Tag Archives: Film Editor

Editor Minghao Shen talks impactful new film ‘Cartoon Book’

Only someone that truly loves what they do can enjoy it the way that Minghao Shen enjoys film editing. His understanding of his craft and his commitment to the artistic elements of it allow him to excel at what he does. Not many people are lucky enough to be so talented and so passionate about their work. Shen is one of those fortunate few, and on top of this, he is considered one of the best Chinese film editors right now.

While working on award-winning films such as Red String, Emily, Inside Linda Vista Hospital, and Stay, Shen’s editing skills were extremely evident for both audiences and critics.

“I am a creative minded person, so I love the re-creative part of editing a lot. There are many ways to make a film, and I feel editing is one of the best ways to engage in the filmmaking production,” said Shen.

Shen engaged in both the filmmaking production and with audiences with his work on the film Cartoon Book. Cartoon Book is about a little boy who tries to go against the school and teacher under severe rules. Afterwards, it seems that the teacher gradually controls the boy by using his vulnerability and letting the rebel boy become a tool to manage other students. The boy draws cartoons, but he feels it is hard to choose between his desire or his morals when the teacher bribes him to be her spy who needs to betray his friends.

“It is a kind of classic tone film, so rather than edit it ‘correctly’, director more like to keep the smooth and stressful feeling by editing. That is why I, as the editor, needed to understand the story indeed,” said Shen. “We had a lot of footage, so it was quite a lot of work at the beginning. But, all the effort and hard work was worth it.
The director had her own style for the entire pace of the film, and the film had really good results.”

The film went on the be an Official Selection at the prestigious Cannes Short Film Corner where it premiered last year, as well as the Berlin Student Film Festival, the Goa Shots International Short Film Festival, and the Accolade Global Film Festival Competition.

“I had a feeling that the film would see a lot of success in festivals, so when I found out the film got some awards I was not surprised, and I think it deserves even more and bigger awards,” said Shen. “The director is good at screenwriting. The first time I read the story I was so intrigued and really connected with the story. I was really looking forward to work with the director and making great film, which we did. It was not the first time we worked together. We know and understand each other very well. She is natural born storyteller and I always looking forward to work with her.”

The film was written and directed by Shuhe Wang, who had previously worked with Shen on her film The Regret, and was immediately impressed by his talents. Knowing they work well together, and that she needed the best to make her new film a success, she reached out to Wang to join her on Cartoon Book.

“I worked with Minghao on my award-winning short film Cartoon Book. I was the director and he was the editor. We worked together really well. He was so full of thoughts and understood the story deeply. When we were on set, Minghao watched the footage carefully on each shooting day. His did the rough cuts very quickly and helped me to get the overall storyline,” said Wang.

Shen was vital to the successful of the film. He says working on Cartoon Book was unlike any project he had worked on in the past. He read a lot of the director’s notes and talked about the story more than just the editing technique with the director. He would meet the cinematographer and communicate about the shot, knowing they all needed to be on the same page for the overall tone of the film. This understanding of not just his role, but the entire filmmaking process, is outstanding.

“The most exciting part of making this film was the journey of the main character. There were many twists and turns in it. It is a bit challenging for editing because the complex storyline, but on another hand, it offered a variety options for editing, and that is what makes my job fun,” Shen concluded.

Editor Rudy Vermorel Nails the Mark on the Campaign for Award-Winning Video Game Clash Royale

Often referred to as the ‘invisible art’ that takes place behind the scenes of a film, commercial and other visual media projects of the like, the work of an editor is critical to setting the tone, style, and structure of a project. While their work requires extensive skill and often long, laborious hours in order to sew hundred of hours of footage together into something that unfolds seamlessly on screen, editors rarely receive their due credit in the press; but that’s just the nature of the game, the mark of the best editors means their work goes unnoticed. One editor who deserves quite a bit of attention for his extraordinary talent though is Frenchman Rudy Vermorel.

Vermorel began his career nearly a decade ago, and what he’s accomplished since is nothing short of amazing. With a keen eye for the perfect shots and the ability to create a seamless flow on every project he lends his magic editor’s wand to, Vermorel has become known for his distinct skill through his work as the editor of commercials for auto industry leader Ford, the video game Homefront: The Revolution, and countless music videos for artists including Demi Lovato, Party Favor, Av DiVinci, Alexx Mack.

Last year Vermorel signed on as an editor at Eyestorm Productions, an LA-based creative agency whose well-known clients include Hasbro, BJ’s Restaurant and Brewhouse, video games such as Tom Clancy’s Endwar, Call of Juarez the Cartel, Rocksmith and Zombiu, and many more. Eyestorm Productions also did the TV Spots, behind the scenes and featurettes for “Star Wars III: Revenge of the Sith,” and most recently the ad campaign for the video game Clash Royale.  

As the lead editor on all of the trailers and commercials for Clash Royale, Vermorel’s work for the game has been hugely successful on an international scale with the collection of ads garnering over 120 million combined views on Youtube, and other social media platforms.

“Last year Rudy came on board as the editor of the Clash Royale campaign, one of Eyestorm Productions latest projects. The series of commercials he edited for Clash Royale really drove home the intense competition and modern vibe of the game in a way that seamlessly represented the product to users and made them want to start playing Clash Royale. He nailed the project in every aspect,” explains Eyestorm Productions owner Michael Klima.

Released on March 2, 2016 Clash Royale was developed and published by popular mobile gaming company Supercell. Referred to as the ‘King of Gaming’ by Forbes in 2013, Supercell gained worldwide attention when its first two games, Hay Day and Clash of Clans, began pulling in $2.4 million per day.

Clash Royale is a real-time multiplayer mobile strategy game starring the Royales from the popular Clash of Clans game. Mixing together elements of a collectible card game, tower defense, and multiplayer online battle arena, Clash Royale allows users to form their own Clan and share cards to build their very own battle community. Available on Android and IOS platforms, Clash Royale quickly became No. 1 in the U.S. on the top downloads chart, as well as the top-grossing list on the iOS App Store game upon release. Last year Clash Royale also earned the coveted Google Play Award for Best Game of the Year, an award emphasizing app quality and innovation over the previous 12 months selected by a panel of experts on the Google Play team.

Over the past year Vermorel used his extraordinary editing skills to cut a plethora of commercials and In App ads for Clash Royale, including the incredibly popular “Clash Royale: Settle it with a Duel (Doctor v Doctor),” “Clash Royale: Settle Your Check With A DUEL!,” which has earned over 20 million views since it’s release last month, “Clash Royale Settle it with a Duel (Santa v. Dad)” and “Clash Royale: DEFUSE the Situation with a DUEL!” commercials.

“Clash Royale: Settle it with a Duel (Doctor v Doctor)” has earned a whopping 14 million views on Youtube since it’s debut on the Clash Royale Channel in January. The highly cinematic commercial is full of intensity and bright colors, which heightens the energy as two doctors battle it out over what treatment to give their patient– the perfect parallel to the intense competition users feel when playing Clash Royale.

Any user who sees the commercials edited by Vermorel would be hard pressed not to be pulled in by the cinematic effects, precise cuts and building energy set by the EDM music playing in the background– it’s no wonder that millions of users around the world have signed in and begun playing Clash Royale!

Vermorel says, “I love the game, and I love the company! They have a very modern way of working, each project is different, and there is always a new story.”

Rudy also edited a series of hilarious and visually modern character spots for the campaign, such as “I Am The Knight,” “The Log,” “Princess Got It,” “It’s A Goblin Barrel!,” and several more, all of which have gained incredible traction with viewers around the world garnering over a million views each on Youtube.

“I wanted to showcase the funny side of the characters and design the ads in a way that made them endearing, then I opted for a modern, dynamic editing approach in order to attract the interest of a large audience,” says Vermorel about his inspiration as the editor of the campaign.  

Aside from editing the Clash Royale campaign, Vermorel also edited a plethora of successful ads for Supercell’s Clash of Clans game. From the way he’s edited the commercials for each campaign, endowing the videos with an energetic and engaging vibe that is relevant to modern gamers, one might assume that Vermorel is a gamer himself, but ironically he is not! The fact that he is not a gamer, but has managed to edit the campaigns for both Clash Royale and Clash of Clans in a way that struck an obvious chord with users says quite a lot about his creative talent as an editor.

Klima says, “Rudy’s unique creativity and extensive knowledge as an editor are what have made him so successful. From our experience working together I can easily say he is the best at what he does and that is why we’ve hired him to continue on as the editor of future campaigns for Clash Royale.”

 

Featured Film Editor: Said Franco!

Film Editor Said Franco
                                                                                         Film Editor Said Franco

In the world of filmmaking, many groups work together to create a production. The vision of the director, the roles of the actors, and the reach of the production team are all important. That being said, it doesn’t matter how incredible these teams are if the film falls apart in the post-production process.

The skill of a film editor can make or break an entire production. When a production company finds a film editor that can rapidly create quality content, they hold onto them. Perhaps this is why Said Franco, 29, has remained so busy for the last decade.

Franco was born in Mexico City, and found himself fascinated with the filmmaking process from a young age. At 15, he decided that he wanted to pursue a career in film editing. At that point, he set out to complete all the necessary education required to turn his dream into a reality.

Franco began working as a film editor immediately after graduating from the University of Mexico with an MBA in TV and Communications. The first job he secured was in 2008, as an assistant editor for the Spanish TV series Capadocia. To add a dash of prestige to his early resume, this series was nominated for three Emmy awards, in addition to winning numerous awards at other events.

After he began working in film editing, Franco realized that he had chosen his career wisely: “While working on Capadocia, I learned that I had the skills that an editor needs to succeed in the business.” Apparently, many other companies have acknowledged his skills as well, as he has since been recruited to lend his talent to an onslaught of productions.

Recently, Franco has been working for Rancho Studios as a chief editor on many international commercials, including those for Apple, Coca-Cola, Ducati, Hershey’s, Sony, and Wal-Mart. After completing commercials for Coca-Cola and Sony, both companies returned to Rancho and asked if Franco would edit their future commercials.

Microsoft also hired Franco for more work after seeing the results of his holiday promotional commercials for the Xbox gaming system. Franco agreed to edit commercials for many video games, including Assassin’s Creed, Call of Duty, FIFA 2013, Grand Theft Auto, Halo, and the Need for Speed.

Not all of Franco’s editing work has taken place within the confines of an office though. As a result of his success in his career as a film editor, he has had the opportunity to set forth upon many adventures.

On one of these adventures, Franco travelled to Spain as a representative for Heineken. Heineken, who sponsored the Champions League of Europe football game, hired Franco to edit each game, which was then broadcast to television networks throughout Europe. During his time in Spain, he edited a total of 25 games and six additional events.

While working for Grupo Televisa, the largest media company in Latin America, Franco edited a commercial campaign for the 2010 World Cup. During the month that the campaign for the World Cup aired, he edited five commercials a week, which were broadcast to many major television networks throughout Latin America.

Franco has a wide variety of experience in many different genres of film editing. In addition to his prominent work in commercials and sports, he has expertise in editing television shows, YouTube channels, and music videos.

Several of the music videos Franco has edited have achieved widespread acclaim including the “Voces” video he edited for Division Minuscula, and the “Miedo a Caer” video he edited for Ruido Rosa.

When it comes to film editing, Said Franco is comfortable working within any genre. In the last 10 years, he has repeatedly demonstrated his expertise in his field. This continues to be confirmed as companies return for more work after viewing his product. As important as the film editor is, it’s no wonder they continue to return.

Film Editor Marta Bonet de Gispert Connoisseurs the Perfect Cut

Marta Bonet de Gispert
                                                  Film Editor Marta Bonet de Gispert

Hailing from a family of lawyers, Barcelona native Marta Bonet de Gispert left law school to pursue her creative passions in the film world, a move that has delighted international audiences and filmmakers alike.

Marta Bonet de Gispert went on to attend the prestigious School of Cinema and Audiovisual de Catalunya (ESCAC). About switching professions, Bonet de Gispert recalls, “I started my law degree following my family’s tradition in law. But after a few years, I felt unfulfilled. I had to face my mistake and find a better path. Even though I knew it was a difficult industry, I chose film school. Something inside me told me it was the right thing to do.”

Now an award-winning film editor, it is clear that Bonet de Gispert made the right choice. Her exceptional talent and painstaking attention to detail is apparent in every frame of every film that she’s done so far. Her extensive international resume includes the films Soldados (Soldiers), Padre Modelo (Role Model Father), Devil May Call, as well as many others. She was also the editor on the television shows Latino Dub and Califorma.

It may seem like quite a drastic change to switch from law school to film school, but in truth, both professions require a person who possesses a strong eye for details and an immense understanding of the technical intricacies of their craft. Even more critical in each though, is a person’s ability to use that perceptiveness and knowledge to adapt to a client’s needs—something Bonet de Gispert has accomplished, proven by the sheer number of awards her films have won over the years.

Temporada 92-93 (Season 92-93), one of Bonet de Gispert’s first credits as editor, was a resounding success at international film festivals. Set in Spain where for many fútbol is a religion, Temporada 92-93 tells the comedic story of two inseparable friends united in their love for soccer. One is celebrating his child’s birthday as both split their attention between the festivities and a historic soccer match playing over the radio.

“We had to be careful in selecting the takes we would use,” explains Bonet de Gispert. “Also, as in all comedy, finding the right rhythm was essential. Jokes don’t work well if they’re not on the right pace.”

Winning a staggering 44 festival awards, Temporada 92-93 was incredibly well received by judges and critics alike. Among the honors was the Best Editing Award from the Film Festival Terrassa, an incredible achievement for Bonet de Gispert, whose career had only just begun.

It is the editor’s job to thoroughly understand the director’s vision, to see the story as the director imagines it. Then, with that understanding, the editor uses the footage to turn an intangible idea, concept or even a feeling, into the story that unfolds before us.

Able to seamlessly shift from one genre to another, Bonet de Gispert’s work shows that a great editor doesn’t rely on a film’s subject so much as they rely on the vision of the filmmaker.

In Devil May Call, Bonet de Gispert’s ability to convey that vision was once again put to the test, and once again she surpassed everyone’s expectations with flying colors. What had once been just a nightmarish idea, Bonet de Gispert transformed into a physical manifestation of sheer, unadulterated horror.

Not for the faint of heart, Devil May Call is centered on Sam, an operator for a phone counseling hotline. Sam, played by award-winning actress Corri English (Planes: Fire & Rescue, Holliston) is training her replacement on the night shift; but when one of her regular callers, who happens to be a serial killer, hears that she’s quitting, he cuts off power to the building and traps Sam and the other employees inside. Devil May Call was filmed in Los Angeles and debuted at the 2013 Marches du Film event in Cannes, a dream for many filmmakers.

Bonet de Gispert also recently finished the films El Otro Lado and Gored. El Otro Lado, or The Other Side, is one of three films premiering as part of the Summer Of Shorts event, featuring films from three Spanish filmmakers bringing their work to American audiences. El Otro Lado is about a lawyer who finds himself losing his sense of morality as he goes from laundering money for the cartels to an even darker path. An even greater testament to the fact that she chose the right path by embarking on a career in film, Bonet de Gispert also directed El Otro Lado in addition to working as the editor. Produced by renowned production company La Panda, the film is scheduled to premiere in the U.S. this summer.

Gored, is a documentary about, fittingly, the bullfighter that holds the record for being the most gored in Spanish history. In a fascinating approach to a subject that hasn’t seen much coverage since Hemingway, the film follows Antonio Barrera as he grapples with the decision of a lifetime: whether to leave the ring and join his family while he’s ahead, or to commit himself to a glorious death against his lifelong adversary. The film will debut later this month at the Tribeca Film Festival where it has been chosen as an Official Selection, and is set to screen at several more festivals over the course of 2015.

Editor Vladimir Boboshin Proves that Passion Fuels Success

Vladimir Boboshin
             Film and Commercial Editor Vladimir Boboshin

Originally from Moscow, Russia, film and commercial editor Vladimir Boboshin has taken the film and advertising industries by storm with his unparalleled ability to create captivating stories from raw footage.

“Editing film, regardless of the genre and form, is very much like assembling a jigsaw puzzle, with one major difference: you don’t have a reference picture. You find pieces that match together and then find their neighbors and so on,” explains Vladimir. “I like to see how the story shapes up out of the chaos.”

Vladimir Boboshim is supremely talented; anyone who can make an Ikea commercial touch audiences on an emotional level deserves some serious attention and praise, thankfully the numerous awards his productions have received speak for themselves. In an industry where behind the scenes contributors rarely get the attention they deserve, Vladimir Boboshin has managed to make a name for himself as one of the advertising industry’s most sought after editors.

Some of his editing work in the commercial world includes Coca-Cola’s “Olympics,” “Exam,” “Christmas,” “Open Up for Happiness” and “Rucheyok,” Canon’s “Stolen”, “Handover” and “Breach,” 20 commercials for Ikea, 11 commercials for Nestle, four commercials for Road Safety Russia, one of which entitled “Belt” received the Grand Prix Award at the Meribel Ad Festival and the Gold Award at the Road Safety Film Awards, and many more. Vladimir also worked as the editor of the Russian comedy series Univer, where he edited 99 episodes, and the show Nasha Russia, where he edited 74 episodes. He was also the editor for the promo-trailers for the films Silent Souls, High Security Vacation, and The Practice of Beauty.

While Vladimir has developed an effective style in editing commercials for advertisers whose main goal is to sell their products, he is not pigeonholed in his talents, something proven by the vast spectrum of his work. He has managed to create a portfolio of work that is both impressive and diverse, something he partially attributes to the fact that he is from another country.

“I’m bilingual and I‘ve worked with so many different people from all over the world, so over the course of my career I’ve learned to see and understand different visual styles and work ethics,” says Vladimir. “Many Hollywood editors haven’t been exposed to the same variety of international approaches as I have, because here in the US the work is more channeled. You get pigeonholed into a category – like car editor or comedy editor – and then most of your work only comes from those areas.”

As the post-production supervisor of the multi-award winning film Franz + Polina, Vladimir was in charge of overseeing the work of an entire team of editors, a feat he accomplished with ease. The film received three awards at the Avanca Film Festival, the Gold FIPA Award at Biarritz International Festival of Audiovisual Programming, the Golden Frog at Camerimage, the Magnolia Award at the Shanghai International TV Festival, among others.

The ability to successfully manage an entire team of professional editors comes down to more than just being technically astute in the field, it requires a certain type of personality. Being a talented editor by no means equates to being a people person with strong communication skills, but Vladimir is one editor who does happen to have these traits.

He explains, “The most definitive experience I got from large-scale projects was the importance of communication and soft control. With so many creative egos involved arguments are inevitable and my role oftentimes was to channel the argument into a positive flow so the parties involved come to an agreement and everyone is satisfied in the end.”

One aspect of Vladimir Boboshin’s journey as an editor that is incredibly unique is the fact that he didn’t undergo any formal education in order to break into the industry. However, that is not to say that he hasn’t spent years training himself in the tools of the trade, and when it comes to working as an editor in the film industry one must be a master of these tools.

“I never had any formal training or mentoring before I become an editor. All of my studies were on the job in the heat of the moment and there was no one to help,” admits Vladimir. “As for film language, one can learn as much as he is willing to, I think this sphere of knowledge depends on the person. I believe that the real way to hone one’s craft in the industry happens on the job, bit by bit.”

And that is just how Vladimir did it, bit by bit he managed to learn and master the same tools that took most other editors several years to figure out. Vladimir is proof that when a person’s passion is what fuels them to achieve their goals, obstacles begin to seem less daunting and instead become exciting challenges and a means to improve.