Category Archives: Television

Producing Greatness is the Reality for Brazil’s Daniel Ariano

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Producer Daniel Ariano was a force behind Brazil’s “O Aprendiz.”

 

It is pressure-packed, inspiring, impromptu and thrilling all at once. Daniel Ariano described it as a job where everything can and will happen.

“To be a producer for reality TV,” he said, “you have to be aware that everything is possible. I have to be ready to face an unexpected challenge every day. You have to be calm, easy going and most of all, you have to love it.”

It’s that passion and formula for success that Ariano has subscribed to, which has made him one of Brazil’s foremost film and TV producers. Specializing in the reality genre, Ariano has produced for hit shows such as Brazil’s “Ídolos,” “O Aprendiz” and “TUF Brasil,” which are his home country’s equivalents to the states’ “American Idol,” “The Apprentice” and “The Ultimate Fighter.”

Through it, he’s developed and refined the tools of a seasoned producer – leadership, enterprise, communication, management, problem solving and creativity. Ariano has taken on leadership roles as a producer that demand high-ranking responsibility, shifting challenges and his close collaboration with top talent who went on to compete in front of national TV audiences.

Ariano’s rise to producing prominence began with his initial inspiration and love of media. While growing up, his friends had dreams of becoming lawyers, doctors and engineers. But it was Ariano’s love of music and movies that guided his heart toward a career in film and TV.

Influenced by legends such as Woody Allen, George Lucas, Steven Spielberg, Ron Howard and Jerry Bruckheimer, Ariano said, “All of those and more did something that made me watch and think, ‘I want to do that.’ I want to do something people will admire and watch.”

From there, it was a matter of taking the idea of what he wanted to become and putting it into action. While attending high school, Ariano, of São Paulo, worked as a music teacher. When he assimilated into college, he worked for Jovem Pan, the biggest radio station in Brazil.

His mind was still set on TV though, and the foot-in-the-door opportunity materialized. Ariano was invited to do some camera operator work and parlayed the experience into a production assistant position on the São Paulo-based “Amaury Jr. Show,” a talk show covering celebs and luxury. After learning TV production from the inside for a half a year, another opportunity arose.

“I received an invitation that changed my life,” Ariano said. “It was to be a part of the “Ídolos” production crew, my first reality show and it was a music one. After that, I knew I wanted to produce for the rest of my life! I fell in love with the storytelling and the big productions.”

Ariano began producing for “Ídolos” Season 4 in 2009. The show, created by the 14-time Emmy nominee Simon Fuller, is headquartered in São Paulo and distributed by Rede Record. Pop singer-songwriter Saulo Roston won Season Four and signed with Warner Music Brasil.

“I had the responsibility to deliver to the show and all the outside shoots with quality and with the proper storytelling,” said Ariano. “The big challenge was the winner was there in the middle of the crowd. And we had to have him since the start of the process.”

The contestants being vetted were voluminous, many with marked talent and merit for the televised competition. Ariano estimated he’d listened to thousands of hopeful voices positioning for musical glory on “Ídolos.”

“I’ve seen so much talent, so much really good singers and really good people with amazing histories,” he said. “The Idols have to have talent. This is the most important thing we look for – talent. But the story behind the talent is something that brings the Idol closer to the audience. Brazil is an enormous country filled with talented people. I just wish all of the good ones could make it.”

Ariano returned to produce “Ídolos” Season 5 in 2011, and Season 7, the show’s final run, in 2012. He also produced in 2012 “Ídolos Kids” Season 1, which followed the same premise, but searched for talented kid contestants.

In 2010, one year after Ariano’s inception into “Ídolos,” he expanded his producing career and joined the show, “O Aprendiz,” for Season 7. In the hour-long Brazilian apparent to the Donald Trump-hosted “The Apprentice,” contestants compete for employment contracts with leading companies such as the WPP Group or for investments. The show was created by five-time Emmy winner Mark Burnett, longtime producer of “Survivor” and “Shark Tank.” It was hosted by Roberto Justus.

“The Apprentice” was the most challenging job I ever had,” Ariano said.

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During filming for “O Aprendiz” in Turkey, producer Daniel Ariano (left) studies the scene setup.

Ariano worked in producing “O Aprendiz” for Seasons 7, 8, 9 and 10. Contestants ranged from college students to entrepreneurs and celebrities. The production traversed Brazil-wide and traveled to shoot in Orlando, Washington, D.C., South Africa, Italy, Turkey and Colombia. With it came droves of producing duties for Ariano.

“When you give the contestants a task, and time to do it, you never know where will they go and what will they do and it’s up to you to be ready to face everything,” he said. “Working on the show taught me everything is possible. It opened my eyes to the infinity. There is no limit. What we see on TV is just the tip of the iceberg. The production is the entire Arctic.”

Also in 2010, Ariano would produce for a season of the Brazilian version of “Artzooka,” a Gemini Award-winning kids TV show that was produced in Toronto, Canada. The series guided parents, teachers and daycare providers how to create art projects using recycled materials. It was broadcast in Brazil on Discovery Kids and featured Ariano producing in a rare role.

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Producer Daniel Ariano (right) worked closely with host Daniel Granieri to deliver “Artzooka.”

“I loved to do it because it got me into working with a Canadian crew,” Ariano said. “I do believe that this was a unique opportunity in life, that just a few people got the chance to do. I was the only Brazilian producer for the show, so I had a really big responsibility to make it great.”

“Artzooka” host Daniel Granieri said of Ariano, “Without him, “Artzooka” wouldn’t be able to happen. He was vital to the project. He has a look in his eyes all the time, like, he is thinking further, like he is always producing! He is an easy guy to work with and to deal with. He is very professional and very intelligent. You have to have someone like him in your production crew, if not just him. There’s a few people in the world who has an ability to deal with production like him!”

Ariano has served as producer for other shows such as Latin America’s “The Amazing Race,” HBO Brasil and for the Season 2 of “TUF Brasil” (The Ultimate Fighter Brazil), which was distributed by Rede Globo. The latter producing taught Ariano much about the globally popular UFC world, while also showing him a different side of the fighting-based programming.

“It’s talented fighters, focused on their dream and working hard to do it,” he said. “This was different than any other reality TV. It is about how do you control your body and how do you make it do the extraordinary. I loved the experience and it made me admire even more this world of art that is UFC.”

Continuing his producing prowess, Ariano is attached to work on the forthcoming debut season of “X-Factor Brasil,” and he is attached to produce writer-director Albert Dabah’s “Extra Innings,” a coming of age feature baseball drama film set in 1960s Brooklyn.

“He can do everything. I got a nickname for him: “Superman,” Dabah said. “Besides having a good eye for production and being very organized, when the time comes, he is up to everything! He can be an addition in every department. It’s hard to find someone like him, and I’m glad I found him.”

Of “Extra Innings,” Ariano said, “I’m hoping that the movie can open eyes of people about real problems of life that is there around us, in our family, in our lives, and we don’t realize it or we pretend it doesn’t exist. I think the screenwriting is perfect. I know it’s going to be a big hit.”

For more information on “Extra Innings,” visit: http://www.extrainningsmovie.com/

Check out Daniel Ariano on IMDb: http://www.imdb.com/name/nm8028896/

 

Canadian Actor Nigel Vonas: Far More Than the Average Bad Boy

From his role as a cunning and egotistical prisoner who is hated throughout the kingdom for killing the king’s son in the mythological drama series “Olympus”, to a dark and brooding demon in the premiere episode of the hit series “Supernatural” season 10, Nigel Vonas is an actor whose ability to tap into dark and meaty roles has put him on everyone’s hot list. A shoe in for the bad guy role, the Canadian born actor has taken on an impressive list of characters over the years, appearing in practically every hit series on network television.

Audiences across North America and much of Europe have also had the opportunity to watch Vonas display his dynamic talent as a natural bad boy on screen in the Leo and Prism Award winning series “Arrow,” the Primetime Emmy nominated sci-fi series “Falling Skies,” FOX’s “Almost Human,” Showcase’s Gemini Award winning series “Continuum,” the action packed crime drama “True Justice” and many more.

In the past decade Vonas has transformed himself into the skin of hardened criminals, hired guns, unscrupulous thieves and mysterious demons– to put it simply, any character known for striking fear in onlookers is one that Vonas has probably brought to life at one point or another in his career.

In season one episode nine of Syfy’s “Olympus,” appropriately titled “Pandora’s Tomb,” Vonas gave a brilliant performance acting alongside Graham Shiels (“Guardians of the Galaxy,” “Yes Man,” “General Hospital”) who plays King Aegeus and Wayne Burns (“Murdoch Mysteries,” “Mr. D”) who plays Aegeus’ son Lykos. When Lykos, who is merely trying to protect his father and help him keep his identity a secret as he sits in prison, gets into a heated brawl with Vonas’ character, things take a turn for the worse for Lykos, who is clearly no match for Vonas’ character and is ultimately killed by him.

About the role Vonas explains, “This character is the one that really brings out both the weakness of King Aegeus, and also his belief that his ruling of the people comes before the love of family. His unwillingness to protect his son, or to even show any love or empathy when his son is dying from the wounds he received when trying to protect his father from my attack, shows the king’s lack of care for family or perhaps even his heritage.”

So much can be said about actors and the methods they explore in order to prepare for a given role. From adapting his posture to creating the right mannerisms to fit his characters, the amount of effort that Vonas has put into crafting his believable bad boy image in all of these characters is easily overlooked due to the fact that he is just so good at it. Aside from just being a talented actor though, Vonas’ humble nature and ability to trust and hold space for his fellow actors, allows true connections to form on screen, and is one of the reason why he has become such a success over the years.

 

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Still of Nigel Vonas on “Supernatural”

 

About his work on “Supernatural,” Vonas admits, “I was given the opportunity to work with an incredible director and crew. Jensen Ackles, who plays the lead role of Dean Winchester, is incredible to work with. He is so relaxed and so connected to all of the actors he works with, which made my work so easy. All I had to do was listen and he gave me everything I needed as an actor to bring this character to life. This was a great role in the story, because I believe I was able to bring out even more of the cocky side of Ackles’ character. Even more so than he already was at this point in the story.”

Getting his start in Vancouver B.C, back in 2002, Vonas quickly discovered that acting is what he was meant to do. His dedication to his craft and the relentless drive to push himself to grow helped his career skyrocket with astonishing speed.

“I work very hard at my craft in order to be ready for any acting opportunity that comes my way. I learned very early in my career that you better be ready when the door opens, or you may miss out on something very big,” explains Vonas.

After getting his feet wet on set, shooting a Disney commercial, the actor quickly landed his first TV role as Ryk’l on “Stargate SG-1” back in 2003, before going on to land a series of pivotal roles in films including “The Chronicles of Riddick,” “The Gutter Diaries,” “Thralls,” “Chaos” and “The Harvest Project.”

Anyone who knows Vonas personally will recognize beyond a shadow of a doubt that the actor is the exact opposite of most of the characters he plays; but for him, that is all part of the excitement of acting. His role as Cisco in Ron Oliver’s vampire horror film “Thralls” is the perfect example of just how dedicated Vonas is to abandoning himself and fearlessly tapping into his character, no matter how repulsive they may be.

He recalls, “Getting to play such a cocky character was an interesting experience. I consider myself a very calm person, so this role was quite a challenge. I have always preferred playing characters that are the least like the person I am in life. Those roles are the most challenging. This one was definitely one of them. Day after day I was challenged on set to make sure I was doing justice to this character. But I have to admit, it was kind of fun making many of the other actors squirm at my character’s behavior at times.”

Starring alongside Golden Globe nominee Lorenzo Lamas (“Grease”), Leah Cairns (“Interstellar,” “88 Minutes”) and Siri Baruc (“Writer’s Block,” “Law & Order”), Vonas portrayed his womanizing character Cisco perfectly. Not only did he turn him into a character that audiences easily love to hate, but Vonas’ ability to show his character’s over the top cocky side also allowed the female vampires’ witty, dominating and all around superiority to shine through effortlessly.

Being a great actor is more than just being able to give a great performance, it’s about being able to hold space for other actors, to trust them and give yourself to the story with vulnerability– and Nigel Vonas is one of the rare few who is able to do this with total grace.

Up next for Vonas is FOX’s highly anticipated revival of the television cult favorite “Prison Break,” which went off the air in 2009 and is slated to return to television for its fifth season at some point in spring 2017. The actor has already begun shooting episodes for the new season with the rest of the cast, and although little has been disclosed, we do know that Vonas’ recurring role on the show will draw upon his talent for playing the kind of role that very few will want to mess with.

You can check out the trailer for the show, which was released earlier this week, below:

 

 

Canadian actor enters the ‘Black Forest’

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Actor Cesare Scarpone plays Paul in writer-director David Briggs’ horror film, “Black Forest.”

 

Cesare Scarpone was drawn to “Black Forest” upon first reading the script and considering all the potential in its premise. The slasher-styled horror feature from writer-director David Briggs (“Sleepwalking,” “Blood Night”) would berth an opportunity for Scarpone to act in dynamic, high-paced movie set in the woods of northern Ontario, Canada.

The story follows best friends – Bree and Jess – who have designs on a summer camping trip, but instead find themselves trapped in nightmare when they encounter Isaac, a seemingly madman with twisted visions of post-apocalyptic survival.

Scarpone’s reaction after taking the script in for the first time?

“I loved it. The story was great. It had me imagining scenes the instant I started reading. It does follow the classic style of a slasher, though the story doesn’t give you any time for rest. It leaves you in the minds of the two women leads feeling lost and trapped in the beauty of the forest.”

Starring as Bree is Marie-Josee Dionne, who acted in Danny Perez’ horror feature, “Antibirth,” and in the forthcoming “Theories” horror film from director Mike Tyrrell. Actress France Huot debuts in the role of Jess. Jayson Stewart (“REZilience,” “The Pasta Killer!”) plays the crazed Isaac.

Scarpone carries out the role of Paul, a local who acts as a guide in helping Bree and Jess navigate their way through the terror. “Paul is an easygoing guy, quiet and not too ambitious,” said Scarpone, who hails from Brampton, Ontario and grew up later in Maple, Ontario. “He cares for people and always looks for the best in them.”

A celebrated and revered talent, Scarpone is previously known for his roles in director Rob Comeau’s “Chance,” Mark Korven’s “Dead Monday,” Gabriella Bevilacqua’s “Aftermath,” Rebecca Carrigan’s “All I Need” and Omii Thompson’s “Modern Romance is Dead.” He’s acted on TV in Cineflix’s “Dual Suspects” and History’s “Curious and Unusual Deaths.”

Coming from a robust theatre background, Scarpone has studied acting at the esteemed London Academy of Music and Dramatic Art. Among his impressive stage acting career, Scarpone received the Sears Drama Festival award of excellence for the York, Ontario region for his stalwart performance as Jerry in Edward Albee’s “The Zoo Story.”

Regarding acting in the horror genre in the case of “Black Forest,” Scarpone said, “There is freedom to make bold choices and enjoy playing characters with a limitless palate of justifications.”

With performing charisma, intuition for characters and a veracious passion for his art form, it comes as no surprise Scarpone’s decisive role in “Black Forest” returned an affirmative commendation from his director.

“His sense of humor and enthusiasm elevated everyone on set,” Briggs said. “Cesare’s a cool guy and a great actor to work with. I’m definitely looking forward to the next chance we have to work together.”

The film’s forest setting loomed large and fundamental to the story. It proved to be a filming location with challenges, but also attributes to the production that were felt within the cast.

“It was hard dealing with the incontrollable sounds of nature,” Scarpone said. “We’d have the odd squirrel or bird that wants their time to shine. But it was also charming and beautiful exploring areas I’d never seen before and essentially having the freedom to use whatever the forest had to offer.”

Scarpone added, “Found footage is featured in sections of the film, adding the characteristic element of being directly part of the action, keeping you on the edge of your seat.”

“Black Forest” is from Distant Field Productions. The 2015 film released at the Northern Frights Film Festival and won the Best Original Soundtrack award. It had a theatrical release across northern Ontario and has a DVD release forthcoming.

Ultimately what made “Black Forest” a success, to Scarpone, was the swiftly-paced story that drives the film. “The story being fast-paced without time for rest keeps the viewer engaged the whole way through,” he said. “The visuals and effects are also pretty good.”

Of his favorite part of participating on the project, Scarpone explained it was “working with everyone in the cast and crew and getting to enjoy the great outdoors of Ontario!”

It might not be the end though for “Black Forest” as Briggs teased: “A sequel might be in order.”

Check out the trailer on Vimeo: https://vimeo.com/55137390

Follow “Black Forest” on Facebook: https://www.facebook.com/BlackForest

‘Zero Button’ Holds Back Nothing in Delivering Absurd Impromptu Comedy

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Actors Stephan Bosch (left) and David Mihalka bring comedic genius to the YouTube series, “Zero Button.”

 

The idea behind the hilariously uninhibited YouTube series, “Zero Button,” is actually a hidden message conceptualized by actors David Mihalka and Stephan Bosch.

“On the TV remote, when you enter the zero button, there is nothing. The message is: the best program is the imagination,” Mihalka said. “That’s what we do! We take our wildest imagination – inspired through real situations – and the result is “Zero Button.”

The sketch comedy series is a riot. Mihalka and Bosch, who co-created the series, star as an assortment of larger than life characters who encounter zany scenarios and predicaments. “It’s like a contract from a lawyer,” Mihalka said. “There are the obvious jokes, but also the fine print, where you have to pay attention to the words and subtle things happening.”

Mihalka often plays gangsters and fools in “Zero Button.” “The challenge lies in not playing a clown,” Mihalka said, “but rather to be serious in the scenes and still funny. That’s the art.”

Bosch described the characters as, “real and imaginary characters under real and imaginary situations. We have no rules at all, and we are not planning on having them.”

The parody series is directed, written and produced by Mihalka and Bosch. It features a load of improv and overall comedic genius.

As to developing ideas for sketches, Mihalka said, “We don’t come up with anything. They come to us! There are so many situations in daily life that are funny. You just exaggerate and let your imagination flow, and you have scene!”

The latest episode – “The Typical Driver” – released Sunday and features Mihalka playing a driver with road rage who gets the favor returned by an angry pedestrian at the end.

Saturday saw the release of “LangWhich,” an episode where Mihalka converses with a passerby at a park who asks Mihalka if he speaks English. “No, I don’t speak English,” Mihalka says in perfect English. “I used to, but no, I don’t like it.” The paradox continues in Spanish, French, German and Sign Language – all of which Mihalka’s character can speak – and ends when the passerby suggests in sign that they have sex, prompting Mihalka to give the guy the middle finger.

There’s episodes where Mihalka plays robbers, thieves, bad guys, a therapist, philosopher and other ambiguous, side-splitting roles.

There are How To episodes such as “How to Solve ALL your Problems” (by drinking a glass of alcohol) and “How to Stop Smoking” that shows Mihalka lighting up a mouthful of cigarettes, then taking a bucket of water to the face.

One episode features an intellectual conversation regarding two percent milk. Another parody is titled “Citizen Pain.” Another shows a Rubik’s cube conundrum called “YouCube?” and there are cultural parodies such as the amusing “Bank of Armenia” episode.

“Our most views and likes are the scenes together with Stephan,” Mihalka said. “We have the same frequency, a good connection. It just works. I can’t explain it.”

The dynamic duo shine on the sketches “Hairdresser,” “Monk,” “Bench,” “Change is Good,” “American Impress,” “How To Solve All Your Problems” and “Pool.”

“If I think about it, David plays a lot of bad guys, which is the opposite of what David really is,” said Bosch, whose other acting credits include “Juventud” and “7 Days” from directors George Blumetti and Maurice Kelly. “He knows what he is good at. His life, plus acting experience, can easily be seen through his performances.”

Mihalka enjoys both current and classic comedy styles including the work of legends such as Steve Martin, Roberto Benigni, Peter Sellers and Jacques Tati.

“What makes something funny is the perception of things,” he said. “For example, recently I have been to a fancy restaurant to make a reservation for a special day. While making a reservation, I noticed behind me many cops with a dog entering the restaurant. They told the dog: ‘Search, Search!’ When I left the restaurant, I told my mum, ‘I know what happened! A guest had a cake with icing sugar, which left traces of sugar under his nose and they thought it was cocaine and called the police!’ A new scene is born.”

No stranger to film and TV, Mihalka, from Germany, has shined on screen in his numerous roles including in the John A. Mati feature Swiss comedies, “Monsieur Brucco” and “Monsieur Brucco 2.” He acted in writer-director Stan Harrington’s “Lost Angels,” which won four awards at the Indie Fest USA International Film Festival, and in Harrington’s four-time-award-winning feature mystery, “Perception.”

Mihalka’s other film and TV roles include in Mickella Simone’s “The WorkPlace,” Alex Lewis’ “Driverless,” director Emilio Ferrari’s “All I Want for Christmas” and “Difficult People” from director Jonathan Moy de Vitry. Theatrically, Mihalka acted in the Stella Adler Los Angeles production of “Margaret,” an original play directed by actor-writer-producer Tim McNeil (“Contact,” “Forrest Gump”).

Mihalka also doubles as a photographer with a premier aesthetic and captivating imagery. Check out his behind the camera work here: www.davidbehindthecamera.com

Keep up with the latest and greatest from “Zero Button” by subscribing to its YouTube channel: www.youtube.com/user/ZeroButtonFILMS

Says Mihalka: “Hit subscribe! A small step for man, but a giant leap for your laughing muscles. Hit it! What are you still doing here?”

For more information, visit: www.davidmihalka.com

For the multitalented Zoe Cleland, acting ‘never seemed like a choice’

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Actress Zoe Cleland has shined in her roles in “How to Plan an Orgy in a Small Town,” “Murdoch Mysteries,” “Reign” and more.

 

 

For Canadian actress Zoe Cleland, the journey began on the stage, advanced to the screen and has featured her becoming many memorable characters across comedy, drama, mystery and more.

“I think every time I do a new project, I grow as an actor and as a human being,” she said. “One of the things I love about acting is that it’s not static. Every job requires me to expand myself and my vision of the world.”

Her own story is one characterized by ambition, talent and success. She began performing for theatrical productions as a child and made her TV debut on “Murdoch Mysteries” at the age of 15. By the age of 17, Cleland was among a dozen actors – and the youngest ever – to be chosen for the National Theatre School of Canada, a milestone selection into her home country’s top conservatory training program.

“I literally knew I wanted to be an actress when I was about 5,” Cleland said. “It never seemed like a choice to me. It was always just part of who I was. For about a year, when I was really little, I used to watch “The Wizard of Oz” every day and told everyone at my school that my name was Dorothy! My parents took me to a lot of theatre as a kid. They would take me to the Stratford Festival every year and I remember that being the first time I started thinking of acting as a profession beyond playing dress-up at home. I remember being about 4 years old and seeing a production of “A Midsummer Night’s Dream” that seemed like the most magical thing on earth.”

Cleland, a Toronto-born talent, is classically trained and among her performing arsenal, she’s studied dramatic combat and is well versed in singing, dialects and accents including British, Irish, Scottish and American.

While attending the National Theatre School, Cleland starred in eight productions at the conservatory including her own self-written solo show, “Drawing White,” and in a production of Anton Chekhov’s “Three Sisters,” in the role of Irina, one of the sisters.

“I also played the Fool in “King Lear,” which was a lot of fun. Sometimes just doing scene work in a lot of detail was most rewarding,” said Cleland. “The great thing about theatre school is that they give you so much time to just totally dive into things and pick everything apart as much as you want, so sometimes just doing scene study was great because you got the chance to look at something from every possible angle.”

The training and experience helped groom Cleland, 24, into a dynamic, well-rounded and brilliant actress with a world of authenticity and performing charisma.

“I think in all honesty going to theatre school taught me more about how I am as a person than any one thing about acting,” she said. “I went when I was really young, 17-19, so I was really still just trying to figure out who I was. The whole thing was such an intense experience and it changed me so much. I think overall it taught me to trust my own internal guidance system and let that lead me in my work, rather than looking to the outside for someone to tell me what I should do.”

Cleland later went on to star in the theatre productions of “Wishes of This & the Other Thing” directed by Rose Plotek and “The Chimes” directed by Nancy Palk. In 2013, Cleland received the Theatre Centre Emerging Artist Award at the Summerworks Festival for her starring role in “Girls! Girls! Girls!” directed by Donna Marie Baratta and Jessica Carmichael. The play is about a group of 14-year-olds who one night decide to attack one of their peers.

“It is written in a poetic, playful style that makes it kind of otherworldly,” Cleland said. “I played Jam, who is a follower just trying to fit in and be liked. She ends up getting in way over her head in the violence that her friends are perpetrating. She struggles with her integrity when she realizes that they have gone too far.”

Parlaying her strong theatre background into TV recognition, Cleland went on to land recurring roles on the CW’s fantasy drama series, “Reign,” starring Adelaide Kane and Megan Follows, and Bite TV’s comedy series, “Guidance” starring Rob Baker.

Millie Tom has worked in the casting of more than 50 films and 19 different TV titles including “A History of Violence,” “The Incredible Hulk” and “Scott Pilgrim vs. the World.” She said, “I have known Zoe since she was 15 years old, when she first started auditioning. I believe she has a unique, magnetic quality that lends itself perfectly to film and television. I cast her in two projects since she graduated the National Theatre School, one being “Guidance,” a comedy series about three inept guidance counselors working in a high school.”

In five episodes of “Guidance,” Cleland played Morgan, a student who approaches the counselors for help.

“She was so good as Morgan, a precocious teenager who was being bullied,” Tom said. “She nailed her role as the ‘straight man’ to Rob Baker, who played opposite her, while at the same time pulling off the comedic timing that made the show a success.”

Cleland kept the momentum going and booked roles on the History Channel’s “Brainwashed,” Craig Macnaughton’s comedy webseries, “Pay Up” and in the hit supernatural medical drama, “Saving Hope” starring Erica Durance.

Most recently, Cleland returned for a guest starring role in “Murdoch Mysteries,” for the episode – “Raised on Robbery” – that aired in January on the CBC. She also made her feature film debut in writer-director Jeremy LaLonde’s comedy, “How to Plan an Orgy in a Small Town,” that’s been screening on the independent film circuit and won Best Feature and Best Ensemble awards at the 2016 Canadian Filmmakers’ Festival. The film stars Jewel Staite, Lauren Lee Smith and Lauren Holly.

“I loved the sense that we were all collaborating and making something together, and that everyone’s thoughts were valued and taken into consideration,” Cleland said.

We’re excited to see Zoe Cleland in many future roles to come. Check out Zoe’s work on Vimeo: https://vimeo.com/zoecleland and follow her on Twitter: https://twitter.com/ZoeCleland

 

 

 

Behind the scenes: Cat Sherwin reveals a day in the life of a Make-up Artist and Hair Stylist on Australia’s leading breakfast TV news lineup

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Cat Sherwin

 

It’s 2 a.m. and her day has already begun.

A short meditation, double expresso and daily horoscope are the kick starters. Then it’s off to the shower, out the door and on to Seven Network Studios in the Martin Place district of Sydney, New South Wales, Australia.

The essential morning routine is the tried and true method for Cat Sherwin, make-up artist and hair stylist for Seven Network’s breakfast TV lineup: “Seven Early News,” “Sunrise” and “The Morning Show.”

“It’s my little bit of Zen time for day,” Sherwin said. “I find it really centers me with an aura of peace and calm for what’s often a hectic day ahead.”

Beginning with “Seven Early News,” followed by “Sunrise” and ending with “The Morning Show,” the three programs broadcast from 5 a.m. to 11:30 a.m. weekdays, with “Sunrise” continuing to air from 7 a.m. to 10 a.m. on weekends.

Programming informs Australian audiences on news, sports, weather, current affairs and entertainment. It’s an ongoing barrage of talk-show TV production that only pauses once a year, on Christmas Day.

Audiences have responded and made “Sunrise” the highest-rated breakfast news program across Australia. It originated in 1991 and is carried out in the tradition of “Good Morning America.”

“Sunrise” has covered a litany of major news including the Iraq War, the inauguration of Barack Obama, the 2010 Copiapo mining accident, the 2010-2011 Queenslands floods, the 2011 Christchurch earthquake, Hurricane Sandy, the 2014 Sydney hostage crisis, the Pope’s morning Masses and many other impactful stories. Musical guests on “Sunrise” have included Usher, Justin Bieber, Lady Gaga, Katy Perry, One Direction, and dozens more.

For Sherwin, her schedule varies and includes make-up and hair styling up to five out of seven days a week at the studio where she participates critically for the production of all three morning shows. She’s been making up and styling show hosts and guests for Seven Network’s morning lineup since 2008, an impressive tenure that’s featured her outstanding work in hundreds of episodes.

“The wide variety of show types offer a huge opportunity for different creativity and experiences,” said Sherwin, who estimates she styles around 5-15 different people per episode. “News has to be often quite structured and serious. Entertainment and weather presenters can be a little more fun and fashion forward. Current affairs programs are often tailored to the nature of the interview.”

“Seven Early News” is presented by Jodie Speers. “Sunrise” is hosted by David Koch and Samantha Armytage. Also hosting “Sunrise” are Natalie Barr (news), Mark Beretta (sports), Edwina Bartholomew (Entertainment) and Sam Mac (weather). “The Morning Show” is presented by Kylie Gilles and Larry Emdur.

“All main hosts are styled first before we move on to guests. We look at the wardrobe of the presenter for the day and any accessories they may have, and also take into account any particular requests the host may have, or a particular look they may want to go for that day,” said Sherwin. “Each makeup artist is given a main host to style, hair, make-up, hair extensions, lashes, then often a male host as well.”

As to guests and interviewees, Sherwin has made up a wide array of people from all walks of life, from abuse and disaster victims, to brides wanting to get married on TV, to rock stars, writers, actors, directors and many more. She’s styled Duran Duran, author Deepak Chopra and actress/model Teresa Palmer, to name a few.

Sherwin has styled for the show’s coverage of the Melbourne Cup and an Opera House concert with Katy Perry. She’s made up the needed looks for on location shoots in any elements, whether rain, cold, heat or any other challenging conditions.

Just before a guest appears on a show segment, Sherwin’s styling duties actually add a psychological component.

“You’re often one of the last interfaces before a person goes on air and if it is a guest who has never been on television before, they can be nervous,” she explained. “I believe it’s my job to help keep people calm and make everyone feel special, whilst also making them feel and look great – often in a short amount of time.”

The reality of Sherwin’s job requires a world of talent, creativity and poise under pressure. She strikes an imperative balance of keeping calm and centered, while also being upbeat and energetic. The nuances are necessities when considering the importance of her behind-the-camera role.

“Your work is extremely visible on the show for the world to see,” she said. “There’s nowhere to hide. You have to get it right whilst also not taking yourself too seriously or getting stressed. It’s also a lot of shift work, so it’s important to look after yourself physically and mentally.”

Sonya Downie is Seven Network’s Chief Departmental Head for Hair and Make-Up and has worked in supervisory production roles for more than 20 years.

“Cat’s work is superb. I have now worked with her for eight or nine years and her work consistently shines,” said Downie. “Cat is a wonderful, dedicated and extraordinary artist, recognized not only for her amazing creative skills, but her professionalism and integrity in the workplace. She is a joy to work with and inspiration to all those who work with her, making her a key choice for our top talent.”

After each morning show has commenced at Seven Network Studios, Sherwin wraps up by washing brushes, restocking product, organizing her kit, returning calls, e-mailing, invoicing and researching different looks for the next morning’s productions.

Upon returning home, she lays out her clothes for the next day and prepares breakfast to take on the go. Another 2 a.m. rise beckons. It’s Zen time once again. And Sherwin wouldn’t have it any other way.

“It’s definitely a buzz and fabulous to be part of such a big show renowned across Australia,” she said. “It sometimes blows me away how many people watch and have seen me on behind the scenes shots. Often audience members will call and ask what lipstick or blush we have used. It’s amazing that we can influence viewers’ make-up choices and how many people take an interest in what the hosts’ style is for the day. Television is a visual medium after all.”

Actress Jessie McLachlan Details her Journey to film and television Stardom

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Actress Jessie McLachlan

For Jessie McLachlan, the path to becoming one of Australia’s preeminent film and TV actresses began when she was just 6 years old. It was then she started to refine and perfect her skills by undergoing speech, dance and theatre lessons. Before her 8th birthday, she’d become a National Irish Dancer, and McLachlan found her groove by auditioning and performing in front of her Grandmother, Ann.

“I had found a home in performing,” she said. “It gave me a sense of euphoria, a high, but a certainty feeling.”

McLachlan parlayed those feelings and experiences into a coveted career many pursue and few achieve.

She’s accumulated an impressive filmography highlighted by her acting roles in more than 40 TV episodes for series including Village Roadshow’s “The Shire,” Seven Network’s 28-year running, award-winning drama, “Home and Away,” the hour-long comedy drama, “Packed to the Rafters” and Nickelodeon Network’s “Dance Academy.”

She’s starred in Dan Castle’s award-winning drama feature, “Newcastle,” and in Tom Simes’ feature family drama, “Run, Broken Yet Brave.” She’s been recognized for her singing, dancing and modeling as well that has collectively culminated into a rare package of a true do-it-all actress.

“It has given me a greater in-depth understanding of my passion to create,” McLachlan said. “It has allowed me to use each of my experiences in 20 years of performing to lend an emotion, movement, feeling or expression to a performance and do it with conviction.”

Performing often is a family affair and so was the case for McLachlan. Her elder sister, Zoe, studied film and TV in high school and college. Those choices influenced and paved the way for McLachlan’s introduction into acting.

“I was always in her films and projects,” she said, “so that really sparked my film interest. I’ve never wanted to do anything else.”

One of her early performances came in a play called “Parramatta Girls,” which was about women who had served time in Australia’s most notorious girls’ detention center as children. “It was a really powerful piece I did when I was 15, and something I am the most proud to have been a part of,” said McLachlan.

Inspired by the “Harry Potter” franchise during childhood and influenced by the on-screen work of greats such as Helena Bonham Carter, Daniel Day Lewis and Martin Scorsese, a shortlist of some of McLachlan’s favorite films include “Schindler’s List,” “Philadelphia” and “The Shawshank Redemption.”

She says the best actors are “those who protect their creative essence, especially in this industry. Those who use every scene as a lesson and find the growth and learning from each frame, even if they are an Oscar winner. Remembering passion is humbling.”

Continuing her specialized acting training into adulthood, McLachlan has studied under the esteemed tutelage at the National Institute of Dramatic Art (Sydney, Australia), Lee Strasberg (New York), Stella Adler (Los Angeles) and with the renowned acting coach Michelle Danner, in Los Angeles.

“I wanted to keep learning and be challenged by different techniques. I live my life by being ‘water’ flexible and being able to adapt and I want that to be able to carry over into each character I play,” she said. “Michelle Danner has been my favorite. She really challenges me to lose myself in a character, and she sets in motion out of the box perspectives.”

In 2006, McLachlan acted in her first film, “Spaced Out,” a sci-fi comedy directed and written by Scott Grenke. While 14 years old at the time, she played the role of an alien character in the cast. The experience proved valuable and guided McLachlan’s pursuit of acting for film and TV.

“I learned so much on that set and from my fellow actors,” she said. “It was also a moment of clarity and really affirmed my passion for film and the direction I would like to take my career.”

Two years later, McLachlan was starring as Rachel in the drama feature, “Newcastle,” that won a FilmOut Festival Award and followed the story of a group of Australian surfers. In 2009, she starred as Anna in the feature film, “Run, Broken Yet Brave.” From 2010-2011, McLachlan played the recurring role of Samantha Braxton for 27 episodes of “Home and Away” and she also starred as Jayde on “Packed to the Rafters.”

“I worked with Jessie throughout the third season of the Seven Network’s wildly successful family dramedy, “Packed to the Rafters,’” said Logie Award winning actress Brooke Satchwell. “Jessie performed the leading character of Jayde Smith, a worker at the yacht club owned by the Rafters and a former fling of son Ben Rafter. After taking a gap year following high school graduation, Jayde returns, still wanting and caring for Ben, who is now engaged. The role required an actress who could convey the emotional burden and yearnings of such a character, and Jessie not only thrived in this dynamic but also excelled in any expectations that were made of her and her character.”

McLachlan’s acted in leading roles in short films including in Jeremiah Cleman’s “Modern Day Saint,” Antonio Orena-Barlin’s “Suburbia” and Omer Zekirovski’s “Tibor – Your Not from Gosford Are Ya.”

McLachlan worked with Logie Award winning actress Jodi Gordon on “Suburbia,” a short drama about a man who gets his girlfriend a job as a florist, but later finds out the unassuming front of suburbia isn’t what it appears.

“Jessie’s leading performance as Monica was as impressive of a performance as it was crucial to the driving plot of the film itself,” said Gordon, who played Tara in the film. “I was thoroughly impressed with the way in which she translated Monica’s character traits from page to on camera. The film was nominated for Australian Film Institute Award for Best Short Fiction Film, an achievement that would not have been possible without Jessie’s extraordinary performance throughout the film.”

Comparing feature film roles to those of her TV and short filmography, McLachlan said, “The pace in filming has a different tempo. Morphing into the character is also a different process. A challenging aspect I found with short films is ensuring the layers of the character are portrayed. I put a lot of pressure on myself in really wanting the audience to feel the joy, pain or journey with the character.”

It is international audiences who have enjoyed the characters McLachlan’s portrayed and they’ve each been made possible through her own journey as an actress.

Tom Stevens brings ‘A Reckoning’ to Fox’s hit psychological thriller ‘Wayward Pines’

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Tom Stevens

Canadian actor Tom Stevens has risen to the pinnacle of film and TV for his many critical roles in titles such as the WWE’s feature action movie, “12 Rounds 2: Reloaded,” Hallmark’s drama series, “Cedar Cove” and Fox’s family comedy, “Diary of a Wimpy Kid: Dog Days.”

His achievements in TV are marked by occupying role after role in many leading, acclaimed shows including “Smallville,” “Psych,” “Supernatural,” “Arrow,” “Falling Skies,” “Motive” and more.

Continuing in the same coveted direction, Stevens debuted toward the end of Season 1 in Fox’s breakout hit series, “Wayward Pines.” His acting in the role of Jason Higgins punctuated again his place among today’s top working actors and evidenced the reason why his name is rolling off the lips of many industry-leading decision makers and audiences everywhere.

The psychological thriller series, based on the “Wayward Pines” novels by Blake Crouch, was developed for TV by Chad Hodge. It follows the story of a Secret Service agent Ethan Burked (Matt Dillon) who goes to Wayward Pines, Idaho, in search of two agents who have gone missing.

In no time, Ethan learns it’s himself too who may not survive the seemingly idyllic rural town. Its inhabitants are trapped in Wayward Pines and governed by authoritarian Sheriff Arnold Pope (Terrence Howard). Those who try to escape are sentenced to a public execution called a reckoning.

Stevens unleashed Jason on “Wayward Pines” in Season 1 Episode 9, “A Reckoning.” The episode centers on Ethan’s interrogation of Harold Bollinger (Reed Diamond) and on three young men from the “Class One of the Academy.” Leading the Class One trio is Jason, and they storm a jail in an effort to reckon Harold and his wife, Kate Hewson (Carla Gugino), Franklin Dobbs (Ian Tracey) and two others.

“It’s the kind of character I always want to play,” Stevens said. “On the outside, he looks clean and proper, but on the inside, he’s an animal.”

The “Class One of the Academy” operated under the leadership of David Pilcher (Toby Jones), a scientist who founded Wayward Pines. “In this episode,” Stevens said, “Jason represented all the teachings that Pilcher has implemented on these kids. It’s a totalitarian regime implemented on small town American perfection.”

Of Jason’s characterization, Stevens explained, “I don’t want this guy to have taken a breath until he pulls the trigger for the first time. Being suffocated by society, until you get to kill, that was the sociopath I wanted to play.”

In the episode, Jason executes all of his targets except Kate, as she survives thanks to Ethan. “He saves the day at the last second,” Stevens said. “Ethan ends up coming in and shooting me.”

The role called for Stevens to act alongside Gugino for the first time, and to execute the peaking climax where he shoots her husband. Gugino starred last year in “San Andreas” and has acted in many other blockbusters such as the “Spy Kids” trilogy, “Night at the Museum,” “Watchmen” and “Sin City.”

Stevens said of Gugino, “She was a consummate professional. She was there to make the best thing possible. In every single take, she was fantastic. I had to step my game up and I felt so blessed to be around those guys.”

Filmed in Vancouver and broadcast July 16, 2015, “A Reckoning” was directed by the award-winning Nimród Antal, who directed such films as “Kontroll,” “Vacancy” and “Predators.”

“He was a rock star,” Stevens said. “It felt like being on stage at a rock show. He would come in and have so much fire in him. He would get everyone involved and everyone gets infused with passion.”

Stevens reprised Jason as he wound up surviving and appeared again in Episode 10 – “Cycle.”

“Wayward Pines” premiered last May, finished its smash debut season by July and was ordered by Fox for a second season that’s to premiere this summer.

The series has also starred Oscar winner Melissa Leo (“The Fighter”) and Oscar nominee Juliette Lewis (“Cape Fear”).

The “Wayward Pines” pilot was directed by M. Knight Shyamalan, a two-time Oscar nominee known best for “The Sixth Sense.” Shyamalan also executive produces the series. The show’s first 10 episodes have reached nearly 63 million viewers in more than 126 countries.

Showstopper Tate McRae Has Our Attention!

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Canadian Star Tate McRae shot by Rob Daly Photography

From contemporary dance to jazz and ballet, 12-year-old Tate McRae is a force to be reckoned with whose performances on stage and in film are impossible to take your eyes away from. The young star, whose become quite a celebrity in the Canadian entertainment industry over the last few years for her far reaching talent as an actress, dancer and singer, has achieved unparalleled diversity in her career.

Tate began dancing at the age of 6, and by the time she was 8 years old her beloved hobby had turned into a full-fledged career. Her ability to move her physical being and embody the music she dances to with the utmost skill and grace is astonishing. As a dance competitor, she is a tough opponent for any dancer to go up against, but she doesn’t dance for the awards as much as she dances for the underlying reason that performing is a part of her soul. It is something that she was born to do.

She admits, “Even in my spare time I chose to do something that has to do with the arts. I am always singing or dancing around or listening to music! I have been like that since I was a little girl. Even before I took lessons I was always putting on shows!”

Some of Tate’s dance accomplishments to date include winning the Junior Best Dancer Award at The Dance Awards in 2015, the Silver Medal Solo Award and Bronze Medal Pas De Deux Award at the 2015 YAGP (Youth America Grand Prix) finals in NYC, 2014 NYCDA (New York City Dance Alliance) National 1st Runner Up Mini Outstanding Dancer, and Mini National Best Dancer Award at The Dance Awards in 2013.

She was also selected as one of the few dancers to be a part of DancerPalooza’s Beat Squad, a group of America’s top competitive dance soloists selected to perform on the Hall of Fame Performance stage during DancerPalooza in California in 2014 and 2015.

Earlier this year she also performed at the Rule The World NUVO Closing Show in Calgary, Canada, which you can check out below.

 

Tate’s undeniable skill backed by her reputation as an extraordinary dancer has also benefitted her in her career as an actress. After signing with her current agency, Stars Academy Talent, several years ago, she began landing leading roles in television shows, films and commercials.

She explains, “I got into acting through my dancing and singing. I love musical theater and had to learn to develop characters for my songs… The same day I got an agent I booked a job doing voice overs for the show Lalaloopsy!”

As an actress Tate is known for her work as the voice of Spot Splatter Splash on the highly successful animated series Lalaloopsy, which aired on Nickelodeon and Nick Jr. in the U.S. and on Treehouse TV in Canada before moving to Family Jr. in 2014.

Aside from starring in 17 episodes of the popular children’s series, she also starred in the Lalaloopsy: Band Together video, which was released in August, the 2014 Lalaloopsy Ponies: The Big Show film and the 2013 Lala-Oopsies: A Sew Magical Tale video.

Last year she was a featured actress in Toyota’s commercial “Can’t Win Everything – Prairie Pageant.” Earlier this year she gave a dazzling contemporary dance performance in a music video for the CASBY and four-time Canadian Radio Music Award winning band Walk Off The Earth’s hit single “Rule the World.” In addition to being featured in promotional dance videos for Triple Flip, and modeling for dance companies including Capezio and Twear, Capezio also sponsors for her work as a dancer.

Tate admits, “Dancing has helped me with my career as an actor because I have made so many more connections through dance. The 2 worlds really do cross over. Dance has given me lots of confidence and has made me really comfortable performing. I do not get nervous when I am asked to recite lines or play a character.”

If her skill as an actress and a dancer wasn’t impressive enough (and of course, it is), Tate also happens to be an exuberantly talented singer. In fact her singing voice can be heard on a radio commercial for Resorts Of The Canadian Rockies, as well as in the show Lalaloopsy when she takes on the role of Holly Sleighbells.

You can get a glimpse of just how extraordinary of a singer she is in the video below where she performs a dance at The Dance Awards in NYC in 2014 to her cover over the song ‘Human’ .

 

Mesmerizing Dramatic Actress Eliana Jones

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Actress Eliana Jones

While Eliana Jones is only 18 years old, her resume boasts the accomplishments of an actor well beyond her age. While she has undoubtedly made her name known in the world of television, Jones has given a slew of knock out performances on the stage and in feature films like Step Dogs as well. Her television career, however, is what has catapulted her to the top of her industry.

While Jones has appeared on array of award-winning television shows over the years, her career got a major boost when she landed the recurring role of the caddy high school teenager, Alexa Sworn, on executive producer Eli Roth’s (director, Hostel series; actor, Grindhouse: Death Proof, Inglorious Bastards) Netflix original series Hemlock Grove.

The Emmy nominated Hemlock Grove tells the story of a small town reeling from the recent murders of several teenage girls. Jones’ character Alexa, and her twin sister Alyssa, played by Emilia McCarthy (Kid’s Town, Maps to the Stars, Max and Shred), are the daughters of Hemlock Grove Sheriff, Tom Sworn, played by Aaron Douglas (The Returned, I, Robot) and the best friends of Christina Wendall, played by Freya Tingley (Once Upon a Time). Often eliciting intense reactions from their peers as they taunt and ridicule students at their high school, the Sworn sisters are the exact opposite of their quiet and reserved friend Christina, and their caddy nature might just make them the killer’s next target; but you’ll just have to watch the first season of the show to find out.

Hemlock Grove has received widespread praise and critical acclaim, and is currently in its third and final season. Other notable actors who worked with Jones on Hemlock Grove include Famke Janssen (Phoenix in the X-Men series), Dougray Scott (Mission Impossible 2, Taken 2, Ever After), and Bill Skarsgard (Vicoria, Anna Karenina, Behind Blue Skies).

The first hit television show Jones landed was Nikita, in which she debuted on screen as the younger version of Alex, one of the show’s lead characters who was played by Lyndsy Fonseca (Kick Ass; Kick Ass 2; How I Met Your Mother; Desperate Housewives). Nikita, which aired on the CW, has been nominated for numerous awards, including two Primetime Emmys.

Jones debuted her versatility in the role depicting young Alex through the show’s repeated flashbacks in nine episodes over the course of the first and second seasons. During many of the episodes Jones had the opportunity to display her knack for dialects and speaking other languages, an asset that has assuredly set her apart from other actresses.

“I often spoke Russian throughout the show,” Jones explained in an interview, “which is something that I had to spend hours learning!”

Her rendition was spot-on, however, which contributed toward many of the subsequent roles for which she was cast. The CW enjoyed Jones’ portrayal of young Alex so much in Nikita, that not long later the network cast her for another younger version of a lead character. In the hit TV series Lost Girl, Jones played teen Tasmin, the younger version of Rachel Skarsten’s (50 Shades of Gray; The Vow) starring character.

Jones has captivated television audiences on many other shows, including the CBC series Saving Hope, in which she acts alongside Wendy Crewson (Air Force One; The Santa Clause), as well as YTV’s The Stanley Dynamic, where leads the series alongside prolific television star Michael Gross (Anger Management; Suits; How I Met Your Mother; ER; The Young and the Restless).

Jones gave yet another dazzling performance in the feature film Step Dogs (2013), where she played the starring role of Lacey, a spoiled teenager from Hollywood who is forced to move to Canada with her aunt and their dog. The plotline follows both Lacey and her dog as they adjust to a new way of life, encountering many surprises, challenges and new relationships along the way.

Currently, Eliana Jones is in production for The Family Channel’s Backstage, a new show that follows a group of extremely talented artists, dancers, singers, painters, and actors. Backstage is set to begin airing in January of 2016.