All posts by Lorraine Wilder

Behind the scenes: Cat Sherwin reveals a day in the life of a Make-up Artist and Hair Stylist on Australia’s leading breakfast TV news lineup

cat
Cat Sherwin

 

It’s 2 a.m. and her day has already begun.

A short meditation, double expresso and daily horoscope are the kick starters. Then it’s off to the shower, out the door and on to Seven Network Studios in the Martin Place district of Sydney, New South Wales, Australia.

The essential morning routine is the tried and true method for Cat Sherwin, make-up artist and hair stylist for Seven Network’s breakfast TV lineup: “Seven Early News,” “Sunrise” and “The Morning Show.”

“It’s my little bit of Zen time for day,” Sherwin said. “I find it really centers me with an aura of peace and calm for what’s often a hectic day ahead.”

Beginning with “Seven Early News,” followed by “Sunrise” and ending with “The Morning Show,” the three programs broadcast from 5 a.m. to 11:30 a.m. weekdays, with “Sunrise” continuing to air from 7 a.m. to 10 a.m. on weekends.

Programming informs Australian audiences on news, sports, weather, current affairs and entertainment. It’s an ongoing barrage of talk-show TV production that only pauses once a year, on Christmas Day.

Audiences have responded and made “Sunrise” the highest-rated breakfast news program across Australia. It originated in 1991 and is carried out in the tradition of “Good Morning America.”

“Sunrise” has covered a litany of major news including the Iraq War, the inauguration of Barack Obama, the 2010 Copiapo mining accident, the 2010-2011 Queenslands floods, the 2011 Christchurch earthquake, Hurricane Sandy, the 2014 Sydney hostage crisis, the Pope’s morning Masses and many other impactful stories. Musical guests on “Sunrise” have included Usher, Justin Bieber, Lady Gaga, Katy Perry, One Direction, and dozens more.

For Sherwin, her schedule varies and includes make-up and hair styling up to five out of seven days a week at the studio where she participates critically for the production of all three morning shows. She’s been making up and styling show hosts and guests for Seven Network’s morning lineup since 2008, an impressive tenure that’s featured her outstanding work in hundreds of episodes.

“The wide variety of show types offer a huge opportunity for different creativity and experiences,” said Sherwin, who estimates she styles around 5-15 different people per episode. “News has to be often quite structured and serious. Entertainment and weather presenters can be a little more fun and fashion forward. Current affairs programs are often tailored to the nature of the interview.”

“Seven Early News” is presented by Jodie Speers. “Sunrise” is hosted by David Koch and Samantha Armytage. Also hosting “Sunrise” are Natalie Barr (news), Mark Beretta (sports), Edwina Bartholomew (Entertainment) and Sam Mac (weather). “The Morning Show” is presented by Kylie Gilles and Larry Emdur.

“All main hosts are styled first before we move on to guests. We look at the wardrobe of the presenter for the day and any accessories they may have, and also take into account any particular requests the host may have, or a particular look they may want to go for that day,” said Sherwin. “Each makeup artist is given a main host to style, hair, make-up, hair extensions, lashes, then often a male host as well.”

As to guests and interviewees, Sherwin has made up a wide array of people from all walks of life, from abuse and disaster victims, to brides wanting to get married on TV, to rock stars, writers, actors, directors and many more. She’s styled Duran Duran, author Deepak Chopra and actress/model Teresa Palmer, to name a few.

Sherwin has styled for the show’s coverage of the Melbourne Cup and an Opera House concert with Katy Perry. She’s made up the needed looks for on location shoots in any elements, whether rain, cold, heat or any other challenging conditions.

Just before a guest appears on a show segment, Sherwin’s styling duties actually add a psychological component.

“You’re often one of the last interfaces before a person goes on air and if it is a guest who has never been on television before, they can be nervous,” she explained. “I believe it’s my job to help keep people calm and make everyone feel special, whilst also making them feel and look great – often in a short amount of time.”

The reality of Sherwin’s job requires a world of talent, creativity and poise under pressure. She strikes an imperative balance of keeping calm and centered, while also being upbeat and energetic. The nuances are necessities when considering the importance of her behind-the-camera role.

“Your work is extremely visible on the show for the world to see,” she said. “There’s nowhere to hide. You have to get it right whilst also not taking yourself too seriously or getting stressed. It’s also a lot of shift work, so it’s important to look after yourself physically and mentally.”

Sonya Downie is Seven Network’s Chief Departmental Head for Hair and Make-Up and has worked in supervisory production roles for more than 20 years.

“Cat’s work is superb. I have now worked with her for eight or nine years and her work consistently shines,” said Downie. “Cat is a wonderful, dedicated and extraordinary artist, recognized not only for her amazing creative skills, but her professionalism and integrity in the workplace. She is a joy to work with and inspiration to all those who work with her, making her a key choice for our top talent.”

After each morning show has commenced at Seven Network Studios, Sherwin wraps up by washing brushes, restocking product, organizing her kit, returning calls, e-mailing, invoicing and researching different looks for the next morning’s productions.

Upon returning home, she lays out her clothes for the next day and prepares breakfast to take on the go. Another 2 a.m. rise beckons. It’s Zen time once again. And Sherwin wouldn’t have it any other way.

“It’s definitely a buzz and fabulous to be part of such a big show renowned across Australia,” she said. “It sometimes blows me away how many people watch and have seen me on behind the scenes shots. Often audience members will call and ask what lipstick or blush we have used. It’s amazing that we can influence viewers’ make-up choices and how many people take an interest in what the hosts’ style is for the day. Television is a visual medium after all.”

Actress Jessie McLachlan Details her Journey to film and television Stardom

jessie_m_04
Actress Jessie McLachlan

For Jessie McLachlan, the path to becoming one of Australia’s preeminent film and TV actresses began when she was just 6 years old. It was then she started to refine and perfect her skills by undergoing speech, dance and theatre lessons. Before her 8th birthday, she’d become a National Irish Dancer, and McLachlan found her groove by auditioning and performing in front of her Grandmother, Ann.

“I had found a home in performing,” she said. “It gave me a sense of euphoria, a high, but a certainty feeling.”

McLachlan parlayed those feelings and experiences into a coveted career many pursue and few achieve.

She’s accumulated an impressive filmography highlighted by her acting roles in more than 40 TV episodes for series including Village Roadshow’s “The Shire,” Seven Network’s 28-year running, award-winning drama, “Home and Away,” the hour-long comedy drama, “Packed to the Rafters” and Nickelodeon Network’s “Dance Academy.”

She’s starred in Dan Castle’s award-winning drama feature, “Newcastle,” and in Tom Simes’ feature family drama, “Run, Broken Yet Brave.” She’s been recognized for her singing, dancing and modeling as well that has collectively culminated into a rare package of a true do-it-all actress.

“It has given me a greater in-depth understanding of my passion to create,” McLachlan said. “It has allowed me to use each of my experiences in 20 years of performing to lend an emotion, movement, feeling or expression to a performance and do it with conviction.”

Performing often is a family affair and so was the case for McLachlan. Her elder sister, Zoe, studied film and TV in high school and college. Those choices influenced and paved the way for McLachlan’s introduction into acting.

“I was always in her films and projects,” she said, “so that really sparked my film interest. I’ve never wanted to do anything else.”

One of her early performances came in a play called “Parramatta Girls,” which was about women who had served time in Australia’s most notorious girls’ detention center as children. “It was a really powerful piece I did when I was 15, and something I am the most proud to have been a part of,” said McLachlan.

Inspired by the “Harry Potter” franchise during childhood and influenced by the on-screen work of greats such as Helena Bonham Carter, Daniel Day Lewis and Martin Scorsese, a shortlist of some of McLachlan’s favorite films include “Schindler’s List,” “Philadelphia” and “The Shawshank Redemption.”

She says the best actors are “those who protect their creative essence, especially in this industry. Those who use every scene as a lesson and find the growth and learning from each frame, even if they are an Oscar winner. Remembering passion is humbling.”

Continuing her specialized acting training into adulthood, McLachlan has studied under the esteemed tutelage at the National Institute of Dramatic Art (Sydney, Australia), Lee Strasberg (New York), Stella Adler (Los Angeles) and with the renowned acting coach Michelle Danner, in Los Angeles.

“I wanted to keep learning and be challenged by different techniques. I live my life by being ‘water’ flexible and being able to adapt and I want that to be able to carry over into each character I play,” she said. “Michelle Danner has been my favorite. She really challenges me to lose myself in a character, and she sets in motion out of the box perspectives.”

In 2006, McLachlan acted in her first film, “Spaced Out,” a sci-fi comedy directed and written by Scott Grenke. While 14 years old at the time, she played the role of an alien character in the cast. The experience proved valuable and guided McLachlan’s pursuit of acting for film and TV.

“I learned so much on that set and from my fellow actors,” she said. “It was also a moment of clarity and really affirmed my passion for film and the direction I would like to take my career.”

Two years later, McLachlan was starring as Rachel in the drama feature, “Newcastle,” that won a FilmOut Festival Award and followed the story of a group of Australian surfers. In 2009, she starred as Anna in the feature film, “Run, Broken Yet Brave.” From 2010-2011, McLachlan played the recurring role of Samantha Braxton for 27 episodes of “Home and Away” and she also starred as Jayde on “Packed to the Rafters.”

“I worked with Jessie throughout the third season of the Seven Network’s wildly successful family dramedy, “Packed to the Rafters,’” said Logie Award winning actress Brooke Satchwell. “Jessie performed the leading character of Jayde Smith, a worker at the yacht club owned by the Rafters and a former fling of son Ben Rafter. After taking a gap year following high school graduation, Jayde returns, still wanting and caring for Ben, who is now engaged. The role required an actress who could convey the emotional burden and yearnings of such a character, and Jessie not only thrived in this dynamic but also excelled in any expectations that were made of her and her character.”

McLachlan’s acted in leading roles in short films including in Jeremiah Cleman’s “Modern Day Saint,” Antonio Orena-Barlin’s “Suburbia” and Omer Zekirovski’s “Tibor – Your Not from Gosford Are Ya.”

McLachlan worked with Logie Award winning actress Jodi Gordon on “Suburbia,” a short drama about a man who gets his girlfriend a job as a florist, but later finds out the unassuming front of suburbia isn’t what it appears.

“Jessie’s leading performance as Monica was as impressive of a performance as it was crucial to the driving plot of the film itself,” said Gordon, who played Tara in the film. “I was thoroughly impressed with the way in which she translated Monica’s character traits from page to on camera. The film was nominated for Australian Film Institute Award for Best Short Fiction Film, an achievement that would not have been possible without Jessie’s extraordinary performance throughout the film.”

Comparing feature film roles to those of her TV and short filmography, McLachlan said, “The pace in filming has a different tempo. Morphing into the character is also a different process. A challenging aspect I found with short films is ensuring the layers of the character are portrayed. I put a lot of pressure on myself in really wanting the audience to feel the joy, pain or journey with the character.”

It is international audiences who have enjoyed the characters McLachlan’s portrayed and they’ve each been made possible through her own journey as an actress.

Cinematographer Andressa Cor Talks ‘Stealth,’ a moving short film that left audiences with ‘tears in their eyes’

stealth-day3-014-X2

Andressa Cor has established herself among the top cinematographers working today. Achieved, revered and celebrated, the Brazil native has shot extraordinary film and television such as the award winning “No Tomorrow Without Merci,” Raja Pothineni’s “60 Eight,” Cameron A. Mitchell’s “Campground” and Dave Bean’s drama TV series, “Mrs. Fitzgerald is Missing,” to name a few.

Chief among Cor’s crowning achievements is her incredible cinematography in the short family drama, “Stealth.”

From director Bennett Lasseter and writer-producer Melissa Hoppe, “Stealth” tells the heartwarming story of Sammy, a brave, transgender tween, played the talented young actress, Kristina Hernandez.

The plot follows Sammy on her first day of middle school in a new town where she sets out to fit in and make new friends. Sammy is pressed with the internal conflict of letting her new friends know that she was born a boy.

“It’s not only a LGBT story,” Cor said, “it has a kid’s perspective of it. It’s sad but it has a nice tone of hope.”

Exemplifying the film’s tremendous international recognition, it won awards at the ATAS Foundation College Television Awards, the Cleveland International Film Festival, the Heart of Gold International Short Film Festival, the Independent Filmmakers Showcase, the KASHISH Mumbai International Queer Film Festival, the Minneapolis St. Paul International Film Festival, the Sacramento International Film Festival, the Seattle International Film Festival, the SoHo International Film Festival and the TIFF Kids International Film Festival.

“Bennett told me people come talk to him after the screenings and a lot of them have tears in their eyes,” Cor said. “We got mentioned at the Emmys this year as well. The story touches people of all ages and genders. I can only guess that is because Bennett’s take on the story was focused on the universality of the feeling of being singled out when you are a kid. And he did it so well that everyone could relate to Sammy’s experience and feel for her.”

“Stealth” was produced by the American Film Institute (AFI), shot in Santa Clarita, Calif. and was the recipient of a production grant from the Alfred P. Sloan Foundation for Science.

Cor’s cinematography was work done in tandem with Lasseter, and it was an approach with a shot list designed for camera movements befitting to the story’s tone and rhythm.

“The pace is not fast at all, so there’s no handheld,” she said. “We hold the shots for as long as it’s necessary, and we didn’t shoot much coverage. There are scenes that are one shot only, like the scene after her [Sammy’s] breakdown. Because we were economic on our shot list, we had to be very precise. Being able to hold the camera in a shot for longer than expected helps the audience to relate to our main character before we cut. I think that is the biggest cinematography contribution to this film.”

For a film to achieve success, one of the integral components is the collaboration between director and cinematographer.

“Bennett and I have a great relationship and collaboration,” Cor said, “but mostly because he is really easy to collaborate with. Bennett is completely about what’s best for the story, and he does use all the talents around to counsel him before he arrives in a conclusion on what he will be doing, not only in cinematography, but every other department. I already knew that when we went to shoot “Stealth” because I had already shot a movie with him before, called “Blackout.”

Said Lasseter, “Ms. Cordeiro’s leading role as our cinematographer was absolutely crucial, as her shots were necessary in demonstrating Sammy’s overall surroundings and environment throughout the film. By framing Sammy’s constant surveillance from peers during her transition at her school, there is no doubt that Ms. Cordeiro’s choices in framing Sammy’s story visually on screen impacted how audience’s responded to the circumstances our main character was going through.”

In one of the film’s pivotal scenes, Cor exercised her world-class camera skills to artistically enhance the nuances playing out in the story. It came when Sammy first tells her new friends about her gender.

“I under lit it with a practical in hopes to show her gender ambiguity. The thought process in this scene was that her friends would see another side of Sammy for the first time, so the audience had to also see that,” Cor explained. “I studied portrait photography for that, and gender portraiture. It’s very subtle, and I would feel frustrated if someone came pointing it out to me, that they caught it. I lit it that way not for people to see my lighting choice, but for people to see another side of Sammy. And I believe they do.”

The film introduced Hernandez in the leading role and her efforts didn’t go unnoticed in the international filmmaking community. She won the Jury Award for Best Performance in a Lead Role at the 2015 KASHISH Mumbai International Queer Film Festival and the SIFFNYC Rising Star Award at the SoHo International Film Festival.

“Kudos to Ben who didn’t settle for less. He heard it didn’t matter if the actress was part of that world, but he was so sure it did, and stayed on the search till he found Kristina,” said Cor. “She was a kid and the story uncovered a lot of her own fears and insecurities. We were conscious we had to handle it with a lot of care. But her take of it, and because she lives that, elevates the story to levels we could not have achieved without her.”

For more information, visit: http://www.stealththefilm.com/

And follow the film on Facebook: https://www.facebook.com/stealthafithesis

Creating Realities in Film that Effectively Transport Viewers: Art Director Haisu Wang

IMG_6083
Art Director Haisu Wang shot by Tian-ran Qin

 

As the art director of the films “Is That A Gun in Your Pocket?,” “Contrapelo” and “Day One,” ABC’s hit television series “The Muppets,” the Asian television series “My Sunshine,” and commercials for major global clients including Kia, Chinese native Haisu Wang has carved out an indelible place for himself in the international entertainment industry as someone who’s skill effectively transports audiences into the world of the stories on screen, no matter how far fetched they may be.

While it is no secret that the film industry is full of oversized egos often competing for the glitz and glory, what makes Wang so special, besides his adept technical skill and unparalleled creativity, is the fact that he always lets the director’s vision for a project guide his work.

Never failing to design an atmosphere that creates the perfect environment for a story, the versatile nature of his creative vision compounded by his intuitive approach has allowed him to nail the mark every time.

“My passion is always creating environments to help storytelling,” admits Wang.

It is no coincidence that practically every project that Wang has art directed to date has received coveted accolades. As the art director of the film “Day One,” which earned a nomination for an Oscar Award at the 2016 Academy Awards, in addition to winning two Emmy Awards at the Academy of Television Arts and Sciences College Television Awards in 2015, one of which earned director Henry Hughes the award for Best Director, Wang’s work garnered worldwide attention.

About Wang’s invaluable work on the film Hughes explains, “Haisu’s vision and rare skill using digital software to create some of the most challenging sets for ‘Day One’ was invaluable to our production, especially considering the geographic challenges of the location. Without his contributions it would have been nearly impossible to construct these sets in the amount of time and within the allotted budget. He is definitely a huge asset to the film industry.”

Whether he is working on a film, television series or commercial, Wang’s attention to detail combined with his logical and budget conscious approach to outfitting each set with the right props has been imperative in setting the tone and creating believable environments for each and every production he’s contributed to.

As the art director of Kia’s “Extraordinary Day” commercial, also known as “When an Ordinary Day Turns Extraordinary,” which currently has over 900,000 views on YouTube and was produced by BuzzFeed, Wang turned the sets of a simple car commercial into a project that plays visually on screen like a narrative story. From the minor knick knacks of a local garage sale, to colorful balloons falling from the ceiling after one of the character’s wins a raffle in a convenient store—Wang’s work manages to keep viewers engaged as we watch a love connection sparked between two Kia Soul drivers all started from the fact that they share the same kind of car.

For Wang, who also spent time as a visual effects artist for three-time Emmy Award winning VFX and animation company, Base FX, based in Beijing, China, art has been a major part of his life since childhood.

“I practiced Chinese calligraphy with my grandpa since I was a kid and also learned how to make shadow play puppetry with him, and I think that set the foundation of my path in art,” admits Wang.

Wang recently wrapped production as the art director of multi-award winning director Ryan Velásquez’s (“Ojalá,” “Record Breaker”) film “Drowning,” which is slated for release later this year. The film follows Gabe, played by Jovan Armand (“The Middle,” “Shameless,” “Parenthood”), an overweight teen who finally starts feeling good about himself after he musters up the courage to talk to Sarah, the girl of his dreams, and an unexpected friendship forms. However, when the high school bully and bane of Gabe’s existence makes Sarah his newest target, Gabe is forced to decide between remaining a coward in his comfort zone or standing up to the bully and fighting against injustice.

As the lead art director on “Drowning,” Wang had the difficult task of arranging a set to depict Gabe falling onto the ground combined with a montage in water. He was able to build a vertical wall on a track and dress it to appear as the floor so that the actor was able to pretend to hit the ground without hurting himself. On “Drowning,” as he has done on many of his past productions, Wang utilized his excellent CGI skills to create a revisualization animation to rehearse the timing of the scene; this assisted the director greatly in explaining how the scene could work for the actor.

Through his work on screen it is easy to see that Wang is passionate about the worlds he creates for the characters in a story; and, as all of the worlds from film to film are completely different, the versatility he’s shown across projects is just another testament to his seasoned skill in creating the perfect environment for each project on an individual level.

With “Drowning” on the verge of release, and Wang set to begin production as the digital asset art director on the highly anticipated sequel “Guardians of the Galaxy 2” later this year, audiences can look forward to seeing more of art director Haisu Wang’s ingenious work on screen very soon.

Tom Stevens brings ‘A Reckoning’ to Fox’s hit psychological thriller ‘Wayward Pines’

unnamed
Tom Stevens

Canadian actor Tom Stevens has risen to the pinnacle of film and TV for his many critical roles in titles such as the WWE’s feature action movie, “12 Rounds 2: Reloaded,” Hallmark’s drama series, “Cedar Cove” and Fox’s family comedy, “Diary of a Wimpy Kid: Dog Days.”

His achievements in TV are marked by occupying role after role in many leading, acclaimed shows including “Smallville,” “Psych,” “Supernatural,” “Arrow,” “Falling Skies,” “Motive” and more.

Continuing in the same coveted direction, Stevens debuted toward the end of Season 1 in Fox’s breakout hit series, “Wayward Pines.” His acting in the role of Jason Higgins punctuated again his place among today’s top working actors and evidenced the reason why his name is rolling off the lips of many industry-leading decision makers and audiences everywhere.

The psychological thriller series, based on the “Wayward Pines” novels by Blake Crouch, was developed for TV by Chad Hodge. It follows the story of a Secret Service agent Ethan Burked (Matt Dillon) who goes to Wayward Pines, Idaho, in search of two agents who have gone missing.

In no time, Ethan learns it’s himself too who may not survive the seemingly idyllic rural town. Its inhabitants are trapped in Wayward Pines and governed by authoritarian Sheriff Arnold Pope (Terrence Howard). Those who try to escape are sentenced to a public execution called a reckoning.

Stevens unleashed Jason on “Wayward Pines” in Season 1 Episode 9, “A Reckoning.” The episode centers on Ethan’s interrogation of Harold Bollinger (Reed Diamond) and on three young men from the “Class One of the Academy.” Leading the Class One trio is Jason, and they storm a jail in an effort to reckon Harold and his wife, Kate Hewson (Carla Gugino), Franklin Dobbs (Ian Tracey) and two others.

“It’s the kind of character I always want to play,” Stevens said. “On the outside, he looks clean and proper, but on the inside, he’s an animal.”

The “Class One of the Academy” operated under the leadership of David Pilcher (Toby Jones), a scientist who founded Wayward Pines. “In this episode,” Stevens said, “Jason represented all the teachings that Pilcher has implemented on these kids. It’s a totalitarian regime implemented on small town American perfection.”

Of Jason’s characterization, Stevens explained, “I don’t want this guy to have taken a breath until he pulls the trigger for the first time. Being suffocated by society, until you get to kill, that was the sociopath I wanted to play.”

In the episode, Jason executes all of his targets except Kate, as she survives thanks to Ethan. “He saves the day at the last second,” Stevens said. “Ethan ends up coming in and shooting me.”

The role called for Stevens to act alongside Gugino for the first time, and to execute the peaking climax where he shoots her husband. Gugino starred last year in “San Andreas” and has acted in many other blockbusters such as the “Spy Kids” trilogy, “Night at the Museum,” “Watchmen” and “Sin City.”

Stevens said of Gugino, “She was a consummate professional. She was there to make the best thing possible. In every single take, she was fantastic. I had to step my game up and I felt so blessed to be around those guys.”

Filmed in Vancouver and broadcast July 16, 2015, “A Reckoning” was directed by the award-winning Nimród Antal, who directed such films as “Kontroll,” “Vacancy” and “Predators.”

“He was a rock star,” Stevens said. “It felt like being on stage at a rock show. He would come in and have so much fire in him. He would get everyone involved and everyone gets infused with passion.”

Stevens reprised Jason as he wound up surviving and appeared again in Episode 10 – “Cycle.”

“Wayward Pines” premiered last May, finished its smash debut season by July and was ordered by Fox for a second season that’s to premiere this summer.

The series has also starred Oscar winner Melissa Leo (“The Fighter”) and Oscar nominee Juliette Lewis (“Cape Fear”).

The “Wayward Pines” pilot was directed by M. Knight Shyamalan, a two-time Oscar nominee known best for “The Sixth Sense.” Shyamalan also executive produces the series. The show’s first 10 episodes have reached nearly 63 million viewers in more than 126 countries.

Model Bautista Zorio Munoz and Photographer Diego Fierce Deliver for Fashion Editorial Features

IMG_0023

Spanish model Bautista Zorio Munoz and Mexican photographer Diego Fierce teamed up to create a heavy-hitting one-two punch for fashion editorial features. The collaboration brought together two extraordinary talents – who are both atop their crafts and industries – and who deliver awe-inspiring photographic brilliance.

“I always take a strong personal interest in the models I work with, and I have been very gratified to see Bautista’s career take off over the past several years,” said Fierce.

Munoz says, “Diego is certainly a go-to photographer in the business and I’ve always come away impressed and elated in working with him. He’s a photographer who knows how to get the best out of his shooting subjects and we’ve completed some incredible work together.”

A native of Valencia, Spain, Munoz has firmly supplanted himself as a debonair male model of international commendation. He has graced the covers of Minus10 Magazine and Fantastics, modeled for campaigns for Tommy Hilfiger and Abercrombie & Fitch, and been featured as a leading model for editorials published in fashion magazines such as GQ Mexico, Caleo (Germany), Rocket, Coast, Agenda, Adon and more.

The widely achieved and celebrated Fierce has shot cover images and editorials for premium lifestyle magazines such as Ene (Mexico), HUF (U.K.) Minus10 (U.S.) and others.

Munoz and Fierce worked together on an editorial feature for Rocket magazine, a prominent men’s fashion publication headquartered in Barcelona. The feature concentrated on an athletic theme that immersed Muñoz in a modeling portrayal of a schoolboy soccer player.

“In the editorial, Bautista provided a knockout performance that was sensual, confident and very memorable,” Fierce said. “He was a natural at delivering strong poses and expressions that suggested everything from a cocky playboy attitude to that of a moody, passionate lover. He also did a brilliant job of modeling the nautical-style shirts and shorts selected for the feature, making them all look quite stylish.”

Munoz said, “The shoot was exciting and fun. The soccer theme was something that came together really well and I think we did a nice job in bringing this feature to life in a very intriguing way for the magazine.”

Munoz’ breathtaking appearance was pronounced by his muscular torso and raw, handsome physical features. But the remarkable work came together too because of Munoz’ refined ability to create exhilarating drama within the imagery.

“Bautista absolutely embodies these qualities, and infused every photo with a strong sense of emotion that set him and his work far above many of his peers,” said Fierce.

The dynamic duo again collaborated on a cover editorial feature called “Perfect Confidence” for Minus10 magazine.

“He excelled at transitioning through the many distinct outfits and looks we had prepared for him, which ranged from underwear to sports jerseys to stylish suit jackets and leather boots,” said Fierce. “Bautista always knew how to model each item of clothing in order to draw out its most attractive qualities, and played the part of a classy urban gentleman just as easily as that of a sporty athlete.”

Of Munoz’ visual presence, Fierce said, “Bautista’s rich black hair and dark smoldering features were especially vital to the look we wanted for the projected, as they contrasted beautifully with the array of light and dark pieces we chose for him.”

Represented by TWO Management (Los Angeles), NEVS (London), Paragon Models (Mexico City) and Francina Models (Spain), Munoz’ portfolio can be seen here: http://www.twomanagement.com/portfolio.aspx?nav=&subid=11653&mainsubid=11653&modelid=714762&sexid=1&a=7

Follow Bautista on Instagram:
@bautistazorio

Look Out for Dynamic UK Actress Davina Cole!

Michael Wharley.2
Actress Davina Cole shot by Michael Wharley

 

Davina Cole, who recently earned a nomination for a Best Actress Award at London’s 7th annual SOLO Festival of One Man Shows for her performance in “All the Colours,” is one fiercely talented London-based actress that deserves to be on everyone’s radar.

Her performance as Salimatu in “All the Colours,” a captivating one-woman show that she both wrote and starred in, garnered attention across continents with Tony Award winning actress Starletta Dupois saying, “Davina’s performance of ‘All the Colours’ at the 22nd Los Angeles Womens Theatre Festival was very moving filled with twists and turns says The selection of characters she plays takes you on an emotional journey and gives you a clear insight into what it’s like to become a refugee and have to leave your home. The performance was truly moving and brought me to tears.”

As a child Cole would spend her Saturdays watching old films where actresses like Grace Kelly, Julie Andrews, Sofia Loren, Elizabeth Taylor and Audrey Hepburn mesmerized and inspired her. Not one to simply dream without taking action, she began taking acting classes, which helped her perfect her craft early on in her youth.

Earlier in her career Cole took on the pivotal role of Mama Sanami in the Kabaslot Theatre’s original production of “Wilberforce Bell,” a dramatic comedy that follows what happens when a prized bell given to the village of Wilberforce in Sierra Leone by the Governor General is stolen.

The production, which was directed by Dwight Short and debuted at The Broadway Theatre in Catford, London marked a major turning point in Cole’s career. While “Wilberforce Bell” resonated strongly with the actress due to the fact that her familial roots are based in Sierra Leone, the production offered her the challenges she needed to grow as a performer and she rose to the occasion with flawless precision.

She recalls, “This play really took me out of my comfort zone, as I had to learn different elements of my home language Krio.”

Prior to “Wilberforce Bell,” Cole took on the starring role of Delilah in “1867” written by Theresa Roche, a powerful sold-out production that received rave reviews.

Since making her name known in the international theatre world, Cole has gone on to prove her prowess as a film actress with an astonishing level of depth that continues to land her leading roles.

Today Cole is known for her roles in films including Rodney V. Williams’ “Therapy Sessions,” award-winning director Francoise Ellong’s “When Soukhina Disappeared,” and Simon Gedney “Cyborg Ninja vs. Vampires,” and the Discovery Channel TV series “Sinister Mysteries.”

Davina Cole has an undeniable knack for taking on strong women characters, something she has proven through the plethora of theatre productions she has done to date; but in Caleb Davis’ film “Two Easels” where the actress played the starring role of Kate, Cole revealed her ability to create the perfect balance between her character’s tough exterior and the subtle vulnerability of her inner yearning for love.

A ‘When Harry Met Sally’-esqu light-hearted comedy, “Two Easels” follows two street artists, Kate and Jack. When Jack tries to move in on Kate’s local wall, Kate gets increasingly frustrated until a competition is set to decide which artist has the strongest skill. In the midst of the heated competition a strong attraction forms between the two artist and Kate and Jack go on to not only fall in love, but form a fruitful artistic collaboration as well.

In Williams’ film “Therapy Sessions,” Cole heightened the story’s drama and showed the sharpness of her proverbial teeth when she took on the starring role of Sandra. A highly regarded and sought after relationship therapist, Sandra appears to have it together, at least when she’s leading a therapy session; but in her everyday life, Sandra struggles with her emotions as much as her patients.

A film that examines what happens when the lines between a therapist’s personal life and her relationship with her patients begin to blur, “Therapy Sessions” follows Michael and Lidia, a struggling couple who hire Sandra to help them work out their issues. When Sandra receives a call towards the end of their session, Lidia’s suspicion over Michael’s infidelity is brought to a head when Sandra violently calls out Michael for having an affair with her sister.

Looking towards the future, Cole says, “I hope to get meatier roles, which will push me further as an artist. I really admire the body of work and talent of Angela Bassett and Viola Davis and I would love to work them.”

In addition to shooting the upcoming soap opera “My Church and Family” where she takes on the leading role of Vivian, Cole is currently taking her one-woman show “All the Colours” on tour in the UK.

 

 

 

Actress Sidney Leeder Draws Us In

Taylor McKay
Actress Sidney Leeder shot by Taylor McKay

 

For an actor, much of the work that goes into physically becoming a certain character comes down to identifying and creating their mannerisms, idiosyncrasies and the way they carry themselves. Movement in itself is a form of communication, something Canadian actress Sidney Leeder knows all about.

Audiences across continents will recognize Leeder from her roles in the films Debug, The Hazing Secret, Salem Falls, and Goon, as well as the hit television shows Beauty and the Beast, Reign, Lost Girl, Debra, Alphas and more; but prior to becoming the sought after actress she is today, Leeder was a professional dancer.

The grace and flawless movement that she brings her characters to life with on screen makes it easy to see that her extensive training as a dancer has made her a more intuitive and dynamic performer than most of her contemporaries.

In the 2011 Lifetime film Salem Falls, an adaption of Jodi Picoult’s 2001 novel of the same name, audiences had the opportunity to see Leeder in the pivotal role of Catherine, a young teen who falls in love with her teacher and subsequently turns his life upside down when she claims rape. Directed by Bradley Walsh (The Listener, Turn the Beat Around), the film follows Jack McBradden played by James Van Der Beek (Dawson’s Creek), a high school teacher who tries to make a new life for himself in Salem Falls after Leeder’s character tarnishes his reputation.

Unfortunately for Jack, his past comes out and turns the whole town of Salem Falls against him except for the one woman, Addie Peabody played by Sarah Carter (Falling Skies, Rogue), who goes to great lengths to track down Catherine and prove Jack’s innocence.

Although Salem Falls was one of the earlier films in Leeder’s career her performance comes across as that of a seasoned veteran.

“In one of the most pivotal scenes of the film I confess to lying about my alleged affair with professor… The scene takes place while walking down a long passageway. It was lengthy and revealing dialogue that required serious mental concentration. This character was also a challenge to play, as she needed to have just the right balance of maturity and naivety,” recalled Leeder.

“Prior to shooting I talked a lot with director Bradley Walsh about the characters motivation and significance. Having the opportunity to delve into such a complex character so early on in my career was an amazing challenge.”

Leeder’s career continued to skyrocket after the release of Salem Falls with the actress going on to land multiple guest star roles on television shows such as Life with Boys, The L.A. Complex, Degrassi: The Next Generation and Satisfaction. In 2014 she was cast to star in another Lifetime movie, The Hazing Secret, where she took on the riveting role of Melissa.

The storyline of the film revolves around the death of Leeder’s character Melissa, a naïve college freshman who makes out with the boyfriend of one of the sister’s of the sorority she’s pledging. Nancy, the sorority leader, revives the old practice of hazing in order to punish Melissa for her mistake, but when she locks Melissa in a coffin the young pledge suffocates and ultimately pays the price with her life.

Over the course of the film, Megan, one of the sorority sisters who is played by Gemini Award winner Shenae Grimes-Beech (90210, Scream 4), makes it her mission to expose the crime and the truth about Melissa’s tragic death. The film, which was directed by Jonathan Wright (Nostrum, A Very Merry Mix-Up), was nominated for an award from the Directors Guild of Canada earlier this year.

If there was ever any question over Leeder’s emotional capacity as an actress her knockout performance in The Hazing Secret proves that she can bring the waterworks with natural believability and make an audience feel for her character like the best actors in the industry.

 

DEBUG POSTER
Poster for the film “Debug”

 

Last year Leeder also starred as Lara alongside Adrian Holmes (The Cabin in the Woods, Elsium), Kjartan Hewitt (Capote), Jeananne Goossen (The Vow, The Night Shift) and Jason Moma (Game of Thrones) in David Hewlett’s (A Dog’s Breakfast, Rage of the Yeti) sci-fi horror film Debug.

Convicted of eco-terrorism, Leeder’s character Lara, along with five others, are placed into a work program aboard a dilapidated spaceship where they are assigned the task of debugging the ship’s artificial intelligence, but their job aboard the ship proves to be far more dangerous than simple computer hacking.

“Lara is very intuitive right from the get go. She warns the others that something about this mission feels wrong and explains that she is sensitive to the energy of her surroundings but is ignored,” explained Leeder. 

When Iam, the ship’s AI played by Moma, feels the threat of annihilation, he begins fighting back in surprising ways killing most of the hackers aboard the ship including Leeder’s character Lara. Lara’s death is one of the most shocking of all as she is virtually raped to death.

Thinking that she is going to try out a kinky method of virtual fraternization with Mel, her beau on the ship played by Hewitt, Lara follows the ships orders and enters its sensory system not realizing that Iam is luring her into a trap.

“She is asked to remove her clothing and enter a pool of crystal clear liquid. As she does this she is transported virtually to a blood stained prison cell where Iam awaits her. It is there that he, and every other man who has set foot on the ship rape and beat her to death,” said Leeder.

“While mentally she is in this virtual reality, Lara’s physical body is actually drowning in the sensory system pool she entered. By the time Mel finds her it is too late and she is already dead.”

From playing the catty teen girls everyone loves to hate to the sweet and innocent girl next door and everything in between, including a psycho serial killer in the film The Killer, Sidney Leeder has revealed herself as an artist with exponential talent. She also recently finished filming multi-award winning director Rachel Meyer’s film Lunch, which premiered at the Beverly Hills Playhouse Film Festival last month.

“Being on a film set is one of my favorite places. It’s like stepping directly into a storybook. Acting gives me a natural high and allows me to explore myself, connect with others and imagine endless possibilities. I act because not acting simply isn’t an option. The need to perform and create has lived inherently in me for as long as I can remember,” admits Leeder.

 

Showstopper Tate McRae Has Our Attention!

Rob Daly Phot2
Canadian Star Tate McRae shot by Rob Daly Photography

From contemporary dance to jazz and ballet, 12-year-old Tate McRae is a force to be reckoned with whose performances on stage and in film are impossible to take your eyes away from. The young star, whose become quite a celebrity in the Canadian entertainment industry over the last few years for her far reaching talent as an actress, dancer and singer, has achieved unparalleled diversity in her career.

Tate began dancing at the age of 6, and by the time she was 8 years old her beloved hobby had turned into a full-fledged career. Her ability to move her physical being and embody the music she dances to with the utmost skill and grace is astonishing. As a dance competitor, she is a tough opponent for any dancer to go up against, but she doesn’t dance for the awards as much as she dances for the underlying reason that performing is a part of her soul. It is something that she was born to do.

She admits, “Even in my spare time I chose to do something that has to do with the arts. I am always singing or dancing around or listening to music! I have been like that since I was a little girl. Even before I took lessons I was always putting on shows!”

Some of Tate’s dance accomplishments to date include winning the Junior Best Dancer Award at The Dance Awards in 2015, the Silver Medal Solo Award and Bronze Medal Pas De Deux Award at the 2015 YAGP (Youth America Grand Prix) finals in NYC, 2014 NYCDA (New York City Dance Alliance) National 1st Runner Up Mini Outstanding Dancer, and Mini National Best Dancer Award at The Dance Awards in 2013.

She was also selected as one of the few dancers to be a part of DancerPalooza’s Beat Squad, a group of America’s top competitive dance soloists selected to perform on the Hall of Fame Performance stage during DancerPalooza in California in 2014 and 2015.

Earlier this year she also performed at the Rule The World NUVO Closing Show in Calgary, Canada, which you can check out below.

 

Tate’s undeniable skill backed by her reputation as an extraordinary dancer has also benefitted her in her career as an actress. After signing with her current agency, Stars Academy Talent, several years ago, she began landing leading roles in television shows, films and commercials.

She explains, “I got into acting through my dancing and singing. I love musical theater and had to learn to develop characters for my songs… The same day I got an agent I booked a job doing voice overs for the show Lalaloopsy!”

As an actress Tate is known for her work as the voice of Spot Splatter Splash on the highly successful animated series Lalaloopsy, which aired on Nickelodeon and Nick Jr. in the U.S. and on Treehouse TV in Canada before moving to Family Jr. in 2014.

Aside from starring in 17 episodes of the popular children’s series, she also starred in the Lalaloopsy: Band Together video, which was released in August, the 2014 Lalaloopsy Ponies: The Big Show film and the 2013 Lala-Oopsies: A Sew Magical Tale video.

Last year she was a featured actress in Toyota’s commercial “Can’t Win Everything – Prairie Pageant.” Earlier this year she gave a dazzling contemporary dance performance in a music video for the CASBY and four-time Canadian Radio Music Award winning band Walk Off The Earth’s hit single “Rule the World.” In addition to being featured in promotional dance videos for Triple Flip, and modeling for dance companies including Capezio and Twear, Capezio also sponsors for her work as a dancer.

Tate admits, “Dancing has helped me with my career as an actor because I have made so many more connections through dance. The 2 worlds really do cross over. Dance has given me lots of confidence and has made me really comfortable performing. I do not get nervous when I am asked to recite lines or play a character.”

If her skill as an actress and a dancer wasn’t impressive enough (and of course, it is), Tate also happens to be an exuberantly talented singer. In fact her singing voice can be heard on a radio commercial for Resorts Of The Canadian Rockies, as well as in the show Lalaloopsy when she takes on the role of Holly Sleighbells.

You can get a glimpse of just how extraordinary of a singer she is in the video below where she performs a dance at The Dance Awards in NYC in 2014 to her cover over the song ‘Human’ .

 

Q & A with Swedish Bassist Martin Fredriksson!

Irving Ong
Bassist Martin Fredriksson shot by Irving Ong 

 

The bass stylings of musician Martin Fredriksson have taken him around the world and has led him to play sold out shows with a range of bands and artists that span practically every genre, with each new project only further proving Fredriksson’s unparalleled versatility as a leading bassist in the industry. While he is still in his early 20s, Fredriksson has attained more success over the last 10 years than many musicians manage to accomplish over the course of a lifetime.

He currently serves as the bassist in Malloy band with band leader Michael Sims, Anduze band, singer/songwriter SuVi Suresh’s band and the band of Kendall Lake. He is also the bassist for the band Dream Alive alongside drummer David Meyer, who also happens to be the drummer in Frank Ocean’s band and previously played with John Mayer.

Fredriksson also played bass in the band Radiorelics, which has received incredible international attention, most notably for their song ‘Jack Daniels,’ which remained on the Billboard Hot Singles Sales Chart for the majority of 2014 making it to No. 9. In addition to being played on more that a 115 radio stations, ‘Jack Daniels’ also made it No. 23 on the National Airplay Top 50 Rock Chart. The band continues and has since changed their name to Mary’s Mischief.

As a bassist Fredriksson is known for his shocking versatility and magnetic stage presence, which have been a huge factor in him becoming the sought after musician that he is today. From the more psychedelic, melodic rock style of the band Dream Alive to SuVi’s sultry R & B sound, Fredriksson’s talent on bass is never ending.

In 2012 he also played bass on stage for Laura Warshauer, who was chosen by BMI and the Songwriter’s Hall of Fame to be the recipient of the first ever (Buddy) Holly Prize, at the Lollapalooza festival in Chicago.

Fredriksson has earned an impressive list of accolades for his skills on bass; in fact, he was given the Musicianship Scholarship for the Bass program at Musician’s Institute in Los Angeles in 2011.

You can check out Martin Fredriksson rocking out on bass with the band Dream Alive in the video below:

 

To find out more about this incredibly talented international musician make sure to check out our interview below!

 

Where are you from?

MF: From Nyköping In Sweden, 1 hour trip Stockholm. A great town to grow up in as a future musician because it’s a city filled with a lot of bands and young musicians.

How and when did you get into music?

MF: My parents bought a bass and a guitar as Christmas gifts for my sister and I when I was about 10 years old. I took the bass and have never let it go since.

In Sweden we have public music schools that offers all children the opportunity to learn to play instruments or sing at a very low cost. I started as early as possible, at 10.

My bass teacher probably saw my interest in music and some of my skills as he let me sit in and accompany his guitar students during their lessons. About two days a week I went directly from school to the music school for these extra sessions. The students I accompanied were often much older than myself, which gave me a lot of challenges as a new musician. During these sessions I learned a lot about how to be alert and really play for and with other people. Sometimes I’d complain that the time I spent at the music school was so short; and my teacher would then joke that there were no other students that spent as much time as I did there.

My first band, The Junk, was initiated by my bass teacher. He waited until I was 12 years old and then he asked me and some of the most talented students in the music school to meet and form a rock band.

From then on it’s been moving on in a good pace with a lot of different music and artists.

How many instruments do you play and how long have you been playing each?

MF: I play a little bit of upright bass and I have started to play some piano at home just for joy. I also took weekly solo singing classes at the local school of music for 2.5 years. I have just been practicing as background singer in bands on stage.

What did music do for you?

MF: Music has been a big part of my life from the start, both by listening and practicing the bass and learning to play songs by ear. I get very calm and concentrated when playing which really only happens during those times. When I had to do school work at home I often took breaks just to play for a short time so that I’d be able to continue with the school work again.

When I was 16 I was chosen as a young “successful” musician to be presented in a poster together with about 100 other people with different backgrounds and ages from my home municipality. There was a quote from the interview on the poster at the exhibition that said: “Life flows when you play, everything will be alright!”

That is still my experience. I am always very comfortable when I am rehearsing and performing on stage, pretty much anytime I get to hold my bass.

Why are you passionate about playing music?

MF: I love to feel the vibes while performing with other professional musicians. It’s just a very passionate flow and it is also very satisfying to see the response of the crowd, audience and band members.

Also arranging music together with a band and feeling that we have created something great together is very satisfying.

Who are some of your music influences, and how have they influenced you?

MF: My first big influence was a blues musician, Memphis Gold; and my first concert was a big blues festival in Sweden where he was playing. We were walking around and he caught sight of me because I was so young I guess. He gave me this record, so what could I do? I just had to play the bass along to all the songs on the record; and since then I have always loved playing blues.

Then there was a time of admiring Iron Maiden and other bands that played melodic hard rock. It was also a big challenge to learn to play their songs. Another big influence I’ve had for many years has been Eric Clapton. From there on I’ve found a bunch of other musicians that have influenced me in a lot of different ways.

How would you describe your personal music style?

MF: I love to play many different genres, but I guess my heart right now belongs to soul, funk and blues. A very important part when I am involved in arranging is that the songs is very melodic and also has variations in melody and strength. I like to play very melodic and love to improvise, in the settled frames of course. I really like to have a strong connection with the drummer I’m playing with because that creates a strong backbone for the rest of the band. I’m very fond of playing very rhythmical bass lines that are kind of at a crossroad between the drums and melody.

Which bands and or projects have you played in?

MF: I play in a lot of bands and for many artists. I’m a part of the bands of Suvi Suresh, Malloy, Anduze and Kendall Lake as well as the groups Dream Alive and Mary’s Mischief (formerly Radiorelics).

Some other bands/artists/musicians I have played with are guitarist Johann Frank who was supported by Phil Collins and is currently touring the world with Engelbert Humperdinck, Major Myjah, who is signed to Warner Brothers, Jasmine Villegas, and in 2012 I performed with Laura Warshauer at Lollapalooza. Some other artists are Caitlin McGrath, Tore Bojsten, Mimi Rom, Cody Sky, Jennie Tran and Q’orianka Kilcher. I have recently recorded eight songs for a Japanese hip hop artist called Daichi.

Have you released any music videos with any of the groups you’ve played with?

MF: I’ve done several music videos with the band Dream Alive for the songs ‘Don’t Say No,’ ‘Waiting So Long,’ and ‘Drifting Away’ all of which were made by veteran film producer Irving Ong who’s produced several Hollywood film including Heartbreakers starring Jennifer Love Hewitt and Sigourney Weaver. We also released a video for the song ‘See You Tonight,’ which was created by Fred Teng. We’ve also been working on some live performace videos shot live in studio with the singer/songwriter SuVi.
What are the challenges of being a professional musician?

MF: The constant stress and pressure to always be well prepared and ready for anything. Last minute changings happens all the time. And there are no certainties or guarantees in the music business; it’s all up to you.

What do you think separates you from other musicians?

MF: Coming from Sweden it is not easy to express this, but I am often told that I contribute to a very tight, steady and powerful rhythm section and that I have a significant powerful tone when I play. That in combination with a melodic and sensitive way of playing is perhaps what I contribute with in a band.

People also tells me that it really looks as if I enjoy acting on stage, which I really do. I always want to be prepared before the shows so that I can concentrate on the collaboration with the singer and the other musicians and feel comfortable improvising my bass playing.

How do you feel when you’re playing on stage? Was it something you had to get used to, or were you immediately comfortable in front of the crowd?

MF: I think people can see that I love what I do, sometimes I just lean back, close my eyes and enjoy the moment, and thereafter, enjoy the moment by being very active on stage. I have had this longing to play on stage from the start.

I have been performing frequently since the age of 13, and feel very comfortable in my bass playing. Therefore I can be very relaxed on stage and just enjoy the flow and the feedback from people in the crowd.

Aside from playing music in the bands you play with, do you write any of the music or lyrics?

MF: I write songs as a co-writer in several of my bands. It is very inspiring getting in a very creative feeling and then hear the complete song. I started to write songs together with my first band at the age of 12.

Can you tell us about some of your upcoming releases?

MF: The band Dream Alive will release a new video soon. It supports the title song of our latest CD, “Drifting Away.” The CD has got great reviews, which is very promising for the future. We are now discussion the dates for a tour in India to Chennai. It will be in the beginning of next year, but the dates have not been decided yet.

What are your plans for the future?

MF: My plans for the near future is to continue to play in professional bands and collect as much experience as possible by doing this. I have had great luck being asked to join bands with very professional and well-known musicians, who I had only read about before. It has been very inspiring and motivating to have been accepted by my fellow musicians.

All parts of being a musician is great; writing songs, rehearsing, recording in studios, playing in venues and touring.

What do you hope to achieve in your career as a musician?

MF: As nearly all musicians, I hope I will be able to work as a musician and earn my living by doing that. Then of course I hope that I will have the possibility to develop my skills as a bass player and keep the love of music going. And of course it would be great if I could get another hit-song with a band. We had a Billboard hit with the band Radiorelics in 2014 called ‘Jack Daniels.’

Have you won any awards for your work? Can you tell me about them?

MF: I got the bass scholarship for bassist when I enrolled at Musicians Institute. When I was 12 years old I, together with some friends from school, started a band and we worked really hard composing and rehearsing. We won the Culture Prize from a magazine called Frotté when I was 13. Our first real gig was at the castle of Nyköping in front of a big audience, when we got the prize.

Two of our songs were voted in on a regional radio station’s top list (Top 5) when I was 14 or 15 years old. It was very exciting the first time we were on the chart as the whole class was listening together in the class room.

Why is music your passion and chosen profession?

MF: It has been a dream since the early teenage years. I immediately felt that music and playing bass was something I immediately could relate to. It just feels meant to be so I’ll keep doing what I love most.