Art Director Diego Coutinho tackles award-winning film War on Drugo with perfect execution

4
Part of the crew of War on Drugo

They say when you do what you love, you never work a day in your life. Diego “Couts” Coutinho knows this to be true. The art director and motion graphics designer spends every day living his dream, and enjoys everything he does. But what makes his job even more enjoyable is working on projects that he truly believes in. When a film sends an important message and he is part of creating it, there is a sense of purpose that goes far beyond loving what you do.

This is exactly what happened when Coutinho worked on the Brazilian film War on Drugo. Although the film was recognized internationally and received many awards, it was working on something he believed in that was truly special.

“I can honestly say that this movie wouldn’t have been possible without Diego as Art Director/Production Designer. He was my right hand throughout the whole production, responsible for directing the Concept Art Crew while also working as Lead Concept Artist; overseeing the production of puppets and settings to make sure the original visual concept wouldn’t get lost,” said director Gabriel Nóbrega.

Commissioned by the Global Commission on Drug Policy, developed by Almap/BBDO agency and produced by Vetor Zero/Lobo studio, the film was to created to motivate a reflection on the consequences of 40 years of “war on drugs”, and to foster a broader discussion of drug policy reform. War on Drugo is set in a fairytale setting. The movie explains the disastrous war against drugs by telling the story of a dragon banished from an ancient kingdom, and how people who spent time with the dragon were thrown into jail. The visually appealing metaphor uses a simple narrative that is designed to help overcome these barriers and break taboos when it comes to discussing the issue with the public.

“The good work in this project was to create a tool to raise people’s awareness, so they can better understand the issue of drug abuse in the contemporary world,” said Coutinho.

1
Artwork in War on Drugo

Coutinho took on multiple roles to ensure the film’s success. As production designer of the project, he was responsible for pre-production during the beginning stages. He followed storyboarding, creating and developing characters and scenarios. At the same time, he was the lead artist of the team, so beyond the creation of scenarios, characters and special effects, he was required to pay attention to the development of the project, ensuring other artists were consistent with the conceptual proposal of the film.

After the pre-production was finished, he followed the production and preparation of the pieces so that they were faithful to the concepts. In the sequence, he went to work in the post-production, assuming part of the coordination in the final moment. He also worked as a composer, being responsible for the main special effects of the film.

“It is normal not to have the answer to everything, but you must to be prepared to change what is necessary and correct process failures as soon as possible. So, the sooner we make a mistake, the sooner we correct the problem,” said Coutinho.

Despite War on Drugo being an extremely important project, it became Coutinho’s most-awarded project to date. Besides a lot of print and online press coverage, it was acclaimed by many of the most important awards in the field, and went on to win gold at the London International Advertising Awards for Motion Graphics Design, gold in animation at the Cannes Lions 2015, Gold at the IF Design Awards 2015 in Short Animation, and 16 other awards worldwide.

“Couts isn’t just one of the most talented Art Directors I have worked with, he also has integrity in the way he treats the project and the people,” said the animation director of the film, Lee Peffer.

2
Set from War on Drugo

After the success of their previous project, the credits for the Brazilian film Brincante, Coutinho, Nóbrega, and Peffer decided to embark on this project. They knew they worked well together, and therefore used a similar style of artwork for War on Drugo. They used one of the oldest types of animation techniques: stop-motion, using hinged cardboard puppets and miniature sets. Most of the artwork was printed and glued onto pieces of laser-cut MDF, while some settings were hand-painted or created with mixed materials. Coutinho’s team took over 30,000 photographs, and built a total of 13 scenarios and over 300 characters, of which around 80 were animated, meaning they had a structure of articulated joints.

“It was a great time because it was almost like a family, where everyone stopped to talk,” said Coutinho. “We developed the proposal to mix both temporal moments in the film. We can see the logic being applied throughout the film. Early at the beginning of the movie, we see the shot of the king, he’s showed in an American capitol that has a mixed architecture with a castle. The logic also applies to the design of the clothes. In the first scene, you can see two women in medieval clothes walking with shopping bags, as if they were returning from shopping at the mall. The result is a visual of a story of fairytales, but has obvious and direct relationships with today, which helps in having a public identification with the subject, and so we get the opening to about drugs dialogue.”

You can watch the powerful film here.

Dancer Jackson Williams has conquered the United Kingdom

 

jackson-take-that
Jackson Williams as a barber during the Take That 3 Tour.

Jackson Williams has already had an extraordinary career. He has toured the world doing what he loves, performed on national television, and worked with those that inspire him. He truly is one of the best dancers in the United Kingdom.

After performing on Simon Cowell’s The X Factor television show, Williams went on tour with the artists around the UK. He journeyed around Europe dancing for Whitney Houston, and went around the Eastern Hemisphere with Kylie Minogue and her Aphrodite Tour. Last year, he travelled all around, performing alongside Ellie Goulding’s Delirium World Tour. But what he says may be the most fun he ever has had on tour was for the celebrated boy band’s Take That 3 Tour.

“They were my favorite boy band growing up. I had posters. I had cassettes. I was young, and I would watch TV and they were in a boxing ring doing break dancing. I remember Take That. They hit the world by storm. They were like The Beatles 2.0. They still pack out stadiums for eight nights,” said Williams. “It was one of the most successful tours that have ever come into the UK. You are on stage with the best, and you can’t complain.”

The stadium tour was entirely indoors, and very theatrical. It allowed Williams to not just be a dancer, but a true performer as well. He went from a sea urchin, to a ninja, and then a barber. They incorporated a variety of styles when dancing, including contemporary, break dancing, puppetry, and even judo.

“There is so much to do when you do a show like this. The stage moves in a circle, the B stage goes up and down, it has ramps, the screens are some of the biggest screens you can get. The manpower is like 250 techies. It is the most creative virtual experience. It doesn’t matter if you are a kid or an adult, it is pleasing to the eye. My dad hates stuff like this, but he went and watched the Take That tour and said that was one of the best things he’d ever seen,” said Williams.

take-that-tour
The Take That 3 Tour Stage.

The 3 Tour was Williams’ third time touring with the band. The experience for him is particularly enjoyable because it is always the same people touring. Some of the people on the tour have been with the band for over fifteen years. The creative director and choreographer of the tour, Kim Gavin, has worked with Take That for the last 20 years  and Williams says he has learned more from Gavin than he has with any other choreographer he has worked with.

“Some of the things Kim asks you to do you think is impossible and he wants it to happen, and it does, you adapt. He always pushes you to the limit. He is just a genius. When he tells you stuff, you think it will never happen, and then it comes alive and you are like how did that happen?” said Williams.

Gavin likes pushing Williams to his limits, and describes him as one of the most renowned dancers in the U.K., always in high demand, and says Williams was a critical factor of the success of the tour.

“Jackson backed the group up with extraordinarily skilled and distinct dance moves and incredibly energetic flow that gave the shows explosive energy. He completely stood out among the rest of the dancers as a leader in every routine, and helped the group captivate the masses with an unforgettable concert experience,” said Gavin. “Jackson was always able to pick up on choreography very quickly and was even able to recreate every dancer’s routine in the shows, and would consequentially step in as the replacement of any dancers who were absent and would perfectly execute these routines due to his diverse vocabulary of styles and ability to handle high pressure. He has an incredible audience connection and has shown a unique ability of bringing his own personality to the stage, and this has made Jackson invaluable to the reputation of the shows that keeps fans coming back for more.”

The audience connection is one of Williams’ favorite parts of touring with Take That. The screaming fans that have loved the band for decades create a high when dancing on stage that is contagious, and dancing alongside the same people that he has been for years is like being with a second family.

“I was dancing for the biggest boy band in the country that everyone loves and knows. If there is any tour I would want to do again, it would be with Take That. It is like putting the Piri Piri sauce on. It’s exciting. There is something about it. You never have a dull day. It always feels different,” said Williams. “Sometimes I wish I wasn’t in it; I wish I was out there watching it.”

One of the most unique and exhilarating nights of the tour involved doing a world exclusive in the cinema. There was a night doing a show at the O2 that streamed a live feed to cinemas all over the world.

“You aren’t just doing it for the people in theatre. You are doing it for 30 million people watching at the theatre,” said Williams. “There are cameras everywhere and people running around. You think about the safety of yourself and the band. We have birds flying around the sky with puppets, and we are dodging cables but the audience doesn’t see that, they see these beautiful birds. It was mental. It was hard work, but it was the best.”

Working side by side with his idols since childhood was a surreal experience for Williams. He was part of the choreography, and the band members would ask his opinion on how things should be in the show. Not many get to have their idols turn to them for advice.

“I know all their songs. I couldn’t help but sing along when I was dancing,” he said.

Williams has conquered the dance field in the United Kingdom. There is not much more he can do in his country that he has not already done, which is why he is heading to Vegas to dance in Channing Tatum’s Magic Mike Live after turning down the opportunity to tour once again with Take That’s tour this year. In his words, he is “ticking off the boxes” to a career of perfection.

Anton Engel is living the dream with The Dreamboys

anton-3
Anton Engel photo by Daniel Jaems

When Anton Engel was a young boy, he would watch music videos, dreaming that one day he would somehow be a part of them. He was like most children, watching TV, wanting to be on the screen one day too. But it was this initial spark that led to his interest in dance, and now Engel is a celebrated dancer all over the world.

Initially starting as a competitive break dancer at just 13, Engel began studying and mastering all types of dance, wanting to be able to do whatever he felt was best for the performance. This led to performing with chart-topping pop group Fifth Harmony at Heaven in London earlier this year, as well as his appearance in the opening for the BBC Music Awards with almost five million people watching on television. He danced on the famous Alan Carr’s New Year Specstacular for two consecutive years, and once performed for none other than the royal family as part of the Royal Variety. Most recently, however, he lived his childhood dream quite literally, dancing with The Dreamboys in their tour of the United Kingdom.

“It was great to have the opportunity to dance and travel at the same time,” said Engel. “The Dreamboys have extremely good dancers who are a part of it and I wanted to prove to myself that I was at the same level.”

And prove himself he did. The Dreamboys are one of the world’s biggest glamor shows, and the most successful and celebrated in UK history. Engel not only excelled at his role, but stepped into the shoes of other’s when they were absent, which is called swinging people, ensuring the audience had the same experience at each tour location.

“This wasn’t easy since sometimes we only had an hour before the show would start. I would usually find a quiet room and go through every number to make sure there wasn’t anything I was missing. I always found a way to make it work,” said Engel.

This determination and professionalism was not missed by his counterparts. Not only did Engel work alongside a few celebrities from reality shows like Scotty T and Gaz Beadle from Geordie Shore, and Rogan O’Connor and Joss Mooney from Ex on the Beach, he worked closely with had well-known dancer and choreographer Jordan Darrell. Darrell describes working with Engel as an absolute delight.

“We have had so many ups and downs and Anton has always been ready to help. His professionalism and dedication to his work is outstanding,” said Darrell. “Anton dealt with rehearsals very well and the pressure of learning the choreography one-on-one with me in a studio, and there was a short time frame of which he had to learn a lot of choreography and spacing. Not once did he falter or waver his responsibilities, and he remained calm and professional throughout, soaking up the pressure with a smile.”

“Throughout the run of the show Anton has never backed down from a challenge such as a quick re-block or even a track change, which he then covered,” Darrell continued. “Anton has never deviated from the content or feel of a number, which I set as choreographer, and the audience response has always been one of the strongest towards him. He is talented, a hard worker and a pleasure to work with. In my experience this combination is one that can be added to any team, in any work environment, and will always be an asset.”

The audience attention that Engel received did not go to his head, but was actually a humbling experience for the young dancer. Touring for months on end three to four times a week, he saw the letters, messages, presents, t-shirts, and flowers he constantly received from the audience as support.

“It was so much fun to get the opportunity to dance for such big audiences. The feeling on stage is incredible. After the show, we gave out autographs, which was a really fun experience. It makes me happy knowing that when people watch me dance they leave with a smile on their face,” said Engel.

Despite the challenges that can come from touring, like never being able to have the comfort of your own bed, and having to adapt to a different stage with each show, the travelling was a highlight of the experience for Engel, and being on a tour bus is a unique way of doing it.

“It was amazing to see so many different parts of the UK. I had never been outside of London before I joined The Dreamboys, and now I have been in every major city and a lot of lovely small places that I never heard about,” said Engel. “I met so many different people and it’s such a pleasure to see that I have so many fans not only in London but all over the country.”

The Dreamboys experience is one that Engel will never forget, and helped him prepare for his upcoming show in Las Vegas, with Channing Tatum’s Magic Mike Live.

“Being on tour with The Dreamboys taught me a lot and helped me improve in every dance style. By switching dance styles from number to number it really let me use my full capacity, and I really enjoyed it,” concluded Engel.

Actress Anele Morris is jack-of-all-trades in film ‘Bloggers’

Someone with a true vision is hard to come by. It’s easy to have an idea, but bringing it to fruition is much more difficult. Anele Morris knows this better than most.

Inspiration struck, and this versatile South African actress came up with a concept for a film about the ancient African humanist philosophy ‘Ubuntu’, which shapes the journey of six young multinational blogging entrepreneurs who come together in Los Angeles to launch a blogging business. Now, Bloggers has been submitted at multiple film festivals worldwide.

The film, which Morris considers to be the highlight of her career, raised 130 per cent of its budget on Indiegogo. Morris not only has a starring role as the character Anna, but she also was the executive producer and writer. Her character, Anna, blogs about everything from dating to paying the bills. Anna decides to start and head the bloggers’ website that the film centers around.

“Working on Bloggers was a dream come true. I have always wanted to write a story like this and it was awesome being able to make my debut as a writer, producer, and actress to film festivals in this fashion,” said Morris.

Morris created the concept and worked on pre-production for it with her two best friends. They decided to fundraise for the campaign on Indiegogo, which many young filmmakers are doing. With the financial investment from the campaign they were able to create the film.

“I liked that it was a story that I could relate to in many different aspects,” said Morris. “Also having creative control in many areas was an absolute joy.”

Despite starting out as a small project between friends, the film grew to much more. The editor of Bloggers is Paul Skorich, a professional editor, producer and composer. He has produced over fifty specials for the cable network TV ONE and two of his shows have been nominated for NAACP Image Awards.  He is currently supervising post production and editing the feature film Revival! along with Emma E. Hickox (Bad Moms, Pirate Radio, A Walk to Remember). Revival! is written by Harry Lennix (Batman vs Superman: Dawn of Justice, The Matrix: Reloaded; Revolutions) and directed by Danny Green (Star Trek, Coach Carter).

“Working with Paul introduced me to how story telling is hugely done in the editing room. Working with him was a delight,” said Morris.

In addition to Skorich, Morris also worked with the director of Bloggers J.R. Curry, the head of the film production company Benevolent Pictures. Curry previously directed M.A.G., which screened at the Martial Con Film Festival in August. He has also directed films such as Silent Voices and Butterfly which have been accepted into multiple film festivals.

“Anele’s knowledge, creativity and instinctive grasp of what makes a successful actor are all second to none. Her work has enabled her to carve a career as a talented actress in films such as Debris: The Ganymede Event and Arsenic,” said Curry.

Morris has also acted in films such as After, the upcoming film Snake Outta Compton. She also appeared in the series Adopted, where she worked with Jeff Larson. Adopted is a web series that has been running since 2013. Larson won the Vancouver Web Festival award for best overall series which he shared with three other producers of the series. One of the directors is Oscar Rene Lozoya II who has edited multiple episodes of NBC’s Chicago Fire. Despite Morris’ past achievements in acting, working on Bloggers still taught her to trust in her abilities.

“I learned to figure things out and to say what you mean and mean what you say,” she said.

The biggest challenge Morris’ experienced at the beginning of her acting career was self-confidence. Now, she is very confident in her acting abilities, but in the beginning it wasn’t so easy. She now uses what she knows to walk onto any set with the natural creativity she brings to each role, and her love of writing helps her visualize a story for each character, making her fully embody each role she portrays.

“I am a lover of life and really, that’s what acting requires,” she concluded. “It requires you to be alive, to be present and open to the possibilities of any experience.”

 

You can view Blogger’s trailer here.

Producer Michelle Solomon talks award-winning film Emma and telling important stories

simon-paluck
Actor Simon Paluck and Michelle Solomon at the Breckenridge Film Festival premiere of Emma.

“I will never forget the universal and palpable emotional state the audience was in while the film played. It was the first time the audience was not made up of family or friends. It was a humbling reminder of how communicative film can be and that it’s important to use the medium to tell meaningful stories.”

Those are the words of Toronto-born producer and graphic designer Michelle Solomon when talking about the highlight of her career. She was talking about her first feature film Emma premiering internationally at the Breckenridge Festival of Film in Breckenridge, Colorado.

Solomon has had ample amounts of success in her career. She transformed the brand Ace Building Materials by making them current and relevant with her graphic design skills. She produced the award-winning film Chalk Dust and the upcoming film Sunny Side Up. She is set to work on a television show with former NBA star Kareem Rush, and co-founded the production company Picosphere Inc. She founded the company Adoorn, an app which will revolutionize social shopping right in the palm of your hand, which is set to release early next year. Despite all of these successes and achievements, and being known internationally for both her producing and design abilities, the premiere of Emma still stays with her, and working on the film shaped who she is today.

Emma is a realistic look at the world of childhood cancer and how the disease goes beyond just the person diagnosed. It’s important to not commodify and exploit a very real experience that, unfortunately, many kids and their families go through,” said Solomon.

Emma tells the story of seventeen-year-old Jayson. Jayson thinks too much. He is introverted, friendless, and wakes up wanting the day to end. That is until he meets Emma, the captain of his school’s dance team. After his psychiatrist tells him to be more involved, Jayson joins the school newspaper and is sent to write an exposé on Emma’s rumored pregnancy. Instead, Jayson uncovers that Emma has cancer. Suddenly, Jayson is pulled into a vibrant world where real love and true sacrifice flourishes. Through Emma, Jayson learns about life, love, and the importance of letting go.

Emma was a story that needed to be told. It was based on the personal experiences of the writer, Simon Paluck. What initially drew me to the film was the way that childhood cancer wasn’t glamorized or made effusive. Many films showcasing kids with terminal illnesses, often portray an idealized version of the truth. The illness becomes a tool that convinces characters to fall in love or travel the world. Experiences surrounding childhood cancer goes deeper than that. It is specific and nasty. With Emma, I like to think we showed one of many truths,” said Solomon.

The film has gone on to win a list of awards. These include: the “Royal Reel Award”, Canada International Film Festival, in 2015, the “Best Feature: Venture Category” at the Paris Online Film Festival 2016, “Freaky Feature” (Best Feature) at the Broken Knuckle Film Festival, 2016, and “Best Indie Film” at the Los Angeles Film Awards, 2016. At this year’s Festigious International Film Festival it won “Best of Fest”, Best Narrative Feature”, and “Audience Choice Award: Narrative Feature”.

“It’s entirely humbling to know many are responding to the film’s message.  With film production, there is always a moment of doubt where you think others will not understand what you’re trying to do and critique it unmercifully. Thankfully, this has not been the case for Emma,” said Solomon.

But what is perhaps Emma’s greatest achievement is not the official selections at film festivals or it’s long list of awards, but the work it has done for the Make-A-Wish Foundation.

To raise funds for the film, Solomon came up with the innovative idea to partner with Make-A-Wish foundation and hold a silent auction. She wanted to give back to the community through the film, so the silent auction was to raise funds for both the film and the Make-A-Wish Foundation.

“This type of innovative fundraising is just one of the ways Michelle has proven she is a natural, talented producer,” said Veronica Porfilio, the film’s executive producer.

As a non-writing producer, Solomon says she is always trying to find creative ways to expand a film’s reach.

“My personal mantra is that instead of thinking outside of the box, recognize that there is no box,” said Solomon. “Personally, I felt compelled to use the film to make a greater difference. I was able to gather over $17,000 worth of donations and raised enough money to not only finish funding the film but also donate a major portion to the Make-A-Wish Foundation. Our contacts at the organization really took to the idea of spreading awareness through the ‘show-don’t-tell’ approach of film.”

Solomon’s approach to producing earned the entire cast and crew’s respect immediately, despite being her first feature. The film had a small budget for such a massive project. They employed union actors and shot at over ten locations. Solomon would not let these challenges negatively impact the story.

“Michelle was able to secure a highly sought after location that was instrumental to our film without going over-budget. Without that location the film would not have been as successful as it was. When she first spoke with the location manager it seemed we would not be able to use the space to film Emma, but that did not deter Michelle from bargaining because she knew the location was key to the film’s success. After weeks of negotiation Michelle secured the location.

Michelle’s talent as a producer shone through every task while working on Emma, and it shaped the producer she is today,” said Porfilio.

Including Solomon, there were ten young, dedicated professionals lead our executive team working on Emma. Solomon says each person was there because they were committed to telling the story.

“That type of energy is powerful and we kept each other motivated, especially through the challenging parts of independent filmmaking,” she concluded.

Megan Waters to produce upcoming sequel of hit film Ditch Day Massacre

waters_0077
Megan Waters is a producer from Toronto, Ontario.

Megan Waters is many things. She is a Canadian, born and raised in Toronto. She is a pinball enthusiast who loves retro games. She is a world traveller and describes the world is her playground. She is a salsa dancer, believing it to be an amazing dance and community. And above all else, she is an extraordinary film producer, using her skill and creativity to entertain audiences.

Waters passion for producing is evident. She has been producing for over twelve years, and has received praise and recognition for her talent. In 2012, the “Soul of a Ninja” Kawasaki USA commercial she produced won the Bronze ADDY Award at the American Advertising Awards. The first feature film she produced, Ditch Day Massacre, won the 2014 Best Feature Length Horror Film at the Burbank International Film Festival. Waters is one of those people who knows she is doing what she was meant to do.

“Why be the puppet when you can be the puppet master?” said Waters. “I got into producing because I love the business just as much as the creative process. As producer, I get to wear both hats and interact with all aspects of production.”

Now, Waters is set to continue her success of Ditch Day Massacre by producing the sequel Ditch Day Massacre II. The film will follow the character of Jenny, who is placed into a mental institution after suffering from a mental breakdown as a result of a brutal attack. Little do Jenny and her mom know that what’s inside the walls of the mental institution is far more deadly than the world outside. There will also be a documentary about behind-the-scenes look into the making of the film, which Waters will be producing.

“Working on Ditch Day Massacre has been the highlight of my career. It taught and tested me so much. It was an incredible experience as the crew all had the same level of passion and commitment to making this project go,” she said.

Waters had help on Ditch Day Massacre, with producer Michael J. Zampino as a consultant for the film. Zampino has lots of experience working on horror films, including distributing the award-winning film The Slaughter. Despite this, he was still impressed with Waters’ commitment and knowledge of the genre.

“What sets Megan apart from many producers is that she has confidence but very little ego. That’s extraordinary in our business itself. Megan moved mountains and motivated everyone to bring their A-game to complete Ditch Day Massacre in 17 days,” said Zampino. “Megan is a tireless worker who strives to carve out not one film but a career worth of films. Ultimately, the film would never have been completed, and never would have received the attention and sales that is has, if it weren’t for Megan’s drive and leadership. Megan’s successes in the international film and television industry marks her as one of the most successful and skilled producers to come out of Canada in some time.”

Waters’ success is not just limited to film. She produced the Emmy-nominated series Chop Cut Rebuild and the Speed Channel series Street Tuner Challenge. It is not the accolades that motivate her. She says every project is a creative and logistical puzzle that needs to be completed.

“I create and execute. I get an idea, script, project, client need and make it happen. I usually start from where I wish to finish and then work backwards. I think mostly in visual stories and then align the team and resources to execute,” said Waters. “When I produce I like the challenge of figuring out the puzzle pieces and then putting them together. Plus, all the hurdles that make it a one of a kind experience on each project. I love that producing offers a different road every time. I fear a career that becomes repetitive. I love the randomness and goal of planning for the unpredictable. It’s organized chaos and when you build the team that communicates, respects and share the same passion for the project amazing things happen.”

Part of this passion also comes from using film as a tool to send a meaningful and powerful message. Waters has seen. a lot of success while making PSAs, especially producing the PSA “Over Watering Is Out” about water saving gardening. Part of what makes her PSAs captivating is that she refuses to create what she would consider “boring content.”

“When I am considering film or documentary projects I look at the story. It must hold my interest and I must feel passionate it about it. I say this because it takes everything in you to complete a long format project. If you don’t have a connection to it then you will be pulled away from it and it will never get done,” she said.

There is no doubt that with the innate skillset Waters possesses alongside her passion for the industry, her name will continue to roll past the eyes of audiences in the credits for years to come. She is determined to produce quality, and she never lets anything stand in her way.

“I expect and accept challenges. It’s part of producing. I actually joke with my teams that my title may be ‘producer’ but it should be changed to ‘head problem-solver.’ I am proactive and focused on the solution when challenges arise. It’s better to work toward the solution and communicate, communicate, communicate. Some of the best creative ideas have been derived and developed because of a challenge,” she concluded.

You can look out for Waters’ work on the upcoming Accio Cine feature film From Dust to Diamonds, and of course, the anticipated Ditch Day Massacre II.

 

 

Dance Is a Way of Life for Belly Dancer, Nataly Hay

Nataly Hay has never even considered what she would do if not dance. The Israeli belly dancer has been dancing all her life. From the age of three she started, as many dancers do, with ballet, jazz and other forms of stage dance. Then, at age 16, Hay took a belly dance class for the first time and fell in love.

Hay began taking belly dance classes regularly, was soon recognized for her considerable talent and received an offer to work as a teacher.

“I started teaching classes for students from kindergarten to adults and meanwhile studied my degree to become an official belly dance instructor of the Israeli Sport Institute. Since then I haven’t stopped belly dancing,” explains Hay.

Bellydancer Nataly Hay
Nataly Hay shot by Dvir Lahar

 

Teaching may have been the start of her professional career in belly dance but Hay didn’t stop there.

Hay’s ability to captivate audiences with her unique beauty and talent have made her a well-known dancer in Israel. According to Gilad Malkin, an Israeli TV producer, her television performances shine because Hay knows how to work with the camera and it shows on screen.

“Nataly is a very good dancer, very talented, beautiful, responsible and professional,” remarks Malkin. “We can always count on her for the best performance we expect. Nataly is the top dancer in Israel.”

Hay’s talents aren’t limited to belly dance. Well-versed in Latin dance styles and the Spanish language, she was a winner in Israel’s Kizomba competition, and has received invitations to perform for fans in the United States, Brazil and Mexico. Hay also took home a trophy at the European Belly Dance competition in Amsterdam last year and is a frequent performer and instructor at International Bellydance Festival, a four-day event held in Eilat, Israel that is host to dancers all over the world.

natalyhay
Nataly Hay shot by Dvir Lahar

“Nataly is a very talented dancer;” says Yael Moav, the organizer of the festival, “compelling and charismatic as well as being wise and serious. Working with Nataly, I know the job is done with accuracy and on time as required [of] a professional and a true artist.”

In order to maintain her physical skills and perform for a long time on stage without much physical effort, Hay works out consistently.

“The strength of the body helps me develop new dance movements and improve my technique more easily,” explains Hay.

Hay insists a supportive family has also been part of her success, providing mental strength in addition to her physical strength. Commitment to her art, a positive attitude and belief in herself have also elevated Hay’s career as a dancer. Her performances have become a feature in high-profile events.

Just months ago, Hay was invited to perform for 100,000 people as part of the Juno Reactor international tour. The trance-oriental musical act includes deejay, Stephen Watkins, two singers, a drummer and guitarist, and Hay, who adds her own blend of belly dance, African, modern and Latin dance to the performances.

“Nataly is one of the most graceful of dancers I have seen or worked with,” says Watkins. “Sensual and captivating, she has forged her own style and personality to fit inside Juno Reactor. She is also a pleasure to work with.”

The group is invited to perform in festivals worldwide. Last August, as headliners at the Ozora festival in Hungary, Juno Reactor produced a show with 20 more dancers from Russia and the Ukraine and Hay onstage as a belly dancer.

“The outfits, accessories, choreography and chemistry on stage were outstanding,” Hay recalls of the experience.

Traveling the world has been a dream come true for Hay, who enjoys getting to know new artists, singers, composers and dancers, and appreciates the exposure to cultures outside of her own. This is a good thing because the offers to teach and perform internationally keep rolling in for Hay, particularly since a bellydance video of her went viral on YouTube, reaching 22 million views and counting.

Clearly, though the massively popular video demonstrates Hay’s strong dance technique, it appeals to more than just belly dance lovers. The response has been phenomenal.

“Many belly dance lovers have tried to study this dance at home and perform it in their home countries. Moreover, I’ve received a lot of invitations to perform and teach around the world thanks to that video,” remarks Hay.

Still, her global success is only a perk of the job. It’s the dancing that Hay truly loves and finds most rewarding. In fact, she says that sometimes she gets chills or sheds tears of happiness while performing.

“For me dancing is the most powerful feeling,” muses Hay. “When I am dancing I am the happiest person on earth, I forget everting and my soul and body are free.”

 

See more of Nataly Hay’s incredible dancing at her website or YouTube channel which has 17K subscribers.

Zeon’s Music Video Journey

Alejandro Salinas discovered MTV when he was just 10 years old. As a child growing up in Mexico City, he would listen to songs and always think about what the music video would look like. When he saw a new one come out and it would not match his expectations, he would become thrilled at the idea of making his own version. When one came out that was better than he imagined, he would become overwhelmed with excitement and the new possibilities that those amazing ideas had brought on for the industry, the world, and his creative perception. The love for music and inspiration it draws generates a need for him to create visuals for it.

Now, that young boy from Mexico City goes by Zeon, and is recognized around the world as an outstanding director and editor. Despite working on films and fashion films and achieving extraordinary success, he still knows his passion is the same as the 10-year-old boy who would watch MTV all day.

I make music videos. I create a visual world from a song. I direct and edit the process, and I’m very detail-oriented. It’s the most rewarding discipline for me. It encompasses so many different art forms and you’ll never be bored by it. There will always be new songs to be inspired from to create new visuals, and that keeps me coming back to them,” said Zeon.

music-videos-zeon-in-lady-gaga-%22til-it-happens-to-you%22
Zeon in Lady Gaga’s “Til It Happens to You”

One of Zeon’s greatest accomplishments was working with Lady Gaga on the music video for her Academy Award nominated song “Til It Happens to You”, showing the stories of women who are raped on college campuses. The video has been viewed over 37.5 million times on YouTube.

“I love Lady Gaga and she is someone I look up to,” he said. “But I also wanted to work on this because of the importance of the video and the impact it would have on society and rape culture. I was there behind, in front of and beside camera throughout the whole process, and it was a very fulfilling and honoring experience to have taken part of.”

Jamie Holt, the producer of “Til It Happens to You” was impressed with Zeon’s work and asked him to be involved with her next projects, the music videos for the band Icon for Hire, for their songs “Now You Know” and “Supposed To Be”. “Now You Know” premiered February 2016 and has over 1.4 million views on YouTube. “Supposed To Be” premiered June of this year and has over 826 thousand views.

“It was a lot of fun. Each video presented different ways to be explored creatively,” said Zeon. “Jamie allowed me to fulfill her vision through editing by expanding the ideas she had in mind and by also adding my personal touch to make it impacting.”

music-videos-icon-for-hire-%22now-you-know%22-still
Still from Icon for Hire’s “Now You Know” music video.

Zeon’s first taste of true success came when working on the music video for “Arrójame” for the legendary 80s/90s Mexican rock band La Lupita, a humbling experience for Zeon, who had his music video on TV debut with this video.

“It was very emotional moment when I saw the video on television for the first time. I never knew when or how it would ever happen, that a music video of mine would be on TV, but when I was watching the premiere with my cousin and grandma and the video came up, it felt very touching to see a video I worked on debuting on national television,” he said. “I loved the song and I thought I could create an interesting video for the band. They are very talented and hardworking people. Even after years, they’re still hustlers and I found that very inspiring.”

The producer of the video, Estívaliz Zaragoza, had worked with Zeon previously and says she would never miss an opportunity to collaborate with him.

“Working with Zeon is full satisfaction, because he is always on top of his responsibilities and tasks, he never hesitates on helping his team mates. His creativity and ideas are refreshing and right on spot. He always has something to share, knowledge, helpful information and useful ideas. He has a mixture of skills that make you want to have him in your team and collaborate in his projects: He is proactive, disciplined, detail-oriented, a team player, and super creative,” said Zaragoza.

From there, Zeon’s career took off. He worked on the fashion film Dieode and the celebrated fashion documentary Mextilo, and worked on the music video for the iconic collaboration of legendary Mexican singer Lila Downs, the Spanish Niña Pastori, and the Argentinian Soledad for their song “Que Nadie Sepa Mi Sufrir”. The video has amassed over 2.5 million views on YouTube, and their album received a Grammy nomination.

“It was a very exciting opportunity to work a new project with such legendary artists from different Spanish-speaking countries,” said Zeon. “I didn’t have an award in mind at all, I just wanted to make sure I could deliver a video that worked best for such great artists, but it’s very honoring to know that you took part in such a great achievement in an artist’s career. The album not only got nominated, but actually won the Latin Grammy in 2014 for Best Folk Album. And then the next year it got nominated for the 2015 Grammy Awards for Best Latin Pop Album, which is amazing as well.”

Zeon knows he has the power to push an artist’s vision even further. He has been studying music videos for almost his entire life, and can sense what works and what doesn’t. He strives for perfection, and that is what he is known for achieving.

“I love the emotional, narrative and visual impact I can have on the final result of a video. It can completely shift an artist’s career. It thrills me to push alongside them, because we’re both moving forward in ways we never imagined” he concluded.

 

Director of Photography Sergey Savchenko “not working for industry, but making it”

sergey-3
Sergey Savchenko was born in Siberia.

“I meet people, I listen to their stories and watch their lives. I see and try to understand the visual styles and colors of different countries and places. Every day I try to develop myself, to apply my experience in creating my own style, and hone my skills.”

Those are the words of Siberian born Sergey Savchenko, when describing what he does as a director of photography. Those are the words of someone who does what they do because they love it. Every project Savchenko works on is a learning opportunity. He constantly aims to be better, and he is already respected in the industry for what he does.

“Once, when I was experimenting with video, I noticed something. It was a feeling that I was not previously familiar with. It was seeing how my thoughts and ideas became a reality through film. I understood that I can capture a mood, an attitude, a feeling. It was the spark of creation. I can’t compare this feeling with anything else. I can not only consume, but create. From that moment, this feeling for me becomes one of the most strong and pleasant. I feel that I’m alive when filming and create a certain style or idea,” he said.

Savchenko’s work is recognized across the globe, and has been nominated for several awards. He worked with REN-TV on That’s My House, which was a finalist when it was nominated for “Best Leisure and Lifestyle program spot” at the Promax BDA Europe in 2015. This year, his work on the promo Americans won Bronze in the “Best Drama Promo” category of the Promax BDA UK awards. Savchenko considers these true victories, but they still came as a big surprise.

The feeling is hard to describe. In our work, we constantly ‘run’, focusing on the ‘road’, not looking around. When your job gets to the finals of the international competition, you start to ‘look around’, trying to figure out where you are and realize that you are ‘running’ in the company of giants like the BBC and Discovery. It’s an interesting feeling,” he said.

While at REN-TV, Savchenko worked closely with Roman Toloknov, the chief Director of the Promo Department and the two became close. Tolokonov says Savchenko has a loud voice, joking that he can’t decide if it is a good thing or not, as he Savchenko is never afraid to tell even his boss when something “sucks.”

“Sergey came to our department in late summer of 2013. I immediately saw in him a man who can give good advice and bring our ideas to life. We worked for three years and got a huge number of promotional projects. Sergey is like an engine. You start the engine and it works,” he said. “Sergey has this massive energy, he loves what he does – that’s what really got to me when he came for an interview. He is not working for the industry, he is making the industry.” 

Savchenko describes Toloknov as having an excellent sense of style and humor, producing more great ideas than he team can manage to film. For Savchenko, despite the awards and recognition, it’s the people he has worked with that have made his career into something he loves.

“You know, it is always a surprise to receive awards, it’s very nice, but this joy fades away. It’s always a pleasure to share this joy with someone, but a reward by itself does not bring happiness. The award is a measure of official recognition, it affects to your confidence, but the support of a family and friends, and their faith in you, is much stronger than any award,” he said.

Having this attitude keeps Savchenko humble. Despite his many accolades, he does what he loves for himself and the people he loves. He is motivated by the challenges of the profession, which one can only do when they are truly passionate about something. He knows that every take can have a different approach, and every other director of photography will do it differently, but he takes his time and finds the best approach.

“It’s similar to how you tune a musical instrument, feeling only the vibration from it in your body. You don’t hear the sound, you only see the faces of those who listen to your music. The best gift is to see smiles on faces, this means that your music is resonance in the hearts of the audience. Your instrument is tuned. Constant practice and selfless love helps along the way. Any task has 100 ways to solve and we are always looking for the best choice. The storytelling language, the style and the color is very similar to our speech, if we start talking randomly – we might upset or offend someone, nobody likes scrappy speech. Video products directly affect the consciousness and sub consciousness of an audience, therefore it is necessary to control the quality and check 10 times to make sure, that what you’re doing is right and carries a beautiful thought,” he advised.

Savchenko is not simply a director of a photography. He is an artist. He is a creator. He knows this, but uses his gift to positively affect not only the people directly around him, but those that see his work. There is no doubt that his name will continue to roll through the credits in film and television for years to come.

“I want to grow as a director of photography and work in the film industry. I truly love what I do the more than anything in the world,” he concluded.

Actor Philip Moran Totally Recalls his big break

total-recall
Philip Moran as the immigration sergeant in 2012’s Total Recall.

For many actors, their breakout comes from a gruelling audition process, waiting in a room with hundreds of others, hoping to be the one left standing. There are call backs, and screen tests and waiting games, creating a stressful situation that eventually turns into something. After the process is over and everyone is cast, the rest is history. For actor Philip Moran, his career-changing role came quite differently, when he played the immigration sergeant in the 2012 blockbuster Total Recall.

Some people attribute luck or chance to their success, but Moran is not one of them. His unwavering belief that he will do something and achieve something ends up becoming a manifested truth. This is what happened with 2012’s Total Recall, starring Colin Farrell, Kate Beckinsale, and Jessica Biel.

“It is quite extraordinary how it all happened. I felt assured that I was going to get an actor role in this blockbuster movie. I didn’t know how it was all going to happen, but I sensed it would. I posted all these positive-notes around my house to help create a strong inspiring expectation. I started making phone calls and tracking information to make things happen. For the first time, I joined the Actra union,” said Moran. “I got onto the set in a less significant role, and gradually caught the attention of Len Wisemen, the director of the movie.”

Wisemen, married to the film’s co-star Kate Beckinsale, had seen Moran on camera, and handpicked him to take on a more challenging acting role, telling Moran he could be a bigger asset to the film. The next day when Moran walked on set, he felt like the star he would soon become.

“At one point, I actually remember there were three cameras on me, and Colin Farrell, a great actor, was standing in my scene, but there weren’t any cameras on him. I felt like a star,” Moran said, almost still in disbelief. “And it felt really special. You have to get up and make it happen for yourself. You can’t wait for people or things to come to you.”

Now, Moran is the star of the upcoming feature film Adams Testament, filmed in late 2015, working alongside an all-star cast. The role has already been official selections at film festivals and brought Moran himself an award nomination at the 2017 INFAME awards. This success, he says, can all be contributed to that one fateful day in 2012 on the set of Total Recall, and the strong desire to want to be something more.

“For some reason, I was expecting it, like it was part of my universal plan. During filming, I was walking on the set as if I was one of the main actors. When Len Wisemen asked to talk to me, I was definitely very excited and felt my plan was working. Even though I believed it would happen, I was still a bit shocked, but I knew it was happening,” he said.

philip-1
Philip Moran is from Toronto, Ontario.

The role was Moran’s bread and butter. Having attended school years before to train as a police officer, he had training on firing a gun, which was one of the requirements of the role. Everything was working out for him. He was prepared, excited, ready, and expected the perfect opportunity.

“I brought my mother and my sisters to see the film at a Cineplex theatre, and they saw me on the screen in a big feature film. People were paying to be there. It was great,” said Moran. “My mom thought it was wonderful. I brought her to things before, like small film festivals and short film premieres, but nothing as special as seeing a big blockbuster movie and seeing your son on the big screen and his name scrolling in the cast list.”

The role provided Moran with the breakthrough he needed. From there, he became sought after and recognized in the industry. He started creating some acting workshops, and shared excitement with other people through those classes. Director Rafael Kalamat was inspired after seeing Moran’s acting scene, and offered his services as Moran’s personal publicist. Kalamat was then motivated to open his own production company and in 2015, he cast Moran as the starring role in his film Adams Testament.

“Philip is a flexible actor who can be a lead in an independent feature like Adams Testament or a day player on a Hollywood blockbuster like 2012’s Total Recall,” said Kalamat.

Moran said the scene came with a price, as it was a very popular scene in the original 1990 Total Recall film starring Arnold Schwarzenegger. In Moran’s scene, Colin Farrell, disguised as someone else, is sneaking through immigration at the airport. When the officers realize it is him, a fight erupts. Wanting to make the scene not only as memorable, but better than the original film was important to the director.

“There were a lot of stunts, and a lot of bullets shells flying. That whole scene, it’s one cut. There were 450 background people on set, and approximately another 50 were stunt performers. It was so exciting,” said Moran. “I remember in one take I got hit with one of the machine gun shells and when it hit me on the cheek, it burnt. I saw the red mark, I got some gun powder in my eye when I held the gun up in the air. But being a professional I flinched and continued filming. It was a sacrifice, because that’s what good actors do.”

Working on the film was Moran’s first career-changing role acting with an ensemble cast, which he says gave him an amazing opportunity to learn from some of Hollywood’s best. After previously working as a warrior on the 1995 film Johnny Mneamonic with Keanu Reeves, this was his first opportunity since then to combine stunt work with his acting skills in a major film. For Moran, it was kind of a déjà vu.

“It’s funny, because my first film I worked on was Johnny Mneamonic back in 1995. The movie was about a man who had something in his brain that bad people wanted. When you think of 2012’s Total Recall, it’s a lot like Johnny Mneamonic and the 1990 Total Recall combined. There I am almost 20 years later, working on a film combining the two. It was magical. I came full circle to realize my career was made,” he said.

There is no doubt that Moran’s experience on 2012’s Total Recall ignited his career, and being singled out by a top Hollywood director justified any struggles he would have or had already experienced. Since that time, he maintains that having belief in yourself and the right attitude, combined with skill and opportunity, will get anyone wanting success to where they need to be. And it looks like that plan is working out pretty well for him so far.

“I felt like I was on my way to something but I didn’t know what. People are always saying you can’t see what’s ahead, and I tell them it’s based on what’s happening to you now, your interpretation of it, planning your work, and working your plan” he concluded.

Everything you ever wanted to know about Hollywood's who's-who.