Actor Alvaro Ramos Shines on the Big and Small Screen

Spanish actor Alvaro Ramos
Spanish actor Alvaro Ramos

Alvaro Ramos is one of those rare people who can seemingly pick up just about anything and excel at it. The worldly Spanish actor speaks four languages and has worked in virtually every city between, and including, Kiev and Anchorage. Most impressively, he boasts a list of credits that includes a multitude of hit television series and movies, a bevy of theatre productions, and a film which was showered with enough awards to drown a man.

By relying on his keen wits and unrelenting drive, Ramos has earned a lofty reputation as an actor in a class of his own. But it was his upbringing that set the stage for his future in front of the camera. Ramos was born in Madrid, a city whose flourishing culture has been legendary for centuries. His mother and sister ran a nearby travelling theatre company, and together the duo both organized and performed in countless stage productions.

The years Ramos spent immersed in that world as a boy no doubt inspired him to pursue acting as a career; it also helped prepare him for the day he was cast in the lead role of a film that went on to sweep festivals the world over and serve as a defining milestone in Ramos’ career. That film was the 2006 surrealist drama “Anonymous.”

Alvaro Ramos
Film poster for “Anonymous”

“It was the leading part so I had to deliver the best performance possible,” Ramos explained briefly. “It was a total challenge for me. I’d never played a character as intense as Fred was, [both] beautiful and hard work.”

Ramos’ character, Fred, is a writer with a looming deadline. Day after day he follows the same routine, but no matter how many hours he spends in front of his typewriter he simply can’t find the words to fill his stack of blank pages. Rather than focusing on writing, Fred’s mind is instead consumed with thoughts of Laura (Luz Altamira), the woman who lives in the apartment next door. He’s madly in love with her, but the only time he can work up the nerve to speak to her is in the stories he writes about her every night.

Alvaro Ramos
Alvaro Ramos as Fred in “Anonymous”

Terrified of missing his deadline and overwhelmed by loneliness and self-loathing, Fred cracks under the strain. He begins waking each morning to find more finished pages in his typewriter, but has no memory of writing them. With the weight of the world over his head and his sanity slipping away, Fred has to figure out what’s real, what’s just part of his dreams and what will it take to climb back out of his downward spiral.

A near-total absence of natural light throughout the film creates a dreary atmosphere which is further emphasized by the ever-present heavy and often-shifting shadows. The sounds of typewriter keys clicking and film whirring in a projector punctuate the dreamlike milieu and echo the anxiety of Fred, whose neurotic self-doubt Ramos captures brilliantly in his performance.

Perhaps the most astounding aspect of Ramos’ performance is just how much of his acting was physical, not verbal. The film’s characters speak to one another only very rarely; the rest of the time a pervasive feeling of claustrophobic isolation hangs above the already-overburdened Fred. From beginning to end, Ramos delivers a compelling rendition of a man whose mind begins to falter under the weight of it all.

The decision to cast Ramos for the part was made by the film’s director, Cristián Pozo. When Pozo first saw Ramos act in a stage production, he immediately knew beyond a doubt that he had found his leading man.

“I saw Alvaro perform… and I was totally amazed by his presence, voice and personality on the stage. He was what I was looking for for my movie,” Pozo recounted. “Alvaro Ramos is a powerful actor with an incredible stage and film presence… [and] that was reflected in the film and on the big screen. It’s clear that his fantastic performance had much to do with the great success of the film and its numerous international awards and selections in different film festivals.”

The critical response to the film was far greater than either Ramos or Pozo could have guessed. By the time the dust had settled, “Anonymous” had been screened at more than 80 film festivals worldwide. It won 20 awards from festival judges, including Best Short Film and Best Editing from the European Independent Film Festival, Best Short Film from the Anchorage International Film Festival, Best Director of a Short Film from the New York International Independent Film Festival, and Best Director from the Young Frames International Short Film Festival.

The wild success of “Anonymous” paved the way for Ramos’ next endeavors, including a myriad of prominent television roles. He’s had recurring roles on the long-running hit Spanish drama series “Centro Médico,” the young adult comedy “SMS, Sin Miedo a Soñar,” and a major role in “La Familia Mata,” a series about a modern Spanish family and the community they call home.

Musketeers
Still of Alvaro Ramos (center) in the BBC series “The Musketeers”

Ramos has also been featured in a number of biopics and historical dramas, including BBC’s  “The Musketeers” and National Geographic’s “Genius.” In the latter, he plays a priest whose life intersects with that of Pablo Picasso in an incredibly intimate way. The first season of the series, which centered on Albert Einstein and starred Geoffrey Rush, was nominated for a Golden Globe and 10 Primetime Emmys. Joining the cast of the second season was an exciting prospect for Ramos.

“I was working with an international cast, beside great actors such as Antonio Banderas,” Ramos said about his experience working on the series, which was produced in part by the legendary Ron Howard.

The boy growing up in Madrid, watching his mother and sister perform on stage, would have been awe-struck at the idea of working on a production with names like Antonio Banderas and Ron Howard. But after innumerable roles and thousands of hours spent on stage and in front of the cameras, Alvaro Ramos has grown into what he was always meant to be. Both critics and audiences are rightfully enamored with the brilliant actor, his work has been lauded with praise all over the world, and he has no intention of slowing down.

Additionally, we’ve been informed that Ramos is being considered for a role on the British-American series “Snatch,” which means he’d be sharing screen time with other notable actors such as Rupert Grint from the “Harry Potter” movies and Luke Pasqualino, whom he acted alongside in “The Musketeers.” We wish him the best of luck and hope to see him on the series this year!

 

Yayun Hsu talks pressure of producing first-ever American Influencer Awards

For award-winning film producer Yayun Hsu, being one step ahead of her work has always served her well in her field. Hsu understands better than most just how unpredictable a film set can be and learned the value of proactivity very early on in her career. She has since developed a style of producing whereby she strives to eliminate her proverbial “to-do” list on any and every set she works on. This is not to suggest that she wishes to kick up her feet and relax at work; however, it motivates her to meticulously plan each film shoot to such an extent that it could hypothetically run itself. By anticipating and accounting for any possible setbacks on set, she is always on her toes and ready to react when an issue arises. Her instinctive ability to problem solve, coupled with her desire to be an invaluable asset to any film project, makes her a force to be reckoned with in the entertainment industry, and she is taking her field by storm.

“I’m a problem solver at heart and I enjoy being a leader. In a book I read years back called Producer to Producer, the author noted that his students would often approach him to tell him that they could not afford a producer. To this he would reply, “You cannot afford not to have one.” This idea spoke to me and it became my goal to become invaluable as a producer in this industry. I like the idea of the crew needing me and I want to be that one producer that comes to mind whenever someone is looking to start a new project and to make it great,” told Hsu.

Throughout her career, Hsu has produced a number of highly acclaimed films, such as Because I Love You, and Caged Bird. In fact, after writing, directing, and producing the film Eli, she went on to receive prestigious awards such as Best Woman Filmmaker at the Los Angeles Independent Film Festival Awards in March 2017 and an Award of Distinction at the Canadian International Short Film Fest. Given that Eli was Hsu’s first major project for which she both directed and produced, she classifies it as a large accomplishment in her repertoire. It is one of the greatest highlights of her career thus far, and helped encourage her to continue pursuing filmmaking and producing for a living. In addition to Eli, Hsu considers producing the American Influencer Awards in November of this year as being another of her major career highlights to date.

“The American Influencer Awards were a unique accomplishment in my career. It represented my first “live” work, which came with its own new set of challenges. There were so many different responsibilities involved, from working with celebrities to coordinating with corporate sponsors, and more. I really learned a lot from the experience,” reflected Hsu.

The American Influencer Awards is an awards show for the online beauty influencer community. For the show, award-nominee video packages were played at the ceremony, and a live stream of the awards show was broadcasted on YouTube for fans of these wildly popular beauty influencers. With that, Hsu was responsible for conducting background research as it pertained to the nominees’ video packages, cutting demo video footage, securing an event location, a contact cast and crew, handling catering services, preparing props, and several other essential roles. In addition, during post-production, she helped edit and color-grade all of the event footage.

Interestingly, this was the first ever American Influencer Awards show and for that reason, Hsu was intrigued by the idea that she would be able to sculpt and shape something that would hopefully be such a success that its sponsors would like it to be replicated for years to come. Most importantly, however, she was both excited and nervous about the idea that she would be producing live content for the show. Her quest for perfection in her work grew with the understanding that there were no opportunities for re-dos. All of the content she was working with would be taken at face value, the first time and therefore, she exercised her best use of her skillset to ensure that her audiences could reap the benefits. She researched the show’s content, guests, and the style of live production heavily before she began planning, and after she gathered all of her ideas for nominee award packages, she and her team were able to narrow their ideas down to fifteen of the best packages for storyboarding. Her expertise was crucial in making sure that the entire production moved at a favorable pace and that the show’s events were shot with fluency. The show’s Executive Producer, Jay James, was blown away by Hsu’s contributions to the success of the show and hopes to be able to call on her again next year to make the show’s second annual awards ceremony as great as the first.

“Yayun demonstrated that she can listen well and perform under pressure. Her innate ability to multitask makes her a clear standout in my eyes. It also helped that many people that were in attendance at the event commented on how Yayun had helped them or made arrangements for them in advance, which totally gave the show an extra professional touch. We will definitely be calling her for our next American Influencer Awards show,” told James.

After months and months of tireless preparation, countless long hours, and ample effort, Hsu was relieved and grateful to hear the thanks and praise of her boss and clients. She felt proud and accomplished to know that she was responsible for the show’s success and she hopes to be able to continue that trend for future American Influencer Awards shows in years to come.

Lili Huang reflects on “Mei Mei”, one of the highlights of her career

When Lili Huang looks back on her life, she finds it difficult to pinpoint the exact moment that she decided to pursue her dreams of becoming a filmmaker. As a young child, she lived with her grandparents and fondly recalls making up stories to entertain them during family time. She would dream up a world of little ideas, laughing hysterically as she acted them out for her audience and looking forward to the next time she would get to bring her characters to life before their eyes. She was always bursting with tales to share and she quickly learned that making movies allowed her to channel that creative energy productively. Today, the talented screenwriter, director, editor, and producer, has proven herself to be a strong presence in the industry and hopes to continue to grow that reputation for several years to come.

Throughout her career, Huang as lent her talents to a number of esteemed projects. In conjunction with other filmmakers, she has worked on several international feature film productions, such as The Jade Pendant and The Bombing. For projects like these, Huang often poses not only as a contributor to the filmmaking process, but also as a communicator between Mandarin-speaking colleagues on the Chinese side of production and English-speaking colleagues on the American side of production. Her vast amount of experience working within and outside of her native country give her a unique edge above her competition.

In addition to her work with international film productions, Huang writes, directs, edits, and produces her own scripts. Through her original concept films such as Xixi, and The Flower of the Future, Huang endeavors to broaden the perspectives of her audiences and open their eyes to cultural and intellectual issues across the globe. In fact, one of the highlights of her career thus far was in 2014 and 2015, when she created Mei Mei. Mei Mei follows the life of a Chinese girl living in the United States with her American adoptive parents. At school, a new boy joins Mei Mei’s class after moving from China to America with his mother. Struggling to make friends and assimilate to American culture, Chris attempts to bond with Mei Mei over their shared heritage; however, to his dismay, she is not so keen. As time elapses, Chris begins to teach Mei Mei the Chinese language. The story eventually comes to an end when Chris must move back to China due to his illness. Fortunately, Mei Mei has their time together to cherish in her memory and is finally able to come to terms with her own identity struggles.

“I think this film is so important because identities are crucial to each and every single person, no matter where they’re from. It’s a question of who we are, where we come from, where we’ll go, and how we will recognize and appreciate the culture we belong to. So many people face these kinds of issues on a daily basis, especially if they’re exploring a new culture or place. For some people, it takes a lifetime to come to terms with these internal struggles. Mei Mei does an effective job of showing that as long as you find confidence and comfort in your own identity, the peace inside your heart will allow your bravery to shine through,” stated Huang.

As the sole creator of Mei Mei, Huang had to exercise her abilities as a screenwriter, director, producer, and editor, all at the same time. With that, she had to finesse every single detail from conceptualizing, to filming, to post-production. She began by developing her script and upon receiving approval from her advisors and mentors, she solicited the help of a cast and crew. Together, they filmed each scene, carefully ensuring that they captured all of Chris and Mei Mei’s emotional conquests. Once they were certain that they had footage that they could be proud of, Huang edited it together to create her final project. Xuhua Hu, who was fortunate enough to work with Huang on the film, was impressed by the way in which her own experiences working in China and the United States helped her to form the film’s underlying mood and emotional tones.

“Lili has accumulated a vast amount of experience and understanding of film production resources through her work in China and the United States. After working with her, I can confidently say that she is an invaluable professional filmmaker. Not only that, but she is a talented and outstanding screenwriter,” said Hu.

Mei Mei premiered in May of 2015 and Huang was extremely humbled by the way her audience received it. She was showered with praise and recognition for the hard work and dedication that she had put into ensuring that the project was a success. To her added delight, Mei Mei garnered a substantial amount of acclaim when it screened at festivals around the world. In fact, the film earned her an Official Selection at the Rhode Island International Film Festival, as well as at the Indie Fest USA International Film Festival. It was also nominated for Best Film, and won Best Screenplay at the Golden Panda Awards in 2015. Though she does not conduct her work solely in pursuit of awards and praise, Huang was extremely humbled by the Mei Mei’s tremendous success. She felt that these awards were a testament to the devotion she had for the film and to her career as a whole.

So, what’s next for this talented filmmaker? Recently, Huang was hired to be the screenwriter of an animated feature film called Sang Sang, which is being developed by Shanghai Animation Film Studios. If Huang were able to tell her childhood self that she would one day write a screenplay for the number one animation production company in China, she would be overwhelmed with joy.

Sound Engineer Josué Catalán Discusses Hit Singles and What Can Be Expected in 2018

To this day, somewhere just over 1,250 micro-genres of popular music have been named. They’ve played a huge role in helping to describe and classify different albums and songs, and in doing so, have allowed both listeners and musicians to easily identify and categorize their preferred musical styles.

Renowned sound engineer, Josué Catalán, has experience with mixing and mastering music from a multitude of genres. This versatile experience has aided in Catalán’s growth as an artist, which in recent years has contributed to the success of two major hit singles: Pegadito a Mi Piel and Cuando La Historia Cambie, both released in 2017. Furthermore, due to his vast practice, Catalán’s been able to isolate a few of his favorite genres to work within, too.

“I have two favorite genres of music,” Catalán informed, “POP and Jazz. I love how each one represents a world on its own, and I learn a lot every time I get to work on a POP or Jazz production.”

6
Josué Catalán recording at Studio 57 Pro

The song Pegadito a Mi Piel, which Catalán mixed and mastered, is a song that falls within one of the sound engineer’s two favored genres: POP. Sung by Chilean POP artist Dani Ilabel and produced by Max Donoso and Manuel Burgos, Pegadito a Mi Piel translates to “Close to my skin,” and is a song of romance. It took Catalán a total of just three days to have the final product complete and ready to be delivered to TVN (Televisión Nacional de Chile) Records, the well-known label the single was signed by.

“The main challenge while mixing and mastering this particular song was finding a certain attitude to give the sound that could make it stand out from the typical romantic ballad,” Catalán explained. “I tried to impart some character by adding subtle distortion and delivered nuances that made the sound be forward and dynamic.”

Part of what makes Catalán so uniquely brilliant when it comes to his work is his fearlessness when it comes to taking risks with sound. Anyone can learn how to engineer, but it takes a truly exceptional kind of person, one who’s willing to gamble the possibility of failure, to obtain the attention-seeking type of success Catalán has proved himself more than capable of attaining. Producer Donoso supported this thought, stating, “Josué’s the person you go to because you know he’ll make your music sound better. Not only is he the kind of engineer that knows how to translate engineering into music, which makes him so easy to work with, but he’s also not afraid of taking musical/engineering risks. His mixes tend to bring an edge to projects that helps them to stand out among the ever-crowded universe of music productions.”

Such success also goes hand in hand with working amongst a team of talented individuals, who also happen to deeply care about professionalism and camaraderie within the workplace. Not only have Catalán, Donoso, and Ilabel worked as a unit on Pegadito a Mi Piel, but they’ve also collaborated on several tracks and albums together. “When you work with talented people who also care about teamwork, work ethics, and human relationships, it’s hard not to learn and see yourself grow. Working with Max has showed me that big challenges must be taken step by step and that nothing is impossible in terms of dreams and vision. He taught me to value simple things in music; an honest song will resonate better with the audience, and actually, that’s something one can even relate to life,” Catalán elaborated.

While Pegadito a Mi Piel was the first of songs that Catalán mixed and mastered to be aired on national television, it certainly wasn’t the last. In fact, some of the most notorious tracks the trio has worked on together have been featured on multiple shows of the main Chilean TV channel, TVN. It was, however, Pegadito a Mi Piel’s great success which opened new doors for young singer Ilabel. Not only was the single used as the main soundtrack for the 2017 soap opera La Colombiana starring Felipe Braun, Elizabeth Minotta, and María José Illanes, but it was also named one of the 50 most viral songs in Chile on Spotify for two weeks, ultimately reaching second place on the list.

In simple terms, as Catalán puts it, “A successful song can position an artist so that he or she can spark interest of the label or producers that are managing the artist.” And, this is exactly what the finished product Pegadito a Mi Piel did.

Currently, there is another Ilabel single that will also be mixed and mastered by Catalán in the works. While an official release date is still to be determined, one can remain on the lookout for the song as it is set to be titled Cuenta Conmigo (Count on Me). Ilabel’s latest single that was mixed and mastered by Catalán, Eres Mi Otra Mitad (You Are My Better Half), was released quite recently, and has been airing on TV for about three months now.

Branching out some from the familiar and favorited territory of the POP music genre, Catalán contributed to yet another hit single this past year: The Country-Rock single Cuando La Historia Cambie sung by the famed Jano Letelier.

1
Josué Catalán recording Jano Letelier’s single Cuando La Historia Cambie

Cuando La Historia Cambie is a powerful song that speaks of the injustice and wracked government system in Chile. Elaborating on the subject he’s quite familiar with, Catalán explained, “Chile, because of the military dictatorship in the 70-80s, is one of the most “Neoliberal” countries in the world. Everything is private and the system encourages social and economic inequality. People have to wait six months to get an appointment with a doctor in the public system. Meanwhile, the private hospitals are like luxury hotels and are very expensive. Also, people are retiring with pensions not greater than 10% of their former income, and this is a system managed by private companies. And these are just a few examples of what is going on within the country.”

The compelling and fresh production of Cuando La Historia Cambie was recorded, mixed, and mastered by Catalán, and has been transmitted by several online radio stations, including as the Todos Junto Radio, as well as FM radios such as Radio Futuro, one of the largest Rock and Blues radio stations in all of Chile.

“The first time I heard Cuando LA Historia Cambie on Radio Futuro, I felt so proud and excited and was full of adrenaline. I am proud of having worked on delivering the powerful message of the song to tons of people through one of the biggest radio stations in the country,” Catalán reminisced.

Contributing to the overall production of the single was drummer Arturo Salinas, bass player Sebastian Cordova, and studio assistant Nicolas Moris.

Prior to entering the recording studio, the team had prepared the songs and all ideas, resulting in a smooth process of production.  The band was recorded live with all musicians playing at the same time, and the final mix of the song was listened to repeatedly until Catalán and Letelier were certain they’d achieved a flawless sound.

“Josue’s preparation, responsibility, good hearing, and good will to work makes him very good at what he does,” Letelier commented. Catalán’s great ear for sound quality and comprehensive talent for engineering was also noticed by several radio listeners; After Cuando La Historia Cambie first aired on a radio show, Catalán instantly received praising comments comparing the sound quality of Letelier’s song to various others of the same style that were aired among his on the station that day. Adding to her previous words, Letelier concluded, “When working with him, you can see that he is happy doing what he loves and puts his positive energy into the projects.”

Presently, Catalán has mixed two additional Jano Letelier singles that are set to be released in early 2018, along with an entire album that should see the light by mid 2018. “The new album is a fresh view of Chilean music based mainly on blues and rock. It serves as an example of the talent that we have in Chile and will bring many different topics to the table in a very honest and powerful way,” Catalán shared. “Jano’s vision of Chilean music is very unique yet very representative of the national scene. The whole process of working with him has been very educative.”

 

For more information on Josué Catalán, please visit: www.josuecatalan.com
To listen to Pegadito a Mi Piel, please visit: https://www.youtube.com/watch?v=k-SzcAHUHek
To listen to Cuando La Historia Cambie, please visit: https://www.youtube.com/watch?v=u6E3mIjDZBw

Charlotte Chimes At the Top of Her Game in “One Eight Zero”

Well-known Australian actress Charlotte Chimes has recently wrapped a lead role in the production  “One Eight Zero”, opposite “Pirates of the Caribbean: Dead Men Tell No Tales” actor, Rupert Raineri.

One would think that working with such high-profile talent in a highly-anticipated project would cause any actor nerves, but it was a process that Charlotte took in her stride. “The shoot was challenging, but well worth it. I got to learn how to ride a horse, and we shot some beautiful scenes in (Australia’s capital city), Canberra.”

In explaining why Charlotte was cast, the director and production team could not be more enthusiastic in highlighting that Charlotte was the only actress in Australia who could have played the lead role of Lucy. Director Denai Gracie was particularly favourable. Gracie is well-known in Australia for her film work and producing the award-winning film “Battle Ground” with “X-Men” star Tim Pocock. “Reviewing [Charlotte’s] previous work gave me such confidence in her ability to excel in the role, that I didn’t feel the need to audition her. She did not disappoint!!…Charlotte instinctively resonated with the character of Lucy, bringing the perfect blend of sincerity and authenticity to the role, and delivered a powerhouse performance.”

Charlotte’s role was not only the lead, but also represented an artistic challenge that gave her the opportunity to do detailed character work. The film, a coming-of-age story, completely revolves around Lucy’s character journey and therefore the film simply would not function were it not for Charlotte’s commanding, central performance. “After surviving a life altering accident Lucy must rebuild her life and establish what truly is valuable to her,” Charlotte explains with the eloquence expected of a leading actress. “It was important to me that she was portrayed as a multifaceted human being going through immense upheaval with grace, resilience and integrity.”

“One Eight Zero” represents one of many recent esteemed productions in which Charlotte plays a lead or critical role. For one, she recently stole the small-screen in her performance as Holly for horror anthology series, “Scary Endings,” produced by Strangler Films and John Fitzpatrick. Fitzpatrick is well known for his work on the long-running CW favorite, “Supernatural.”

“I feel incredibly blessed to have worked with such preeminent international producers – the experience on “Scary Endings” was a fun one. It’s not as scary shooting horror projects as it is watching them!”

IMG_3685 (1)
Charlotte having fun with producers and cast from the comedy cable network, trueTV. Charlotte is well-known in the industry for her fun-loving nature.

On the other end of the character and genre spectrum is Charlotte’s impressive acting work in “BedHead,” from the “Fresh Blood: Pilot Season” series produced by one of Australia’s most highly-regarded network, ABC (Australia’s Broadcasting Corporation). In the key role of Corvana, Charlotte represented a comic foil to lead actor Paul Ayre, who would later win Best Actor at the LA WebFest. Earning raves from the hundreds of thousands of viewers exposed to “BedHead” and the critics who reviewed it, Charlotte notably earned the highest praise from the director himself, Ben Mathews.

“Charlotte is a brilliant actress, both at drama and comedy. Her performance in “BedHead” was absolutely hysterical and no matter how many times I have seen the show (and I’ve seen it a lot) her performance still makes me laugh.” Mathews, who won a Jury Award and Best Film Award from the prestigious Newport Beach Film Festival for directing “Emily”, a film starring “Once Upon a Time” star Meegan Warner, clearly knows what he’s talking about when it comes to established acting talent in Australia. His praise of Charlotte’s unique acting talents and accomplishments is one of many that are heard whenever the young star’s name is mentioned.  

IMG_6265 (1) (1)
Charlotte at last year’s Oscar’s ceremony, with Academy-Award winning director Tom McCarthy (“Spotlight”, starring Mark Ruffalo and Rachel McAdams, and winner of Best Picture and Best Screenplay)

“I’ve been very fortunate to develop my reputation in the Australian entertainment industry, but I’ve also worked very hard.” Indeed, Charlotte also credits her experiences on projects like “Friend Request” (with “Syd2030” star Daniel Frawley) and “Suzie: Uncut” (opposite “Doctor Doctor” actor Craig Walker), as characters which helped her round out her career. Amidst laughter, she explains “[p]eople frequently remark that I’ve developed a complex body of work that reflects my distinctive talent – I’ll take that as a compliment!”

 

A new take on what it means to be a triple threat with Yana GoodDay

There is an unspoken understanding within the modeling community that confidence will carry you a greater distance than looks ever will; however, a healthy dose of both will help to build a strong career. Unlike most other professions, models are required to sell themselves within the promotion of a product. They strive to attract the focus and attention of consumers in order to increase awareness of particular brands, companies, products, and more. From fashion to glamor, to fitness and swimsuits, models are featured in a variety of media formats that surround us each and every day and they are an integral element of Western culture. With that, the modeling industry has gained a substantial amount of interest and following throughout history, with the number of working models growing and the amount of available jobs shrinking. It can, therefore, be argued that in today’s society, it is more difficult than ever to stand out in the modeling world and thrive amongst the industry’s top contenders. For Russian model, Yana GoodDay, on the other hand, rising to the top of her field has been a lifelong journey and today, she is taking her profession by storm.

Ever since she can remember, GoodDay has found herself energized by the idea of showcasing her unique allure before the world. As a young girl, she often caught herself daydreaming about the idea of seeing her face on magazine covers and walking down fashion runways in beautiful outfits. As she began turning her daydreams into a reality, she realized that not only were her talents rare in the modeling community, but they were transferable to other related professions. She decided to test her hand at acting for films such as Kids in the Cage and The Waiting, as well as television hosting. With time, she learned to balance the three job types in order to build a more well-rounded career. She has since landed herself a number of notable jobs as a model, actress, and television hostess. For instance, when the 2014 Olympic Games were hosted in Sochi, Russia, GoodDay earned herself a job as the hostess of the Games’ official welcoming ceremony.

Earlier that year, Dynamic Project Group Agency were selected to help with the preparation and coordination of the 2014 Sochi Olympic and Paralympic Games. For their official welcoming ceremony, which gathered nearly 3000 athletes from all 88 participating countries, Alena Kremer, of Dynamic Project Group Agency, was looking for a hostess who would provide a familiar face for Russian audiences, as well as one who would represent Russia flawlessly before the eyes of other audiences around the globe. Having formerly served as a reporter for Pro-TV, participated in countless runway fashion shows, posed for covers of well-known magazine companies, hosted national television programs, and more, Kremer was certain that GoodDay was the ideal candidate for the event.

“When we auditioned Yana to host the Olympic Games Welcoming Ceremony, she naturally and effortlessly drew the attention of everyone in the room from the moment she walked in. Her outstanding acting skills and outer beauty is only surpassed by her kind, sweet, down-to-earth nature and her astute intelligence. She is a lovely woman who just happens to be extraordinarily beautiful and talented. She was uniquely dedicated and highly qualified to work in this particularly demanding capacity. Fluent in both English and Russian, she possessed the ability to effortlessly switch languages according to the needs of the audience. Reliable, talented, and hardworking, Yana played a critical role in making this welcoming ceremony the successful event that it was,” raved Kremer, Managing Partner.

Beyond her work as an actress and a television hostess, GoodDay strives to stay true to her modeling roots whenever the opportunity arises. In fact, she honored this effort when she earned herself a role as a lead cover and promotional model for a number of VJ Dunraven Productions’ novels. VJ Dunraven Productions is a highly reputable production company, having released a number of renowned novels written by VJ Dunraven, such as The Promise, and The Captive Shifter. As a lead cover model, GoodDay has established a profound reputation for being able to adapt herself and her looks to suit any genre she is tasked with posing for.

“For the Captive Shifter, Yana posed in an effortlessly angelic stance as she gazed over her shoulder with a sense of purity that was, at once, innocent and mysterious in the most beautiful way,” told Maria Chronis, Founder, Executive Producer, and Director of VJ Dunraven Productions.

Regardless of the novel’s plot line or character basis, GoodDay has a natural affinity for attracting a reader’s attention. Her modeling compliments the contents of each novel and is undoubtedly the reason that so many readers feel compelled to find out what lies beneath her engaging covers. For GoodDay, it is a dream come true to be able to see herself on the cover of each novel and it reminds her of when she would gaze at books and magazines in stores as a child, wondering what it would be like to see her face on them one day. In fact, in the span of two years, she found her face on over 35 different novel covers published by VJ Dunraven Productions.

Being able to live out her childhood dreams is an indescribable feeling, and she considers herself extremely fortunate to be able to truly love what she does for a living. Between acting in films, hosting television shows, and modeling, she has established a remarkable career and she looks forward to building it day by day, and job by job in the future. For those aspiring to develop a reputation like GoodDay’s and to build the type of confidence necessary to accomplish what she has, GoodDay had the following to say:

“Whatever you choose to do, study that subject and its history. Dedicate yourself to it and be brave, but refrain from letting that bravery become arrogance or shamelessness. Work on yourself to be the best version of you that you can be. Finally, don’t forget to get some rest from time to time.”

Director Brett Morris showcases the drama in ‘The Real Housewives of Toronto’

Filmmaking started out as a hobby for a young Brett Morris. He was a child actor, and became exposed to movies in a different way than most other kids. The Toronto-native began making films with his sister, and it became his favorite past time. This same passion continues in his work today, and Morris is an in-demand director and producer.

Having worked on several large productions, Morris has taken the Canadian television industry by storm. Shows such as Big Brother Canada, Top Chef Canada, Hockey Wives, and So You Think You Can Dance Canada may not have achieved the success they did without him as the mastermind behind the scenes. He constantly aims to make the best product possible, and ensures all he works with do the same.

“I like to make the on-set experience an ‘idea meritocracy’ where the best idea wins.  Structuring your set this way makes for the experience to be enjoyable for everyone, and always delivers the best content. I don’t care if you’re responsible for catering, if you have an idea that will make our final product better, I’m all ears. You never know where the best idea will come from, and you have to be open and secure enough in role to listen,” he said.

Morris carried this mentality with him during his work on ten episodes of The Real Housewives of Toronto, a show that follows six of the city’s most privileged, powerful and glamorous women as they navigate the elite social scene of Canada’s largest city. This first season introduces Kara Alloway, Roxy Earle, Gregoriane (Grego) Minot, Ann Kaplan Mulholland, Joan Kelley Walker and Jana Webb. Toronto is their playground and they have the real estate, cars, and the diamonds to prove it. The show is part of the widely popular Real Housewives franchise, and when the opportunity came up for Morris to pioneer the Toronto series, he was all for it.

Real Housewives of Toronto3
Ann Kaplan and Brett Morris on the set of Real Housewives

“Working on The Real Housewives is really like working on a soap opera in the 21st century,” Morris described. “What I love about The Real Housewives is that everything is heightened.  Heightened reality television. The hair is bigger, the money is bigger, the personalities are bigger, the fights are bigger. It’s a show that seems so fabricated it has to be real, because the characters are always so magnificent.”

When the showrunner, Grant Greschuk, was looking for a director to make the Toronto version of Real Housewives a success, he reached out to producer Lara Shaw for a recommendation. Shaw instantly thought of Morris, as the two had worked together on Big Brother Canada. Once the two had a chance to talk, they instantly hit it off, and knew working together would be a triumph.

The role of director for Morris demanded a swift technical directorial eye, with a keen sense of how to arc the story to engage audiences. He led a field team of a director of photography, one assistant director, a camera operator, and a production assistant. Each one of them were extremely impressed with Morris’ directorial and leadership skills.

“Brett brought a level of camaraderie to our team that I haven’t experienced in my 14 years in the industry, and I can say I have never had such a good experience working on a show, as I did on the time spent working on Brett’s team. He had a way of raising team moral, bringing a level of levity and enjoyment to each shooting day, while working with the team to get results that brought constant positive feedback from the production management. Brett creates an extremely collaborative environment, instills confidence with his leadership and raises the confidence in his team members by constant feedback and encouragement. Brett is the kind of leader that makes you want to do your absolute best work for him. I would jump at any opportunity to work with Brett in the future as much and often as possible,” said Chris Sherry, the Director of Photography on Real Housewives of Toronto.

Real Housewives of Toronto2
Kara Alloway (Left), Ann Kaplan (Right) with Brett Morris on the set of Real Housewives

Each day, Morris and his crew would arrive two hours before the cast. They would spend this time figuring out how they would film each scene, and he says these were often his most creative hours of the day. Once the cast arrived, filming would begin. The ladies, Morris says, did not require any coaching on his part, as they were very professional, giving him more time to focus on making the best possible product.

As the director of the show, Morris’ first priority was storytelling. At the beginning of each day, he was given just the location and the cast members that would appear in the scenes. At any given time, each character had five different plots to follow, because they all have relationships with different characters. Those relationships would change on any given day and Morris always made sure to keep his head around the story despite such a challenge.

“The best part of working on The Real Housewives of Toronto was how we got to spend the summer. Sometimes in film and TV, the shooting locations and conditions aren’t the most glamorous. I’ve worked in freezing cold ice rinks, on dairy farms, dirty basements – not the most desirable of conditions.  The best part of Real Housewives was that we lived like the cast for three months. We dined at the best restaurants in the city, traveled on yachts, filmed on golf courses, even took the whole shooting crew to Barcelona for a week. The show definitely had its perks,” said Morris.

Morris is immensely proud of the work he did on the first season of The Real Housewives of Toronto. It was a small team, and with him as the leader the show championed as the number one show on the W Network where it premiered. He credits his previous work in reality television to help him bring a fresh perspective to the Real Housewives franchise. He always makes the cleanest and most efficient show he can; he aims to have the locations look as glamorous as possible; he makes sure to photograph the cast in flattering ways. Lastly, he beautifully showed his home city of “The 6” to the rest of the world.

“One of the best part of working in this industry is being able to talk with people who have seen your work. It’s the best ice-breaker to say, ‘I worked on The Real Housewives of Toronto’ because it instantaneously gets a reaction out of someone. They’ll always have an opinion about it, and always want to learn more. It doesn’t matter if you’re talking to a big jock, or an actual housewife – everyone has seen the show and everyone wants to know what it’s really like behind the scenes…. of course, though, I’ll never tell,” Morris concluded.

PEELERS IS A FRIGHTENING JOY FOR PEREZ

Peelers1

Edwin Perez is an actor who is able to perform very convincingly in a wide variety of roles. There are actors who seem born to play one type and are beloved for it, and then there are those like Perez who seem to adjust in a highly believable manner to just about any genre and type of character. When you seem him perform you’ll likely think “Right, that’s what he is supposed to be.” and the next performance of his will have you saying the same thing. Whether he is Romeo in the romantic comedy “Heart Felt”, the overly optimistic bard in “Standard Action”, the Tio in “Nina’s World” (animated children’s program), he is always likable and endearing. It’s probable that this is what prompted him to accept a role in the Grindhouse film “Peelers.” In the film he can be seen dealing death and very much playing against type. There’s a grin on his face when he talks about it and the reaction that the public had to his complete 180. It’s the very purpose of Perez to keep challenging himself and the audience’s perception of who he is and what he can do.

Prior to his being cast in “Peelers”, Perez had never been in a Horror film. He’s not quick to admit it but he has leading man looks, which doesn’t often transfer to being cast as a villain (unless it’s an 80’s coming of age high school story). Edwin was particularly attracted to the way he could present his character before and after his transformation with contrasting approaches to his nefarious nature. The comical fact that he gets to do so with the name Jesus in the film is not lost on the actor. The film and his character were a constant source of challenging exploration for him as he states, “I imagined Jesus as a guy who came to the country obsessed with escaping poverty but lacking the work ethic do so with honestly. He’s a ‘get rich quick with minimal effort’ kinda guy who wants the luxury with none of the responsibility. When the group thinks they have discovered oil, he’s the one who pushes for everyone to keep their mouths shut about it. I can imagine that, in a very dark moment, he’d betray the guys to get what he wants. He goes along with the Pablo’s [the boss] plan because he is technically their boss and because it doesn’t really benefit him to push back to hard. When he transforms, I imagined that all those dark base feeling were brought to the surface and he is driven by greed that as a bestial creature has turned to a violent hunger. When it comes to these situations it’s really easy to just say, well he’s evil now so he kills people. But that’s very one dimensional and it doesn’t give me as an actor very much depth to work with. It’s really important to base his motivations on something real and true to the character. In the case of Jesus, it’s his selfish nature dialed to an extreme dark place which drives him.”

Peelers3

Peelers is the story of a group of workers who find what they believe to be oil but turns out to be a toxic substance which transforms them into primal and seemingly supernatural creatures. They stalk and kill the humans whom they encounter. The creatures are feral with contorting movements and emitting primal snarls and growls. Between the prosthetics and the black substance that oozes from their pores, Perez spent a great deal of time in the makeup chair. The film utilizes practical effects rather than CGI. Edwin fully embraced the opportunity to approach the physicality of the creature he transformed into. He explains, “I wanted to show that the transformation was so extreme that normal human kinetics no longer applied to the creature. In one particular scene I get shot in the head and appear to be dead, but I get up and keep attacking. I decided to twitch and contort into as much of a grotesque posture as I could push my body into while rising back up. These things would normally be done with special effects, but we were doing it with practical effects so it really was up to myself and the other actors to bring these supernatural abilities to life. I think everyone is familiar with the trope of actors in an acting class pretending to be trees or an animal, or some object. Sometimes the creature would stalk his prey like a wolf, or play with it like a cat, and attack like a hyena. A very visceral and primal nature became the foundation for my creature work. It was cardio work for certain to make sure that energy levels were up and you are pacing yourself. Stretching was the biggest part of daily preparation. Contorting yourself into a feral beast can lead to some serious cramping.” It’s an accepted trope by the public of actors in an acting class pretending to be trees or an animal but this very real exercise proved to be highly useful in this situations for Perez.

His role in Peelers allowed Edwin to perform as two very different characters; one dark and brooding with an undertone of controlled greed and the other as a wild beast moving chaotically. This fed both sides of the actor’s creative imagination and did not go unrecognized by the audience or the cast & crew. Director Sevé Schelenz declares, “An indie horror film is demanding in a number of ways. Actors in particular don’t get the posh treatment that they typically receive in a big studio production but the demands on them are just as great, maybe even greater. Edwin brought it in terms of talent and commitment and was equally exceptional in his understanding that we were there to work hard and within a limited amount of time. I know that he was physically spent while also being covered with ooze, sometimes barely able to see or move…yet he never gave less than an amazing performance and never muttered negatively about the circumstances. He’s a true professional and earned everyone’s respect.”

Peelers2

For Edwin Perez the experience of making Peelers holds no negative aspects. While it may seem redundant to say, an actor’s job is to explore different characters and stories. Being physically exhausted, covered in special effects makeup, vocalizing inhuman sounds…it’s all a part of the experience that he signed on for and relishes. A romantic lead, a professional musician, or a devious man turned to beast; these are all a part of what success looks like for Edwin. Referencing the illustrious career of Christopher Lee who was known for his work in the horror genre Perez confirms, “I was able to check off playing a villain and a monster from my actor’s bucket list. It’s really great to be able to look back at how much I have accomplished professionally. I never thought I would get the kinds of opportunities I have had and I am very grateful that so many professionals whom I respect have come along and taken a chance on me. It’s also really rewarding to know that I was able to deliver high quality work in a role that I had never done before. It really makes me hungry for more opportunities like that.”

DESTING OR DELUSION IN A TECH FORMATTED ROMANCE: MATCHED

Screen Shot 2018-03-29 at 8.46.58 AM

Technology is supposed to make our lives easier. This is the allure and attraction we have to it. Blinking lights and high res displays are not the entirety of the advancements that we embrace. Some of them are unseen and often taken “on faith.” There are certain areas in which the jury is still out and one of these is relationships/dating. Human emotions are so complex and dating rituals are so culturally biased that it’s almost impossible to apply science to matters of the heart. It has been attempted for decades with success and failure. The upcoming release Matched tackles this issue. The soon to be released Brian Enciso film of modern romance via technological assistance is equal parts comedy and sobering drama in its discussion of what society is willing to give up in terms of romance in the search for one’s soulmate. Two tech-crossed would-be lovers Jacob Hill (Ithamar Francois) and Allie Benson (Ariane Ryan) seem both destined and doomed in their love connection in this depiction of the uncertainty of a certain connection.

heart-1244507_1280

While the film is futuristic, it’s a stretch to refer to it as Science Fiction. It’s more accurate to describe Matched as a story about where we are soon headed if we continue along the relationship trend that the world has been careening towards. The story is in no way a condemnation of the integration of tech and one’s relationship status but rather an offering about what the next iteration may be.

When a heartbroken young man named Jacob receives a strange package in the mail, he finds a device inside informing him that a company named E-rose has found his perfect match based on science, data, and profiling. Her name is Allie Benson and while she does seem to be a good match, the discomfort of having her complete profile in the palm of his hand is too much for Jacob to bare. Out of curiosity, he goes to the restaurant where she works as a waitress and confirms that the E-rose profile was accurate. He avoids contacting Allie on this first occurrence but she later seeks him out. The two are forced to deal with the fact that they may be perfect for each other in spite of the sterile/unromantic means which has brought them together. As a proxy for modern couples everywhere, the duo contemplates what love truly is; a mathematical formula, a choice, or something altogether different.

Photo13

More than simple entertainment, the film is a springboard for discussion about love in current times…at least for those seeking love. The discussions and life-planning presented by the characters of the film could appear weighty and cumbersome but this is offset by the score of Matched. The obvious choice of cold digital synths was rejected for this film which instead utilizes Folk music instruments such as acoustic guitar, piano, banjo, mandolin, cello, and assorted folk percussion. There’s an intuitive lighthearted and comedic sensibility to the instrumentation and score that composer Chris Wotherspoon has fashioned for Matched. A primary example of this is when Jacob makes the decision to burn the profile he has received in the mail about Allie. As it is burning, Jacob receives a call from Allie telling him she wants her personal information package back. As he literally and figuratively puts out fires, a series of folk percussion elements and a chaotic pizzicato string arrangement (still organic and folky) creates a feeling of disjointedness and comedy.

Photo14

People seem to be in constant search of a means to improve every aspect of their life. Cars, telephones, dating services…these are all merely modern accoutrements of the courting process. Services similar to the one at the center of Matched are very near existence already, it’s likely that they will soon be here. Matched gives us something to think about as we feel the oncoming changes and we must decide if what we have right now is good enough or do we risk it for what could be better…or worse?

HOW YOU WILL SEE, HEAR, & FEEL “CHRISTMAS IN MISSISSIPPI”

Christmas in Mississippi

In the entertainment world there are those who seek the spotlight and then there are those like YuXin Boon. This sound editor prefers the work off screen creating and supporting the performers and story onscreen. It’s not a vocation for those who love attention but for the professional who finds their fulfillment in creativity and empowering the story, it’s the perfect environment. Boon’s work is always about creating the perfect environment. It often focuses on the background sound elements which, if they weren’t in the periphery, might take one out of the story because of their omission. For the Lifetime Television film “Christmas in Mississippi” she was tasked with using her abilities to draw viewers into the relaxing holiday atmosphere that supported the storyline. As the background editor, YuXin created a cheerful ambience that many of us associate with one of the happiest seasons in our year.

“Christmas in Mississippi” perfectly communicates the sentiment behind the season in modern times. Photographer Holly Logan (Jana Kramer) returns to her hometown of Gulfport, Mississippi for Christmas as the town is recovering from a terrible hurricane that devastated it years earlier. Holly finds herself working alongside her high school sweetheart, Mike (Wes Brown) who she discovers gave up his music dream to take care of his brother’s son while his brother served in the country’s military. The two are swept up in the rekindling of their feelings and the joy of the season. The production’s post-sound supervisor Eric M. Klein loved Boon’s work on ‘Enchanted Christmas’ and thought the skills and professionalism she showed on that project could help take the sound of the new project [“Christmas in Mississippi”] to a new level.

YuXin’s approach to her work as Ambience and Foley editor is something she enjoys because it is both methodical & calculated as well as highly creative. During early spotting session that displayed characters walking inside a warehouse with numerous background actors preparing props for light show, Boon divided the movements into sub groups like: present wrapping group, decoration group, and tools carrying group. She inserted the sounds of paper rustling sound for the wrapping, cable tangle sound for decoration, and metal clicking for tools, all contributions via the Foley artist on the film.  Adding ambience for another room in the warehouse in order to make them sound as if coming from the other side of the wall increased the depth and multidimensional feeling of a natural space. The essence of great sound/Foley editing is to present several perspectives of the sounds we experience in real life. YuXin’s highly detailed and though out plan for her work has made her such a sought out professional in a variety of productions. She gives a deeper insight into her mindset when creating as she explains, “I found out the recreation of warehouse ambience was the most difficult part of my work in this movie. The warehouse had a myriad of sounds happening at the same time. (Construction, decoration, paper wrapping, people talking, goods loading, fan spinning, etc.) and I wanted to cover those background movements as much as possible while keeping them balanced. Most of the construction ambiences I found in the [sound] libraries were too heavy for this movie and just didn’t match the scene. Instead of using one construction background with multiple sounds like drilling and sawing, I chose the ambience with one particular movement and combined different layers. For the scene with light construction, I added hammer, ladder, and pallet jack sound to make the scene sound busy. In this way, I provided more options to the director and supervising sound editors. It was easier for me to take out the ambience they didn’t like and keep others.”

There’s perhaps no better way to gain appreciation for those whom you work with as well as improve and excel in your own work than to experience firsthand the challenges of others. Boon was particularly excited that “Christmas in Mississippi” gave her the opportunity to work alongside Martin Quinones (ADR & Foley Recordist of ‘Christmas in Mississippi’) …literally! Because Boon was so microscopically aware of the actions of the actors/characters in the film, Quinones invited her on one of the session to do some of the actual Foley work, creating the recorded sounds that make audible movie magic, like squeezing a moist cloth to mimic the sound of straw stirring the cream in milkshake or the simple sounds of fabric rustling. While it could be easily overlooked and considered mundane, Boon felt that the simple recordings of leather and denim rubbed on a boom microphone would add to the believability of Mike (Holly’s high school sweetheart) during one particular scene, giving emphasis to his movement…which of course it did. Martin professes, “This was the second movie that ‘Wendy’ YuXin Boon and I worked on together and I was able to realize how thorough and detail oriented she is. Her laser-focus approach to sound editing, as well as her willingness to learn new methods and techniques clearly confirms that she makes the process of filmmaking better and more efficient.”

EditingFoley_ChristmasinMississippi

While she works at it, YuXin readily admits that being hyper focused and detailed is simply a part of her nature. Noticing every small detail might be an irritating trait for a person to have but finding a way to use it in a beneficial manner, such as this editor has done, results in appreciation and a successful career. Using the correct tool for the job is the way that YuXin Boon approaches her work on every production she takes part in and it’s doubtless that this is the way that those who hire her view her contributions to their productions. “Christmas in Mississippi” feels like the holidays and thanks to YuXin it most definitely SOUNDS like it as well.

Everything you ever wanted to know about Hollywood's who's-who.