JUN XIA MANIFEST THE VISION OF “SHE GIVES ME SIGHT”

In spite of what the tabloids would have you believe, filmmaking is a team effort. While directors and actors are the faces of this mode of entertainment, the success of each production owes just as much to the talented professionals who perform their feats of magic and ability behind the camera. Think of it like this; if you order a fantastic meal but it isn’t handled properly or delivered properly…then it’s no good to you. Those whom the public never sees are as responsible for the gripping and endearing stories that we all love just as much as the marquee names we all know. Jun Xia may not be a household name but this editor is widely known and respected in the film industry. His editing has enabled the stories of fright (as in “Emily” and “Inside Linda Vista Hospital”), the touching stories of love and love lost (in “The Good Memory”), and of perseverance and the human spirit in “She Gives Me Sight.” This story of a young blind boy who is given a gift stronger than that of sight by a loving family member is the type of inspirational film that simultaneously evokes tears and admiration. Honored with multiple awards (at the Hollywood Boulevard Film Festival, Love Shorts Film Festival, LA underground Film Festival, and many others), “She Gives Me Sight” has a distinct pacing that is the result of Xia’s collaboration and planning with director Jiping Liu. When viewing the film, it is apparent that this approach is a major part of how the story is delivered and thus a result of its recognition in the film community.

“She Gives Me Sight” is a story about a little boy named Cecil whose life is full of bullying and darkness. Cecil was blinded in an accident and now lives with his grandmother in a small town. His only playground is the front yard of the old house in which they live. After little Cecil lost his sight, his grandmother decides to give Cecil love and light. Rather than treating him gently or with sympathy, she treats him more strictly than before. She continually asks him to help with simple housework. The neighborhood kids laugh at Cecil and taunt him. Although his grandmother is a witness to all of this, she doesn’t say anything about it. When a mishap occurs during these common house chores, Cecil breaks down. He is astonished that his grandmother does not take his situation into consideration and treat him differently than before he lost his sight. That night, she tells Cecil a bedtime story about a rose and a butterfly and how the rose promises to fight against the wind and keep blooming. Cecil dreams that night and understand that the story is about him and the rose’s story is his own. Three years later, Cecil became a successful author and writing a book named She Gives Me Sight about his childhood, and thanks his grandmother for teaching him to persevere and find his own way.

Because such a vast amount of the story is driven by narration and dialogue, Jun had copious discussions with the film’s director Jiping Liu in regards to how the editing might add to the story’s action. It was Xia’s contention that if the film were edited in exact correlation with the script, it would not achieve its full potential. In his mind, there was more happening in this story than what was directly stated. He explains his approach commenting, “I used the method of Parallel Montage in the film. I created it on the basis of a lot of dialogue and narration of the film, which made the overall movie more interesting. In this film, when the grandmother reads,  coaxing the blind boy to sleep, the imagination in the blind little boy’s mind, the imagination of him in childhood, and in the period of growing up were interspersed with editing. In addition, the things that occurred at different times and locations were edited together, which made the rhythm of this story more compact.”

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Jiping concedes, “Jun is a very smart when it comes to filmmaking, especially for editing. His approach is always well thought out and is about serving the message of the film. It was a great experience to work with such a fantastic film editor. Jun agrees noting, “I can’t overstate how important I feel that it is to be a modest filmmaker and editor. Receiving advice from others whom I respect about my own editing methods will only lead to increasing the integrity of the film.”

While a plethora of awards, nominations, and “official selection” accolades point to the widespread recognition of “She Gives Me Sight” by the film community, it’s the power that the film has on the individual when viewed that reveals its true impact. The film’s tone creates such a strong connection between the audience and young Cecil that it is almost unfathomable to think of its presentation as any other way. What Jun Xia and Jiping Liu created together is a moving and epic story of love overcoming life’s harsh blows. The rose that defies the wind can be found inside any of us; Jun Xia made certain that all viewers understand this lesson.

Production Designer Shuhe Wang contributes to the delightful horror of ‘Inside Linda Vista Hospital’

Making something from nothing is what all filmmakers achieve every day. They are creators, they are storytellers, and they are artists. Shuhe Wang knows this well. She takes the pages of a script and transforms them into sets. She creates a visual world, turning each nothing, such as a meaningless prop, into something, creating a masterpiece. She is a one-of-a-kind production designer.

While working on films such as Stay, Dancing for You, Red String, and Cartoon Book, audiences were given the opportunity to see Wang’s ability to transform a drama into a completely immersive experience, making it evident why she is considered one of the best. However, this past year, Wang has brought her extraordinary talent to a new genre: horror. Working on the film Inside Linda Vista Hospital, Wang’s production design skills were on full-display, helping to fully immerse audiences in the terrifying story.

“This is a classic horror style film, so I focused more on how to show and even amplify the emotion and tense by color, texture and overall set dressing. Even each small prop can be an important storytelling step. That quite an adventure for production designer,” said Wang.

Inside Linda Vista Hospital tells the story of a young girl who wakes up in a hospital surrounded by police covered in the blood of her boyfriend. With the help of a video camera, she slowly pieces together what happened, and she may not like what she finds.

“Horror stories are connected with our real lives, but with different point of view. I needed to find and create the elements to scare the audience and keep the emotion of the storyline in the right place, and at the same time the elements should make sense in the world.
Color and tone are always the most important parts in designing a horror story. Even a tiny subtle difference would affect the whole feeling of the set,” said Wang.

The film has gone one to do exceptionally well at some of the world’s most prestigious film festivals. It was an Official Selection at the Festival de Cannes Short Film Corner and the Pasadena International Film Festival, it won Best Director and Best Horror at the Los Angeles Independent Film Festival, Best Editing at the United International Film Festival, and Film of the Year at the AFMA Film Festival of Young Cinema 2017.

“Horror story is always a popular style, but there are a bunch of these type of films that are terrible when it comes to actual storytelling, that is what divides a good horror film from a bad one. This film is a good one because it shows a tense, strong and simple story, which perfectly matches the horror genre, so I think the film totally deserves all those awards,” said Wang.

The production design directly contributed to the film’s success. She had to design in accordance to many special effects and stunt work, and the film is set in a true historical building, and the cultural importance of this influences the story in an important way. To make the set highlight this, she researched and applied this to her work.

“It was a dramatic and kind of emotional showing story. I watched a lot of classic experimental and psychology films to get more inspiration and insight into how to let the audience feel the inner world through the production design,” said Wang.

This commitment to both the genre and the film impressed all that worked alongside Wang on Inside Linda Vista Hospital. The director, Jun Xia, knew no one else could do the job but her.

Working with Shuhe was a great experience, she was familiar with each of the details of the whole story, and her plan for working was effective for the shooting process. Shuhe is sensitive with color and designing, and she knows how to create and decide the correct textile and color to present the emotion. That is actually a really important part of the horror genre,” said Xia.

Xia approached Wang to work on his film, knowing he needed the best to make the film the success that it eventually became. When he sent Wang the reference of the visual style, so knew she wanted to take part in the project, as it was quite similar to the style she always loves.

“I felt confident and interested in designing this film after talking about the film and the story. Jun is a talented horror film director, he is always enthusiastic, and he is really insistent on what he wants which is good for making a great film,” Wang said. “What I really liked was how I could see how the set dressing worked so well when the lights and performance came together. It makes the visual complete and seemed like we accomplish the original idea of the director.”

There are many nuances to production design that are easy to get lost in the big picture of a film, but with Wang as the designer, audiences are sure to take in each and every part of it.

Editor Minghao Shen talks impactful new film ‘Cartoon Book’

Only someone that truly loves what they do can enjoy it the way that Minghao Shen enjoys film editing. His understanding of his craft and his commitment to the artistic elements of it allow him to excel at what he does. Not many people are lucky enough to be so talented and so passionate about their work. Shen is one of those fortunate few, and on top of this, he is considered one of the best Chinese film editors right now.

While working on award-winning films such as Red String, Emily, Inside Linda Vista Hospital, and Stay, Shen’s editing skills were extremely evident for both audiences and critics.

“I am a creative minded person, so I love the re-creative part of editing a lot. There are many ways to make a film, and I feel editing is one of the best ways to engage in the filmmaking production,” said Shen.

Shen engaged in both the filmmaking production and with audiences with his work on the film Cartoon Book. Cartoon Book is about a little boy who tries to go against the school and teacher under severe rules. Afterwards, it seems that the teacher gradually controls the boy by using his vulnerability and letting the rebel boy become a tool to manage other students. The boy draws cartoons, but he feels it is hard to choose between his desire or his morals when the teacher bribes him to be her spy who needs to betray his friends.

“It is a kind of classic tone film, so rather than edit it ‘correctly’, director more like to keep the smooth and stressful feeling by editing. That is why I, as the editor, needed to understand the story indeed,” said Shen. “We had a lot of footage, so it was quite a lot of work at the beginning. But, all the effort and hard work was worth it.
The director had her own style for the entire pace of the film, and the film had really good results.”

The film went on the be an Official Selection at the prestigious Cannes Short Film Corner where it premiered last year, as well as the Berlin Student Film Festival, the Goa Shots International Short Film Festival, and the Accolade Global Film Festival Competition.

“I had a feeling that the film would see a lot of success in festivals, so when I found out the film got some awards I was not surprised, and I think it deserves even more and bigger awards,” said Shen. “The director is good at screenwriting. The first time I read the story I was so intrigued and really connected with the story. I was really looking forward to work with the director and making great film, which we did. It was not the first time we worked together. We know and understand each other very well. She is natural born storyteller and I always looking forward to work with her.”

The film was written and directed by Shuhe Wang, who had previously worked with Shen on her film The Regret, and was immediately impressed by his talents. Knowing they work well together, and that she needed the best to make her new film a success, she reached out to Wang to join her on Cartoon Book.

“I worked with Minghao on my award-winning short film Cartoon Book. I was the director and he was the editor. We worked together really well. He was so full of thoughts and understood the story deeply. When we were on set, Minghao watched the footage carefully on each shooting day. His did the rough cuts very quickly and helped me to get the overall storyline,” said Wang.

Shen was vital to the successful of the film. He says working on Cartoon Book was unlike any project he had worked on in the past. He read a lot of the director’s notes and talked about the story more than just the editing technique with the director. He would meet the cinematographer and communicate about the shot, knowing they all needed to be on the same page for the overall tone of the film. This understanding of not just his role, but the entire filmmaking process, is outstanding.

“The most exciting part of making this film was the journey of the main character. There were many twists and turns in it. It is a bit challenging for editing because the complex storyline, but on another hand, it offered a variety options for editing, and that is what makes my job fun,” Shen concluded.

Actress Gabriella Giardina to fill audience’s small screens in multiple upcoming TV shows

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Gabriella Giardina

Gabriella Giardina believes she was born with the love of acting. She remembers watching movies as a child and being completely mesmerized. At the time, she believed the people on the screen were real, showing their real-life experiences. When her parents explained what film and acting was, she was instantly amazed. After watching a film or television show, she would run to her room and re-enact whatever she had just watched, creating the whole story and scenes from scratch. Since the age of four, she would repeat the lines of any movie she had just watched. There was never any doubt for her as to what she was meant to do, and to this day, that belief is still there. She was destined to be an actress, and audiences around the world are thankful.

Originally from the small town of Ragusa in Sicily, Italy, Gabriella has travelled the world doing what she loves, taking in new cultures and experiences and implementing that into her craft. Working as both as actress and model, she has shown the world what she is capable of, and has emerged one of the top in her field. She has worked on feature films, shorts, commercials, television series, and music videos, never afraid of taking on something different than what she has done before.

“My favorite part of acting in any kind of set, film, television, photo-shoot, music video, is to be able to express everything simply with your eyes and expression. That’s something I find very powerful. It’s really exciting when you are on set having a great song play. But I love it even more when it’s really just you, your feelings and a camera that wants to catch it all,” she said.

Music videos require just that, and Gabriella has been a large part of the success to many. This year, she was played the singer’s muse in the music video Leila by Jah Khalib, a romantic song in which the Jah Khablib sings of the muse that he has dreamed of. Jah Khalib is one of the most famous artists in Kyrgyzstan, Uzbekistan, Russia, Ukraine, Kazakhstan and his popularity is spreading in very short time. In November of last year, he performed live at Flavio Briatore’s Billionaire Manson, at Burj Khalifa Blvd in Dubai.

“I love Leila, it really transported me and made me love it right away, and what the song is about to helped me understand her,” said Gabriella. “Shooting for Leila was like taking a day off to go explore and then represent beauty. The music video is so well represented that, even for those who cannot understand the lyric because of the language, the narrative is very explicit, with powerful, poetic emphasis.”

Giardina was selected for the role by the young but renowned award-winning Director Aisultan Seitov, winner of the 2016 Hollywood Boulevard Film Festival as Best Director in the category Short Meter, and he knew that Giardina had what it took to make the video a success. Published on May 11 2017, in less than one month the video-music “Leila” already achieved more than 2,650,000 views.

“I love music that tells a story, makes you feel all different kinds of emotions, dream the wildest dreams, makes you travel and go places you’ve never been or fantasize about or just travel around the world; that gives you energy and power or makes you vulnerable, makes you reach the sky. Music is very powerful and really reaches the furthest places. And music videos accompany that. They create one of the millions of scenarios of places, stories, emotions that one can express and experience. When an artist makes a song and music, they are sending a message to so many. So, to be a part of all this, to be a part of creating something so beautiful that reaches so many, that’s one of the things I really love about music videos,” she said.

Gabriella Giardina had achieved success with music videos prior to Leila, including the hit Paani Paani. The song was associated the story of the movie Yaariyan, in which Giardina had a leading role. The song sung by rapper Honey Singh and the soulful Neha Kakkar hit the right chords with the youth. The video was an enormous commercial success and registered over 18 Million views on YouTube alone.

Paani Paani was also a great experience. The director, Divya Kumar, created a set of young energic people and the singer, Yo Yo Honey Singh, brought his talent and all of us really enjoyed working on this together, getting to know one another,” she said.

All those that work with Gabriella Giardina know that she is a unique actress, which is why she is extremely sought-after. Her commitment to every project and genuine passion for what she does makes her pivotal to the success of whatever she works on. Alexandra Guarnieri, a Producer at All In Films, first worked with Gabriella in the musical A Night at the Black Cat Cabaret. She was instantly impressed, since the first audition, by Gabriella’s intensity and by her ability to closely relate to the character, and she defines Gabriella gifted of an intuitive talent, which is one of the most important quality to perform characters with emotional dynamics.

Having witnessed Giardina’s talent before and during the performances, Guarnieri cast her to be the female lead of the new television series project Sigueme. With many upcoming television series next year, Giardina is continuing to show audiences how versatile she is.

“I think doing a television show is very challenging because you bring the character you play through a very large continuous change. And you want to do it well, you want to give it justice and understand it, not judge it, love it, like your own self. Sure, you have a script and story to follow, but you have so many opportunities and various facets to take on the journey of portraying this person, this being, that you in your own way create. And it’s not just the character itself, it’s also the character relations with other people, places, life experience and everything that involves a day to day life. So, it’s that big range of opportunities on how is this character going to be, from the inside out that really fascinates me,” said Giardina.

Gabriella Giardina will be playing the role of Monica Muerte in the upcoming TV series The Legend of High Master. The show turns around a man named William who creates his own Kung Fu dojo called High Boxing. Soon Master Willie must defend the honor of his dojo and neighborhood from the attempt of the Corporate’s hegemony, and has to fight the corporation’s masters using high boxing to prove that his Kung Fu is the greatest, keeping his business, and saving his honor. Monica Muerte is the leading female character in the series. Her story is crucial in the series since it is unveiled at the beginning and evolves gaining relevance, episode by episode, as she becomes one of the reasons William is inspired to create his “High Boxing” in defense of the neighborhood. Monica is an expat with problems to settle down in a new environment. The character is complex and peculiar, and it requires uncommon acting skills to smoothly and naturally switch from a romantic to a dramatic or even comedian performance in a blink, all fulfilled at high level by Gabriella Giardina.

“What enhances my feeling about being in the show is the awareness of the complexity of the character. I cannot reveal very much about the plot but I can say that Monica is a complicated young lady. I’m particularly attracted by more complex and troubled roles and definitely Monica is a challenge; I am enthusiastic and eager to work on the series,” she said.

In addition to The Legend of High Master and Sigueme, Giardina is set to be in the upcoming television series The Poe Project, based on the life of Edgar Allan Poe. Giardina will be playing Cora Anne, a character who represents a woman who was a public reader, writer and actress herself, whose radiantly beautiful smile appears unmatched to Edgar Allan Poe. Gabriella Giardina’s experience in theatrical performance is important, as she can understand and better interpret the role.

“Cora Anne is an intriguing character. She is a lady of intellect, since she is a writer, a public reader and an actress of theatre. The role is fascinating and the script immediately captured me. She’s very feminine but strong and powerful at the same time. I love the contrast that goes so well together. It’s something new to explore and I truly look forward to portraying her,” she said.

With so much upcoming, and with so much success already, Giardina is in no way tired of doing what she loves best. Understanding a character and portraying them in a believable and sincere way is a thrill to her, and a thrill for audiences to watch.

“An actor doesn’t only have the job of reading a script and performing it at its best. An actor studies people, understands what’s behind every reason of this being you are introduced to, empathizes with and for this person, which is extremely important. Without judging it. An actor gives a voice to someone who is either not as loud or doesn’t have one. It opens the eyes of the audience, to new possibilities, new ways of seeing or approaching relationships and situations, new realities. An actor brings to life people and their stories. That’s what to me being an actress means,” she concluded.