Editor Oliver Harwood turns Good Stories into Great Films

Editor Oliver Harwood
                                                                 Editor Oliver Harwood

Oliver Harwood understands better than most what it takes to turn a good story into a great story. His work spans the Atlantic, he’s been trained in one of the most exclusive and prestigious film schools in the world, and his talent has been essential to the success of an ever-growing list of award-winning films. So what does it take to make a good story great? It takes the keen eyes and ears of an editor.

Just this year, Share, a film edited by Harwood and directed by Pippa Bianco, premiered at the massive Austin-based SXSW 2015 festival where it won the Special Jury Recognition Award for Narrative Short. Share tells the story of a young girl’s return to school after being in a sex tape that gets shared online.

Harwood fell in love with film-editing inadvertently, when as a teenager he and a friend began filming their own comedy sketches. He became enthralled with cutting, splicing and arranging the clips, and in so doing found that the way stories are told on film come down to decisions made by the editor. Within a few short years, the young Brit was enrolled at the American Film Institute, known the world over for producing some of the biggest names in entertainment and filmmaking.

In 2013, Harwood edited Gala Goliani’s (What the Monkey Saw, Worship) film Red Rider, a dystopian thriller set eight years after a disaster turns the world into a wasteland. The intense action follows Adena, played by Abigail Wilson (Cigarette, The Half Man), as she roams the wastes seeking revenge on a vicious biker gang. A marvelous editing job to say the least, Harwood uses the character’s voice to narrate her thought process as she plans her mission, which gives viewers entry into her world without the overuse of dialogue to explain her plight.

The film was an Official Selection by several film festivals in 2014 including the San Jose International Short Film Festival, the La Femme International Film Festival and the NewFilmmakers New York Winter Festival. It also won the awards for Best Actor and Best Cinematographer at the Los Angeles New Wave Intl’ Film Festival.

After Red Rider, Harwood was tapped by director Leonard LoBiondo (Inheritance) to edit the film Reaver starring Kelly Blatz (Prom Night, 90210, Chicago Fire). A hair-raising chiller, Reaver is the haunting story of two siblings who come face-to-face with the evil specter that spirited-away their father. Reaver won the festival prize for Best Lovecraft Short at the 2014 A Night Of Horror Film Festival.

“Starting Reaver, I was pretty comfortable with myself as an editor, and was ready to experiment with my approach to collaborating with a director,” Harwood said.

A huge part of making a great film comes from knowing how to communicated and collaborate best with your fellow filmmakers. Harwood has been editing films long enough to what he needs to achieve the best possible film, and for him, that has to do with having his own space to create without someone looking over his shoulder. So, when it came time to start editing Reaver, Harwood suggested the use of a separate monitor where the director could view the progress without looking over his shoulder.

That decision really paid off. Harwood recalled, “It helped the director keep a better sense of perspective on the movie… he was much more able to astutely observe how much tension we could bring out from each shot, and how the following shot could be used to further enhance and build on that tension.”

Hot on the heels of Reaver, Harwood began work on Contrapelo in 2014. Directed by Gareth Dunnet Alcocer (Dig!, Exodo), Contrapelo was a huge change of scenery for Harwood. While the film’s dialogue was in Spanish, a language Harwood didn’t speak a word of, he managed not only to do the job, but to edit it into an awe-inspiring and gripping film. Contrapelo focuses on a cartel boss, a barber, a straight razor, and one of the most difficult decisions a person can be forced to make.

“Because I was unable to understand what was being said, I was able to decontextualize the line and turn the dialogue into something like music,” said Harwood, explaining that in a way the language barrier helped him with editing. “The rhythm and tone of the words being spoken helped me guide each cut based on feeling.”

The film’s recognitions included countless awards including Best Indie Short Film and the Audience Award at the 2014 Cine Gear Expo, the Best Short Awards from the Las Vegas International Film Festival and the Los Cortos International Film Festival, as well as nominations for Best Overall Short Film at the Calgary International Film Festival, the German Independence Award for Best Short Film at the 2014 Oldenburg Film Festival, and Best Narrative Short at the world-renowned Tribeca Film Festival.

Harwood’s mastery of his craft is the result of his incredible training, extensive experience and raw, innate talent. He possesses the rare skill to find the exact crossroads between technical genius and creative visionary. His work is certain to leave viewers not just satisfied with the cinematic experience, but contemplating some of the most serious issues facing the world today. And that, after all, is the difference between a good story, and a great story.

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Documentary Filmmaker Liliya Anisimova!

Director and TV Journalist Liliya Anisimova
         Director and TV Journalist Liliya Anisimova

Liliya Anisomova is a driven journalist who has always known what she wanted. As a young girl she would climb inside the cardboard box turned TV set, created by her grandparents, and drift away into her fantasy. For years she would play pretend, imagining herself as a news anchor; but she wouldn’t have to pretend much longer, as her ambition would soon make her dream a reality.

Even though she had been freelancing since the age of 13 it wasn’t until age 16 that Liliya kicked her goals into overdrive. Not one to wait around for things to come to her, Liliya moved from her hometown of Volgograd, Russia to Moscow to become a TV Journalist. Her forward thinking and direct approach has lead her to many opportunities. When she felt like she wasn’t getting the experience she needed she didn’t sit around feeling sorry for herself, she got up and did something about it.

When Liliya, a self confessed travel junkie, stumbled across the Russian Travel Guide one afternoon it was love at first site. After contacting RTG TV, she was a part of the team in less than 24 hours. Through her role at RTG, she was lucky enough to work with a range of talented directors, which planted the seed for her next move.

She says, “The more I was watching experienced directors working on documentaries for Russian Travel Guide the more I wanted to try it myself. I learned a lot while working there, but I knew it was time I did it myself.”

Watching directors work their magic sparked something within Liliya. She wanted to share her vision and help others share their stories; and, ever since she began her directing journey, she has continued to produce compelling documentaries.

She moved to New York soon after where she began directing her first documentary, Magic of the Underground. The film details the life of Steve, a generous New York Subway magician who not only got people to notice him, but also brought laughter to his audience. As this was her first documentary, Liliya learned a lot about the relationship between a director and their subject– something that would serve as an important lesson for all of her future film projects.

About working with Steve, Liliya explains, “He let me into his life. Sometimes it was even overwhelming, as he would call me in the middle of the night crying and complaining about depression, or other personal problems.”

Liliya’s more recent film Love is the Highest Law, which was released at the end of 2014, is just as touching, but this time she chose to take on the politically charged and controversial topic of gay rights in Russia. As an Official Selection of the Queer Film Festival, Liliya’s film screened at the University of Oregon where she was invited to talk about gay rights and her experience making the film.

Something that comes across in all of Liliya’s work is her incessant bravery. She is not afraid to be honest, share tough stories and speak up for what she believes in, characteristics that make all of her projects as informative as they are groundbreaking.

Nuh Omar uses his Imagination to Create Powerful Stories

Nuh Omar
Nuh Omar shot by Khawer Jadoon Photography

The clear-plastic cup of water trembled more intensely with every step. The once-extinct Tyrannosaurus reached the pair of SUVs, came face-to-face with their inhabitants and let out a thunderous roar.

Pakistan-born Nuh Omar watched the genre-defining, blockbuster film Jurassic Park in the theater as a five-year-old and knew what he wanted to do for the rest of his life – direct films. Though it wasn’t the first movie he’d seen, it was the first time it really clicked that he was watching the creative work of another person. He immediately set his sights on filmmaking, and continued to develop his talents as a screenwriter in his teens.

Omar’s first feature film as writer and director, tentatively called Untitled Imaginary Friends Project, is set for release in 2017. The film’s groundbreaking plot is about the journey of an imaginary friend, and what happens to imaginary friends when children are finished with them.

“It’s a fun, journey movie, a fantasy drama, inspired by Pixar films and E.T.,” Omar said.

Monster in the Closet, one of Omar’s earlier films, was also inspired by Pixar. Omar wrote and co-directed the live-action fantasy film about a boy fighting a monster in his closet with Rebecca Hodges (Rust, Loves Me Not, The Usual Stuff).

Omar, a toy collector, was overjoyed to see his “toy characters” come to life as humans on-screen.

But Omar’s talents have stretched well beyond the childhood-inspired portion of his deep imagination. He directed Lazy Accident, a THX 1138 and 2001: A Space Odyssey-inspired dark comedy, with Justin Graniero (A.C.O.D.) and Michael Robertson (A Measure of Faith).

“The setup for the punchline was important,” Omar said. “We knew we had to approach the film with the mindset that this was satire.”

Thematic elements have always been Omar’s key to success.

“They are fantastical, surreal and aberrant,” Omar said. “My style takes the real world and mixes in the abnormal as if it was something ordinary.”

Omar’s use of nostalgia is another way the skilled director has hooked his audiences.

“I try to make each one reach out and connect with something in the audience’s past, something we all have in common,” Omar said. “That varies from project to project, but the sense of it remains the same across.”

Omar is undoubtedly a masterful director, but he hasn’t limited his talent to just the silver screen. He also developed a comic book series called I’m Here, which is a 12-issue project about a crypto-journalist named Jonas who tells the stories of urban myths and legends from their perspective.

Thematically, the comic book is about the disappearance of American values told through the eyes of an observer who is merely a part of a larger story arc.

“It’s a scary step,” Omar said. “I’m a comic book fan, but attempting to do one is surreal. It’s a very difficult feeling. I’ve never written a comic script, so the experience was enlightening.”

Like the Tyrannosaurus in Jurassic Park, Omar learned to thrive in a new, unfamiliar world. The multi-talented director and writer has undoubtedly earned his stripes on the big screen and in the world of comics.

“I hope that someone out there gets to enjoy a story, and become inspired to do something different as I was,” Omar said.

Omar’s forthcoming Untitled Imaginary Friends Project will release in 2017, and will unquestionably break new storytelling ground with its fresh spin on the classic concept of imaginary friends.

Russian Television’s Leading Lady, Yana GoodDay!

Yana GoodDay
Yana GoodDay shot by Bernie Walls

The name of supremely talented Russian celebrity Yana GoodDay has become synonymous with entertainment. An inimitable radio personality, charismatic television host, mercurial actress and a drop-dead gorgeous model, GoodDay first began laying the foundation for her career in the late 90s when she accepted an offer to tour the South of Russia as a podium model with “Prestige,” a company known for it’s unique theatrical fashion performances.

For GoodDay, this was only the start of the incredibly fruitful career she has created for herself today. Her initial success in the entertainment field came at the start of the new millennium when she was offered a job as a radio host for the show “Formula of Luck,” which featured a number of Russian celebrities.

She recalls, “I started my work as a radio host in 2000, at the age of 16. I got an offer to do so right away after winning the beauty contest “Miss Russian Radio 1999″ in Pyatigorsk.”

As the host of “Formula of Luck,” which aired on the massively popular Russian Radio, GoodDay travelled around the city streets in a car specially-outfitted with mobile broadcasting equipment while interviewing drivers.

In 2006, GoodDay made her debut leap into television when she was invited to host Success Stories, which aired on the TDK Channel. By then, the talented young beauty had already earned her stripes in the industry having won two beauty contests, and being chosen to model for several high-profile companies including Ro-Color and Revlon.

Her instant popularity on Success Stories led her to be offered the position of host on the live show Sexual Revolution, which she still hosts today. GoodDay was able to help uncover some of the most groundbreaking findings in the world of sexuality and sexual health through her interviews with some of the foremost experts in the field. A testament to GoodDay’s talents as a host and the overall success of Sexual Revolution, the show received Best Erotic TV Show of the Year from the International Erotic Arts Festival from 2010 to 2012.

GoodDay also worked as the director, scriptwriter, reporter and host on Reports about Egypt, a series promoting tourism destinations and lodgings in Egypt.

“We had to cover about 10 hotels in different areas along the Egyptian Red Sea coast within a week, so we had to film one or two hotels per day,” says GoodDay. “We had to work fast and be creative.”

As a result of her work as the host of the show, GoodDay adds, “I’ve learned a lot about hotel design, architecture, art directing, tourism business and Egyptian antiquities.”

GoodDay was also asked to host the state lottery program Gosloto, a popular news and variety program featuring celebrity guests, musical acts and of course, the lottery. Being chosen to host such a highly watched program puts GoodDay in league with Vanna White, the leading lady from the popular American show Wheel of Fortune.

Quickly becoming a staple of the show, GoodDay was not only broadcast on live television as a Gosloto host, but the position also gave her an opportunity to work with one of her longtime idols, Tina Kandelaki.

“As one of the hosts of Gosloto (State Lottery), I was honored to work with Tina Kandelaki, one of the most successful and popular TV host/journalist/producers in Russia,” explains GoodDay. “She was always a role model for me.”

The diverse nature of Kandelaki’s successful career in the entertainment industry easily made her the perfect inspiration for GoodDay in her youth. The co-owner of Apostol Media, the production company behind Gosloto, Kandelaki has been honored with three TEFI Awards, an annual award given by the Russian television industry, and an Astra Award for “The Most Stylish TV-hostess,” among others.

Like Kandelaki, GoodDay has also found remarkable success in the industry thanks to her diverse talents. As an actress, she has landed a lengthy list of starring roles including the role of Liza in the hit sitcom Kids in the Cage.

“It’s a backstage parody of modern music shows,” says GoodDay. “My character Liza was a ‘golden kid’ and was chosen to participate in the show because of her father who is one of the investors.”

Aside from Kids in the Cage, Yana GoodDay played the role of Olga Radosteva in the series The Fortune Teller, Dasha in Detectives, Alla in Understand and Forgive, Angela in Daddy’s Daughters, as well as several roles in the show Sled, and many more.

Additionally, GoodDay displayed her raw talent as an actress in the lead role of Katya in the film The Waiting, which she co-wrote and produced as well.

Actor, writer, director, producer, hostess, model – whatever hat this astounding young talent decides to wear, she is all business… and business is good.

In addition to hosting Gosloto, Yana GoodDay also hosted several episodes of Bingo-Boom Lottery, which you can check out above.

Guitarist Jonas Blomqvist Impresses Fans of Every Genre

Superfix
Jonas Blomqvist, guitarist for Bhavana Reddy, Superfix, & Second Nature

Sweden, home of some of the most talented classical musicians such as Wilhelm Stenhammar has also birthed many of the most recognizable names in heavy metal, electronic and pop today, including The Knife, The Cardigans, In Flames, Peter Bjorn and John, The Hives, José González, Fever Ray and others.

Among these talented musicians is Jonas Blomqvist, the highly skilled guitarist from the bands Everwhere, Superfix, Bhavana Reddy, Rachelle and The Rising, Suns of Defiance and the recently established rock group Second Nature, which is slated to release their self-titled debut album later this year.

A true prodigy, Jonas found his talents at an early age, mastering the trombone, piano and drums at age 9. With a classical pianist for a father, music seems to be encoded in Jonas’s DNA. He recalls, “My parents played music for me while I was still in my mother’s belly by putting headphones on it.”

Upon discovering his innate talents on guitar at 14, the now highly sought after musician found the instrument that would later become his fated tool for expression.

”I have been playing guitar for 14 years now and during this time have been most influenced by the music of Guthrie Govan, John Petrucci, Paul Gilbert and Marty Friedman,” says Blomqvist. “ I have played a variety of instruments and can use all of these experiences on the guitar and with the people I play with.”

For someone as well-versed in music as he is, it is not surprising that his skill in the art form extend beyond his ability to simply play instruments with precision, for he is an accomplished songwriter as well.

His creative expertise in the realm of songwriting is proven by the recent success as the co-writer of renowned artist Bhavana Reddy’s hit single “Smells Like Rain,” which made it to the top 1% (out of 19,000) in the International Songwriting Competition last year.

After being raised in Stockholm, Sweden in the late 1980’s and 90’s Jonas left for the Musicians Institute in Hollywood, CA. The melting pot of cultural influences present in the Los Angeles music industry is now his home and incubator for a multitude of new projects and collaborations.

Some of Blomqvist’s most recent success has been with supercharged alternative rock band Superfix, led by KoRn’s Kalen Chase. This past year the group released their debut album “Never Change.”

Jonas’s aptitude for playing heaving hitting fast-paced guitar riffs is recognized throughout the album. Last year Superfix released the music video for their hit song “Invasion,” which you can check out below. Jonas carries the song with an impressive and mesmerizing riff that is impossible to miss.

This musician brings the same head banging high-energy to the video that he is known for on stage. Acclaimed for his mesmerizing stage presence, and his ability to play virtually any style of music, Jonas has also been tapped to lend his talents to an impressive range of bands and solo artists including Elaine DaSilva, Flymore, Sarah Edan, Ayin Aleph, Urvah Kahn, Only on Tuesdays and many more. He was even asked to perform on the CBS Studios lot with the CBS Band in Studio City, California in 2013.

As of February 2015 Jonas is ‘fresh off the boat’ from a 10 date tour in India with world-renowned Indian singer and Kuchipudi dancer Bhavana Reddy. Together they started the year busily promoting Bhavana’s debut album “Tangled in Emotions,” which you can check out at: http://iamreddy.bandcamp.com/

The diversity that this young musician has shown puts him in league with the greats. Keep your eyes and ears open for Jonas’ next release through his personal commercial rock project ‘Second Nature’.

Canada’s Leading Cinematographer Jonathan Bensimon

Jonathan Bensimon
Cinematographers Vilmos Zsigmond (left), Jonathan Bensimon (center) & László Kovács (right)

Jonathan Bensimon is a rare breed of visionary. As both a director and cinematographer, he exercises precise control over both the storytelling and artistic aspects of his craft. He has worked with some of the biggest names in entertainment, and his exceptional talent behind the camera has earned him a myriad of awards from some of the most prestigious institutions in the business. His work with a camera knows no boundaries in genre or format, and includes everything from feature length and short films, documentaries, dramas and comedies, to music videos for major artists and commercials Fortune 500 companies.

Bensimon began his training in Toronto, and before long earned a coveted place in the exclusive Budapest Cinematography Masterclass, a program funded by Kodak and taught by Vilmos Zsigmond. Zsigmond himself has had an enormous impact on the field, having won an Oscar for his work on Close Encounters of the Third Kind and a BAFTA for The Deer Hunter, as well as an Academy Award nomination for the latter film. During this period, Bensimon worked hand-in-hand with Zsigmond on the inimitable Woody Allen’s Melinda and Melinda.

You Might As Well Live, Bensimon’s first feature film as a cinematographer, was a dark comedy about a “loser” trying desperately to change his fortunes. The film also marked the first feature film collaboration between director Simon Ennis and Bensimon, and garnered praise from critics at publications such as Variety and The Toronto Star. The film stars Michael Madsen (Reservoir Dogs, Kill Bill Vol. I & II), and won the award for “Most Interesting Film” at the Slamdance Film Festival where it premiered in 2009.

Having proven his innate ability to capture the essence and vision of a story on film, Simon Ennis once again chose Bensimon as the cinematographer on his film Lunarcy!.

The film premiered at the world renowned Toronto International Film Festival, and has since aired on television channels around the world.

Being that the film Lunarcy! is a documentary and the subjects aren’t actors, missing the right moment means the moment is lost, it can’t be fixed by calling another take. Bensimon had to be constantly aware of the subjects in order to catch them at their most earnest, and sometimes most vulnerable, moments.

“Although this film had a comic undertone, it was also filled with heartwarming moments,” Bensimon said when describing the challenges of the documentary. “As the cinematographer on such a documentary I had to make sure the camera was in the right place at the right time to capture these moments.”

Bensimon’s artistic vision behind the camera is perhaps best exhibited in The Long Autumn, a film set in a land where seasons last 10 years. Filmed entirely in a studio, he had to rely on his raw talent to portray a beautiful environment where the passing of seasons and years is completely fabricated, yet wholly immersive and believable.

“A climactic scene takes place just before winter sets in,” said Bensimon, describing his signature technique and unique visual approach. “To light the surreal set, I used blacks and deep blues to illustrate the darkness and the drama of the scene. The film was shot on Super 16 to give the images texture and grain.”

Bensimon again applied that vision in his work on The Death of Chet Baker, a dark film about the jazz icon’s mysterious death. Exhibiting his adaptive style, Bensimon filmed primarily on a handheld camera in low light to capture the haunting mood.

His critically-acclaimed work is by no means limited to his work on films, however. He’s been receiving recognition and praise for his cinematography and directorial work on music videos for nearly a decade, and has been credited on more than 25 videos for international recording artists. Among those musicians is Grammy and Juno Award winner Nelly Furtado; Bensimon exhibited his diverse talent for cinematography in Furtado’s video, Spirit Indestructible.

Bensimon’s cinematography in the video for Canadian artist Kreesha Turner’s hit song Rock Paper Scissors was also nominated for a MuchMusic Video Award in 2012.

In addition to this immense catalog of work, Bensimon has also served as both director and cinematographer on dozens of commercials and advertising campaigns. Notably, his work directing and filming the hilarious Canadian Zombie short film, promoting the Canadian Film Festival, earned him one gold and two silver medals across three categories from the Advertising and Design Club of Canada. The promo also made the short list for the Cannes Lions, the branch of the Cannes Film Festival that awards filmmakers of advertisements; the Cannes Lions festival has been referred to as the world’s biggest ad-film festival.

His immense commercial resume also includes gold medal-winning work on several public service announcements for the World AIDS Organization, as well as both director and cinematographer credits on advertising campaigns for massive international companies such as Walmart, Honda, Mazda, Pizza Hut, Burger King, Budweiser, Tylenol, Bayer, Hitachi, Keurig and Hershey’s, just to name a few.

Nobody else in the field today can match Jonathan Bensimon’s cinematography chops. He is without a doubt one of the most talented and prolific filmmakers in the business, and his credits and commendations are sure to multiply exponentially over the coming months. Most importantly, Bensimon has exhibited a rare and masterful ability to produce work that is at times commercial, at other times entertainment, but no matter the project, his work without exception possesses the touch of a visionary and an artist.

Sought After Film Editor Andres Vergara Lends His Talents to “Stray Dog”

Andres Vergara
Film editor and VFX artist Andres Vergara

Over the past few years Andres Vergara has worked as an editor and VFX artist on some of the biggest films alongside some of the industry’s biggest names.

A citizen of both Canada and Mexico, Vergara moved to Vancouver in his youth to pursue his career as an editor and visual effects artist in the film industry. Today he has edited and produced visual effects for films featuring Academy Award winners Denzel Washington (Safehouse), Liam Neeson (Battleship) and Mickey Rourke (Immortals).

As a VFX artist, Vergara has also been tapped to lend his expertise to blockbuster titles such as Twilight: Breaking Dawn Part 1 and the 2011 prequel/reboot of John Carpenter’s classic sci-fi/horror masterpiece The Thing.

Although Vergara has clearly become a sought after talent for big budget feature films, his latest project, Stray Dog, took him back to the format that originally established his presence in the industry – documentary film.

Stray Dog is a “portrait of the life” of Vietnam veteran Ron “Stray Dog Hall, and was recently shown at the New York Film Festival and BFI London Film Festival. The film won Best Documentary at the Los Angeles Film Festival, and was nominated for Best Documentary Feature at the Independent Spirit Awards as well.

“The documentary makes a strong social commentary on America, and modern society, without the need to explain or narrate things to viewers,” Vergara said. “Rather, the film lets audiences draw their own conclusions about the events and gives viewers a unique opportunity to find their own angle on it.”

Vergara worked hand-in-hand with Stray Dog director Debra Granik to select shots, edit sequences and classify scenes from the hours of footage shot in Branson, Missouri and Mexico City.

“Granik was very clear on what she was trying to find, and she communicated her vision and ideas in a way that was profound enough for me to understand the core idea of the documentary,” Vergara said.

For Vergara, editing has been an especially gratifying experience.

“To me, the privilege of being the first viewer of a project, while also making substantial decisions with the director on which scenes have to stay or go, is a hugely rewarding process to be a part of,” Vergara said.

But the talented editor hasn’t married himself to a single genre. Instead, he’s fluidly moved between non-fiction (documentary) and fiction throughout his career, which has allowed him to diversify his talents and excel far beyond those who play it safe and remain in the same genre.

“My experience in both genre’s has constantly proven to me that there is a big reward, and competitive edge, to know the rules of both games, which has lead me to exciting projects and opportunities,” Vergara said.

One of those exciting projects was the gritty, action-packed film Safehouse. Directed by multi-award winning director Daniel Espinosa who is known for the films Easy Money and Child 44 (Tom Hardy, Noomi Rapace), Safehouse was set in Cape Town, South Africa, and starred two-time Oscar Award winner Denzel Washington (American Gangster, The Book of Eli, Training Day) and Ryan Reynolds (Green Lantern, X-Men Origins: Wolverine, Smokin’ Aces).

As a lead VFX artist for Safehouse, Vergara seamlessly added a full crowd of people into a partially empty South African soccer stadium. He used real footage instead of CGI, which added a level of excitement and a layer of realism to the sequence that CGI could not have accomplished in such a seamless manner.

Vergara also worked as a lead VFX artist on the CGI-heavy blockbuster film Immortals. Based on Greek-mythology, Immortals was directed by iconic Indian director Tarsem Singh (The Cell, Mirror Mirror, The Fall) and starred Academy Award winner Mickey Rourke and Henry Cavill (Man of Steel, Stardust).

Shot almost entirely on green screen, Immortals took full advantage of Vergara’s talents as a VFX artist to achieve the overall stunning look audiences experienced on the screen.

But Vergara’s favorite project so far has been Stray Dog.

“The narrative of the film was structured unlike few, if any, other documentaries ever done,” Vergara said.

Andres Vergara’s refined talents as an editor and VFX artist promise to keep him successfully working in the industry for years to come; and, thanks to his ability to handle diverse projects with ease, his career will continue to be one that is assuredly dynamic in scope.

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