film, Uncategorized

Graphic Designer Jiping Liu: An Unstoppable Force In Modern Film

December 29, 2016 Lorraine Wilder Leave a comment

From designing props and key costumes to the film titles and posters that grab our attention and make us want to run out and watch them on the big screen, graphic designer Jiping Liu has found a unique niche for herself in the film industry, both in the U.S. and China.

By the time Liu made the decision to break into the film industry, her talent as a graphic designer at home in Beijing, China was already well-known throughout the design industry thanks to her work as a lead designer for Tencent and Inforgence. While the endless creative opportunities and potential collaborations Liu could immerse herself in through film ignited her inner passion, the choice to step away from a good job as a designer in the corporate world required her to set the safety net aside and take a leap of faith.

After graduating with her bachelor’s degree in digital media from Beijing Jiaotong University, Liu says, “I got the chance to go for my master’s degree with a full scholarship in China and I was also offered a good graphic design job, but I felt I was too young to settle, so I gave up the opportunities and applied to school in America to study filmmaking.”

This was barely three years ago, but the number of high-profile film productions she has contributed her skills to since confirm that the life changing choice she made leaving everything she knew behind in order to pursue her true passion was definitely the right one, as is often the case, but rarely do the results come as quickly as they have for Liu.

For Liu 2016 has been insanely busy with her doing the graphic design for the films “Red Cherries,” “She Gives Me Sight,” which earned awards at the Hollywood Boulevard Film Festival, LA underground Film Festival and the Hollywood International Moving Pictures Film Festival, “Escape,” “Don’t Touch Me,” “Successor of the Southern Star” and several others.

Her adept skill as a graphic designer combined with her knowledge of the filmmaking process has provided Liu with a strong creative foundation that has allowed her to apply her talents to various other areas of a production such as costume design as well. Earlier this year Liu costume designed the dramatic crime film “Locked” directed by Ye Kuang (“Harmonica,” “Love Behind”), whose film “Harmonica” took home the Grand Prize at the Carnegie Mellon International Film Festival.

As the costume designer of the production Liu used her graphic design background to draw out all of the costumes we see in the film before constructing them. “Locked,” which stars Leanne Agmon from “Blue Bloods” and “Unforgettable,” and Johanna Finn from the multi-award winning film “14 Days” and the series “My Haunted House,” has proven to be a resounding success with the film taking home the LAIUFF Awards for Best Actor and Best Narrative, as well as the Audience Award for Best Film and Best Actor at the 2016 Los Angeles International Underground Film Festival,

Liu used her design skills once again as the costume designer of the recently released “Lordwolf” commercial for Beard Guyz directed by Mauro Borrelli (“The Ghostmaker,” “Haunted Forest”) who earned the Audience Award at the Los Angeles Italian Film Awards for “Goodbye, Casanova” and the Venice Film Festival’s AIACE Award for “La Donna del Moro.”

As a graphic designer Liu has an expert eye when it comes to color, a necessary strength and crucial component in designing the costume for the commercial’s leading wolf man played Daniel Sobieray from “Days of Our Lives” and “The Young and The Restless.” You can check out the new commercial here.

Since moving stateside Liu has landed a job as the lead graphic designer for Alpha Pictures, a Chinese based production company that recently opened their LA branch.

“We are trying to turn the most popular comics in China to feature films in next two years in America,” Liu says about her work with the successful production company. “I love both filmmaking and design, so I feel very lucky to be a graphic designer at a film production company, because I’m passionate about my work.”

Liu has put her creativity to paper designing a plethora of posters and presentations that Alpha is currently using to gain funding and get the word out about several upcoming films such as “Female Robot,” “Spore,” “The Death God’s Plot,” “Rain Village,” “Meet William,” “Moon Vortex,” “Requiem Street” and many more.

Whether she’s designing film posters to grab the audience’s attention or spark the interest of potential investors, or using her graphic design talent to create graphic props and costumes for productions, Jiping Liu is one creative artists who’s found her rightful place in the international film industry.

International Creative Talents, Uncategorized

Cooking for the stars: chef Vincenzo Pezzella talks working at Naples’ top restaurant

December 29, 2016 Lorraine Wilder Leave a comment

In the city of Naples, Italy, on the pebble beach of Seiano in Vico Equense underneath the Torre del Saraceno, sits the world renown Torre del Saracino restaurant. Guests from around the globe head there for exquisite Italian and Mediterranean cuisine prepared by the famous chef Gennaro Esposito. It has not just one, but a two Michelin star rating, and seats politicians, athletes, and celebrities regularly. It also happens to be where chef Vincenzo Pezzella started his career.

Pezzella now is known internationally for his skills as a chef, moving to Paris after working under Esposito at Torre del Saracino and becoming the head chef at the popular Mamma Prima Ristorante in Paris. He moved quickly up the kitchen ranks, and the success of the restaurant can be attributed to his creativity in the kitchen. He remains humble, however, and attributes his success to what he learned working as a line cook at Torre del Saracino.

“It was really hard, but also amazing working at Torre del Saracino. Any time you work for a two star Michelin restaurant, perfection is the only thing you learn how to do. I wanted to run away as much as I was proud to be a part of it. The experience was unlike anything I will ever encounter in my career,” said Pezzella. “The kitchen was masterful. It was definitely well worth the time spent there.”

Few are fortunate enough to learn from legends, but Pezzella is one of them. Working under Esposito, he quickly picked up what was important in terms of running a kitchen, and learning what it meant to make authentic Italian cuisine while staying true to what you know. Being from Naples himself, working in such a high profile restaurant right in his backyard was everything while he was learning.

“It was incredible working under chef Gennaro Esposito. I learned everything that is my base through that man. I learned not only what it is to be in a kitchen but how to respect it and everyone around it. I learned that you could be from Naples and still manage a kitchen in that style and that demeanor,” said Pezzella. “I still call him from time to time to see how he is doing and hopefully to catch a lesson from him.”

The relationship is one that Esposito also admires, and remembers the days that Pezzella worked for him fondly.

“He was a listener. Vincenzo understood what he was being taught and followed through. He will have a great career,” said Esposito.

Working in a Michelan star restaurant, Pezzella also learned what perfection in cooking truly was. Sometimes, dishes needed to be made and remade again and again until they were exactly what Esposito envisioned. The environment can be stressful for a newcomer, but the ideal place to grow as a chef.

“Being perfect is never easy. We overcame it by taking our time and making sure everything fit the necessary criteria, and then we moved on,” said Pezzella. “Despite what some may think, I learned perfection working here that perfection in a kitchen does exist. It’s not an easy thing to obtain, but it is possible none the less.”

This attitude is what led Pezzella and the rest of the kitchen crew to such grand success. Constantly receiving positive feedback, locals and vacationers alike would go to the restaurant just to say they did.

“The restaurant pushed limits on Neapolitan cuisine because it could and the result is priceless,” said Pezzella.

Now that he has relocated to France and runs his own kitchen, Pezzella looks back at his time at Torre del Saracino as an invaluable learning experience. He liked everything about it, even the stressful and intimidating parts of the job. But what truly made the experience was cooking in the city he loves, the city he grew up in.

“To work where I grew up is the way it should always be. To get up and be around your people, knowing that your product is top notch is definitely a gift. Being able to do something as easy as walk to work and trace the steps you have done since your birth is an awesome way to live and build your career,” he concluded.

actor profile, Actors, Model, photographers, Trends, Uncategorized

From the Screen to Magazines Andreas Holm-Hansen is Red Hot

December 26, 2016 Lorraine Wilder Leave a comment

Hailing from Copenhagen, Denmark international actor and model Andreas Holm-Hansen was born with perfect bone structure, fiery red hair and a freckled and fit physique that effortlessly turns heads.

Over the last few years redheaded models with a healthy dose of freckles have gotten a major boost in the eyes of the public thanks to the work of leading photographers like Michelle Marshall, Maja Topcagic and her 2015 photo series “Freckled,” and Keith Barraclough’s “The Redhead Project,” but the list would not be complete without mentioning the innovative work of Thomas Knights.

In 2014 Knights released the Red Hot 100 book, a photo series that has been called ‘the ultimate bible for hot ginger men,’ and with his good looks and natural red hair it’s not at all surprising that Andreas Holm-Hansen made the cut, which makes him one of ‘the 100 sexiest Red Hot Guys in the World.’

Knights and Holm-Hansen clearly had a successful collaboration as the photographer called him back to shoot his newest exhibition and book “Red Hot II” earlier this year. Not only is Holm-Hansen featured throughout the book, but he also nabbed the cover shot for the “Red Hot II,” which was released in October. You can also check out Holm-Hansen in the highly seductive video that was made to promote the book, which reveals him in all is red headed freckled glory. Anyone who watches the video would find it difficult to say that Holm-Hansen is anything but on fire.

Andreas Holm-Hansen on the cover of Red Hot II by Thomas Knights

In 2012 Holm-Hansen also landed a featured role in the music video for three-time Grammy Award winning artist P!nk’s “Blow Me (One Last Kiss),” which has been astonishingly well-received by fans earning more than 72 million views on YouTube.

As a model Holm-Hansen’s international appeal has been a driving force in his success. Earlier this year he landed a massive campaign for Väla Centrum in Helsingborg, Sweden; if the local Swedes didn’t know him before, they definitely know him now, considering his face is plastered to the outer walls of the popular shopping center, and he is featured on the cover of the center’s Winter issue of Väla Magazine.

Andreas Holm-Hansen on a billboard at Väla Centrum

From massive billboards to a lengthy list of high-profile commercials, Holm-Hansen’s captivating aesthetic appeal has made him a go-to talent among advertisers across the world. Audiences across Europe will immediately recognize him for his featured roles in popular commercials for brands and organizations such as Miracle Whip, Telmore Play, Eovendo, Synoptik, Danske Bank, Norwegian Airlines, Komplett, The Zulu Comedy Festival and others.

In addition to being featured in a number of magazines such as Tantalum Magazine, Visionarios Magazine, Elléments Magazine and PAF Magazine, he’s also been the face of a number of massive print campaigns including B&O’s H6 Limited Edition, Phoamy, Arbejdernes Landsbank, DSB and Sundhedsstyrelsen’s Stop for 5.

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While his unique look has definitely put him in the spotlight, Andreas Holm-Hansen has a whole lot more than a just good-looking face going for him. Through a series of lead acting roles in productions such as Benjamin Murray’s crime mystery “The Hit” and “Don’t Bring Guns to a Knife Fight,” Jose Rico’s “Blood Legacy,” Jesper Holm Pedersen’s “Shit Happens” and David B. Sørensen’s “Bellum,” Holm-Hansen has proven himself to be a diversely talented actor who can bring virtually any character to life. His knock-out performances to date have revealed him as the rare kind of actor who is capable of captivating his audience regardless of the genre.

One performance that really stands out though was when Holm-Hansen took to the screen in the recurring lead role of ‘Mad’ Mads Steen in the satirical series “Dreaming in Mono.” Presented mockumentary style, “Dreaming in Mono” follows the rivalry of two Nordic ski champions, one of which desperately wants to break a record on a monoski and starts his own team of underdog skiers who actually think it’s possible, they are Team Monoski!

We first encounter Holm-Hansen’s character ‘Mad’ Mads Steen trying to fix his broken down car in the middle of blizzard wearing nothing but his underwear, furry hat and boots, making it easy to see how he earned the nickname ‘Mad.’ Unfortunately for Mad his skiing skills have something to be desired, which makes total sense considering his prior ski experience consisted of using his ski poles to thrust himself across the flat grass-covered lands of Denmark. It’s not a stretch to say that Holm-Hansen is one of the leading comedy highlights in the series, as we continually watch his character lose his balance and flail uncontrollably down the slope every time he clicks into his skis and sets down on actual snow.

Mad could easily be considered Team Monoski’s awkward rebel, but his constant boundary pushing ways eventually put him on thin ice with his teammates. In fact, “Dreaming in Mono” dedicates an entire episode to an intervention with Holm-Hansen’s character where the team tries to get the brash Dane to curb his unsportsmanlike ways, which leads Mad to huff and puff and storm his way all the way back to his hotel room; but thankfully for the team he comes around in the end.

Poster from “Dreaming in Mono”

Produced by the Swedish production company Happy Fiction and created by the international creative agency Perfect Fools “Dreaming in Mono” was written and directed by multi-award winner Jens Jonsson, who earned the Grand Jury Prize from the prestigious Sundance Film Festival for the film “Ping-pongkingen” in addition to being nominated for two Guldbagge Awards, which are the Sweden’s equivalent of an Academy Award.

The seven episode series was broadcast by four major TV networks in the Nordic countries, with Andreas Holm-Hansen dazzling audiences the whole way through. The series, which was ironically created to promote McDonald’s in the Nordic countries, but rarely, if ever, mentions the fast food chain verbally, also stars Bernard Cauchard (“Superhjältejul,” “It’s My Turn Now”) and Alexandra Alegren (“Gåsmamman,” “Madness of Many,” “Olivia Twist”).

With a rather astonishing list of leading roles in film and television projects, and even more high-profile modeling campaigns already under his belt, Andreas Holm-Hansen is one of the few actor/models we can confidently say will be doting his wide-spread talents upon both industries for years to come, so make sure to keep your eyes peeled for this talented Dane.

Actress, Canadian Star, Entertainment, Film, International Actor, Uncategorized

THIS CANADIAN ACTRESS PROVES THAT HER ACTING AND DANCING ARE ON POINTE

December 24, 2016 Lorraine Wilder Leave a comment

Lanie McAuley is a dancer, and she plays one on film. In real life, McAuley made the switch from concentrating on a dance career to choosing acting as her focus. However, she returned to dance with her role in Center Stage: On Pointe. It’s not often that one gets to appreciate who they were as a younger person and who they are just a few years later with such contrast. As a gifted young dancer from Canada, Lanie moved to New York when she won the audition for a production there. These days, as a successful actress she spends her days on film sets. Though she still pursues a creative life, the avenue which she pursues flexes different muscles, literally and figuratively. McAuley is a self-described practical person yet the vocations she has chosen to pursue seem to contradict that idea. A dreamer who began her professional career a little more than a week after high school graduation (with great success), it seems impossible to imagine her doing a job which involves a nine to five schedule and a 401K. Lanie’s view of herself is probably a product of her middle-class work ethic coupled with a desire to work her entire life at something which inspires passion in her. Even when she alters her path, Lanie McAuley always finds her way back to doing something creative…sometimes a number of things at the same time. It’s serendipitous that years after leaving dance for acting, Lanie’s acting career has brought her back to dance to star in the sequel to her all-time favorite dance film, the original Center Stage.

A young Lanie followed her sister’s footsteps into dance. At 18, McAuley attended a dance competition called New York City Dance Alliance, where auditions were being held for a tap/jazz show called Revolution. Her dance teacher suggested she go to the audition just for the experience; hundreds of female dancers were narrowed down to four and soon, Lanie was offered a spot in the show. She had just graduated from high school a week before. Suddenly she found herself moving into an apartment in Queens and taking the train to Manhattan every day for rehearsals. Literally overnight, she went from high school and living as her parents’ sheltered little girl to living alone in New York with a full time dance job. The hours were long and it was both physically and mentally exhausting. She was the youngest member in the cast and had to learn quickly. It was a quick and amazing kick off to adulthood and a professional career in dance. In addition to the achievement of being in a successful New York production, Lanie also made it into the finals of So You Think You Can Dance. Her focus changed from dance to acting as she became keenly aware of certain factors. She reveals, “I was clear on my love of dance but I started questioning how viable my career options were in that world. I’m a very practical person and the idea that an injury can blow your entire career seemed so frightening to me. I’d been acting since I was a toddler and acting had always been a part of my life. Though I still loved dance, I’d always wanted to make acting more of a focal point in my life rather than a side interest. I think my background in dance has been a huge asset in helping me gain roles as an actress. It made me very comfortable performing, whether on stage or in front of a camera. My dance training definitely gave me a posture and poise that I never would have had otherwise. I also think growing up in the dance world (particularly ballet) gave me a lot of discipline. Being an actor requires a lot of discipline, involving everything from memorizing sides, to committing to a scene, to taking care of yourself emotionally.”

It has often been said that nothing worth having comes easy. This can be true even if you have a head start. When McAuely’s agent called her about the audition for Center Stage: On Pointe, the actress was ecstatic. The original [Center Stage] is her favorite dance movie of all time and a highly motivated actress with a strong dance background was required for the role. Lanie’s character, Wendy, is meant to be a strong dancer who’s the measuring stick against which Bella (played by Nicole Munoz) is compared at the audition. The legendary Director X was involved in the production and ran a rigorous dance audition composed of ballet and modern dance styles. McAuley notes, “Auditioning for Director X was an intimidating experience. At the dance audition, I remember doing the ballet combo and him saying, ‘Again. Again. Again.’ I think he was testing my endurance. By the time I’d done it four or five times at 110%, I was exhausted. I had to hold my breath when they spoke with me afterward to hide how badly I was panting.” Lanie was awarded the role of Wendy in the film. Her costar, Nicole Munoz comments confirming the facets which made McAuley such a vital part of the film, “Captivating to watch, Lanie performed a contemporary dance solo. Her commitment and bright energy inspired the other dancers and raised morale on set. Multi-talented, Lanie was able to bring the character ‘Wendy’ to life by bringing an emotional depth that touched the cast and crew. We were filming on a tight schedule. Being a true professional, Lanie was able to bring a powerful energy to each take. Never once stumbling, she was always more than prepared. Lanie stands out from the crowd with her multiple talents, each and every one of them groomed and ready to go.”

Center Stage: On Pointe premiered with great success on the Lifetime network. While Lanie feels fortunate to have been in the cast of this popular film as well as challenging herself to unearth her dance proficiency, she concedes that she feels a reaffirmation that she made the correct choice in acting. She declares, “I think the main similarity between a career as a dancer and as an actress is that both careers are based on art and passion. Most people don’t enter these careers for the money; they enter them because they love the work. There are definitely some big differences between the two. Truthfully, acting is more lucrative, if you’re able to find success in it. There just doesn’t seem to be the same kind of funding and opportunity in the dance world that it deserves. There are certainly people who are enterprising enough to have thriving careers in dance (I’m so impressed by their drive and initiative) but for me, my passion for dance didn’t run deep enough to create those opportunities for myself. That’s likely because my practical brain couldn’t rationalize the risk of injury and the deterioration of opportunity with age. One of the coolest things about acting is that you can act professionally at any age. Acting is the art form of life…and life is all ages. When you’re 75 years old, there’s still a role for you. That’s a big part of why I focused on acting as my career.”

Behind the Scenes, Cinematographer, Film, Film Crew Interviews, Filmmakers, International Creative Talents, Uncategorized

SIMU FENG CREATES A DARK AND MYSTERIOUS CHINA IN “SHOP OF ETERNAL LIFE”

December 20, 2016 Lorraine Wilder Leave a comment

Shop of Eternal Life is the passion project of director/writer/producer Yizhou Xu. In the film, he uses an almost literal metaphor to show the dangers we humans can make in times of desperation. It’s an evergreen tale that applies to all peoples of this planet. It just so happens that Xu’s film takes place in two by gone eras of his homeland, 1920’s and 1950’s China. Not only is there an other-worldly occult thread in the film but the obstacle of transforming downtown Los Angeles into an almost hundred-year-old China. While giving great credit to his crew and cast, Xu admits that his secret weapon for this transformation appearing so convincingly on screen was Shop of Eternal Life’s cinematographer Simu Feng. The award-winning Yizhou Xu declares, ““Simu is the most professional cinematographer I have ever worked with. Simu is such a vital part of this project because he is the metronome of the production. The most time consuming part of any film production is the lighting and camera positioning. We had a lot of shots in the film and it was paramount to have a cinematographer with the confidence to finish those shots with the highest quality and to do so very quickly. Simu finished the task without wasting a single second; and his efficiency didn’t harm the result of the image at all. Simu knows how to take limitations and challenges and transfer them into creativity.” The filmmaker’s peers and public definitely agreed with the finished product as it was an official selection at: the 36th Hawaii International Film Festival, the 20th Los Angeles International Short Film Festival, the 10th Bali International Film Festival, and the 8th San Jose International Short Film Festival. The look which Feng bestowed upon Shop of Eternal Life belies the budgetary confines which Xu relates. A story which spans the struggles of its main character, his transformation, and the cautionary tale it communicates deserves a beautiful and elegant aesthetic; one which it richly possesses thanks to Simu Feng.

Shop of Eternal Life is a film full of fantasy and terror, relating the choices we sometimes make and the unexpected results they have on us as well as others. Even the best of intentions can result in malevolent outcomes for all involved parties. The film is the story of a poor man in 1920’s China who ventures to a pawnshop, hoping to sell his wedding ring to save his sick wife. The shop owner offers only a pittance…or a deal. Rather than money, the pawn shop owner suggests that the husband sell his heart for a great deal of money to him. The man feels he has no choice but to take the offer in hopes of saving his spouse’s life. Many years later, the husband returns to the shop to redeem his heart, but his time without a heart has transformed him into a monster. He discovers that his heart is no longer at the shop. Doomed to a heartless life (literally), he kills the pawnshop owner and assumes duties as its proprietor.

The storyline itself immediately conjures mental images of fright and fantasy infused characters and their surroundings. It was Simu’s task to make the images visible on screen to match the reality of China in the 20’ and 50’s as well as the mystic ideas presented by the subject matter. Feng relates, “The film’s visual dark tone is the key element for the story. We did this through lighting and camera work. I did thorough tech scouting with my long time gaffer Toshi Kizu and planned out the whole low key lighting scheme. I wanted the pawnshop owner character to be part of this darkness; I wanted him to feel inseparable from the shop itself. We hid several single tube kinoflos to give some small pools of light in the room and to add to the depth of the set. Camera movement was also very carefully planned out so the move was always motivated. We didn’t want the audience to feel the existence of the camera. Combined with the blocking of actors, we were able to create tension and a sense of the mystery at the same time. I’ve always felt that, by planning things out appropriately, you can help the audience forget about the technical aspects of a film and thereby lose themselves in the story…which is what we want as filmmakers and what the audience wants as well.” Yizhou Xu confirms, “Simu achieved a very strong visual style in Shop of Eternal Life; a mystery and a sense of darkness. I think this stylish look is the most important part of the film and it’s the first thing people talk about concerning this film. Because of the fascinating visual style, people have the patience to dig deeper on the subject and theme of the film. As a filmmaker, that helps me to tell the story.” Feng continues to explain the look of the film in commenting, “Because the film consists of two different time periods (the 1920’s and the 1950’s.), we wanted them to be really different, making sure the audience gets the idea that the poor man has changed into a monster. The production designer (Dara Zhao) did a great job building the set to be authentic to the time periods yet retaining our own dark and mysterious style. When we discussed the practical lights in the shop, we decided that for the 1920’s we would dress the shop with candle lanterns, and for the 1950s we went with tungsten bulbs. The practical lights are always important for me because all my lighting is motivated from these practical lights. The warm color given off by the lanterns, combined with the black pro-mist filter I put in front of the lenses, gave the 1920’s a softer and warmer tone. I shot the 1950’s with no filter and the tungsten bulbs flaring directly into the lens, making the look harsher and brighter. With more desaturation in color correction, the 1950’s looked pale and cold, fitting the change of the character.”

Both the look of Shop of Eternal Life and the lesson of the film itself are entertaining and gripping. Yizhou Xu uses his film to communicate the idea that in our sacrificial attempts to help those we love; we risk the danger of turning into monsters. Making a deal with the devil may be very literal in this film but it has great relevance to many everyday choices. The film production itself conceals the challenges that the cast and crew overcame to create such a polished film. Simu Feng is thankful for the creative and unique approaches the production was forced to invent as he states, “Working on a small budget film is always difficult but it can be a truly fun experience if the filmmakers try to make a difference. Every filmmaker will face the situation in which they don’t have enough resources to achieve what they imagined and planned. I always believe certain limitations help yield better result by forcing creative people to come up with ‘poor man’ solutions. The luxury of a big budget does make a lot of things easier, but working on small-scale project helps me to keep the spirit of being flexible and the ability to adapt myself to changing circumstances.”

actor profile, Actors, Canadian Star, Uncategorized

Featured Actor: Canada’s Nathan Mitchell!

December 17, 2016 Lorraine Wilder Leave a comment

Canadian Actor Nathan Mitchell shot by Rebecca Eady

For Canadian born actor Nathan Mitchell, who is known for his roles in an impressive list of hit films such as “Twist of Fate,” “Newlywed and Dead” and Lifetime’s “The Real MVP: The Wanda Durant Story,” as well as the multi-award winning series “Arrow” and “Motive,” the acting bug bit at a young age, and he hasn’t turned back since.

Mitchell says, “What’s appealing about acting for me is that it’s an art form that requires genuine connection with other people. You really have to listen; you really have to let yourself be affected by the other person to create something dynamic. When you’re that tuned into someone else you have this fun, meaningful experience.”

Starting out in the industry nearly a decade ago, Mitchell skyrocketed to the top of the Canadian TV scene almost immediately when he took on the recurring lead role of Jeffrey on The CW’s comedy “Aliens in America.” Mitchell’s character Jeffrey is the on-and-off boyfriend of lead character Claire Tolchuck, played by Lindsay Shaw from the multi-award winning series “Pretty Little Liars.”

A coming of age comedy about a Pakistani exchange student who moves to America to live with the Tolchuck family and attend high school in a foreign country, “Aliens in America” was an immediate fan favorite thanks to the way it wove together relatable storylines about the dramatic experiences of being a teenager in a way that left viewers feeling good.

One of Mitchell’s funniest and most unforgettable moments in the series was in the second episode when Claire tries to break up with him. Instead of fading out, he stands on her front lawn with a boombox on his shoulder blasting ‘In Your Eyes,’ an icon and effective move on his part.

While “Aliens in America” was the perfect venue for Mitchell to show off his comedy side, but what audiences have come to know the actor best for is his unparalleled skill in drama.

Over the years he’s given numerous memorable performances on hit TV series such as the Golden Globe nominated crime series “Covert Affairs,” the two-time Primetime Emmy nominated sci-fi series “Falling Skies,” the Gemini and Canadian Screen Award winning series “How to Be Indie,” the Joey Award winning series “The Tomorrow People” and more.

Nathan Mitchell in a dramatic moment as Russell Bowman in “Motive”

In season 4 of the dramatic crime series “Motive” Mitchell took on a starring role as famed BC Furies quarterback Russell Bowman, a distraught husband mourning the loss of his murdered wife.

“There was a weight to this character because he is dealing with the most monumental loss of his life. We get to see some of the happy times they had as a couple. But then you’re dealing with the heaviness of going through such a deep loss,” recalls Mitchell about playing Russell Bowman on the series.

“He has to deal with losing the most important person in his life. Seeing how he handles that is just as interesting as solving the murder itself. Those two parts of the narrative keep you on your toes.”

Kristin Lehman (left), Nathan Mitchell (center) & Brendan Penny (right) in “Motive”

Mitchell’s riveting performance as Bowman is emotional, honest and impossible to peel our eyes away from, the actor definitely has a gift for bringing challenging and multi-layered characters to life on screen.

With the craze of comic book inspired blockbuster films and hit television series that have swept the entertainment industry over the last few years, it’s not at all surprising that Mitchell is a part of that world too, the DC Universe to be specific.

In season 3 of The CW’s “Arrow,” Mitchell guest starred as Isaac Stanzler, a key character in the developing plot between Oliver aka Arrow, played by Stephen Amell (“The Flash,” “Legends of Tomorrow”), and Roy aka Arsenal, played by Colton Hayes (“San Andreas,” “Teen Wolf”).

The abandoned protege of Wildcat (J.R. Ramirez), Isaac appears on the scene embittered from the betrayal and ready to make Wildcat pay by framing him for a string of mysterious murders.

Mitchell explains, “I came out of the shadows to frame Wild Cat for giving up on me and leaving me in the hands of criminals. It was exhilarating getting to be a part of the DC Comics Universe and bring comic book lore to life.”

A critical subplot in “Arrow’s” overall story arc, the relationship between Isaac and Wildcat reveal what could happen to Arrow if he were to be abandoned by Arsenal in the future; but only time will tell how that plays out.

Nailing the mark with his performance in “Arrow,” Mitchell brings his character to life seamlessly by tapping into the hurt and resentment Isaac has towards Wildcat. In the heart pumping fight scene where Isaac takes on Arsenal, Mitchell makes it’s clear that what’s driving his character is the need for vengeance, which makes him a relatable villain that we hate and feel sorry for at the same time.

As an actor, Nathan Mitchell brings a rare level of diversity to the table thanks to his ability to find the root of what drives each of his characters, an asset that has allowed him to play a wide range roles across practically every genre.

He explains, “The more I truly explore my roles the more I become aware of different facets of myself. There’s a huge psychological component to it. You’re taking the script and deducing how one would act based on the circumstances. You’re always learning about human nature. It’s very fulfilling.”

Rose McIver (left), Nathan Mitchell (center) & Malcolm Goodwin (right) in the season 2 finale of “iZombie”

Up next for Nathan Mitchell is season 3 of the TV series “iZombie,” which airs in 2017, as well as the upcoming sci-fi film “Scorched Earth,” where he takes on the critical role of Zee. Audiences will also be able to catch him in the upcoming film “The Marine 5: Battleground,” where he takes on the key role of Cole.

Actress, Advertising, Commercials, New Zealand Talent, Uncategorized

NEW ZEALAND’S NATALIA GORELOVA ISN’T ALLERGIC TO FAME…OR THE HARD WORK NEEDED TO GET THERE.

December 14, 2016 Lorraine Wilder Leave a comment

What do the people on this list have in common: Angelina Jolie, Sofia Vergara, Cameron Diaz, Uma Thurman, Jennifer Connelly, and Amanda Seyfried? They all started their careers in modeling. In this day of YouTube stars, this and that Idol, and “Top (insert profession here )”, it’s easy to forget that there was a time when professionals in entertainment took the path of working slowly to gain the experience to make a career last for life. That’s not to say that there aren’t many highly talented individuals in the aforementioned productions, just that there is something to be gained through gradually experiencing the many opportunities and scenarios that a developing career bestows. Sometimes the factor which allows creative types to develop as an artist is the ability to learn from the challenges and inevitable mistakes that come their way in less obvious ways. Natalia Gorelova has been travelling this path and successfully making the move from magazine covers and the catwalk to the TV screen. The wide variety of situations she has been called upon to perform in have resulted with her becoming a model who understands all of the subtleties of using verbal and nonverbal communication to portray whatever her role requires. While you might previously have seen her on the cover of Idealog or Headwave magazine, you’d more likely see her these days on TV doing a spot for Jaguar or Green Giant. Taking risks, doing the hard work, and believing in herself is the MOD for Gorelova. She grew up in Russia, then moved to New Zealand and was discovered. Going to unfamiliar places and jumping in the deep end has always been an attribute well exercised by Natalia. It has served her well giving her new opportunities and granting her access to other professionals who empowered her vocational pursuits.

Most models have to learn to make peace with the idea of auditioning. It’s an essential part of the business that most people accept as necessary in order to gain access to the opportunities they desire. In strong contrast to shying away from this, Gorelova describes a recent international TV spot for Zyrtec stating, “I decided that I had to play it very confident and warm. In one scene I was a member of a couple so I just went for it. Spontaneous intimacy with a stranger in a room in front of a camera can be an awkward experience. The key is to make it look like this is real and commonplace; you are in love with this guy you’ve never met before but you’re happy cuddling. It has to happen instantly. I made the point of talking to my casting partner before we got inside the room to break the ice a little. It worked and the audition went well. We felt at ease with each other which made the casting director happy, of course. I got a callback right away.”

An important reason for Gorelova’s casting was the director on the project, Gregor Nicholas. Nicholas in an Emmy Award finalist with international awards (at Cannes Lions for example) with films in the Permanent Film Collection at the Museum of Modern Art in New York (Pacific 3-2-1-Zero) and was called “One of New Zealand’s hottest directors” by the Hollywood Reporter. He communicates, “Natalia demonstrates an extraordinary range, both comedic and dramatic. Her versatility as a performer allows her to handle any theme or attitude, whether in a movie, television, or a commercial. Rarely have I collaborated with an artist who has worked so consistently with so many leading commercial and fashion brands. It is clear that Natalia is a truly gifted model with exceptional abilities.” Gregor was in the room during the casting session and recognized her talent immediately. His praise was particularly poignant for Gorelova as she had been aware of his work since first moving to New Zealand. She reveals, “I remember the time when I just moved to New Zealand from Russia and I was watching a lot of TV to help me learn English more quickly and I saw a Telecom commercial about a guy who travels a lot while his wife is back home pregnant and missing him. The man scans his hand and emails the image to his wife. Upon receiving the email, his wife touches the screen with her palm against the image of her husband’s. It was so emotional and cinematic. From casting, to music, to lighting, to the idea; all of it was wonderfully detailed and elegantly filmed. I never got sick of watching that commercial. Later, when I started working in the commercial world, I hoped that I would get to make something that beautiful and cinematic. When I realized that Gregor was directing this Zyrtec project, I became very nervous because I wanted the part so bad!”

The commercial aired frequently to great response, making Zyrtec quite happy. Gorelova admits that although she should focus on this, it is hard for her to get past enjoying the work so much because she works alongside professionals whom she respects. Having made a successful career in and being well-received by brands and customers alike is an achievement she is quite happy about. Of course, the fact that the Zyrtec campaign and her performance was successful is a happy outcome. Natalia confirms, “Working with the entire cast and crew, and learning from Gregor was incredible; but also, working for a huge American brand was really exciting. To me, it meant that I am marketable in the U.S. and that started giving me hope that I could one day end up doing what I love in the country that I also love.”

Behind the Scenes, Entertainment, Film, Filmmakers, International Creative Talents, Producer, Uncategorized

VON SCHWERIN: A MODERN INTERPRETATION OF ORWELL IN PEACEFORCE

November 25, 2016 Lorraine Wilder Leave a comment

Award-winning director David Gerson describes Beatrice von Schwerin professing, “Beatrice is the epitome of a doer. A producer who always gets the job done as effectively as possible, inventively, and with deep respect for the directors she works with. She grew up a member of the Swedish nobility, spending her youth hunting in the south of Sweden. I believe that hunting nature in her is what makes her such an excellent producer. She treats a film shoot like the hunt; a task to be cautiously, precisely, and effectively maneuvered.” Gerson has worked with von Schwerin on a number of productions such as: Automatic at Sea, All These Voices, Destiny’s Child, and others. Having worked closely with her he knows well that Beatrice can be seen leading the charge just as should would during a hunt. These days, von Schwerin is respected as a producer with many productions to her credit. It’s fitting that Gerson views her as a huntress as we revisit the first film she produced, Peaceforce, as the subject matter is a hunt…a hunt which is much more complex than it appears to be. Beatrice concedes that her forthrightness, determination, and loud speaking voice, are all products of her noble lineage and rearing; attributes that serve her well in leading a film production. More at ease facing challenges on set than relaxing in her family’s castle, this Swedish baroness prefers a life of creative pursuits in an industry that cares nothing about her heritage and yet appreciates every ounce of her talent and hard-work ethic. A dissection of her first production shows that the very template for her approach was a solid foundation which has served her and the films she enables to result in many achievements.

Beatrice worked in the Danish film industry for 9 years before producing Peaceforce. Denmark is one of the strongest countries when it comes to film production in Europe. Copenhagen has a solid film industry and is equipped to modern standards. In many ways it mirrors the productivity of Hollywood’s industry and community. Peaceforce was the first film on von Schwerin’s long list of producing credits. She confirms, “This is the first production where I realized that I really, REALLY wanted to be a producer. I knew that if I could get the cast and crew through all the challenges, then I could do anything. This film was the ‘AHA’ moment in my career, the one that made me love my job even more than I did previously.” Jonas Allen of Miso Films recognized her talents and placed her in the Producer role for the film. Peaceforce is loosely based on the George Orwell essay “Shooting an Elephant.” The film is set in the near future, in a world where capitalism has run its course. Daniel, a young Peaceforce officer, meets Jesper, a prominent local citizen. Jesper claims that an elephant is running amok in the city and killing people. Spurred on by his idealism and desire to do good, Daniel follows Jesper deep into the heart of a desolate city. Daniel believes he can make a difference by helping the wounded and dealing with the elephant. Not long into his mission, Daniel discovers that he’s in way over his head when he meets a little girl who is the sole survivor of the group that cared for the elephant. Daniel understands that he has been misled by Jesper. Jesper and his hungry entourage keeps breathing down Daniel’s neck. Fearing for his life, Daniel feels forced to make conflicting promises to Jesper and the girl. Soon Daniel finds himself confronted by the magnificent beast, a live elephant. Daniel desperately searches for a way out of this dilemma as he has no desire to kill the beautiful animal. The mob grows ever more impatient and hungry for blood. Daniel finally relents and shoots the beast, thereby betraying not only his own word, but also all that he believes in. It’s an epic and tragic tale. The components used to portray the action on-screen were grand as well. Peaceforce was a challenging shoot, with many different pieces that needed to match. Beyond the typical cast, crew, and locations logisitics, there were elephants, children, extras, & VFX to contend with on this production. Recognizing early on that she could lead with positivity to create momentum, Beatrice began with the animals. She recalls, “We spent two days shooting in a field outside of Copenhagen, close to a circus, where we rented an elephant for the shoot. One day was spent with the elephant and one day with the extras. We had three elephants on set with us and we used one of them. Elephants are flock animals and if you split them up, they are not happy. To contend with this, we had the two elephants not used in front of camera, close by so that they could be in contact with one another. Every now and then during the shoot, we’d have our star [elephant] head over to the others for some down time. It was a great and exciting day for both us and the elephants. I always try to have a positive attitude, no matter how challenging the day may be. I know that if I’m smiling and keeping positive, it trickles down to the cast and crew. It’s always important to show kindness and respect and I try to do that. I don’t separate my crew members from cast members. I really want everyone to feel equal, like one big happy family!” It’s a template that resulted in a happy and committed production family and a successful film as well. Peaceforce received a nomination at the Robert awards (Danish equivalent to Academy Awards) and garnered a Canal+ Award at the Clermont-Ferrand International Short Film Festival. Director Peter Gornstein couldn’t be happier as he notes, “Making Peaceforce with Beatrice was such a positive experience. I have known and worked with Beatrice for more than 8 years. We have won international awards together as well as developing several other projects. Beatrice is truly a one of a kind person and producer. Her positive energy and go getter mentality is something that spreads to everyone that she works with. Not only does she have a fantastic personality but her skills, and more importantly, her moral compass are beyond reproach. I’ve had to face some tough obstacles in the course of projects we’ve worked on together and no matter how hard or difficult the situation was; Beatrice would always guide me towards taking the high road. When I’ve wavered I have always been able to count on Beatrice to help me make not only the right choices for the projects, but also the moral choices.”

It isn’t always easy to keep that sunshine attitude. Persevering through the sometimes tedious portions of filmmaking are the obstacles that teach von Schwerin how to remain cool and collected. She describes, “Sometimes it’s not going over schedules or obtaining a piece of gear that is the challenge. Quite often it is just getting all the bricks in the puzzle to fall into place! We had so many moving parts on this film. It took what felt like (at the time) an army to get it made. The shoot was only two weeks, but the VFX was done in post and took almost 10 months to complete. When you are coordinating between VFX artist Ivo Horvat being in LA and the Director being in Copenhagen, you sometimes wonder where you are and what time it is.” These days, Beatrice von Schwerin knows exactly where she has been and she is considering heading to Hollywood as she fields offers to be a part of city that is the epicenter of film. One thing is for certain, Hollywood could use another producer who puts a smile on everyone’s face.

Behind the Scenes, Cinematographer, International Creative Talents, Music Video, Uncategorized

A CANADIAN’S PERSPECTIVE ON “AMERIKA”

November 23, 2016 Lorraine Wilder Leave a comment

There’s no escaping the discussion of current events in America right now. That should come as a surprise to no one. With an election that has taken most of the past two years and a complete switch in the majority political party, it seems as if the entire planet is watching the US. You can’t turn on a news programs without getting the network’s opinion, so why should music be any different? Of course, musicians have long used their creativity to present their ideas, there’s nothing new to that. You can go back more than two hundred years to the protest song “Yankee Doodle” and see that even the founding fathers had musicians weighing in with their take on current events. The more overt and modern equivalent of this is the music video. “Amerika” is the song and video by Canadian band Wintersleep which presents their perspective of the modern US events and temperament. Just as with “Yankee Doodle”, “Amerika” is a protest song. The first person director Scott Cudmore thought of for the cinematographer position on “Amerika” was Peter Hadfield. This duo has worked on a number of high profile videos (including Vimeo Staff Pick “It’s Okay, I Promise” by Harrison x/Clairmont the Second and the sci-fi “Needs” video from Adonis Adonis) and both were eager to repeat the experience. Katy Maravala (producer for “Amerika”) was also keen to repeat her experience working with Peter as well. Maravala, whose client list includes; Drake, Rihanna, Arkells, and Halsey declares, “Peter has always been one of my first choices as director of photography. I feel confident in saying that Peter is one of the most genuine, humble, and talented humans I have ever met. As proof of his incredible talent, “Americka” was nominated for a UKMVA [United Kingdom Music Video Award]. The breathtaking images in this video were not easily earned. During the video we encountered some challenging locations; frozen waterfalls, old houses, a two-hour hike in the woods, and desolate buildings all in the middle of a Canadian winter. Peter remained positive, upbeat and an absolute joy to work with even during this tempestuous time.”

While the relationship vignettes are compelling, the vistas in “Amerika” are grand and give the video a cinematic feeling. “Amerika” was shot in Hamilton, Ontario; a steel town on the coast of Lake Ontario that has come into hard times. The people of Ontario often refer to Hamilton as “The Hammer”. While the town possesses a great deal of beauty, it’s easy to see there many of its residents are surviving day to day. The opening shot was taken on the coldest day of the year with a temperature of -40 degrees F with wind chill. At times, Peter couldn’t operate the camera because the wind made his eyes water and the cold would freeze the tears. Hand warmers were taped to the camera batteries to keep them functioning. It was less than ideal circumstances. The crew shot for an uncommon five days in order to get shots at precisely the correct time of day for the desired effects. Their guerilla approach called for a lot of hiking through snow to reach some of the isolated locations. Again, less than ideal in subzero temperatures. It’s hard to find elite professionals whom are willing to endure these scenarios but Hadfield instills, “I am extremely passionate about creating socio political messages in film making. That’s what I’m here for. When I see it in other videos it makes me so happy and excited. When there’s anyone that’s willing to go out on a limb and say something truthful about the way our society is functioning, I couldn’t be more excited. Mainstream artists make art videos too. Kanye West has amazing music videos. There were parts of Beyoncé’s “Lemonade” that were beautiful and evocative. Radiohead just put out an incredible video shot by Paul Thomas Anderson and Robert Elswit that I definitely consider art. If I could make something as potent as that “Daydreaming” video, I’d be very pleased. The alternative artists like Wintersleep who put out videos that have less glamorization in them have the freedom to strive for more substance. They’re freer to say something political or polarizing because there isn’t as much money involved or pressure from the record companies and distributors. The music industry has fewer record companies directly involved, allowing artists to self-release. I think we’ll start seeing more videos with greater substance. We’ll start seeing more videos like Kanye West’s “Famous”. But there will always be artists on the fringe, making meaningful work and encouraging the next generation of people to develop their talent. The hope is that they use this to make a positive impact on the world. This is the agreement among all creative people; we are to use our talents to improve the lives of people and the world itself.”

While this video may seem to be something of a mirror to hold up to the US, Hadfield professes his fondness for the artists and potential of the people found in the spirit of America. He recognizes that the film world finds its epicenter in the US. Peter comments, “There are great music videos and incredibly talented artists coming out of Canada, but most talented people here end up going to America and succeeding. There are amazing opportunities there, you can’t deny it. I think being on a set in Hollywood would be an amazing feeling. I think the greatest joy is being on set, with a camera on my shoulder. There’s nothing more satisfying than getting to the right location at the right time and capturing something special. It’s extremely satisfying and inspiring, and leaves me wanting more and more. Being a cinematographer takes a lot of self-discipline; staying focused and working towards an unattainable goal. That unattainable goal is being a great cinematographer. The challenge is getting than next great shot. I’ve got in insatiable appetite for capturing images, and as my taste and skill grow, I’ll always be reaching for the next shot that means something.” Striving for greatness, isn’t that what we all want for America?