UK born composer Alex Redfern is a master of blending music and visuals for film and television. Alex Redfern is known throughout the international entertainment industry for having created emotive scores for the films Happy Face and Tumbleweed: A True Story, as well as for contributing to the music departments of Walt Disney Picture’s upcoming feature Cinderella, which stars two-time Oscar Award winner Cate Blanchett, James Franco’s Holy Land, Penguin Trek, Larson’s Field, and many others.
The young yet highly skilled composer is currently working on Sisterhood of the Red Garter 3D, as well as the film Varanasi, which stars Adil Hussain from Life of Pi. Directed by Richard Connew, the film Sisterhood of the Red Garter 3D is a UK comedy film that is scheduled to be released next year. A feature film about a mysterious cult set in Northern England, the film stars Brian Woodward from Peaky Blinders, Night at the Museum: Secret of the Tomb, The Theory of Everything and Hollows Wood 3D.
Redfern admits, “it’s fun writing for comedy, but you have to be delicate with the timing to make sure it has the right effect.” He adds that the music in the film ”is a cross between light-hearted and dark, and mysterious. It is mostly orchestral, but it has a few surprises thrown in.”
One aspect of Alex Redfern’s career that sets him apart from other composers is his incredible ability to bring diversity to all of his musical creations, something audience will notice in his other upcoming project Varanasi, where he is working as the film’s orchestrator. According to Redfern the film is “a dark thriller set in the holy city of Varanasi in India. It uses orchestral and Indian instruments together.”
Alex Redfern was also a key contributor to the music department on Mark Marchillo’s film The Curse of The Un-kissable Kid. A comedic and whimsical coming of age tale, The Curse of The Un-kissable Kid follows a young boy named Josh, played by William Leon from the hit television shows True Blood, New Girl and Modern Family, who finds himself in a sticky situation after taking a potion from a fortune teller at a local carnival without reading the fine print. After swallowing the potion Josh realizes that the bottle says it will make him disappear if he doesn’t find true love’s kiss within 24 hours. In an effort to keep from dissolving into nothingness, the desperate teen sets up a kissing booth and soon finds himself in a passionate lip-lock with a boy named Clark, played by Christopher Bones from the shows One Life to Live and My Name Is Earl. Redfern used his musical talents to heighten the fantastical elements of the film with his subtle orchestration of instruments.
A truly talented composer, there is no doubt on anyone’s mind that audiences around the world will be seeing, or rather hearing, a whole lot more of Redfern’s musical creations for many years to come. Be sure to check out the video below to see Alex Redfern conducting one of his original compositions “Riding Out West” with a 47-piece orchestra at Eastwood Scoring Stage at Warner Brothers Studio in Los Angeles.
Originally from Mexico City, Mexico, Maria Bosque is an actress whose extraordinary range and versatile look has put her front and center as a go-to talent for film and theater productions in both Latin America and the United States.
Over the course of her career Maria has landed starring roles in the films Ellas, Solo Yo, Final Test, Oh Jesus and many more. In her most recent film, Oh Jesus, Maria Bosque touches the hearts of international audiences in the role of Violet, a young woman who is made to feel shame over her homosexuality. Riddled with theological and sci-fi influences, Oh Jesus follows Violet on a journey spearheaded by a chance encounter with Jesus who leads her back in time in order to decipher and repair the ill-fated event that brought about her homosexuality. However during her journey with Jesus, Violet discovers something much more valuable than the anecdote for her homosexuality– self-love and acceptance. After realizing that she cannot spend her entire life running away from herself and her problems, Violet comes out of the closet with confidence professing her true feelings for the girl she is in love with.
A film with a powerful message for audiences across the world regardless of their individual sexuality, Maria Bosque brought Violet’s struggle to life in a way that is honest, relatable and downright beautiful. She explained, “I love playing strong female roles, and I love doing things that have an important message, especially for those girls that are going through a similar thing in their one lives.”
In addition to her work as an actress on film, Maria Bosque is renowned for her talents on stage as well. She got her first taste of the theater in the production of The Wizard of Oz in Victoria, Canada, and has since gone on to star in countless productions including Titus Andronicus, The Marriage of Bette and Boo, and The Seagull, as well as the plays Six Degrees of Separation, Waiting For Godot and Middleton, which were directed by Oscar winner Milton Justice.
“I like to choose characters that are very different from me, ones that I haven’t done before,” said Bosque.
In the production of Anton Checkov’s The Seagull, Maria played the starring role of Masha, an affluent young woman who repeatedly refuses the affections of Medvedenko in an effort to hold out for Konstantin the man with whom she is in love. A sad melodrama about unrequited love, Masha eventually gives in and marries Medvedenko and has his child, a choice that dooms her to live a depressed and unfulfilled life as she continues to harbor feelings for Konstantin.
“There is something very sad and beautiful about her. I guess I like the darker side of things because I am always very drawn to these types of characters,” admitted Bosque.
Audiences will have the opportunity to see Maria Bosque on stage in New York in March 2015 at the La MaMa Theater in the production of The Beach of Joseph K. Directed by multi-award winning director Elia Schneider, The Beach of Joseph K is an experimental work derived from the writings of Franz Kafka.
A talented actor whose ease and grace on film have landed him roles in numerous productions, South Korean stud Yohan Lee proves he has what it takes to make it in the American film market.
Born in Seoul, South Korea, Lee discovered his love for acting at a young age. Having starred in the films Runaway Dream, The Phone Call, Comfort Girls, Road to Utah, Clippings, With Love to this Crazy World, and many more, this hot young actor has already created quite a buzz for himself in both Korea and the United States.
In the film Runaway Dream Lee plays the leading role of Mark, a hotshot Beverly Hills real estate broker who appears to have it all, a beautiful blonde wife, a 10 million dollar home in Bel Air, luxurious cars and astronomically priced watches. Runaway Dreams shows how easy it is to have everything you want one second, and lose it all within a heartbeat’s time. The film’s climax comes when Mark unassumingly leaves his office to meet a client, but is intercepted by two ruthless criminals instead. The thieves strip him of his shiny Rolex, thousands of dollars in cash and his brand new Mercedes Benz. Mark, who is left stranded and bitter, embarks on a mission to find his assailants and bring them to justice, however, after finding his Mercedes in a pile of burned scraps he must come to terms with his broken ego and figure out how to move on with his life.
Lee is incredible in the role, which displays his ability to move through drastically different emotions as his character progresses throughout the film. Written and directed by Daniel Abreu, who is also known for the film James & Quinn, Runaway Dream was produced by Daniel Anthony Films. Yohan Lee stars alongside well-known actress Lisa Jai in the film. Jai, who is known for a long list of films and television series’ including Creed, Resident Evil, Balance of Power, Tales from the Cryptkeeper, The NeverEnding Story, and Pillars of Freedom, plays the role of Linn in the film.
Originally born in Tehran, Iran, the breathtaking actress Nazli K. Lou is a force to be reckoned with both on and off the silver screen. Her most recent film For the Birds has brought to light the traumatic and true story of a young Iranian woman named Atefeh, who was wrongly accused and put to death in a public execution. Read more about this gifted actress in our interview below!
PL: Can you tell us a little bit about the film and television projects you’ve done?
NKL: I was cast in an independent feature film called Parts of Disease where I play the wife of a potential terrorist and FBI agent who is heavily involved in an investigation.
I also starred in the film For the Birds, which has been incredibly successful on the festival circuit. The film has won several awards and was recently screened at Cannes.
PL: Can you tell us about the making of the film For the Birds, and some of the festivals it’s been to?
NKL: It was a challenge to prepare for this part, but my entire being was dedicated to perfecting this character. I play a 16-year-old girl who is getting publicly executed; not only is she a minor, but she is also innocent.
We wanted to make sure we captured the essence of the girl, so there were a lot of rehearsals and discussions that went into the character’s development. As the lead, I had a lot of one on one time with the director, which made the filming process go smoothly. On the first day of shooting I arrived on set and it was still dark outside. I will never forget the moment where I stood in front of the justice sign and the feeling that ran through my body. I knew I could not change the past, but I was thankful to have the opportunity to do this tiny act that will hopefully change the future.
Our movie won best short at Cleveland Film Festival, Spokane Film Festival, Best Female Director at both the Directors Guild of America and the World of Women Cinema in Sydney.
The film was also an Official Selection at the following Film Festivals: Cannes, Montreal, Vancouver, Sedona, Rome, Bend, New Port beach, Hollywood Reel, New Film Maker LA, Cinequest, Denmark, and the list growing each month.
PL: How did the fact that you were playing a non-fictional character affect your feelings about the role and your overall preparation for the part? (ie: were you more motivated to bring the trauma and truth of the character’s experience to life etc.)
NKL: I wanted to portray this character in a way where the audience could feel the every emotion that was going through this child who was wrongly accused of crimes against chastity and was executed with no chance of having legal representation nor her family informed of her sentencing. Yes, it did affect my feelings and made me more determined to make sure I delivered the message.
PL: How do you feel about the finished product of For the Birds?
NKL: I am very pleased. As you can imagine, just like any other project, we had complications during shooting the movie. However, I can’t stress enough how much all the cast and crew did to make this movie happen. It was almost like the purpose of this movie was pulling us all together to give our 100%. Of course the response we have had so far speaks for itself.
PL: Can you tell our audience a little more about the film Parts of Disease, and how you prepared for the role?
NKL: Four Graduate students travel to various sites of US terrorism for a school project. After one of them disappeared, and was discovered to be linked to people on the terrorist watch list, there is suspicion that he may have been plotting a terrorist attack of his own.
I had to create the character of Kalila who is a Middle Eastern woman married to a potential terrorist and also an undercover FBI agent. Obviously she is torn between decisions and plays a very significant role in how the story evolves.
PL: Your roles in theses films are very different, what made you choose to participate in them?
NKL: When I auditioned for the film For the Birds I was very touched by the story. I felt like it was my obligation and duty as an Iranian woman to use my skills to bring the story to the attention of the world and raise awareness about child executions, which are still happening in many countries around the globe today. What better way to bring such horrific act to the attention of people than through the power of film.
PL: You get approached all the time to work on projects with people, what makes you pick one role over another?
NKL: Its important to me who I work with, and what message I am conveying.
PL: What do you feel has been the most important role of your career?
NKL: My part in For the Birds, because of the film’s message, as well as the amazing cast and crew. Everybody involved in this project did an excellent job and I believe that we were all touched by the story and that is what brought us together.
PL: As for genre, what is your favorite? (Comedy, Drama, Horror, etc.)
NKL: I am open to all genres, however I have been involved in dramas mostly. I was recently selected out of approximately 600 people to be a part of the Persian version of SNL. So I am very excited about that. I am too scared to watch horror movies, but I would love to be in one. Maybe after a part in a horror movie my fear of watching them will disappear too.
PL: What projects do you have coming up?
NKL: My SNL Persian comedy that will be broadcast internationally on a weekly basis.
PL: Can you tell me a little more about the show? Has the name been announced, and will you be a regular star?
NKL: We are at the early stages of creating this show. Very similar to SNL style, so we will have skits and involve current affairs in our work. Yes I will be a regular and am very excited to explore comedy.
PL: What do you hope to achieve in your career as an actress?
NKL: Difficult question. Basically to do the best I possibly can. I think for any job or career to succeed you must deliver your best efforts and fight your battles. It is important to me to be part of projects that make a difference, whether they aim to raise awareness or serve as entertainment.
PL: Why did you choose this profession?
NKL: I love the fact that I can tell a story and bring a character to life.
All too often we see actors who get pigeonholed early on in their careers playing the same redundant roles over and over until they’ve completely worn out the genre and the role, leaving the audience to believe that as far their talent goes they are nothing more than a one-trick-pony. Comedy actors are a great example, however that will never be the case with the incredible Mexican actor Mac Arellano. While Mac is a stellar comedy actor, he has made diversity a point in his career appearing in all genres of work from horror films like The Hunted, to heart-breaking dramas like the film Graduation.
In Alec Baer’s The Hunted Mac plays Frank, the deceased best friend of co-star Sydney Beltramini who comes back to haunt Sydney and remind him of the unforgivable sins he has committed throughout his life as a criminal. Frank (played by Mac) appears before Sydney covered in blood in Sydney’s broken down motel room, a scene that reminds Sydney that his actions were responsible for the death of his best friend. Mac’s portrayal of Frank was mind-blowing. The role not only proved his ability to tap into the subtle traits of a feared ghost, which are more often than not overdone in a way that makes the character come off as corny, but also displayed his knack for the horror genre overall.
In the film Graduation, written and directed by Jeffrey Prosser, Mac’s performance in the starring role of George brought audiences to tears with his dramatic rendition of a middle-aged man who struggles to move on as a single father after the untimely death of his beloved wife. George (played by Mac), who was married and began a family in his 20s, is a hard worker who dedicates his life to providing his daughter with all tools she needs to get a solid education and build a life worth living, but his world gets flipped upside down once again when she gets pregnant and drops out of high school. The film is yet another testament to Mac’s extraordinary capacity for playing a wide range of roles, as well as his ability to realistically portray characters far outside of his age range.
Mac Arellano’s staggering talent is sure to keep him working for decades to come, and a feature that will keep him from ever falling into the feared category of one-trick-ponies.
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