Tag Archives: Piano

Haekyung Ju Brings Precision, Passion, and New Energy to the Phoenix Symphony Orchestra

Every orchestra develops its own personality. Some are celebrated for technical brilliance, others for adventurous programming or distinctive sound. The Phoenix Symphony Orchestra has cultivated a reputation for combining artistic excellence with an openness to fresh ideas, and for violinist Haekyung Ju, becoming part of that culture has marked one of the most rewarding chapters of her career.

Since joining the orchestra as a First Violin member in March 2026, Ju has embraced a role that demands far more than technical mastery. As one of the musicians responsible for presenting many of an orchestra’s principal melodic lines, she helps shape the character, color, and emotional impact of every performance. Her journey to Phoenix followed a successful season with the Baltimore Symphony Orchestra, but her arrival in Arizona represented more than simply changing orchestras—it signaled a new stage of artistic confidence, leadership, and creative expression.

Violinist Haekyung Ju

Winning a position with the Phoenix Symphony Orchestra was no small accomplishment. The audition attracted an exceptionally competitive field of professional violinists from across the United States. Candidates advanced through preliminary, semifinal, and final rounds, each requiring increasingly demanding orchestral excerpts and solo repertoire that tested technical command, stylistic versatility, consistency, and ensemble awareness. By the conclusion of the final round, only two candidates remained. Both received appointments, but Ju earned the coveted First Violin position and later learned that her audition had received the highest overall evaluation from the committee. For a musician who had spent years refining her craft through conservatory training and professional orchestral experience, the result represented both validation and a springboard toward the next phase of her career. That achievement also reflected the artistic maturity she had developed during her time with the Baltimore Symphony Orchestra. There she learned the discipline, preparation, and collaborative mindset required of professional orchestral musicians. In Phoenix, however, those qualities would be expanded in new ways.

Unlike her previous role in the Second Violin section, Ju now performs among the First Violins, a section often entrusted with carrying the orchestra’s most recognizable melodies. While she is careful to emphasize that neither violin section is more important than the other, she recognizes that First Violins frequently establish the orchestra’s musical character through phrasing, articulation, tone color, and expressive leadership. Her earlier experience in the Second Violin section proved invaluable. It taught her how harmony, rhythmic stability, and attentive listening form the foundation of orchestral performance. Moving into the First Violins added another dimension—projecting musical ideas with confidence while remaining deeply connected to the surrounding ensemble. Rather than viewing leadership as individual prominence, Ju approaches it as a form of collaboration, where expressive playing and careful listening exist in equal measure. That collaborative philosophy is one of the qualities she believes distinguishes the Phoenix Symphony Orchestra.

From her very first rehearsal, Ju noticed an atmosphere unlike any she had previously experienced. The orchestra maintained exceptional precision while simultaneously encouraging musicians to contribute their own artistic personalities. Instead of expecting every player to suppress individual interpretation, the ensemble embraced a diversity of musical ideas, allowing those perspectives to merge into a unified artistic voice. That openness has been transformative for Haekyung.

She describes rehearsals as environments where conductors and musicians freely explore different approaches to phrasing, articulation, color, and character. Curiosity is welcomed rather than discouraged, creating performances that feel fresh and alive rather than routine. As a First Violin player, she finds particular inspiration in performing alongside colleagues with distinct musical personalities who nevertheless blend into a remarkably cohesive section. The result is an orchestra that combines technical polish with genuine spontaneity. Audiences may hear a beautifully unified ensemble, but Ms. Ju knows that beneath that sound lies an ongoing artistic conversation among musicians who continually challenge and inspire one another. It is precisely this balance between individuality and unity that gives the Phoenix Symphony Orchestra much of its vitality and excitement. Her own contributions reflect that philosophy.

Almost immediately after joining the orchestra, Haekyung found herself assuming significant responsibilities, including serving as Associate Concertmaster for several demanding performances during her first season. The assignment required not only exceptional preparation but also the confidence to help guide the First Violin section through an extraordinary variety of repertoire. One particularly memorable stretch demonstrated the remarkable versatility required of today’s professional orchestral musicians. Within just nine days, Ju performed three entirely different concert programs while serving in a leadership capacity. The first featured symphonic arrangements of Elton John’s music, requiring her to shift from traditional classical performance into a Pops setting built around groove, amplification, and stylistic flexibility. Only days later she performed Dolly Parton’s Threads: My Songs in Symphony, a production that included nearly one hundred pages of First Violin music and demanded constant changes in articulation, tone production, and musical character across an expansive program.

Less than twenty-four hours later, she traveled to Prescott to perform Beethoven, Brahms, and Dvořák in a traditional classical concert. The rapid transitions between these dramatically different musical worlds tested every aspect of her musicianship. Yet they also demonstrated one of her greatest strengths: the ability to adapt instantly while maintaining artistic consistency. Whether performing beloved popular music or cornerstone works of the symphonic repertoire, Ju approached each performance with the same commitment to excellence, helping the orchestra deliver engaging experiences for audiences across Arizona.

Another memorable highlight came during the orchestra’s Opera Gala, where Haekyung encountered some of the most technically demanding First Violin writing of her career. Opera excerpts require constant shifts in style, color, phrasing, and expressive character, leaving little opportunity for musicians to settle comfortably into a single musical language. Rather than viewing the program simply as a technical challenge, Ms. Ju embraced it as an opportunity to deepen her artistry. The experience reinforced an important lesson she has carried throughout her career: virtuosity only matters when it serves musical expression.

Haekyung ‘s enthusiasm for the orchestra extends well beyond her own performances. She is especially excited about the arrival of Paolo Bortolameolli as the Phoenix Symphony Orchestra’s new Music Director, a transition that has generated widespread anticipation among musicians and audiences alike. She is eagerly anticipating the performance of monumental works such as Rachmaninoff’s Piano Concerto No. 3, Stravinsky’s The Rite of Spring, Mahler’s Symphony No. 5, and a celebration honoring the music of John Williams. These ambitious programs reflect an orchestra committed to presenting repertoire that is both artistically demanding and broadly engaging—a combination that perfectly matches Ju’s own musical interests.

For Ju, the excitement surrounding the Phoenix Symphony Orchestra is not created by any single performance or celebrated guest artist. It grows from something deeper: musicians who continually inspire one another, audiences eager to share meaningful musical experiences, and an artistic culture that welcomes creativity while pursuing the highest standards of orchestral excellence. As a First Violin member, she contributes to that excitement every time she steps onto the stage. Through expressive leadership, thoughtful collaboration, and an unwavering commitment to artistic growth, Haekyung Ju helps shape performances that are technically refined, emotionally compelling, and vibrantly alive. Her career has already taken her from South Korea to some of America’s finest concert halls, but in Phoenix she has found something especially meaningful—an orchestra that encourages musicians not only to perform beautifully, but to think creatively, listen deeply, and bring their full artistic voices to every note they play. That spirit of collaboration continues to define both Haekyung Ju’s own journey and the exciting future of the Phoenix Symphony Orchestra.

Keyboardist Jose Roman talks Daphne’s Roots’ debut album ‘Enter the Voyage’

Jose Roman is a true musician. He doesn’t just enjoy music, he lives it. He breathes it. He feels it. When his fingers touch the keys of a piano, he is alive, and when one listens to his music, they are alive as well.

Despite working on many successful projects and working alongside many artists, Roman’s claim to fame is with the progressive/alternative rock band Daphne’s Roots. Besides playing the keyboard, Roman writes songs and arranges high quality keyboard parts to the musical ideas of the other band mates. Once these ideas are polished, and the songs are completed, he is an outstanding studio musician, bringing his ideas to life. He always consistently delivers versatility and a wide range of musical abilities.

“Working with Jose is an amazing experience. He is so full of energy and creativity that makes you feel good and motivated. He is a top-notch player which makes him extremely reliable. He has an extensive musical knowledge which is very useful. For instance, we wrote together some percussion arrangements and he always surprised me with his creativity and talent,” said Felipe Restrepo, drummer of Daphne’s Roots.

In 2012, Daphne’s Roots released their first album titled Enter the Voyage. Being the founder and main songwriter for the band, it was Roman’s idea to start working on the ambitious project. For a long time, he had the concept of the album in his head. It is the first part of an epic story, told through different songs. The album was the breakthrough for the band, and to this day, one of the most exciting experiences of Roman’s esteemed career.

“It was extremely exciting and thrilling to work on this project all the way through. From the writing process to the studio time, the motivation to deliver an amazing album was always there. The atmosphere on the studio was always electric and inspiring. I would write new songs and then show them to the guys and then we would work on them all together. It was an unforgettable experience and we are very proud of the result we accomplished,” said Roman.

As the founder and leader of my band Daphne’s Roots, Roman motivated my band mates to start working on this project. They had a repertoire of songs that they played together, and together they choose the best songs and wrote even more in order to develop the album. Roman’s role, in addition to playing the keyboard on every track, was to write the remaining songs in order to complete the first part of this concept album.

“Writing all the keyboard parts was a lot of fun for this project. I used many of my different keyboard influences to enhance as much as possible the songs. Once at the studio, the recording process of the keyboard parts was very exhilarating. It was very cool to experiment with different layers of keyboards that we could put in the recording. At the end, I was very satisfied with all the keyboard parts on all of the songs,” he said.

The album ended up being a large success. Not only did fans love it, but upon its release, Enter the Voyage was awarded “Best Album of the Month” by the popular radio show La Zona del Metal.

“We were very gladly surprised and honoured to know our album did so well. It is always gratifying to know we connect with many fans as possible with each project we release. We are very grateful to be recognized by this prestigious radio show that we admire very much,” said Roman.

None of this could have been possible without Roman’s contributions. Daphne’s Roots is a very keyboard driven band, and it was very important to get that part of the album right. There are a lot moments on multiple songs where sometimes the keyboard is all by itself, responsible to evoke a very emotional part. Without the presence of the keyboards on this album, the structure and sensitivity of the songs would not have worked.

“Still to this day, I hear a lot from fans that the keyboard parts are their favorite parts of the songs and that is very rewarding,” he said.

The best part for Roman, however, about working on Enter the Voyage, was not the awards or the fan reaction, it was getting to work alongside his friends, doing what he loves.

“One of the most gratifying experiences about working on this album was writing a couple of the songs with my good friend and band mate Manuel Sambour, who is the main singer and lead guitar player. The way we complemented each other was rich and creative. This is true not only with Sambour, but with the rest of the band as well. The chemistry in this band is very powerful and I believe that is the main key element responsible for this project success,” he concluded.