Category Archives: Actress

KAYLA STRADA IS MINDFUL OF HER FOOTPRINT

“It’s gotta be da shoes!” Spike Lee’s fictional character from “She’s Gotta Have It” was everywhere in the mid to late 80’s. The immensely successful ad campaign for Nike attribute the secret ingredient of Michael Jordan’s command of the court to…at least in some part, his sneakers; that was long before there ever was a Kayla Strada. Spike’s character (Mars Blackmon) had an almost supernatural belief in shoes, a belief shared by Strada, but not in regards to the NBA. The shoes she believes in are the ones of which Stella Adler speaks. Kayla confirms, “Shoes is a big thing Stella Adler always talks about and shoes are a big Kayla thing.” The young Australian actress might have Carrie Bradshaw as her spiritual guide because her choice of proper acting “footwear” has led to several successful roles including the female lead in the full length feature “Love Is…” The film has been expanded to a full length feature because of the overwhelmingly positive feedback on the original short, due in no small part to Strada’s convincing and emotional performance as Maddie, the female lead in the story. The film is the beginning of Hollywood’s exposure to Strada, an actress who has been receiving increasing notoriety and achievements in her homeland of Australia and parts beyond.IMG_3267

There are some universal experiences and themes in the world and love is likely the most prominent of these. It crosses every line; culture, religion, gender, financial. You can be a farmer in Singapore, a Member of Parliament in London, or a young actress in Australia…everyone needs it and everyone wants it. We all understand our own feelings of love but the who, how, or why in which others place this emotion doesn’t always make sense to us. This is why find it particularly attractive when an actor or actress can communicate their feelings about love in such a way that we instantly empathize. It is a gift that Kayla possesses and is prominently exhibited in “Love Is…” This production, written and directed by Stan Harrington, was quickly promoted from short to full length feature…that’s a major achievement and vote of confidence in Hollywood. Maddie and Nick (played by Bryan Lee Wriggle) are two young people who fall in love practically at first sight but their relationship stalls almost as suddenly, resulting in a search for the meaning of true love. Other unforeseen factors have immense impact on the main characters and their view of love (no spoilers here). Just as in real life, these characters have different “love languages” and struggle to understand and relate to each other in an unencumbered manner. Knowing yourself and possessing the words to express it properly help you connect with that special someone. These are the exact same attributes which allow Strada to so convincingly portray Maddie. She reveals, “When Maddie first meets Nick, she goes through a rollercoaster of emotions. A lot of what she deals with is based on certain ideas that are very original to this story. In contrast, there are some very universal experiences in the film that we all share. You see it happening and think to yourself, ‘Oh yeah, that happened to me.’ One thing I can say about Maddie is that she is very determined. That is something I can really relate to. Playing Maddie and discovering her was such a joy.” Strada further notes, “Dialogue is important and it is important how you deliver it. If the script is good, you can really play with it. The majority of the work is done for you already in the script.” Writer and Director Harrington makes this avenue a two way street commenting, “The nature of a shoot required to make a movie like Live Is…is exceptionally trying, so getting to work with actors who, not only come prepared, but also have incredible talent and insight, such as Kayla, makes everything a little easier.”

“Love Is…” has the moniker of both comedy and drama, with the obvious romantic setting. While the romance of Maddie and Nick drives the movie, it is Maddie’s best friend, Liz (played by Daphne Tenne), who supplies much of the comic relief. The bond between Liz and Maddie lifts some of the heavier moments on screen, similarly to the actresses support off screen. Tenne states, “Kayla is extraordinary at what she does, truly a professional at work. Acting alongside Kayla in this film was a journey that I will take with me forever.” Bryan Lee Wriggle (Nick) shares a similar comment about Kayla and the other actors involved in “Love Is…” stating, “It has been a privilege to work with someone like Kayla Strada. She brings a professional attitude and amazing work ethic to the set every day. I feel honored to work with actors who take control of their work and strive to make each take exceptional.”

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It is not often that a movie is required to take place in a particular city, but sometimes the location enhances the feeling of the movie in a way that is undeniable. Italy has many beautiful cities but who can think of Fellini’s “La Dolce Vita” taking place anywhere except Rome? In the same way, San Francisco becomes a character in “Love Is…” The Bay, the twisting roads, the hills, the skyline, all these terrains become synonymous with the numerous and varied emotions one feels when dealing with love. Strada emphatically confirms that the locale is essential to the feel of the film declaring, “San Francisco was a deliberate filming choice! Visually, it’s a romantic and beautiful setting for the story. I don’t think the movie could have had the same impact if it were filmed in LA…or anywhere else. The way that you feel when you’re there…it makes you think about the possibilities and dream of greater things happening in your life.”

With “Love Is…” making the switch to full-length feature film and Kayla as the female lead, the young actress is hoping to explore more opportunities in Hollywood. Having experienced a good deal of fame and success in her homeland, she is excited about the roles she might land as well as the possibilities of working with those whom she has admired in film. She states, “I really hope to work alongside the people whom I look up to in the industry; the Cate Blanchett’s of the world who take their work to another level. I had the opportunity to work with Mena Suvari and it was a real moment for me. I realized, not only do I get to learn from her talent but it was also nice to see how humble she still is. There is always something creative going on here in Hollywood. It really is the heart of entertainment. I think I had to be here to truly understand that.”IMG_3268

HUNTER PHOENIX USES ACTING AS THE ULTIMATE RPG

The next time you are feeling like the ultimate multitasker, consider actress Hunter Phoenix who uses her vocation as therapy. Okay, that’s an oversimplification. When the director of the London based production of Streetcar Named Desire cast her in the role of Blanche “Because it’s going to be fascinating to watch you fall apart (emotionally)”; that would likely seem intimidating to most of us. It was to Hunter, until she realized this was a chance to lead out a very different life without repercussions. The actress decided to embrace the unknown, resulting in two decades of a highly successful career in Canada and Europe. Seeking new experiences for growth has now led her to Hollywood and the ever changing possibilities of acting. The long list of Canadian actors contributing to American Television and Film such as; Raymond Burr, Dan Aykroyd, Pamela Anderson, Rachel McAdams, Mike Myers, Ryan Reynolds, Ellen Page…and honestly, too many to mention here, continues to grow. Hunter Phoenix is following the path of her fellow countrymen by investing in Hollywood’s possibilities. She is no stranger to the international film industry (taking part in films recognized at the Oldenburg Film Festival, Toronto Black Film Festival, Sundance Film Festival, and the Cannes Film Festival, plus many others) and Los Angeles is astute in recognizing her luminous qualities. Following years of establishing herself in the Canadian and European markets as a talented and charismatic actress, Ms. Phoenix has increasingly appeared in many different formats here in the United States. Modern actors cross many varied platforms including; film, television, theater, even web-based, Hunter has immersed herself into all of these. In 2016 you can find Hollywood’s A-list at your local theater, on a cable series, or in original content for websites such as Funny or Die.

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Producer (and actress) Maria Rohm has worked with everyone from Orson Welles to Christoph Waltz. She knows how to recognize talent as well as marketability. Maria has worked with Ms. Phoenix on multiple films and notes, “Hunter is very unique as an actress. She has the ability to convey vulnerability and handle the most dramatic scenes but also has great comedic timing. You rarely see that in a woman of such poise, beauty and grace. She raises the bar of any project she becomes involved in.”

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For the film High Adventure (distributed in Canada by Universal Studios Home Video), Hunter played the role of Ingrid, Chris Quartermain’s ex-girlfriend.  Phoenix’s performance added greatly to the depth of the film according to its director Mark Roper who relates, “What these two characters create on-screen and accomplish in this movie is transcendent, and greatly responsible for the movie’s overwhelming commercial success. This was largely due to Hunter’s commitment to her performance in this role.” It is readily apparent in the film that Phoenix enjoys the subtle nuances and mannerisms of her performance. No doubt her costars appreciate the fact that she helps the audience to see the main character through her eyes, allowing them to become more real, flawed, and interesting. Hunter considers this to be one of her finest achievements as an actress, to aid the audience in seeing deeper into the characters.

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  Pact with the Devil is a modern adaptation of Oscar Wilde’s The Picture of Dorian Gray and would seem an appropriate analogy for the lifestyle and challenges of the entertainment industry. The film’s cast includes Malcolm McDowell (A Clockwork Orange, The Artist), Christoph Waltz (Django Unchained, Inglorious Bastards, Spectre) and, as Isabella…Hunter Phoenix. Producer David Goldstein describes Hunter in the film as “commanding the screen” and “fascinating to watch!” Phoenix’s physical beauty is natural as a character that has an affair with the handsome Dorian Gray; what comes as a complete surprise is her comedic timing. Her performance gives unexpected moments of humor and levity to a dark story being played out by actors with potent gravitas. “I have written roles for Hunter on several movies and she makes the characters tangible and temporarily suspends all disbelief. When watching Hunter, you forget that she is an actress playing the part; she just IS that person.” remarks writer Peter Jobin.

In a more family themed role, Hunter will appear as Sabrina Baroque in The Bandit Hound II (she is also credited in The Bandit Hound I). This family tale centers on an unwitting dog’s involvement in an armed robbery and his road to redemption through the love of his adoptive family. In addition to Phoenix, the cast includes household names like; Catherine Bell (JAG), Paul Sorvino (Goodfellas), Lou Ferrigno (The Incredible Hulk), and Judd Nelson (The Breakfast Club). The Bandit Hound and The Bandit Hound II’s director Michelle Danner praises Hunter remarking, “I was inspired by this new actress and immediately made the decision to cast Hunter in the sequel ‘Bandit Hound II.’ The chemistry between Hunter and two of our leads was magnetic, a crucial element to achieving the heartwarming finale we’re hoping for.” In the sequel, the bank robbers are locked up but Sabrina is their “man on the outside.” Sabrina is the typical pretty face who aligns herself with the bad boys but she has a secret…one that will require viewing of the movie to reveal…no spoilers here. With the movie set to begin filming in 2016, fans of the film will have to wait a while to discover the plot twists. In the meantime, to get their portion of Hunter, they’ll have to do no more than turn on their computers. Just as cable grew into the creative and ratings juggernaut it is, the web is a new avenue for many a creative series.

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For someone like Hunter Phoenix who has tested herself in live theater, television, and films, seeing what online entertainment can do is a natural exploration. She is cast as Vanessa in Uncensored Hollywood, a series about aspiring actors in Hollywood and the culture of sex, drugs, alcohol, and lies. The subject matter could lend itself to drama but the tone is definitely one of comedy.  With episodic titles like; “Arnold Schwarzenegger and Godot”, “The King’s Speech – Made in Hollywood”, “Game of Thrones – The amateurs”, and “SNL Tennessee Williams” it is easy to see that the series pokes fun at the self important side of Hollywood as well as pop-culture.  Phoenix describes her character Vanessa as a former child actor/now talent agent, full of grit and toughness, while still being humorous and fragile (due to her ex-husband). The role is a perfect place for the actress to show an intense yet comedic facet of her inner self. That seems understandable for someone whose achievements range from Tennessee Williams to Second City improv. Hunter embraces Uncensored Hollywood and her character stating, “What makes the show both poignant and funny is that it contains that kernel of truth. It’s not me but I draw on my own experiences to breathe emotional vibrance into Vanessa’s world.”  This acting therapy that Hunter uses allows her to be people that she isn’t, while doing things she’d probably never be comfortable doing, and somehow results in her being a more actualized self. Maria Rohm of (Tower of London Films) describes Phoenix stating, “Hunter is also one of the kindest and most caring people I have ever met. She worked with street youth, mentoring them for a number of years during her time in Toronto through Covenant House, and she gives generously to animal welfare charities.” Hunter’s personal form of acting therapy results in great work that is appreciated by the industry, as well as therapeutic side effects for herself and those around her.

Q&A With Brazilian Up-and-Comer Priscila Zortea

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Brazilian dancer and actress Priscila Zortea

It is extremely difficult to make your dream come true, but so rewarding. It is that much more difficult when you have two dreams, but Priscila Zortea is beginning to feel the immense satisfaction that comes with achieving both dreams: dancing and acting.

Since graduating from HB Studio’s acting program in New York City, the Brazilian native has been quite busy. Priscila appeared in the regional musicals A Chorus Line, The Music Man, Joseph and the amazing Technicolor Dreamcoat, as well as several commercials and industrials, which launched her career into a large list of achievements.

She acted in the feature film A Journey to a Journey directed by Canadian Barry Germansky, the short film Unveiled directed by Klemen Novak, and the webseries Distortion based on super hero fights. She danced with Gotham City Cheerleaders in New York, which is an unofficial dance team that supports the New York Giants, and with them had the opportunity to dance on HBO’s Last Week Tonight With John Oliver. She also was a dancer in the 2015 season of LA KISS football, making her rock ’n’ roll dream come true.

In a short time, Priscila Zortea, has an ever growing list of achievements.    To find out more about this up-and-comer, make sure to read below.

You can also find out more at:

www.PriscilaZortea.com

What made you get into acting and dancing?

PZ: My mom took me to my first ballet class when I was three years old and I haven’t stopped dancing since! I fell more in love with ballet and performing as each year passed and in a way I knew I wanted to keep doing that. When I was around 12 my dream to become an artist became stronger and I felt like I could talk about it and try to improve myself. I told my dad that I wanted to dance “seriously” and asked if I could attend a better school. We lived in a very small town and there weren’t opportunities available for me. I’m very thankful to have a supportive family! My dad said yes and my mom started driving me to a bigger city an hour away a few times a week so I could take dance classes and perform.

My love for acting also was always there but once again I didn’t know what to do about it. I remember playing in the background of my house as if I was an actress performing something, or I would dress up and sit by the trees and pretend I was Alice in Wonderland, or a character from a TV show I happened to be watching at the time. But there was no way to really go after it. I did some theatre in school but that was about it.

Then also when I was about 12 or 13 I went to my first audition for TV. I read about it on a newspaper, it was an audition for the Brazilian version of Argentinean TV hit Chiquititas. I had no idea what to expect but I went to this audition in the capital of the Estate I lived in. I had a great time, even though I had no idea what I was doing.

What do you like about acting and dancing?

PZ: I think art in general is such a wonderful way to express yourself and connect to other people. I always felt like myself dancing, like my best self, like my true self, like the person I wanted to be. And then when I found out I could also talk it was even better! Acting is an amazing exercise to get to know yourself and I feel like I’m always learning how I truthfully react to things and how I feel about different situations that I don’t get a chance to explore in ‘real life’. Also, the fact that a character has the power to connect to the public, it makes my work even better. It’s such a powerful thing when you can relate to characters you see on TV or films. You can feel like you’re not the only one who’s going through that. You can feel supported. You can feel hopeful. You can dream about a happy ending just like the one you saw and that’s priceless! And as an actor I’m the one who will pass that message to you, the public. And I love that responsibility.

What are the challenges to acting and dancing?

PZ: Being vulnerable in front of strangers, be willing to show your true self, those are challenges to all artists. We just use our experiences and our emotions, and we show the most beautiful and the ugliest things about ourselves. That’s a scary thing. Human beings tend to hide and feel comfortable and by avoiding their honest feeling. Artists are not allowed to do that. It seems vague but those things are a huge part of our daily challenges. A dancer needs to always be in shape, eat well, be strong, have technique, but also be artistic. We need to learn choreography quickly and give a voice to it immediately, and those are lifelong challenges for us. There’s no such thing as perfection but we’re always working towards it. Acting makes you question so much about yourself in different situations and your relation to other people. then you put yourself in a position of being judged for who you are, the way you look, the way you speak, the way you react to things, the limitations people say you have, and much more. You really need a tough skin to keep true to yourself and move forward believing that the answer you have is the right one, and one day you’ll show it to the right person and the right time and it’ll give you a career and sense of fulfillment.

What made you want to move to LA?

PZ: I graduated from a theatre program in New York City and then worked there for a couple of years. I then found an audition to be a dancer for the arena football team LA KISS in Los Angeles and moved here to dance for them last year. It was a dream come true! The owners of the team are Paul Stanley and Gene Simmons from the band KISS and I’ve been a huge fan of them since 1997. Rock ’n’ Roll is my biggest passion after acting and dance! I couldn’t believe I got the opportunity to represent their brand!

What are you currently working on?

PZ: I’m in a play called Wonder Women at The Next Stage Theatre in Hollywood. It’s a comedy directed by Chris Berube. I play the role of Mistress. She’s slightly based on the Catwoman and it’s a very fun role. The play is about female super heroes who decide to rebel and go against the league that makes them be sidekicks to male heroes, wear skimpy outfits and never get the job done by themselves. They’re showing that they are better than that and deserve respect!

I’m also collaborating with screenwriter CJ Walley on a short film to be shot in Vancouver in July.

What are your plans for the future?

PZ: I want to be a working actress in American television. I want to help bring even more diversity to what you see on your TV and I want to be an example to everybody who thinks they can’t dream too big because they were born in a small town with no opportunities, or because someone told them they have limitations. I want everything to be possible for me and for anybody who dreams. I dream of being the first Brazilian actress to be respected worldwide and accomplished in different fields.

For the multitalented Zoe Cleland, acting ‘never seemed like a choice’

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Actress Zoe Cleland has shined in her roles in “How to Plan an Orgy in a Small Town,” “Murdoch Mysteries,” “Reign” and more.

 

 

For Canadian actress Zoe Cleland, the journey began on the stage, advanced to the screen and has featured her becoming many memorable characters across comedy, drama, mystery and more.

“I think every time I do a new project, I grow as an actor and as a human being,” she said. “One of the things I love about acting is that it’s not static. Every job requires me to expand myself and my vision of the world.”

Her own story is one characterized by ambition, talent and success. She began performing for theatrical productions as a child and made her TV debut on “Murdoch Mysteries” at the age of 15. By the age of 17, Cleland was among a dozen actors – and the youngest ever – to be chosen for the National Theatre School of Canada, a milestone selection into her home country’s top conservatory training program.

“I literally knew I wanted to be an actress when I was about 5,” Cleland said. “It never seemed like a choice to me. It was always just part of who I was. For about a year, when I was really little, I used to watch “The Wizard of Oz” every day and told everyone at my school that my name was Dorothy! My parents took me to a lot of theatre as a kid. They would take me to the Stratford Festival every year and I remember that being the first time I started thinking of acting as a profession beyond playing dress-up at home. I remember being about 4 years old and seeing a production of “A Midsummer Night’s Dream” that seemed like the most magical thing on earth.”

Cleland, a Toronto-born talent, is classically trained and among her performing arsenal, she’s studied dramatic combat and is well versed in singing, dialects and accents including British, Irish, Scottish and American.

While attending the National Theatre School, Cleland starred in eight productions at the conservatory including her own self-written solo show, “Drawing White,” and in a production of Anton Chekhov’s “Three Sisters,” in the role of Irina, one of the sisters.

“I also played the Fool in “King Lear,” which was a lot of fun. Sometimes just doing scene work in a lot of detail was most rewarding,” said Cleland. “The great thing about theatre school is that they give you so much time to just totally dive into things and pick everything apart as much as you want, so sometimes just doing scene study was great because you got the chance to look at something from every possible angle.”

The training and experience helped groom Cleland, 24, into a dynamic, well-rounded and brilliant actress with a world of authenticity and performing charisma.

“I think in all honesty going to theatre school taught me more about how I am as a person than any one thing about acting,” she said. “I went when I was really young, 17-19, so I was really still just trying to figure out who I was. The whole thing was such an intense experience and it changed me so much. I think overall it taught me to trust my own internal guidance system and let that lead me in my work, rather than looking to the outside for someone to tell me what I should do.”

Cleland later went on to star in the theatre productions of “Wishes of This & the Other Thing” directed by Rose Plotek and “The Chimes” directed by Nancy Palk. In 2013, Cleland received the Theatre Centre Emerging Artist Award at the Summerworks Festival for her starring role in “Girls! Girls! Girls!” directed by Donna Marie Baratta and Jessica Carmichael. The play is about a group of 14-year-olds who one night decide to attack one of their peers.

“It is written in a poetic, playful style that makes it kind of otherworldly,” Cleland said. “I played Jam, who is a follower just trying to fit in and be liked. She ends up getting in way over her head in the violence that her friends are perpetrating. She struggles with her integrity when she realizes that they have gone too far.”

Parlaying her strong theatre background into TV recognition, Cleland went on to land recurring roles on the CW’s fantasy drama series, “Reign,” starring Adelaide Kane and Megan Follows, and Bite TV’s comedy series, “Guidance” starring Rob Baker.

Millie Tom has worked in the casting of more than 50 films and 19 different TV titles including “A History of Violence,” “The Incredible Hulk” and “Scott Pilgrim vs. the World.” She said, “I have known Zoe since she was 15 years old, when she first started auditioning. I believe she has a unique, magnetic quality that lends itself perfectly to film and television. I cast her in two projects since she graduated the National Theatre School, one being “Guidance,” a comedy series about three inept guidance counselors working in a high school.”

In five episodes of “Guidance,” Cleland played Morgan, a student who approaches the counselors for help.

“She was so good as Morgan, a precocious teenager who was being bullied,” Tom said. “She nailed her role as the ‘straight man’ to Rob Baker, who played opposite her, while at the same time pulling off the comedic timing that made the show a success.”

Cleland kept the momentum going and booked roles on the History Channel’s “Brainwashed,” Craig Macnaughton’s comedy webseries, “Pay Up” and in the hit supernatural medical drama, “Saving Hope” starring Erica Durance.

Most recently, Cleland returned for a guest starring role in “Murdoch Mysteries,” for the episode – “Raised on Robbery” – that aired in January on the CBC. She also made her feature film debut in writer-director Jeremy LaLonde’s comedy, “How to Plan an Orgy in a Small Town,” that’s been screening on the independent film circuit and won Best Feature and Best Ensemble awards at the 2016 Canadian Filmmakers’ Festival. The film stars Jewel Staite, Lauren Lee Smith and Lauren Holly.

“I loved the sense that we were all collaborating and making something together, and that everyone’s thoughts were valued and taken into consideration,” Cleland said.

We’re excited to see Zoe Cleland in many future roles to come. Check out Zoe’s work on Vimeo: https://vimeo.com/zoecleland and follow her on Twitter: https://twitter.com/ZoeCleland

 

 

 

Female lead is ‘lovable, but hopeless with guys’ in Katie Micay’s Romantic Comedy ‘Flirt’

 

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Kelsey Impicciche (middle), Lexi Giovagnoli (left) and Tyler Mauro star in writer-producer Katie Micay’s “Flirt.”

 

The short romantic comedy film, “Flirt” from Canadian writer-producer Katie Micay has all the ingredients of a champion paradigm of filmmaking. Micay wrote the high concept script featuring an endearing protagonist who faces a relatable obstacle and features a strong character arc. There’s a torrent of comedy stemming from firsthand source material, strong supporting characters with palpable chemistry and on-location shooting captured with refined cinematography.

The story follows Taylor (Kelsey Impicciche), a quirky college senior who lacks in the oft-tricky art of flirting and is on a quest to land the hottest guy in school as her date to her final sorority formal.

“Flirt” is a romantic comedy about a girl who is very lovable, but hopeless with guys,” Micay said. “Ultimately, she is focused on things that aren’t important and needs to learn to find someone who appreciates her for who she is.”

Impicciche, who has acted in the films, “Suicide Note,” “The Toy Soldiers” and “The Mastery,” said, “I loved the idea of the project and of this character who can’t flirt and ended up in many awkward situations. I loved the idea that this character really needed a date to a dance. I’ve honestly had this problem many times.”

The film co-stars Lexi Giovagnoli as Jenna, Taylor’s sorority sister and best friend. Playing Taylor’s love interests are Tyler Mauro as Liam and Shane R. Kennedy as Brad. “Flirt” was filmed on location at Loyola Marymount University (LMU) in Los Angeles and went on to be an Official Selection at the Reality Bytes Film Festival in 2013.

Micay is known for her writing and producing of “Limited Engagement,” a comedy short that won an Award of Merit at the Women’s Independent Film Festival and was an Official Selection at the Los Angeles Women’s International Film Festival.

“Flirt” came on the heels of Micay’s “My So Called Family,” a darker, quirky dramedy she wrote and produced in 2013. “I was ready to just make something different,” she said. “I got to use a lot of wit and dry humor and I hadn’t done that before. My friends and I are hopeless at flirting and it was something we always joked about! After seeing “Easy A,” I was inspired to try writing “Flirt.”

The premise was one where art imitated life. Micay is a member of LMU’s Tri Delta Sorority. Her inception into sorority life was an unexpected one and an experience that would later lay the framework for filmmaking inspiration.

“I came into college with a very sour idea of Greek life,” Micay said. “But when my friend convinced me to try it, it turned out to be the best decision of my college life. I still live with my sorority twin!”

In the case of sorority formals, it’s the girls who find dates and ask out guys. “It was definitely stressful for my friends and I,” Micay said.

The fabric of the leading character, Taylor, was also derivative, on a certain level. “I’m not as expressive or over-the-top as Taylor can be, but she stemmed from me. When we auditioned Kelsey, she really took to the character right away. Through rehearsals, we built the character up to be what you see on the screen.”

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Katie Micay (middle) unifies the vision behind the romantic comedy, “Flirt.”

Said Impicciche, “Katie had a solid grip on what she wanted, and was very helpful with guiding me towards her vision, while still allowing me a lot of creative freedom. There was a lot of physical comedy she wrote for the character, which was incredibly fun to do.”

The relationship between characters Taylor and Jenna was based on one of Micay’s friendships, “one where you are essentially sisters,” she noted.

“For me, the characters made the story,” Impicciche said. “As soon as I describe them, other girls immediately can identify people in their own lives that relate to these characters. They’re very real.”

From a producer’s standpoint, Micay was charged the task of navigating the project among its multiple on-campus locations including a dormitory and a working lab classroom that required a filming permit with the needed safety protocol.

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Actor Shane R. Kennedy plays Brad, the elusive love interest  of Taylor, played by Kelsey Impicciche in “Flirt.”

 

“When shooting on a college campus, you have to go by their rules so when they will let you shoot really dictates a lot. We also shot outside with a dolly track during school hours so that completely killed our audio,” said Micay. “We went back and used ADR in post. During the shoot, I relied heavily on Alyssa Brocato, my cinematographer. We planned as much as possible ahead of time because we knew timing would be tough. On the day it was about getting everything we needed.”

Micay’s diligent producing paid dividends and led to the film becoming a success. “Katie ran a really professional and fun set. Everything ran very smoothly,” Impicciche said. “I was really impressed with how she organized everyone and how she kept everyone on track and doing their best work. She was a joy to work with.”

Most recently, Micay wrote and produced “The Firefly Girls” that starred the award-winning Savannah Paige Rae of “Parenthood” and “Date Night” fame. “The Firefly Girls” screened this year at the Sonoma International Film Festival and the Equinox Women’s Film Festival.

For more information, visit: http://www.imdb.com/name/nm5084812/?ref_=fn_al_nm_1

Watch “Flirt” here: https://vimeo.com/81416130

Follow Katie on Vimeo: https://vimeo.com/katiemicay

Actress Alison Balnar Stars in Film Headed to Cannes

When Canadian actress Alison Balnar first stepped on stage, it was to play the classic role of Dorothy in Wizard of Oz. At the time, she was ten years old, with big dreams and a life ahead of her. Now, she is a part of a film headed to the Cannes Short Film Corner.

Balnar believes that going to Cannes will give the film, 60 Eight, the recognition it deserves.

“It’s one of the most prestigious international film festivals and will provide a great platform for a fantastic film,” she said. “I feel that the filmmaker, Raja, and the film itself are very worthy of this platform.”

60 Eight follows the life of John, who at the age of eight gets stuck in a lengthy comatose/minimally conscious state. It exposes the life and relationships surrounding John. Balnar plays the role of Sarah, John’s best friend. Sarah is captured at three different ages since the film focuses on the 52 years that John is in a coma. Balnar portrays Sarah at the age of 18.

“It feels great to be involved with a project with such a touching story,” said Balnar. “Raja was a terrific person to work with and was the driving force behind finding and using the vulnerability that was required to portray Sarah.”

The film was written and directed by Raja Pothineni, and stars Matt Jayson, Reginald Span, Lucas Zaffari, Laine Hannon and Denah Angel.

Balnar was extremely dedicated to an accurate portrayal of Sarah right from the beginning, said director Raja Pothineni.

“It was great working with Alison. In the very first meeting, we talked about how 60 eight was going to be a film that tried to portray the lives of its characters as authentically as possible, and the work that would need to go in to be able to pull that off,” said Pothineni. “Right from the start, I could see that Alison was dedicated in bringing her character to life and her talent lets her play complex characters while hiding the effort it takes to create them.”

Pothineni also said that Balnar’s attitude and commitment allowed for a smoother production.

“During the shoot, her commitment to the moment and her fellow actors meant that I had to give very minimal direction, and on the edit table, I was very glad to find her maintain her rhythm across shots and takes,” he said.

For Balnar however, the film is about the story it tells and the life lessons that are conveyed.

“I think that this film is filled with many valuable lessons and Raja does a beautiful job in capturing them,” said Balnar. “One lesson that resonates with me is the power of love. John is consistently loved throughout his life even though he is put in extraordinary circumstances. I think that this film reminds the audience of this force of love and puts life into perspective.”

Playing the character of Sarah has given Balnar the chance show audiences her versatility by playing a very vulnerable character.

“As an actress, each role and character is unique. It requires you to look into different emotions and experiences and translate them to find parts of the character,” she said. “When you combine my exploration of the character with the director’s openness to my interpretation, it gives me total freedom to perform. As an actress, that is a great gift.”

The role did not come without it’s difficulties. Her character is in an extraordinary circumstance that needed to be displayed effectively on screen, and Balnar stepped up the the task.

“A challenge I had with the character, Sarah, was finding the right colours in my performance that captured exactly how she felt,” she said. “It was a matter of how to authentically capture what her character was feeling given these extraordinary circumstances. I needed to find a balance of both strength and weakness within her and have that translate on camera.”

Although Balnar is only portraying the character of Sarah for a portion of the film, she is able to capture her story and the character’s feelings in a way she feels many will be able to relate to.

“When I play Sarah, she is 18 years old and moving to college. She needs to let go of John and accept his fate in order to move forward with her life. Sarah of course takes care of herself and lets go of her dedicated visits to John in the hospital. It’s her struggle of coming to that decision and moving forward with life that I can relate to. Sarah is growing up and facing decisions that will ultimately affect her life for the better or worse,” she said. “I think this is a struggle that is not only relatable to me, but so many other millennials.”

60 Eight premieres May 16 at the Cannes Short Film Corner.

Kate Petersen: Stunt Woman and Role Model

 

Known for her multiple roles as an empowered woman, one might argue that 23-year-old Kate Petersen, acclaimed stuntwoman and performing artist, is not an unlikely candidate as a role model for young women everywhere.

In an age where youth are chronicled as struggling to focus on a singular task at hand and technology rewards our brains for precisely the opposite, Kate has turned her passion for several activities into a successful career, advantageous in this field expressly for its rare diversity.

With a childhood start in gymnastics, figure skating and circus aerials and groundwork, Kate began her career with the “Trix Circus,” touring Australia at the age of 12. Not long after, she began landing lead roles in some of the world’s largest live stunt shows such as, “Super Performance Centre,” Seaworlds’ “Pirates Unleashed,” Movie Worlds “Fright Nights,” Dream World’s “Kevil Hill and Daydream Circus” and Chimelong Paradise’s “Countdown till Destruction” and “Cyber Evolution.”

One of Kate’s first recurring live performance jobs was with Super Performance Centre, which is regarded as one of the best gymnastics and circus clubs on the Australian Gold Coast. There she was cast in a number of productions and events taking on many different (but always leading) characters, with each production allowing a different side of her diverse experience in gymnastics and circus performing to shine. As one of Super Performance Centre’s star performers, Kate made her mark in the minds of massive crowds through many memorable solo acts including the “Spanish Web.”

Not only did Kate’s work with Super Performance Centre give her the perfect venue to showcase her on-stage skills early on in her career, but it also tested her skills as choreographer and production coordinator, strengths she would go on to use in many future productions.

Kate’s diverse skill-set including fire burns, high falls, precision driving and acting, has made her a sought after performer for both live and scripted productions, with one of her first major film roles being that of the strong and sexy “Rescue Ops” secret agent trained to infiltrate the world’s most dangerous organizations. Kate not only starred in the action-packed hit, but also performed all of her own fight scenes and stunts.

“I love performing the skills that I’ve worked so hard on and doing something that I absolutely love as a career. This is something I’ve trained towards my entire life and I can’t imagine doing anything else, this is my absolute passion and it drives me everyday to do these amazing things that I dream about,” explained Kate when asked what she loves about being a performing artist.

It’s difficult to not feel inspired by Kate’s striking combination of the formidable and confident persona that she brings to the stage and screen, and her equally impressive passion and drive in her personal life. Kate aims to motivate young people to pursue a career because, “it makes you stronger, more confident and it’s a lot of fun.”

Kate is an embodied example of precisely why this attitude towards our career choices is so necessary. She attributes her passion for performing and the joy that it brings her for the ability to overcome the unavoidable challenges that accompany a diverse and highly athletic job description. In 2010 Kate underwent back surgery, putting her out of training for six months, one of her biggest challenges in her career. Within a few months back, she had regained all of her stunt skills, feeling stronger than ever.

A woman who can do it all, we can all stand to learn a lesson from Kate and her valuing of both physical and emotional strength, focus and passion for life and work alike. Continue to follow her exciting and action-packed career with her upcoming leading role in the live show, “Tidal,” a dramatic mix of circus and street entertainment, touring the US in September 2016.

Actress Jessie McLachlan Details her Journey to film and television Stardom

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Actress Jessie McLachlan

For Jessie McLachlan, the path to becoming one of Australia’s preeminent film and TV actresses began when she was just 6 years old. It was then she started to refine and perfect her skills by undergoing speech, dance and theatre lessons. Before her 8th birthday, she’d become a National Irish Dancer, and McLachlan found her groove by auditioning and performing in front of her Grandmother, Ann.

“I had found a home in performing,” she said. “It gave me a sense of euphoria, a high, but a certainty feeling.”

McLachlan parlayed those feelings and experiences into a coveted career many pursue and few achieve.

She’s accumulated an impressive filmography highlighted by her acting roles in more than 40 TV episodes for series including Village Roadshow’s “The Shire,” Seven Network’s 28-year running, award-winning drama, “Home and Away,” the hour-long comedy drama, “Packed to the Rafters” and Nickelodeon Network’s “Dance Academy.”

She’s starred in Dan Castle’s award-winning drama feature, “Newcastle,” and in Tom Simes’ feature family drama, “Run, Broken Yet Brave.” She’s been recognized for her singing, dancing and modeling as well that has collectively culminated into a rare package of a true do-it-all actress.

“It has given me a greater in-depth understanding of my passion to create,” McLachlan said. “It has allowed me to use each of my experiences in 20 years of performing to lend an emotion, movement, feeling or expression to a performance and do it with conviction.”

Performing often is a family affair and so was the case for McLachlan. Her elder sister, Zoe, studied film and TV in high school and college. Those choices influenced and paved the way for McLachlan’s introduction into acting.

“I was always in her films and projects,” she said, “so that really sparked my film interest. I’ve never wanted to do anything else.”

One of her early performances came in a play called “Parramatta Girls,” which was about women who had served time in Australia’s most notorious girls’ detention center as children. “It was a really powerful piece I did when I was 15, and something I am the most proud to have been a part of,” said McLachlan.

Inspired by the “Harry Potter” franchise during childhood and influenced by the on-screen work of greats such as Helena Bonham Carter, Daniel Day Lewis and Martin Scorsese, a shortlist of some of McLachlan’s favorite films include “Schindler’s List,” “Philadelphia” and “The Shawshank Redemption.”

She says the best actors are “those who protect their creative essence, especially in this industry. Those who use every scene as a lesson and find the growth and learning from each frame, even if they are an Oscar winner. Remembering passion is humbling.”

Continuing her specialized acting training into adulthood, McLachlan has studied under the esteemed tutelage at the National Institute of Dramatic Art (Sydney, Australia), Lee Strasberg (New York), Stella Adler (Los Angeles) and with the renowned acting coach Michelle Danner, in Los Angeles.

“I wanted to keep learning and be challenged by different techniques. I live my life by being ‘water’ flexible and being able to adapt and I want that to be able to carry over into each character I play,” she said. “Michelle Danner has been my favorite. She really challenges me to lose myself in a character, and she sets in motion out of the box perspectives.”

In 2006, McLachlan acted in her first film, “Spaced Out,” a sci-fi comedy directed and written by Scott Grenke. While 14 years old at the time, she played the role of an alien character in the cast. The experience proved valuable and guided McLachlan’s pursuit of acting for film and TV.

“I learned so much on that set and from my fellow actors,” she said. “It was also a moment of clarity and really affirmed my passion for film and the direction I would like to take my career.”

Two years later, McLachlan was starring as Rachel in the drama feature, “Newcastle,” that won a FilmOut Festival Award and followed the story of a group of Australian surfers. In 2009, she starred as Anna in the feature film, “Run, Broken Yet Brave.” From 2010-2011, McLachlan played the recurring role of Samantha Braxton for 27 episodes of “Home and Away” and she also starred as Jayde on “Packed to the Rafters.”

“I worked with Jessie throughout the third season of the Seven Network’s wildly successful family dramedy, “Packed to the Rafters,’” said Logie Award winning actress Brooke Satchwell. “Jessie performed the leading character of Jayde Smith, a worker at the yacht club owned by the Rafters and a former fling of son Ben Rafter. After taking a gap year following high school graduation, Jayde returns, still wanting and caring for Ben, who is now engaged. The role required an actress who could convey the emotional burden and yearnings of such a character, and Jessie not only thrived in this dynamic but also excelled in any expectations that were made of her and her character.”

McLachlan’s acted in leading roles in short films including in Jeremiah Cleman’s “Modern Day Saint,” Antonio Orena-Barlin’s “Suburbia” and Omer Zekirovski’s “Tibor – Your Not from Gosford Are Ya.”

McLachlan worked with Logie Award winning actress Jodi Gordon on “Suburbia,” a short drama about a man who gets his girlfriend a job as a florist, but later finds out the unassuming front of suburbia isn’t what it appears.

“Jessie’s leading performance as Monica was as impressive of a performance as it was crucial to the driving plot of the film itself,” said Gordon, who played Tara in the film. “I was thoroughly impressed with the way in which she translated Monica’s character traits from page to on camera. The film was nominated for Australian Film Institute Award for Best Short Fiction Film, an achievement that would not have been possible without Jessie’s extraordinary performance throughout the film.”

Comparing feature film roles to those of her TV and short filmography, McLachlan said, “The pace in filming has a different tempo. Morphing into the character is also a different process. A challenging aspect I found with short films is ensuring the layers of the character are portrayed. I put a lot of pressure on myself in really wanting the audience to feel the joy, pain or journey with the character.”

It is international audiences who have enjoyed the characters McLachlan’s portrayed and they’ve each been made possible through her own journey as an actress.

Look Out for Dynamic UK Actress Davina Cole!

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Actress Davina Cole shot by Michael Wharley

 

Davina Cole, who recently earned a nomination for a Best Actress Award at London’s 7th annual SOLO Festival of One Man Shows for her performance in “All the Colours,” is one fiercely talented London-based actress that deserves to be on everyone’s radar.

Her performance as Salimatu in “All the Colours,” a captivating one-woman show that she both wrote and starred in, garnered attention across continents with Tony Award winning actress Starletta Dupois saying, “Davina’s performance of ‘All the Colours’ at the 22nd Los Angeles Womens Theatre Festival was very moving filled with twists and turns says The selection of characters she plays takes you on an emotional journey and gives you a clear insight into what it’s like to become a refugee and have to leave your home. The performance was truly moving and brought me to tears.”

As a child Cole would spend her Saturdays watching old films where actresses like Grace Kelly, Julie Andrews, Sofia Loren, Elizabeth Taylor and Audrey Hepburn mesmerized and inspired her. Not one to simply dream without taking action, she began taking acting classes, which helped her perfect her craft early on in her youth.

Earlier in her career Cole took on the pivotal role of Mama Sanami in the Kabaslot Theatre’s original production of “Wilberforce Bell,” a dramatic comedy that follows what happens when a prized bell given to the village of Wilberforce in Sierra Leone by the Governor General is stolen.

The production, which was directed by Dwight Short and debuted at The Broadway Theatre in Catford, London marked a major turning point in Cole’s career. While “Wilberforce Bell” resonated strongly with the actress due to the fact that her familial roots are based in Sierra Leone, the production offered her the challenges she needed to grow as a performer and she rose to the occasion with flawless precision.

She recalls, “This play really took me out of my comfort zone, as I had to learn different elements of my home language Krio.”

Prior to “Wilberforce Bell,” Cole took on the starring role of Delilah in “1867” written by Theresa Roche, a powerful sold-out production that received rave reviews.

Since making her name known in the international theatre world, Cole has gone on to prove her prowess as a film actress with an astonishing level of depth that continues to land her leading roles.

Today Cole is known for her roles in films including Rodney V. Williams’ “Therapy Sessions,” award-winning director Francoise Ellong’s “When Soukhina Disappeared,” and Simon Gedney “Cyborg Ninja vs. Vampires,” and the Discovery Channel TV series “Sinister Mysteries.”

Davina Cole has an undeniable knack for taking on strong women characters, something she has proven through the plethora of theatre productions she has done to date; but in Caleb Davis’ film “Two Easels” where the actress played the starring role of Kate, Cole revealed her ability to create the perfect balance between her character’s tough exterior and the subtle vulnerability of her inner yearning for love.

A ‘When Harry Met Sally’-esqu light-hearted comedy, “Two Easels” follows two street artists, Kate and Jack. When Jack tries to move in on Kate’s local wall, Kate gets increasingly frustrated until a competition is set to decide which artist has the strongest skill. In the midst of the heated competition a strong attraction forms between the two artist and Kate and Jack go on to not only fall in love, but form a fruitful artistic collaboration as well.

In Williams’ film “Therapy Sessions,” Cole heightened the story’s drama and showed the sharpness of her proverbial teeth when she took on the starring role of Sandra. A highly regarded and sought after relationship therapist, Sandra appears to have it together, at least when she’s leading a therapy session; but in her everyday life, Sandra struggles with her emotions as much as her patients.

A film that examines what happens when the lines between a therapist’s personal life and her relationship with her patients begin to blur, “Therapy Sessions” follows Michael and Lidia, a struggling couple who hire Sandra to help them work out their issues. When Sandra receives a call towards the end of their session, Lidia’s suspicion over Michael’s infidelity is brought to a head when Sandra violently calls out Michael for having an affair with her sister.

Looking towards the future, Cole says, “I hope to get meatier roles, which will push me further as an artist. I really admire the body of work and talent of Angela Bassett and Viola Davis and I would love to work them.”

In addition to shooting the upcoming soap opera “My Church and Family” where she takes on the leading role of Vivian, Cole is currently taking her one-woman show “All the Colours” on tour in the UK.

 

 

 

Actress Sidney Leeder Draws Us In

Taylor McKay
Actress Sidney Leeder shot by Taylor McKay

 

For an actor, much of the work that goes into physically becoming a certain character comes down to identifying and creating their mannerisms, idiosyncrasies and the way they carry themselves. Movement in itself is a form of communication, something Canadian actress Sidney Leeder knows all about.

Audiences across continents will recognize Leeder from her roles in the films Debug, The Hazing Secret, Salem Falls, and Goon, as well as the hit television shows Beauty and the Beast, Reign, Lost Girl, Debra, Alphas and more; but prior to becoming the sought after actress she is today, Leeder was a professional dancer.

The grace and flawless movement that she brings her characters to life with on screen makes it easy to see that her extensive training as a dancer has made her a more intuitive and dynamic performer than most of her contemporaries.

In the 2011 Lifetime film Salem Falls, an adaption of Jodi Picoult’s 2001 novel of the same name, audiences had the opportunity to see Leeder in the pivotal role of Catherine, a young teen who falls in love with her teacher and subsequently turns his life upside down when she claims rape. Directed by Bradley Walsh (The Listener, Turn the Beat Around), the film follows Jack McBradden played by James Van Der Beek (Dawson’s Creek), a high school teacher who tries to make a new life for himself in Salem Falls after Leeder’s character tarnishes his reputation.

Unfortunately for Jack, his past comes out and turns the whole town of Salem Falls against him except for the one woman, Addie Peabody played by Sarah Carter (Falling Skies, Rogue), who goes to great lengths to track down Catherine and prove Jack’s innocence.

Although Salem Falls was one of the earlier films in Leeder’s career her performance comes across as that of a seasoned veteran.

“In one of the most pivotal scenes of the film I confess to lying about my alleged affair with professor… The scene takes place while walking down a long passageway. It was lengthy and revealing dialogue that required serious mental concentration. This character was also a challenge to play, as she needed to have just the right balance of maturity and naivety,” recalled Leeder.

“Prior to shooting I talked a lot with director Bradley Walsh about the characters motivation and significance. Having the opportunity to delve into such a complex character so early on in my career was an amazing challenge.”

Leeder’s career continued to skyrocket after the release of Salem Falls with the actress going on to land multiple guest star roles on television shows such as Life with Boys, The L.A. Complex, Degrassi: The Next Generation and Satisfaction. In 2014 she was cast to star in another Lifetime movie, The Hazing Secret, where she took on the riveting role of Melissa.

The storyline of the film revolves around the death of Leeder’s character Melissa, a naïve college freshman who makes out with the boyfriend of one of the sister’s of the sorority she’s pledging. Nancy, the sorority leader, revives the old practice of hazing in order to punish Melissa for her mistake, but when she locks Melissa in a coffin the young pledge suffocates and ultimately pays the price with her life.

Over the course of the film, Megan, one of the sorority sisters who is played by Gemini Award winner Shenae Grimes-Beech (90210, Scream 4), makes it her mission to expose the crime and the truth about Melissa’s tragic death. The film, which was directed by Jonathan Wright (Nostrum, A Very Merry Mix-Up), was nominated for an award from the Directors Guild of Canada earlier this year.

If there was ever any question over Leeder’s emotional capacity as an actress her knockout performance in The Hazing Secret proves that she can bring the waterworks with natural believability and make an audience feel for her character like the best actors in the industry.

 

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Poster for the film “Debug”

 

Last year Leeder also starred as Lara alongside Adrian Holmes (The Cabin in the Woods, Elsium), Kjartan Hewitt (Capote), Jeananne Goossen (The Vow, The Night Shift) and Jason Moma (Game of Thrones) in David Hewlett’s (A Dog’s Breakfast, Rage of the Yeti) sci-fi horror film Debug.

Convicted of eco-terrorism, Leeder’s character Lara, along with five others, are placed into a work program aboard a dilapidated spaceship where they are assigned the task of debugging the ship’s artificial intelligence, but their job aboard the ship proves to be far more dangerous than simple computer hacking.

“Lara is very intuitive right from the get go. She warns the others that something about this mission feels wrong and explains that she is sensitive to the energy of her surroundings but is ignored,” explained Leeder. 

When Iam, the ship’s AI played by Moma, feels the threat of annihilation, he begins fighting back in surprising ways killing most of the hackers aboard the ship including Leeder’s character Lara. Lara’s death is one of the most shocking of all as she is virtually raped to death.

Thinking that she is going to try out a kinky method of virtual fraternization with Mel, her beau on the ship played by Hewitt, Lara follows the ships orders and enters its sensory system not realizing that Iam is luring her into a trap.

“She is asked to remove her clothing and enter a pool of crystal clear liquid. As she does this she is transported virtually to a blood stained prison cell where Iam awaits her. It is there that he, and every other man who has set foot on the ship rape and beat her to death,” said Leeder.

“While mentally she is in this virtual reality, Lara’s physical body is actually drowning in the sensory system pool she entered. By the time Mel finds her it is too late and she is already dead.”

From playing the catty teen girls everyone loves to hate to the sweet and innocent girl next door and everything in between, including a psycho serial killer in the film The Killer, Sidney Leeder has revealed herself as an artist with exponential talent. She also recently finished filming multi-award winning director Rachel Meyer’s film Lunch, which premiered at the Beverly Hills Playhouse Film Festival last month.

“Being on a film set is one of my favorite places. It’s like stepping directly into a storybook. Acting gives me a natural high and allows me to explore myself, connect with others and imagine endless possibilities. I act because not acting simply isn’t an option. The need to perform and create has lived inherently in me for as long as I can remember,” admits Leeder.